Thanks Dr.Sarita Pathak ji for your this type of valuable teaching VDO for Sastriya Sangeet techniques . I am a violin teacher but I think this type of vocal training will be very much helpful amongs all students. Hat's of to Dr. Sarita Pathak..
Excellent initiative by CEC UGC. It's so nice that a reputed institution is trying to impart lessons related to our roots. Tutors are very very good as well. Proud to be an Indian.
कमाल है आप की आवाज़ और समझाने का तरीक़ा। अगर मैं दिल्ली मैं होता तो आप से सीखने ज़रूर आता।आपने बताया कि देस की प्रकति चंचल है पर मैने इस के अधिकतर गीत गंभीर सुने। May be a matter of chance.
आदरणीय , बहुत ही बढ़िया तरीके से सिखाती हैं आप . मुझे शास्त्रीय संगीत का अत्यंत अल्प ज्ञान आपके vdo देख कर ही प्राप्त हुआ है. मेरी तरह जिनको संगीत का ज्यादा ज्ञान नहीं है उनके लिए इस vdo का 52:27 से 52:40 तक का भाग पहले देखने की सलाह देता हूँ . आभार सहित 🙏🙏🙏
Thanks, Cec Ugc to make these type of video. I want to ask some questions that why there are different - different pakad of one raaga of different music academy and books. Please keep the notations if it is possible in next video.
if anybody there...Guru ji. plz do a cover "diff between desh and deshkar"....diff bw bahar and malhar....diff between jonpuri ,adaana,darbari..... I AM VERY MUCH CONFUSED....
If possible and if you would be in a giving mood please also post a few tips on Raag Marwa if possible. Agar aap ki mauj ho, nahi to jo bhi aapne post kiya hai, uske liye bahut abhari hain. Shabdo se dhanyavad paryapt na hoga...thank you
I’m sorry if I’m wrong pl. let me know so that I may clear my point. You said in any raag we cannot use komal & shudh swar together in my knowledge if I’m right in raat jog we use both Gandhar together. Pl. clearify my point. Susheel chawla
Yes Susheel ji, there are some raag that are exception to this rule. Miya Malhar, Bahaar are also such exceptions. Both of these raag have komal and shuddh Nishaad
Aaroh - Avroh 11:45 Ni Sa Re, MaPa, Ni Sa Sa - Re - NiDhaPa, Dha-MaGaRe- Ga - Ni-Sa Vaadi - Re, Samvadi - Pa Pakad - 20:20 Re ma Pa, Dha - - MaGaRe, Ga Ni Sa Nyaas: Sa, Pa, Ni
माँ सरस्वती की साक्षात मूर्ति अपनी गुरु माँ के चरणों में सादर प्रणाम। संगीत शिक्षक की तलाश करते करते मुझे तो अपने जीवन में माँ आदि शक्ति के साक्षात दर्शन हो गए । मेरी माँ का प्यार संगीत स्वर बनकर मेरे जीवन की हर मुसीबत को सहज बना देता है। माँ आपके चरणों का स्मरण सदा रहे !!! आज दीपक प्रज्वलित कर मैं राग देश शुरू कर रहा हूँ आपका वरद हस्त मेरे सिर पर हो.
Dr Saritha- could you clarify on the different gharanas of music-what are the differences and why the differences exist-how big are the differences. The new students tend to get confused because different gharanas do the auroh/avaroh/pakads and alaaps differently. Which gharana is the best.
बहुत बहुत शुक्रिया आपके गुनी गुरूजी का जिनसे आपने सीखा और फिर आपका शुक्रिया जो गयान आपने हमें घर बैठे दिया बीस वर्ष मैंने गुरु जनों से सीखा और आपका घर बैठ कर हमें सिखाना सुभान अल्ला है जी 🌹🌺🌹🌺🌹🌺
Thank you very much madam.All your teaching is just wonderful. Hope you all are safe during this pandemic. Stay safe. Madam one request - if you kindly teach us raag Ahir Bhairav alap, bandish taan and little jhala..It will be very helpful. Thank you cec..
Namaste. Can You share the scale you typically sing in. For example in this video what is the scale that we should set the tanpura to to sing along with you
RespectedMam in this bandish , was there a use of shush Gandhar in the phrase ay e aye aye aye aye ? It sounded in aarohak form therefore the confusion.
