Blue in Green (Harmonic Analysis)

This iconic track has a deceptively simple chord progression. Discover how approaching composition modally created this staple in the Jazz repertoire.

[@leopardito]

Blue in green was written by Bill Evans not Miles Davis

[@ant_adlibs]

I know. animated there in the intro, with a play on how Miles notoriously took credit for others songs.

[@ashrackem]

this channels so good

[@thethinkingroom4532]

Hi! Thank you very much for the explanation, very clear.
U saved my ass for a university homework.
One thing, could you please explain a little deeper the part in which there is the modal interchange to the relative dorian scale?
The part in which we have the II7(dominant) Vmin7(diatonic minor) Imin.
Could it be thought as a V7-Imin-IVmin (the Dmin doesn't sound as a resolution so it's considered a IV)?
Thank you in advance :)

[@ant_adlibs]

Pardon the tardiness, new to TH-cam Studio;
and yes you've articulated the idea I was expressing. While the chord roots (E | A | D) appears as a ii V i
We see the full harmony looks more like V7 i iv.
In this brief modulation to A minor, D is Dorian; so this whole moment COULD be articulated as a modal interchange to the relative Dorian.
you're very welcome;
always feel free to ask anything here

[@thethinkingroom4532]

@@ant_adlibs thank you very much bro!
Have a good new year's eve!!!

[@ant_adlibs]

@@thethinkingroom4532 like wise; cheers to today and the hereafter :)

[@LeeGee]

Can't quite put into words how and why this is such a reassuring comment to me but hope the comment helps the algo.

[@f.murray2360]

It,s not just an A- phrygian?

[@ant_adlibs]

it isn't if there's a C#, creating an A Altered chord

[@J4D0N.]

Ur videos too slow paced bro u could have a lot more views and likes

[@ant_adlibs]

this is a pretty old one, but you know too fast excludes peoples too. thanks for the feeedback though