THANK YOU , THANK YOU , THANK YOU !!!! This is the way a video for setup should be done !!! Your information is PRICELESS !!!! Things like the stress you put on those HEAVY Dsub cables and the dangers of breaking the D sub connectors. I can't THANK YOU enough for this information. Also, the expense of cables . Most people don't realize how much cables cost and the importance of buying HIGH QUALITY CABLES and wasting money on cheap cables . This is a video that SSL should PAY YOU to put on their own website !!!!
Thanks so much for sharing your information. This will be a huge benefit for me. One thing that I was concerned about was the amount of DSub connectors I would need to utilize all aspects of the origin.
Hey There Grieg... Glad This Was Helpful... You can download a spreadsheet that has ALL Required Cables identified here: 1drv.ms/x/s!AnAMT8rWudTUgr0LJ_nHe03RGgKwjA?e=nabLMU
Hello Again Everyone... Thanks to all of you who are reaching out to me... The response has been GREAT! Keep those questions coming either here or via email... Let me know the next topic youi would like to learn about featuring the SSL Origin!
Hello Damica, Sorry for the delay in getting back to you... Give me a call or send me your email and I will reply with a more detailed message after we have a chance to discuss your project...
Hey there Shallow… yes it is a lot of money for a cable…. But considering the value of my time I can do a lot better making records instead of making cables… and because I’m NOT a great solderer buying commercial ones saved me both time and a lot of reliability headaches.
Good video! But where did you buy the console from? When they came out they were 48k. Then 50k. Now Sweetwater wants 60. Seems like I’m gonna need that extra money for cables... I had no idea... lol
Do you know if there are any third party automation installations? I don’t need recall but moving faders and mutes. I am thinking about replacing my Trident 80B which has Uptown Moving Faders. I also still use my Sony JH 24 Tape Machine as well as ProTools HD 8 with three 192 I/O’s. Thanks for any info you might have.
Hello… I use the SSL UC-1 with my console and the associated SSL360 software… this gets you EQ, Comporession, and other features for every channel that are stored and recallable… check out TH-cam for use and features. The system works beautifully and sounds FANTASTIC
@@foresthillstudio it can’t control Sony JH 24 so I don’t understand what you are referring to be controlled. Just to be clear I am an analog studio. Currently I have Trident 80B with Uptown moving faders and my tape machine is Sony JH 24 two inch analog recorder. I do have ProTools HD 8 running on a MACPRO 4,1 iOS 10.6.8. with three 192’s A/D D/A converters and Sync i/o to sync 24 track tape machine and moving faders with ProTools HD 8. I cannot use any Mac iOS later than 10.6.8 on my Mac Pro or PROTOOLS HD 8 will not run. Sorry lengthy response. But I wasn’t sure I was clear that I am not a hybrid studio or in the box.
Hopefully there were a couple things there that are helpful… gonna be trying to add more content on the things I have learned going forward… Cheers, Terry
@@foresthillstudio I'm considering this desk and have been reading up as much as I can, the patch bay information was really useful. Its hard to find info like this for this desk. Cheers!
@@OneLoveRecordings Very Exciting news... I don't know where you are located, but if you are near Forest Hill, MD You should come to MY studio and spend a couple hours checking the Console out... (No charge of course)...Terry
@@foresthillstudio I'm in England, thanks for the offer, I appreciate it. If you're looking for ideas for another video, I'd like to see you working the patch bay and showing how you route things, how you route the desk to the computer and what interface you're using. thanks
Setting the Console Up to work with Any Daw Involves connecting the Console to your interface... Both inputs and Outputs... I use the console direct outs or short faders to Feed the DAW Inputs via the interface and I Use The Long Faders To Monitor Signals from the Interface DAW Outputs... Within the DAW you can then route any Console Channel for recording and then "monitor" any channel during hybrid mixing... Hope This Helps...
Great video, you'll be saving people a lot of time and money. I just have one question regarding the sound of Origin. I'm in Mexico so not easy to demo. Anyway i have an SSL Sigma which i run everything through and i really love the character of the thing. Reminds me of the old days when just running signal though a nice board (Trident, Neve etc.) would get you half way there. I'm just wondering if Origin's signature would be comparable to Sigma's, or if it's a whole 'nother beast. I understand it can be very clean and also drivable with the mic pres, but how clean is 'clean' and what kind of character do the master bus and pres impart? Sigma can actually get very fat and juicy, which surprised me. Any comment/opinion would be greatly appreciated sir. I'm seriously considering one. Thank you for your time!
Thanks for watching.... Please LIKE and SUBSCRIBE. Sorry about the noisy audio here and there.
Even though I’m not in the market for a console, I still really enjoyed all the info in this video. Nicely done!
THANK YOU , THANK YOU , THANK YOU !!!!
This is the way a video for setup should be done !!! Your information is PRICELESS !!!!
Things like the stress you put on those HEAVY Dsub cables and the dangers of breaking the D sub connectors. I can't THANK YOU enough for this information. Also, the expense of cables . Most people don't realize how much cables cost and the importance of buying HIGH QUALITY CABLES and wasting money on cheap cables . This is a video that SSL should PAY YOU to put on their own website !!!!
Hi Richard, Thanks for Subscribing and I am VERY happy that you found this info useful!!!
Spot on about the cabling, very easy to overlook the cost.
Thanks for this. Im hell bent on buying an Origin. Lots of great tips I didnt consider at first.
