Thanks Dr.Sarita Pathak ji for your this type of valuable teaching VDO for Sastriya Sangeet techniques . I am a violin teacher but I think this type of vocal training will be very much helpful amongs all students. Hat's of to Dr. Sarita Pathak..
Excellent initiative by CEC UGC. It's so nice that a reputed institution is trying to impart lessons related to our roots. Tutors are very very good as well. Proud to be an Indian.
कमाल है आप की आवाज़ और समझाने का तरीक़ा। अगर मैं दिल्ली मैं होता तो आप से सीखने ज़रूर आता।आपने बताया कि देस की प्रकति चंचल है पर मैने इस के अधिकतर गीत गंभीर सुने। May be a matter of chance.
Thanks, Cec Ugc to make these type of video. I want to ask some questions that why there are different - different pakad of one raaga of different music academy and books. Please keep the notations if it is possible in next video.
If possible and if you would be in a giving mood please also post a few tips on Raag Marwa if possible. Agar aap ki mauj ho, nahi to jo bhi aapne post kiya hai, uske liye bahut abhari hain. Shabdo se dhanyavad paryapt na hoga...thank you
आदरणीय , बहुत ही बढ़िया तरीके से सिखाती हैं आप . मुझे शास्त्रीय संगीत का अत्यंत अल्प ज्ञान आपके vdo देख कर ही प्राप्त हुआ है. मेरी तरह जिनको संगीत का ज्यादा ज्ञान नहीं है उनके लिए इस vdo का 52:27 से 52:40 तक का भाग पहले देखने की सलाह देता हूँ . आभार सहित 🙏🙏🙏
if anybody there...Guru ji. plz do a cover "diff between desh and deshkar"....diff bw bahar and malhar....diff between jonpuri ,adaana,darbari..... I AM VERY MUCH CONFUSED....
Dr Saritha- could you clarify on the different gharanas of music-what are the differences and why the differences exist-how big are the differences. The new students tend to get confused because different gharanas do the auroh/avaroh/pakads and alaaps differently. Which gharana is the best.
माँ सरस्वती की साक्षात मूर्ति अपनी गुरु माँ के चरणों में सादर प्रणाम। संगीत शिक्षक की तलाश करते करते मुझे तो अपने जीवन में माँ आदि शक्ति के साक्षात दर्शन हो गए । मेरी माँ का प्यार संगीत स्वर बनकर मेरे जीवन की हर मुसीबत को सहज बना देता है। माँ आपके चरणों का स्मरण सदा रहे !!! आज दीपक प्रज्वलित कर मैं राग देश शुरू कर रहा हूँ आपका वरद हस्त मेरे सिर पर हो.
RespectedMam in this bandish , was there a use of shush Gandhar in the phrase ay e aye aye aye aye ? It sounded in aarohak form therefore the confusion.
बहुत बहुत शुक्रिया आपके गुनी गुरूजी का जिनसे आपने सीखा और फिर आपका शुक्रिया जो गयान आपने हमें घर बैठे दिया बीस वर्ष मैंने गुरु जनों से सीखा और आपका घर बैठ कर हमें सिखाना सुभान अल्ला है जी 🌹🌺🌹🌺🌹🌺
Namaste. Can You share the scale you typically sing in. For example in this video what is the scale that we should set the tanpura to to sing along with you
I’m sorry if I’m wrong pl. let me know so that I may clear my point. You said in any raag we cannot use komal & shudh swar together in my knowledge if I’m right in raat jog we use both Gandhar together. Pl. clearify my point. Susheel chawla
Yes Susheel ji, there are some raag that are exception to this rule. Miya Malhar, Bahaar are also such exceptions. Both of these raag have komal and shuddh Nishaad
Aaroh - Avroh 11:45 Ni Sa Re, MaPa, Ni Sa Sa - Re - NiDhaPa, Dha-MaGaRe- Ga - Ni-Sa Vaadi - Re, Samvadi - Pa Pakad - 20:20 Re ma Pa, Dha - - MaGaRe, Ga Ni Sa Nyaas: Sa, Pa, Ni
Thank you very much madam.All your teaching is just wonderful. Hope you all are safe during this pandemic. Stay safe. Madam one request - if you kindly teach us raag Ahir Bhairav alap, bandish taan and little jhala..It will be very helpful. Thank you cec..
