Great Mr. Sanabria! You're really awesome! Baião is a very hard rhythm to play. I'm Brazilian e I Loved you playing with your 'American accent'. It was perfect! Many thanks to explaining The Baião to the people of the Jazz Academy.
I'm new to Latin drumming, and your lessons are the best I have found. I appreciate the history, philosophy, and then the breakdown. Like with some many things in music, when broken down, things are simpler than they seem (simple does not necessarily mean easy :) Thanks so much.
Beautiful and heartful presentation, Bobby! Just as a reference, regarding contemporary drummers in Brazil (besides Airto) who have helped shaping these rhythms on the drumset as we know it nowadays: Nenê (great book "Ritmos do Brasil para Bateria"), Zé Eduardo Nazário, Márcio Bahia, Robertinho Silva and Paulo Braga. All of them have contributed to some of our luminaries' music such as Hermeto Pascoal, Egberto Gismonti, Tom Jobim, Milton Nascimento and Elis Regina (do check any of their recordings). Big hug and keep up the good work!
You have named some of my favorite Brazilian drummers. I must include Chico Medori, Tutty Moreno, Pascoal Meirelles, and as the guy above me mentioned, Dom Um Romão.
The drummer I probably have the most afinidade with is Robertinho Silva. I've tried to emulate him probably more than other Brazilian drummers. But as far as the baião rhythm, my favorite rendering is probably done by Nenê on the records he's played on with Hermeto Pascoal. It's that playing of the tresillo (don't know how to say in English or any other language) with both the kick and the hi-hat foot simultaneously. Tutty Moreno also plays similarly. Very free and jazz-oriented. Leaves the rhythm open for comping and improvisation.
I came here after listening to Chuck Jacksons "Any Day Now".I know nothing about the technical side of drumming but this was fascinating,thank you for this great video.
What a great video! I wrote a song with Russ Ferrante, and recorded it for an album of mine, that had a baion groove Michael Shapiro played. I had the thought this morning that I'd like to know more about that rhythm, and found this page. Thank you!
I could be wrong, but isn't baiao just the first 2 notes of the tresillo rhythm. My understanding is that if the last note is added it's called xaxado in Brazillian culture.
A lot of even the most traditional baião zabumba will contain the third (muffled) note as a variation though the song. Search in TH-cam for "Forró percussion lesson" by Michael de Miranda, you'll see how Xaxado sounds actually quite different on the Zabumba, especially because of the bacalhao pattern.
Excelllent tutorial, as always Maestro. One small quibble , Drumkit is not the only ibstrument invented in the US , others include electric guitar, bass guitar , synthesizer,vibraphone , electric organ electric piano , dobro , pedal steel guitar, calliope, washboard, sousaphone
Could someone please spell out the name of the percussionist that is mentioned please. I really like this style but without knowing how to look it up I feel lost
There are literally dozens of instruments that were invented in America, including the electric guitar. Multitrack recording and all guitar effects such as delays, chorus, reverbs, etc.
Well, the chorus was a type of oscillating delay first used by the Beatles, as well as early phasing, all based in the tape delay realm... the ADT or auto double tracking was invented for John Lennon to save time. The difference between a simple delay was a joystick in which an engineer "a wobulator" to manually change the length of delay in deference to the vocals so the delayed voice would differ in pitch and time from the original, but more random as provided by a human to make it that way.
Great to see this happening! Here is an example, a modern and great one. Saracotia, a Northeastern brazilian trio, that's from their 2011 record: th-cam.com/video/fqW-dtDyogQ/w-d-xo.html Enjoy!
Hey, great video. I'm trying this on my drum kit very soon. Just wondering, i hope this request doesn't sound weird. Could you guys talk and give examples about the drums in the soundtrack for the video game "Cuphead"?
