My Favorite uploaded version of Scarbo that I've heard thus far...captures the essence of this profound piece of music imo with It's passionate, urgent, & dynamic interpretation...so ethereal...Bravo Mariangela!
Who else did you listen to? Pogorelich?Michelangeli? Argerich? Samson Francois? none ef thes pianists have grasped the "essence" of this piece?.Get out of herte you miserable imbecile!!
Im so glad this video has come back!! This performance truly captures the spirit of this piece. One of the best interpretations on record in my opinion. Brava!
She captures the dark and light here so well.The little rhythmic figure takes on life in so many places .Colorful, full of persnality.Really something she does here.
Wow! Wonderful music making and as massive and natural a technique as I ever recall seeing and hearing... She is in the class of Freire and Argerich. Her Ondine from Gaspard (on a separate TH-cam video) is just as marvellous.
It's very slightly more deliberate in tempo than a lot of readings, but she seems intent on finding things other people haven't and there are a number of quite tellingly individual moments. She refuses to be rushed in the lead out of the middle section and this sounds quite different from most other people. There are one or two splashy moments, yes, but she has a big technique and is well on top of it. Not the very best, but impressive.
@PiaNonuTT I agree on the dynamics; there isnt enough contrast between the piano, mezzo and forte gradations, but I simply love here duration liberties; it's also something I include my performances (particularly in Copland works, because, as a composer who loved to annoy his soloists, I cherish the thought of pissing his spectre off on general principle)
I was there for this performance but in the audience, the music just did not carry through the huge performance hall. I guess it's like that for all performances, though. Same with concertos, orchestras usually overpower the piano.
I know, but this piece is one of the most difficult in the history of piano. Her playing, her skill and her interpretation were absolutely great so a false note disappears like a drip in the ocean.
![[LIVE] : ONE ลุมพินี 89 | คู่เอก "ยอดไอคิว vs คิริลล์"](http://i.ytimg.com/vi/Z3vYkHJ_5Ig/mqdefault.jpg)
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My Favorite uploaded version of Scarbo that I've heard thus far...captures the essence of this profound piece of music imo with It's passionate, urgent, & dynamic interpretation...so ethereal...Bravo Mariangela!
Best best best best best. Curb Your Bestism. And she's not "the best."
Who else did you listen to? Pogorelich?Michelangeli? Argerich? Samson Francois? none ef thes pianists have grasped the "essence" of this piece?.Get out of herte you miserable imbecile!!
The best edition I have ever heard.
Excellent performance. Love her intensity.
Im so glad this video has come back!! This performance truly captures the spirit of this piece. One of the best interpretations on record in my opinion. Brava!
wonderful, this's the best version of Scarbo I've ever listened to. This's my favourite from now on. She's such an intelligent interpreter!!!
"dislike" for cutting the end of this great performance in this upload
She captures the dark and light here so well.The little rhythmic figure takes on life in so many places .Colorful, full of persnality.Really something she does here.
brilliant performance. clean, colourful piano sound
Stunning! Incredible live performance of a fiendishly difficult work. I hope she's made recordings.
Wow! Wonderful music making and as massive and natural a technique as I ever recall seeing and hearing... She is in the class of Freire and Argerich. Her Ondine from Gaspard (on a separate TH-cam video) is just as marvellous.
Grazie mille, Mariangela.
Ora che ti ho ascoltata mi riavvicino al pinoforte pienop di vitalità.
Bravissmia !
Her articulation of this demanding piece is astonishing. She endows it with a new life.
freakin beautiful
ma è meravigliosa!!!!!!!!!!!!!!!!!!!
Одно из лучших исполнений на мой взгляд
This performance is absolutely amazi
Perfect.
Bravissima!
Awesome!!!
Best interpretations!
It's very slightly more deliberate in tempo than a lot of readings, but she seems intent on finding things other people haven't and there are a number of quite tellingly individual moments. She refuses to be rushed in the lead out of the middle section and this sounds quite different from most other people. There are one or two splashy moments, yes, but she has a big technique and is well on top of it. Not the very best, but impressive.
mi sono sgolato ieri per gridarle brava! Fenomenale!!! Pianista sublime!
Transports me everytime
@PiaNonuTT I agree on the dynamics; there isnt enough contrast between the piano, mezzo and forte gradations, but I simply love here duration liberties; it's also something I include my performances (particularly in Copland works, because, as a composer who loved to annoy his soloists, I cherish the thought of pissing his spectre off on general principle)
sicuramente una delle pianiste più espressive che abbia mai visto!
Bravo Mariangela!
wow!
Ravel was inspired by E. Grieg, Lyrisches Stück op. 68 Nr.3 "At your feet"
E il finale?! Ma....
YOU CUT OFF THE END???
Bravissima, all'altezza delle difficoltà infernali del pezzo: ma chi è il criminale che ha tagliato le ultime note?
Different technique but undoubtedly (at least?) as great as Ashkenazy and Brendel
mi....per l'ultimo secondo.......
god her neck must get so sore
I was there for this performance but in the audience, the music just did not carry through the huge performance hall. I guess it's like that for all performances, though. Same with concertos, orchestras usually overpower the piano.
that's not "me"...
This work without the last 4 seconds is meaningless
She definitely hits a wrong note at 1:30.
You are a wrong note !!!!
Listen to it again and you can cleary hear it!
I know, but this piece is one of the most difficult in the history of piano. Her playing, her skill and her interpretation were absolutely great so a false note disappears like a drip in the ocean.
It IS the most difficult piece ever. Of course most players hit a wrong note occasionally.
+starlodear True
Good enough,she missed some notes!I prefer Argerich's though.She gives the piece an uncomparable character!