Your tutorials are extremely helpful. I have one question. What is the difference between "Pakad" and "Rag Vachak". I thought both identify core of a raga.
THAT IS GOOD PROGRAM BUT I WANT TO LISTEN WHOLE FLUTE SONG WHICH PLAY BEGIN IN THIS PROGRAM CAN U PLZ SEND ME THE LINK I SEARCH THIS FLUTE'S TUNE VERY LONG TIME SO PLZ HELP ME AND RPLY ME WHERE I FOUND IT SEND ME LINK
मैं आपकी आभारी हुं आपने अपना बहुमुल्य समय हमे दिया आप बहुत सुंदरता के साथ समझती है मैं आपसे hi संगीत सीख रही हूं🙏😘😘
Thanks Dr.Sarita Pathak ji for your this type of valuable teaching VDO for Sastriya Sangeet techniques . I am a violin teacher but I think this type of vocal training will be very much helpful amongs all students.
Hat's of to Dr. Sarita Pathak..
Thanks for your appreciation 🙏
Very nicely described about this Desh Raag which was hardly described previously by any so vividly.I am grateful to respected madam.
Excellent initiative by CEC UGC. It's so nice that a reputed institution is trying to impart lessons related to our roots. Tutors are very very good as well. Proud to be an Indian.
Robin Thomas
✌
Robin Thomas
✌
Thank you so much ma'am!!! Blessed to have these videos. Thank you CEC UGC
Aap se bahut hi sundar gyan milta hain rago ki vishesh sundar jankari milti hain bahut kuch seekhane ko milta hain hardik abhar 🙏❤️🌹🌹
Dhanyawad
Riyaz karne ke pahle mai Aapke Alap ko sunti hun usake baad hi apna Taanpura kholati hun thanks Ma'am God bless all of you
🙏
कमाल है आप की आवाज़ और समझाने का तरीक़ा। अगर मैं दिल्ली मैं होता तो आप से सीखने ज़रूर आता।आपने बताया कि देस की प्रकति चंचल है पर मैने इस के अधिकतर गीत गंभीर सुने। May be a matter of chance.
dhanyavaad
अद्वितीय गायन ।आपके द्वारा उच्चरित स्वरों में दिव्यता की अनुभूति होती है। आपको मेरा प्रणाम।
🙏
आपका गाना बहुत अच्छा बहुत
Thank you so much Guru ji Pathak.Aapke is class se bahut aasan tarike se samajh men aata hai .bahut dhanyawaad.
Very nice elaboration, way of teaching nice
बहोतही आसानीसे समझाया मॅडम आपने. राग देश की सारी खूबियां मनको प्रसन्न कर गयी.
बहोत बहोत धन्यवाद
🙏
Namaskar,
Raag Des and Tilak Kamod are very similar...Would u please explain the subtle differences. Thanks!
Nobody explained like u i salute you mam. Very dipply u explained👍
आदरणीय , बहुत ही बढ़िया तरीके से सिखाती हैं आप . मुझे शास्त्रीय संगीत का अत्यंत अल्प ज्ञान आपके vdo देख कर ही प्राप्त हुआ है. मेरी तरह जिनको संगीत का ज्यादा ज्ञान नहीं है उनके लिए इस vdo का 52:27 से 52:40 तक का भाग पहले देखने की सलाह देता हूँ . आभार सहित
🙏🙏🙏
What a teacher! Truly communicating and effective.
Dhanyavad
Mam, this is the best program for Hindustani classical music.Please keep teaching us.
Sure will
बहूत बहूत अच्छा सिखाए है
धन्यवाद
इस तरह इतर राग भि सिखाए
Pranam guru maa.
Very valuable lessons received about Raag Desh .
🙏
अप्रतिम !!!बहोत ही सुन्दर ! आपका पढानेका तरीका बहुत ही अच्छा है!!!!!
What a explanation!! Wonderful.!! Regards ma'am.
What a brilliant teacher! 🙏
This tutorial is very useful, thank you very much waiting for raag marwa, deshkar and puria
Ujjwala Mahapatra
👍
Very grateful for these lessons 🙏🏻
Thanks, Cec Ugc to make these type of video. I want to ask some questions that why there are different - different pakad of one raaga of different music academy and books. Please keep the notations if it is possible in next video.
Great tutorial ma'am, you are a blessing for people trying to learn from lessons on the net. Thank you.