Hey, not sure if this is helpful, but I remember reading the blurb for an episode of a podcast called 'The Sound Architect' featuring Kris Maddigan talking about the music he composed for Cuphead. Now, that podcast doesn't typically pick apart all elements of a piece of work, but I know Maddigan was/is primarily a drummer (as in, doesn't necessarily consider himself a composer), so it could yield some drum-focused discussion? Maybe not, but it's out there if you feel it's worth exploring.
Besides the fact that he is playing really "square-ish" (Or as we say, "quadrado de gringo"), it's good to know that the music of my country is being acknowledged in the world and it's not just samba lolol
Resembles but Little by Little is straighter 8th rock rather than the syncopation of Baiao:. "Little by Little" kick repeats "1 and" and "3 and" as in rock. In Baiao it's more syncopated: 1, the "ah of 1", and then the "and of 2". The snare on "Little by Little" is straight rock on backbeats 2&4. In Baiao as in most Brasil rhythms, it's going to be more syncopated again -- the various rim clicks that Mr. Sanabria demonstrated. Hope that helps differentiate.
Great Mr. Sanabria! You're really awesome! Baião is a very hard rhythm to play. I'm Brazilian e I Loved you playing with your 'American accent'. It was perfect! Many thanks to explaining The Baião to the people of the Jazz Academy.
Roberto Cláudio Cordeiro Cool! I'm Brazilian too!
5:22 that hi-hat is amazing.
I'm new to Latin drumming, and your lessons are the best I have found. I appreciate the history, philosophy, and then the breakdown. Like with some many things in music, when broken down, things are simpler than they seem (simple does not necessarily mean easy :) Thanks so much.
Que orgulho 🇧🇷
These are all fantastic - great approach - great pacing - more like this please!
Brilliant breakdown, with kudos to the Masters, thank you for passing on the knowledge.
Beautiful and heartful presentation, Bobby! Just as a reference, regarding contemporary drummers in Brazil (besides Airto) who have helped shaping these rhythms on the drumset as we know it nowadays: Nenê (great book "Ritmos do Brasil para Bateria"), Zé Eduardo Nazário, Márcio Bahia, Robertinho Silva and Paulo Braga. All of them have contributed to some of our luminaries' music such as Hermeto Pascoal, Egberto Gismonti, Tom Jobim, Milton Nascimento and Elis Regina (do check any of their recordings). Big hug and keep up the good work!
Näo esqueca um dos velhos mestres: Dom Um Romäo!
You have named some of my favorite Brazilian drummers. I must include Chico Medori, Tutty Moreno, Pascoal Meirelles, and as the guy above me mentioned, Dom Um Romão.
The drummer I probably have the most afinidade with is Robertinho Silva. I've tried to emulate him probably more than other Brazilian drummers. But as far as the baião rhythm, my favorite rendering is probably done by Nenê on the records he's played on with Hermeto Pascoal. It's that playing of the tresillo (don't know how to say in English or any other language) with both the kick and the hi-hat foot simultaneously. Tutty Moreno also plays similarly. Very free and jazz-oriented. Leaves the rhythm open for comping and improvisation.
Great rhythms!
I came here after listening to Chuck Jacksons "Any Day Now".I know nothing about the technical side of drumming but this was fascinating,thank you for this great video.
What a great video! I wrote a song with Russ Ferrante, and recorded it for an album of mine, that had a baion groove Michael Shapiro played. I had the thought this morning that I'd like to know more about that rhythm, and found this page. Thank you!
Fantastic!
I could be wrong, but isn't baiao just the first 2 notes of the tresillo rhythm. My understanding is that if the last note is added it's called xaxado in Brazillian culture.
Yes. But belong to Baião rhythms. Baião and subgeneros.
A lot of even the most traditional baião zabumba will contain the third (muffled) note as a variation though the song. Search in TH-cam for "Forró percussion lesson" by Michael de Miranda, you'll see how Xaxado sounds actually quite different on the Zabumba, especially because of the bacalhao pattern.
Awesome!!! check out others Brazilians rhythms like Maracatu.
Grazie Maestro. Bella lezione.