Your tutorials are extremely helpful. I have one question. What is the difference between "Pakad" and "Rag Vachak". I thought both identify core of a raga.
THAT IS GOOD PROGRAM BUT I WANT TO LISTEN WHOLE FLUTE SONG WHICH PLAY BEGIN IN THIS PROGRAM CAN U PLZ SEND ME THE LINK I SEARCH THIS FLUTE'S TUNE VERY LONG TIME SO PLZ HELP ME AND RPLY ME WHERE I FOUND IT SEND ME LINK
Thanks Dr.Sarita Pathak ji for your this type of valuable teaching VDO for Sastriya Sangeet techniques . I am a violin teacher but I think this type of vocal training will be very much helpful amongs all students.
Hat's of to Dr. Sarita Pathak..
Thanks for your appreciation 🙏
मैं आपकी आभारी हुं आपने अपना बहुमुल्य समय हमे दिया आप बहुत सुंदरता के साथ समझती है मैं आपसे hi संगीत सीख रही हूं🙏😘😘
Very nicely described about this Desh Raag which was hardly described previously by any so vividly.I am grateful to respected madam.
Excellent initiative by CEC UGC. It's so nice that a reputed institution is trying to impart lessons related to our roots. Tutors are very very good as well. Proud to be an Indian.
Robin Thomas
✌
Robin Thomas
✌
Namaskar,
Raag Des and Tilak Kamod are very similar...Would u please explain the subtle differences. Thanks!
Thank you so much ma'am!!! Blessed to have these videos. Thank you CEC UGC
Thank you so much Guru ji Pathak.Aapke is class se bahut aasan tarike se samajh men aata hai .bahut dhanyawaad.
Very nice elaboration, way of teaching nice
अद्वितीय गायन ।आपके द्वारा उच्चरित स्वरों में दिव्यता की अनुभूति होती है। आपको मेरा प्रणाम।
🙏
आपका गाना बहुत अच्छा बहुत
Nobody explained like u i salute you mam. Very dipply u explained👍
What a teacher! Truly communicating and effective.
Dhanyavad
कमाल है आप की आवाज़ और समझाने का तरीक़ा। अगर मैं दिल्ली मैं होता तो आप से सीखने ज़रूर आता।आपने बताया कि देस की प्रकति चंचल है पर मैने इस के अधिकतर गीत गंभीर सुने। May be a matter of chance.
dhanyavaad
Aap se bahut hi sundar gyan milta hain rago ki vishesh sundar jankari milti hain bahut kuch seekhane ko milta hain hardik abhar 🙏❤️🌹🌹
Dhanyawad
अप्रतिम !!!बहोत ही सुन्दर ! आपका पढानेका तरीका बहुत ही अच्छा है!!!!!
बहोतही आसानीसे समझाया मॅडम आपने. राग देश की सारी खूबियां मनको प्रसन्न कर गयी.
बहोत बहोत धन्यवाद
🙏
Riyaz karne ke pahle mai Aapke Alap ko sunti hun usake baad hi apna Taanpura kholati hun thanks Ma'am God bless all of you
🙏
Mam, this is the best program for Hindustani classical music.Please keep teaching us.
Sure will
बहूत बहूत अच्छा सिखाए है
धन्यवाद
इस तरह इतर राग भि सिखाए
Thanks, Cec Ugc to make these type of video. I want to ask some questions that why there are different - different pakad of one raaga of different music academy and books. Please keep the notations if it is possible in next video.
What a explanation!! Wonderful.!! Regards ma'am.
आदरणीय आपबहुतअच्छीतरह संगीत सिखाते है नमस्कार।
Great tutorial ma'am, you are a blessing for people trying to learn from lessons on the net. Thank you.
This tutorial is very useful, thank you very much waiting for raag marwa, deshkar and puria
Ujjwala Mahapatra
👍
Very helpful lecture! Thank you for doing it.
🙏
Very grateful for these lessons 🙏🏻
I have no words for you, I learn so much from your classes, love u
If possible and if you would be in a giving mood please also post a few tips on Raag Marwa if possible. Agar aap ki mauj ho, nahi to jo bhi aapne post kiya hai, uske liye bahut abhari hain. Shabdo se dhanyavad paryapt na hoga...thank you
let the time come for Marwa Raga Sidhuji
Aapko mera pranam aur Bhagwam se prarthana hai aapko hamesha swasth rakhkhey aur kabhi koi taqlif aapko choo na paye. Amen.