So lovely info. Thanks Respected Didi
Thank you soo much Ma'am, Your explanation is helping me alot in better understanding of Raags..From Malaysia
Knowledgeible and communicative.
Preparing for my test....your tips are very very useful for us. Pranam.🙏🏽🙏🏽🙏🏽
👍
Very helpful lecture! Thank you for doing it.
🙏
Aapko mera pranam aur Bhagwam se prarthana hai aapko hamesha swasth rakhkhey aur kabhi koi taqlif aapko choo na paye. Amen.
🙏
Bahot he khubsurat teasching
if anybody there...Guru ji.
plz do a cover "diff between desh and deshkar"....diff bw bahar and malhar....diff between jonpuri ,adaana,darbari.....
I AM VERY MUCH CONFUSED....
If possible and if you would be in a giving mood please also post a few tips on Raag Marwa if possible. Agar aap ki mauj ho, nahi to jo bhi aapne post kiya hai, uske liye bahut abhari hain. Shabdo se dhanyavad paryapt na hoga...thank you
let the time come for Marwa Raga Sidhuji
The best presentation in video lesson. Eagerly waiting for Rag Pahadi lesson.
SPratap
OK
Sarita
Waiting for Rock adana
आदरणीय आपबहुतअच्छीतरह संगीत सिखाते है नमस्कार।
fantastic teacher. So clear about everything. Thank you very much
Thanks for your appreciation
Thanks Sarita mam for detailed explanation of raag Desh
I have no words for you, I learn so much from your classes, love u
I’m sorry if I’m wrong pl. let me know so that I may clear my point. You said in any raag we cannot use komal & shudh swar together in my knowledge if I’m right in raat jog we use both Gandhar together. Pl. clearify my point.
Susheel chawla
Yes Susheel ji, there are some raag that are exception to this rule. Miya Malhar, Bahaar are also such exceptions. Both of these raag have komal and shuddh Nishaad
Brilliant teaching.
Aaroh - Avroh 11:45
Ni Sa Re, MaPa, Ni Sa
Sa - Re - NiDhaPa, Dha-MaGaRe- Ga - Ni-Sa
Vaadi - Re,
Samvadi - Pa
Pakad - 20:20
Re ma Pa, Dha - - MaGaRe, Ga Ni Sa
Nyaas: Sa, Pa, Ni
R. Rocky Rakesh Kumar nyaas at RE, PA, Sa
Very. Nicely explained rag desh .Thanks a lot.
माँ सरस्वती की साक्षात मूर्ति अपनी गुरु माँ के चरणों में सादर प्रणाम। संगीत शिक्षक की तलाश करते करते मुझे तो अपने जीवन में माँ आदि शक्ति के साक्षात दर्शन हो गए । मेरी माँ का प्यार संगीत स्वर बनकर मेरे जीवन की हर मुसीबत को सहज बना देता है। माँ आपके चरणों का स्मरण सदा रहे !!!
आज दीपक प्रज्वलित कर मैं राग देश शुरू कर रहा हूँ आपका वरद हस्त मेरे सिर पर हो.
bahut achchhi trh smjhti h aap 🙏thanku mam🙏
Thank you so much mam
Very much informative and easy way of teaching 🙏🙏
Best way to teach classical knowledge
i m also learning guitar thank you very much for your valueable guidance
pranam
Madam, you explain very nice. Thhanks mam.
Interesting & useful lecture. Thanks.
Great teacher explain very clearly.
Mam har music teacher aap jaisa ho👏👏👏
great tutorial. Thank you so much
Dr Saritha- could you clarify on the different gharanas of music-what are the differences and why the differences exist-how big are the differences. The new students tend to get confused because different gharanas do the auroh/avaroh/pakads and alaaps differently. Which gharana is the best.
we will definately cover all these issues which you have raised in the near future.
Excellent explanation! Very nice voice🙏
Bahot hi ummda tarike se bayan kiya
Bahot hi Aala
dhanyavad
Carnatic student watching this class and I find it very usefull thank you so much 🙏🙏🙏🙏
🙏
Thq mam aapka class Bhoot accha direct jaata jo kabhi bhool naha saktaa
🙏
Ma'am ,please raag bhairavi pe bhi video banaye..namaskaar
Mam bhut achha lga
Mam tanpura slow voice me rakhie taki ap ke explanation samja me aye
Thnku so much for providing us raag gyaan
🙏
Madam ji Plz. Explain a contrast between rag DES & raag Tilak kamod .
