A Conversation With CHANTAL AKERMAN // Venice 2011

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  • เผยแพร่เมื่อ 26 ต.ค. 2024

ความคิดเห็น • 48

  • @stoicepictetus3875
    @stoicepictetus3875 4 ปีที่แล้ว +50

    For me she has enriched society by letting us look at her, ourself and other people. She was a thinking, feeling, very courageous human being. The world has lost depth when she passed away.

  • @barbfrmsf
    @barbfrmsf 9 ปีที่แล้ว +52

    may she rest in peace thanks for sharing your talent with us

  • @josefhopper4192
    @josefhopper4192 8 ปีที่แล้ว +35

    She is deeply missed in cinema.

  • @Alexander-tj2dn
    @Alexander-tj2dn 3 ปีที่แล้ว +5

    I just saw "Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles" and was impressed. It´s a pitty she took her life so young. Great talent.

  • @marafernandaibarragarca3500
    @marafernandaibarragarca3500 ปีที่แล้ว +4

    She was really lovely. I don't think she was lost.

  • @priyac7054
    @priyac7054 3 ปีที่แล้ว +3

    I absolute BELIEVE we are to this day ROBBED of some unbelievable joyful pleasures, wisdom and many wonderful experiences through her films in réel and words in réal life, since she's left us 💜👑

  • @frenchfilmbug2
    @frenchfilmbug2 13 ปีที่แล้ว +9

    Very interesting! Also, interesting to note her perspective on Juliette Binoche, commercial cinema, and her mother's experience; as it relates to her films and work as an artist. Thanks for posting!

  • @KenKen3593
    @KenKen3593 12 ปีที่แล้ว +24

    This is great. Ask Akerman a question, and she'll pour all over you. She has so much to say, and she says so much.

  • @bradleym7319
    @bradleym7319 ปีที่แล้ว +1

    Stunning and insightful interview. Thank you for sharing!!!

  • @ChantalAkermanFilms
    @ChantalAkermanFilms ปีที่แล้ว +2

    incroyable, magnifique, merci Chantal

  • @spongekun4246
    @spongekun4246 ปีที่แล้ว +5

    People are not free when they have idols

  • @arpintrio
    @arpintrio 12 ปีที่แล้ว +6

    She's so inspiring

  • @staceyfriedrich2273
    @staceyfriedrich2273 9 ปีที่แล้ว +32

    She is Belgian...not french!!!!

  • @burgesssam
    @burgesssam 7 หลายเดือนก่อน +1

    sorely missed

  • @ceciliamuhlstein1835
    @ceciliamuhlstein1835 5 หลายเดือนก่อน +1

    Yes!

  • @zxjacko
    @zxjacko ปีที่แล้ว +2

    "people are not free when they have idols"

  • @adda7256
    @adda7256 9 ปีที่แล้ว +14

    Elle était géniale!

  • @modestyproduction1408
    @modestyproduction1408 ปีที่แล้ว +1

    Missed!

  • @TheTwillerZone
    @TheTwillerZone 10 ปีที่แล้ว +8

    she seems smart.

  • @Psoel
    @Psoel ปีที่แล้ว +1

    I miss you

  • @eliminatorjr
    @eliminatorjr 5 ปีที่แล้ว +5

    i love her so much lol

  • @19BenZ57
    @19BenZ57 6 ปีที่แล้ว +1

    from PERSIA with Passion

  • @Chrille5782
    @Chrille5782 9 ปีที่แล้ว +5

    RIP

  • @euguevarista
    @euguevarista 9 ปีที่แล้ว +4

    R I P

  • @RevanGabriel
    @RevanGabriel 12 ปีที่แล้ว

    @frenchfilmbug2 When is the Binoche part?

  • @Filmsbyaquila
    @Filmsbyaquila 3 หลายเดือนก่อน

  • @TheEcritoire
    @TheEcritoire 12 ปีที่แล้ว +1

    Chantal parle comme un prophète!
    Like a prophet, she hates idolatry. So do I!
    A:)

  • @savannxh
    @savannxh 4 ปีที่แล้ว +1

  • @apissourios
    @apissourios 5 ปีที่แล้ว

    What is the Levinas quote she says? Show me a mans face and ....?

    • @motleypsy
      @motleypsy 4 ปีที่แล้ว +2

      I also searched for it and found it on wikipedia (en.wikipedia.org/wiki/Face-to-face_(philosophy): "The face, in its nudity and defenselessness, signifies: "Do not kill me." This defenseless nudity is therefore a passive resistance to the desire that is my freedom. Any exemplification of the face's expression, moreover, carries with it this combination of resistance and defenselessness: Lévinas speaks of the face of the other who is "widow, orphan, or stranger."

  • @alexandrasviridov1049
    @alexandrasviridov1049 9 ปีที่แล้ว

    Ох....

  • @julianaantunes3205
    @julianaantunes3205 5 ปีที่แล้ว +1

    gênia

  • @martinevanwaes7555
    @martinevanwaes7555 6 ปีที่แล้ว

    Nirt toevoegen

  • @z28.310
    @z28.310 9 ปีที่แล้ว +9

    Don't smoke kids

    • @alphonsetram1
      @alphonsetram1 8 ปีที่แล้ว +18

      +Felipe Simbron Go fuck yourself

  • @MrSvenovitch
    @MrSvenovitch 9 ปีที่แล้ว +5

    OMG she completely ruined her skin and her voice with those nasty cigs.....look for earlier interviews and see what I mean

    • @keo0147
      @keo0147 7 ปีที่แล้ว +9

      It's called aging.

    • @mindsuck3042
      @mindsuck3042 5 ปีที่แล้ว +11

      She looks normal for a 60 yr old

  • @henriparatte9568
    @henriparatte9568 9 ปีที่แล้ว +2

    The problem with her type of films is that the idea behind the films and the vision of the filmmaker are quite interesting, but the end result is far from convincing. Let's say that she brought some innovation to our ways of looking at the world. Otherwise, she's a typically Jewish-European filmmaker of her generation, someone who is...very lost.

    • @scorpina69
      @scorpina69 9 ปีที่แล้ว +45

      +Henri Paratte - try living as a lesbian feminist under patriarchy, AND as a daughter of a holocaust survivor! It would help to listen to what she is saying in this interview. I find your comment 'quite lost' too.

    • @henriparatte9568
      @henriparatte9568 9 ปีที่แล้ว

      I listened to that interview. She jumps from one idea to another without much logic to most of it.

    • @scorpina69
      @scorpina69 9 ปีที่แล้ว +20

      +Henri Paratte no need to judge her or call her 'lost'. This interview makes perfect sense to me, could this be because I'm a woman and know where she's coming from?

    • @irenel.7851
      @irenel.7851 6 ปีที่แล้ว +19

      +Henri Paratte Your comment sounds strangely anti-Semitic ...

    • @waynej2608
      @waynej2608 5 ปีที่แล้ว +13

      She seems to be quite inspired and motivated. Her films, for me, are captivating and refreshing. They're a nice respite from the mainstream. She took what resources she had, overcame vast obstacles and made the type of film and art, that she wanted to make. I'd say that makes her and her work, fairly far from 'lost'.