🙏
Preparing for my test....your tips are very very useful for us. Pranam.🙏🏽🙏🏽🙏🏽
👍
आदरणीय , बहुत ही बढ़िया तरीके से सिखाती हैं आप . मुझे शास्त्रीय संगीत का अत्यंत अल्प ज्ञान आपके vdo देख कर ही प्राप्त हुआ है. मेरी तरह जिनको संगीत का ज्यादा ज्ञान नहीं है उनके लिए इस vdo का 52:27 से 52:40 तक का भाग पहले देखने की सलाह देता हूँ . आभार सहित
🙏🙏🙏
Wonderful ....Thank you so much ma'am.....🙏
Thank you soo much Ma'am, Your explanation is helping me alot in better understanding of Raags..From Malaysia
So lovely info. Thanks Respected Didi
What a brilliant teacher! 🙏
i m also learning guitar thank you very much for your valueable guidance
pranam
Pranam guru maa.
Very valuable lessons received about Raag Desh .
🙏
Thanks Sarita mam for detailed explanation of raag Desh
Knowledgeible and communicative.
if anybody there...Guru ji.
plz do a cover "diff between desh and deshkar"....diff bw bahar and malhar....diff between jonpuri ,adaana,darbari.....
I AM VERY MUCH CONFUSED....
Bahot hi ummda tarike se bayan kiya
Bahot hi Aala
dhanyavad
Dr Saritha- could you clarify on the different gharanas of music-what are the differences and why the differences exist-how big are the differences. The new students tend to get confused because different gharanas do the auroh/avaroh/pakads and alaaps differently. Which gharana is the best.
we will definately cover all these issues which you have raised in the near future.
bahut achchhi trh smjhti h aap 🙏thanku mam🙏
fantastic teacher. So clear about everything. Thank you very much
Thanks for your appreciation
Very. Nicely explained rag desh .Thanks a lot.
माँ सरस्वती की साक्षात मूर्ति अपनी गुरु माँ के चरणों में सादर प्रणाम। संगीत शिक्षक की तलाश करते करते मुझे तो अपने जीवन में माँ आदि शक्ति के साक्षात दर्शन हो गए । मेरी माँ का प्यार संगीत स्वर बनकर मेरे जीवन की हर मुसीबत को सहज बना देता है। माँ आपके चरणों का स्मरण सदा रहे !!!
आज दीपक प्रज्वलित कर मैं राग देश शुरू कर रहा हूँ आपका वरद हस्त मेरे सिर पर हो.
RespectedMam in this bandish , was there a use of shush Gandhar in the phrase ay e aye aye aye aye ? It sounded in aarohak form therefore the confusion.
The best presentation in video lesson. Eagerly waiting for Rag Pahadi lesson.
SPratap
OK
Sarita
Waiting for Rock adana
Thank you very much for posting these invaluable videos🙏🙏🙏
dhanyawad
Bahot he khubsurat teasching
This is nice. Who is the teacher?
Mam har music teacher aap jaisa ho👏👏👏
Excellent explanation! Very nice voice🙏
Excellent &inspiring Educational experience Pl. some more raaga s.
yes sure
Madam, you explain very nice. Thhanks mam.
great tutorial. Thank you so much
Interesting & useful lecture. Thanks.
Thanks a lot for excellent educational videos
Thq mam aapka class Bhoot accha direct jaata jo kabhi bhool naha saktaa
🙏
There is that beautiful Marathi natyageet from natak Rukmini swayanvar It is Tvara Kara sung
by Rukmini I am sending it below
बहुत बहुत शुक्रिया आपके गुनी गुरूजी का जिनसे आपने सीखा और फिर आपका शुक्रिया जो गयान आपने हमें घर बैठे दिया बीस वर्ष मैंने गुरु जनों से सीखा और आपका घर बैठ कर हमें सिखाना सुभान अल्ला है जी 🌹🌺🌹🌺🌹🌺
Namaste. Can You share the scale you typically sing in. For example in this video what is the scale that we should set the tanpura to to sing along with you
Best way to teach classical knowledge
Ma'am ,please raag bhairavi pe bhi video banaye..namaskaar
Thank you so much mam
Very much informative and easy way of teaching 🙏🙏
I’m sorry if I’m wrong pl. let me know so that I may clear my point. You said in any raag we cannot use komal & shudh swar together in my knowledge if I’m right in raat jog we use both Gandhar together. Pl. clearify my point.