Already done
Wonderful ....Thank you so much ma'am.....🙏
बहुत बहुत शुक्रिया आपके गुनी गुरूजी का जिनसे आपने सीखा और फिर आपका शुक्रिया जो गयान आपने हमें घर बैठे दिया बीस वर्ष मैंने गुरु जनों से सीखा और आपका घर बैठ कर हमें सिखाना सुभान अल्ला है जी 🌹🌺🌹🌺🌹🌺
Mam रात्रि. का द्वितीय प्रहर kab hota hai...
Thank you very much for posting these invaluable videos🙏🙏🙏
dhanyawad
Respected mam, your lectures are very helpful. thank you!
Thanks for your appreciation
Excellent &inspiring Educational experience Pl. some more raaga s.
yes sure
Hello mam ...very nicely explained in too detail ...bahot Sikh paye
🙏
Thank you very much madam.All your teaching is just wonderful. Hope you all are safe during this pandemic. Stay safe. Madam one request - if you kindly teach us raag Ahir Bhairav alap, bandish taan and little jhala..It will be very helpful. Thank you cec..
Ok
@@SaritaYajurvedi Thank you madam.
fantastic for beginners
Thanks a lot for excellent educational videos
Doctor I'm just learning from You it's great teaching(Rosha n from Canada)
keep it up
Vandematerm.
धन्यवाद
Very nice. Raga Desh is cleard
There is that beautiful Marathi natyageet from natak Rukmini swayanvar It is Tvara Kara sung
by Rukmini I am sending it below
Very very nice lecture mam please make videos on more raagas which are critical like Shri, Maarwa, lalit, etc
OK
@@SaritaYajurvedi thanks 🙏 mam 😍😍😍 mai aapke lectures bahut dhyaan se sunti hun mughe bahut help milti hai aap bahut ache se samjhaati hain 😍🙏
Very thorough
Great teacher
Namaste. Can You share the scale you typically sing in. For example in this video what is the scale that we should set the tanpura to to sing along with you
इसी राग की निर्माण करनेवाले को भी इतना अच्छा स्पष्टीकरण देना नहीं सहा होगा | 😂,
This is nice. Who is the teacher?
Excellent
Great style of teaching
🙏
So thanks mam best teacher in classicle musin
RespectedMam in this bandish , was there a use of shush Gandhar in the phrase ay e aye aye aye aye ? It sounded in aarohak form therefore the confusion.
Your tutorials are extremely helpful. I have one question. What is the difference between "Pakad" and "Rag Vachak". I thought both identify core of a raga.
Yaar tumhare sawal ka kisi ne uttar hi nahi diya 😶 jaise hi mujhe pata chalega me bata dunga
Thank you very much, Madam,
Very 👍good explanation 👏
Which is the parent raga (melakartharaga) of karnatic music Dish belongs to?
Is that Kamas?
I believe it is the 28th Melakarta, Harikambhoji.
THAT IS GOOD PROGRAM BUT I WANT TO LISTEN WHOLE FLUTE SONG WHICH PLAY BEGIN IN THIS PROGRAM CAN U PLZ SEND ME THE LINK I SEARCH THIS FLUTE'S TUNE VERY LONG TIME SO PLZ HELP ME AND RPLY ME WHERE I FOUND IT SEND ME LINK
Thank you Ma'am for your clear explanation
🙏
Highly informative
Very nice information
Madam does ragas are related with RAS also like SInghar Ras,Veer Ras,Bhagti Ras etc
ADAAB MEIN TAAN RUS KHAN SAHAB (DILLI GHARANA) KA POTA HOON 5TH GENERATION (FROM KARACHI PAKISTAN)
AAP KA BAYAN BOHOT KHUBSURAT AUR ILMI HOTA HAI
Ji Shukriya
Very nice info thanks mam
Mem jab aap samjhati ho toh bahut achaa lagta hai .lekin yaad nahi rahta hai.
This Tutorial video is very useful for all music students
Dhanyavaad
অপূর্ব!!!
প্রণাম 🙏🙏🙏
Very good pranam mam Ji please daily practice it is my request. . Please add vandematerm.
Rags are a part of our life jag me agr sangit na hota