Happy to hear the info was helpful… Good Luck on your journey to an Origin… it will be a great time!!
Thanks so much for sharing your information. This will be a huge benefit for me. One thing that I was concerned about was the amount of DSub connectors I would need to utilize all aspects of the origin.
Hey There Grieg... Glad This Was Helpful... You can download a spreadsheet that has ALL Required Cables identified here:
1drv.ms/x/s!AnAMT8rWudTUgr0LJ_nHe03RGgKwjA?e=nabLMU
Having those speakers in wooden boxes will play havoc with comb filtering and nodes!
Very useful !!! Thank you so much for sharing !
FANTASTIC
This is crazy awesome thorough. Thanks for sharing all this info. Thoughts on using a Flock digital patch bay with this?
I don't know about the Flock... but anything that patches in and out would work... you would need a BUNCH of them though for all the I/O....
Hello Again Everyone... Thanks to all of you who are reaching out to me... The response has been GREAT! Keep those questions coming either here or via email... Let me know the next topic youi would like to learn about featuring the SSL Origin!
great video on this awesome board! can you show us the rear of console patch?
Awesome vid!
Hey Terry give me price for the SF Bay Area for on sight installation
Hello Damica, Sorry for the delay in getting back to you... Give me a call or send me your email and I will reply with a more detailed message after we have a chance to discuss your project...
OK I will
you should learn to solder, $200 for d-sub lol
Hey there Shallow… yes it is a lot of money for a cable…. But considering the value of my time I can do a lot better making records instead of making cables… and because I’m NOT a great solderer buying commercial ones saved me both time and a lot of reliability headaches.
Good video! But where did you buy the console from? When they came out they were 48k. Then 50k. Now Sweetwater wants 60. Seems like I’m gonna need that extra money for cables... I had no idea... lol
I bought early from Sweetwater… I had heard that they were going for a higher price now… Sorry to hear that for you brother!
Cool ,I have wired my studio numerous times ,i feel ya
Well done Terry...I'll be watching....
Do you know if there are any third party automation installations? I don’t need recall but moving faders and mutes. I am thinking about replacing my Trident 80B which has Uptown Moving Faders. I also still use my Sony JH 24 Tape Machine as well as ProTools HD 8 with three 192 I/O’s. Thanks for any info you might have.
Hello… I use the SSL UC-1 with my console and the associated SSL360 software… this gets you EQ, Comporession, and other features for every channel that are stored and recallable… check out TH-cam for use and features.
The system works beautifully and sounds FANTASTIC
th-cam.com/video/vMJt5Zy0gk8/w-d-xo.html
@@foresthillstudio ok thanks. Unfortunately my audio tracks are coming from a 24 track tape machine so I need control on the console
@@HaHaHaHope The SSL 360 Software Provides for transport control
@@foresthillstudio it can’t control Sony JH 24 so I don’t understand what you are referring to be controlled. Just to be clear I am an analog studio. Currently I have Trident 80B with Uptown moving faders and my tape machine is Sony JH 24 two inch analog recorder. I do have ProTools HD 8 running on a MACPRO 4,1 iOS 10.6.8. with three 192’s A/D D/A converters and Sync i/o to sync 24 track tape machine and moving faders with ProTools HD 8. I cannot use any Mac iOS later than 10.6.8 on my Mac Pro or PROTOOLS HD 8 will not run. Sorry lengthy response. But I wasn’t sure I was clear that I am not a hybrid studio or in the box.
What great style and content. So excellent and helpful - for general reference.
Glad you found it helpful and interesting!
Good info! Thanks
Thanks for making this video
Hopefully there were a couple things there that are helpful… gonna be trying to add more content on the things I have learned going forward… Cheers, Terry
@@foresthillstudio I'm considering this desk and have been reading up as much as I can, the patch bay information was really useful. Its hard to find info like this for this desk. Cheers!
@@OneLoveRecordings Very Exciting news... I don't know where you are located, but if you are near Forest Hill, MD You should come to MY studio and spend a couple hours checking the Console out... (No charge of course)...Terry
@@foresthillstudio I'm in England, thanks for the offer, I appreciate it. If you're looking for ideas for another video, I'd like to see you working the patch bay and showing how you route things, how you route the desk to the computer and what interface you're using. thanks
@@OneLoveRecordings This will be coming up in future segments!!!! Thanks for Watching
How would I set this console up with Logic Pro X?
Setting the Console Up to work with Any Daw Involves connecting the Console to your interface... Both inputs and Outputs... I use the console direct outs or short faders to Feed the DAW Inputs via the interface and I Use The Long Faders To Monitor Signals from the Interface DAW Outputs... Within the DAW you can then route any Console Channel for recording and then "monitor" any channel during hybrid mixing... Hope This Helps...
Thank you so much! 😊
Great video, you'll be saving people a lot of time and money. I just have one question regarding the sound of Origin. I'm in Mexico so not easy to demo. Anyway i have an SSL Sigma which i run everything through and i really love the character of the thing. Reminds me of the old days when just running signal though a nice board (Trident, Neve etc.) would get you half way there. I'm just wondering if Origin's signature would be comparable to Sigma's, or if it's a whole 'nother beast. I understand it can be very clean and also drivable with the mic pres, but how clean is 'clean' and what kind of character do the master bus and pres impart? Sigma can actually get very fat and juicy, which surprised me. Any comment/opinion would be greatly appreciated sir. I'm seriously considering one. Thank you for your time!