Richard Serra: Tools & Strategies | Art21 "Extended Play"
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- เผยแพร่เมื่อ 10 ม.ค. 2013
- Episode #170: Filmed in 2000 at Richard Serra's Manhattan studio, the artist describes the various tools and conceptual strategies he has used throughout his career when working with lead and steel. Serra discusses his early focus on the nature of the art production process itself which resulted in his writing a "Verb List" (1967-68). Multiple lead works that resulted from Serra acting out the "Verb List" are shown through archival images. Serra's invention of a tool that twisted sheet metal around a wheel enabled him to shape steel in a new way--from the inside out. "Torqued Ellipses" (1996-97), which resulted from this process, are shown at Dia:Beacon in 2004.
Richard Serra's work since the 1960s has focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. Serra's work is known for it's immense physicality, compounded by the breathtaking bends and curves of steel plates that carve private moments out of public spaces.
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins & Catherine Tatge. Camera: Ken Kobland & Pete Shanel. Editor: Morgan Riles. Artwork Courtesy: Richard Serra / Artists Rights Society (ARS), New York & Dia Art Foundation. Theme Music: Peter Foley.
Thanks to the following volunteers for providing subtitles:
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I used this video and accompanying teacher resources for the first time last year, and it greatly enhanced the students' ideas of process, potential areas of inspiration, and overall ideas of what art can be/mean. Thanks again Art 21! I've been using your site for 10 years, and am so grateful for all the content your team provides!
This is like a life saving thing for me as a graudated bfa student preping for mfa...Now I just have to figure out what and how and (internal scream)
Hi there. We will continue to publish new short episodes here on our TH-cam channel at least every other week. New hour-long episodes are tentatively scheduled to return to PBS in 2014.
So sad that this content has not achieved wider exposure. These works are very powerful when experienced in person and spreading the word and encouraging others to engage with them is of benefit to all.
What do you mean wider exposure? Serra is one of the worlds most famous and recognizable artists. Nothing sad about that.
@@Will-ge7ri Serra's work is not often seen in smaller art museums. This is especially true in regard to the large (and very heavy) steel pieces. Those require the backing of a well-funded institution. I would imagine that only a few museums are equipped to provide the means to exhibiting those.
I love this video
Maybe someone knows what kind of pencil he used on 2:05?
Those go by the name 'lead holder'. Looks like 5-5.5 mm lead.
super art 1111
RIP…
oh lord
I would like to see how those small metal maquettes are converted into the final large-scale sculptures. Obviously those translations require experts who become the actual fabricators. What processes and machines produce those full-size forms? (How are the curves set?) This video completely ignores that important step in the process.
I agree
@@brochronicles And then there is the question of how these are installed in exhibition spaces. I assume they come on a truck (or maybe a zeppelin?) and then a crane lifts them into place. But through a side door? Or a roof that has been removed temporarily?
That is a bent piece of metal I have a large amount of those sitting around my job site $600,000
It's called metal
Then sell it you mongol