Susheel chawla
Yes Susheel ji, there are some raag that are exception to this rule. Miya Malhar, Bahaar are also such exceptions. Both of these raag have komal and shuddh Nishaad
Aaroh - Avroh 11:45
Ni Sa Re, MaPa, Ni Sa
Sa - Re - NiDhaPa, Dha-MaGaRe- Ga - Ni-Sa
Vaadi - Re,
Samvadi - Pa
Pakad - 20:20
Re ma Pa, Dha - - MaGaRe, Ga Ni Sa
Nyaas: Sa, Pa, Ni
R. Rocky Rakesh Kumar nyaas at RE, PA, Sa
Mam रात्रि. का द्वितीय प्रहर kab hota hai...
Great teacher explain very clearly.
Madam does ragas are related with RAS also like SInghar Ras,Veer Ras,Bhagti Ras etc
Carnatic student watching this class and I find it very usefull thank you so much 🙏🙏🙏🙏
🙏
Mam tanpura slow voice me rakhie taki ap ke explanation samja me aye
Which is the parent raga (melakartharaga) of karnatic music Dish belongs to?
Is that Kamas?
I believe it is the 28th Melakarta, Harikambhoji.
Hello mam ...very nicely explained in too detail ...bahot Sikh paye
🙏
Thnku so much for providing us raag gyaan
🙏
Brilliant teaching.
Doctor I'm just learning from You it's great teaching(Rosha n from Canada)
keep it up
Vandematerm.
fantastic for beginners
Very very nice lecture mam please make videos on more raagas which are critical like Shri, Maarwa, lalit, etc
OK
@@SaritaYajurvedi thanks 🙏 mam 😍😍😍 mai aapke lectures bahut dhyaan se sunti hun mughe bahut help milti hai aap bahut ache se samjhaati hain 😍🙏
Rags are a part of our life jag me agr sangit na hota
🙏🙏🙏tx a lot ....
Very nice 👌👌👍
Very nice. Raga Desh is cleard
Very good.... Thank you soooo much
Iqbal Rizvi
thanks for the appreciation
Respected mam, your lectures are very helpful. thank you!
Thanks for your appreciation
Thank you very much madam.All your teaching is just wonderful. Hope you all are safe during this pandemic. Stay safe. Madam one request - if you kindly teach us raag Ahir Bhairav alap, bandish taan and little jhala..It will be very helpful. Thank you cec..
Ok
@@SaritaYajurvedi Thank you madam.
Very good pranam mam Ji please daily practice it is my request. . Please add vandematerm.
Excellent
Great style of teaching
🙏
Thank you Ma'am for your clear explanation
🙏
Highly informative
Mam mujhe aap se sikhna hai. Pls help me
Your tutorials are extremely helpful. I have one question. What is the difference between "Pakad" and "Rag Vachak". I thought both identify core of a raga.
Yaar tumhare sawal ka kisi ne uttar hi nahi diya 😶 jaise hi mujhe pata chalega me bata dunga
So thanks mam best teacher in classicle musin
THAT IS GOOD PROGRAM BUT I WANT TO LISTEN WHOLE FLUTE SONG WHICH PLAY BEGIN IN THIS PROGRAM CAN U PLZ SEND ME THE LINK I SEARCH THIS FLUTE'S TUNE VERY LONG TIME SO PLZ HELP ME AND RPLY ME WHERE I FOUND IT SEND ME LINK
Thank you very much, Madam,
Certainly. Thank you
Namaste Saritaji.
Madam ji Plz. Explain a contrast between rag DES & raag Tilak kamod .
Already done
Thank you very much -----you are blessing for music lovers
She is spreading the Taalim she received from her Guru and doing it as a mission.Thanks for the appreciation.
Apurb aapka rag hikhaneka torika iswor apka vala kare,
Very 👍good explanation 👏
Mam bhut achha lga
Very thorough
Great teacher
Mem jab aap samjhati ho toh bahut achaa lagta hai .lekin yaad nahi rahta hai.