Excelllent tutorial, as always Maestro. One small quibble , Drumkit is not the only ibstrument invented in the US , others include electric guitar, bass guitar , synthesizer,vibraphone , electric organ electric piano , dobro , pedal steel guitar, calliope, washboard, sousaphone
@@Novaneoma_ Perhaps so. Still not accurate.
@@Novaneoma_well the vibraphone is a percussion and it was made in the US so no
Sounds really good. Also very pretty Starclassic!
o cara é bom...
Pronunciation is closer to "Bye-YOWn" than "Bah-OHn", n silent :) Love the playing!!
Amazing
This is awesome !
Check the tune stoneflower by jobim for some great baiao
Even Bobby Sanabria was gritting his teeth and frowning on this one... so it must be hard :-o
very helpful! thanx :)
aWESOME
The first one that he played at the video intro is not Baião but Xaxado.
well well well well well well well what have we here
At 4:19 you really made me miss Claudio Slon right there. Sigh. Nice work! 🙂
>>>>>>>>>>>>>>>>>>>>>>>>>> YES
I love the Creedence Clearwater tune "Born on the Baião"
Hank Igoe 😂
(2:41) to simulate the zabumba, do not let the tambour peel rings.
He got the earrings n stuff wow. Surprised Lincoln center let those be in the video
The only instrument invented in the United States?? I think Bob Moog and his synthesizer might disagree...
Great video though - lovely stuff.
great
Could someone please spell out the name of the percussionist that is mentioned please. I really like this style but without knowing how to look it up I feel lost
bethetroubleyouwant Airto Moreira
There are literally dozens of instruments that were invented in America, including the electric guitar. Multitrack recording and all guitar effects such as delays, chorus, reverbs, etc.
Well, the chorus was a type of oscillating delay first used by the Beatles, as well as early phasing, all based in the tape delay realm... the ADT or auto double tracking was invented for John Lennon to save time. The difference between a simple delay was a joystick in which an engineer "a wobulator" to manually change the length of delay in deference to the vocals so the delayed voice would differ in pitch and time from the original, but more random as provided by a human to make it that way.
Great to see this happening!
Here is an example, a modern and great one. Saracotia, a Northeastern brazilian trio, that's from their 2011 record: th-cam.com/video/fqW-dtDyogQ/w-d-xo.html
Enjoy!
mano ainda nao to acreditando nisso, "baionn" KKKKKK
ba-own
na finaleira saiu certo by-own
Hey, great video. I'm trying this on my drum kit very soon.
Just wondering, i hope this request doesn't sound weird. Could you guys talk and give examples about the drums in the soundtrack for the video game "Cuphead"?
Hey, not sure if this is helpful, but I remember reading the blurb for an episode of a podcast called 'The Sound Architect' featuring Kris Maddigan talking about the music he composed for Cuphead. Now, that podcast doesn't typically pick apart all elements of a piece of work, but I know Maddigan was/is primarily a drummer (as in, doesn't necessarily consider himself a composer), so it could yield some drum-focused discussion? Maybe not, but it's out there if you feel it's worth exploring.
Besides the fact that he is playing really "square-ish" (Or as we say, "quadrado de gringo"), it's good to know that the music of my country is being acknowledged in the world and it's not just samba lolol
There are few non-Brazilians in the world who can avoid playing it squarish. Your country has something unquantifiable in its groove
wooooooooooooooooooow
little by little by radiohead
The "terminator."
"Báh on" kk
E eu agarantium. Ahahaha
'Bah on' for gringo to see. Zambumba rsrs
"bah on" lolololololololol
Little By Little from Radiohead has this style
Lostjoy IX Why I’m here. And I’m glad I am!
Resembles but Little by Little is straighter 8th rock rather than the syncopation of Baiao:. "Little by Little" kick repeats "1 and" and "3 and" as in rock. In Baiao it's more syncopated: 1, the "ah of 1", and then the "and of 2". The snare on "Little by Little" is straight rock on backbeats 2&4. In Baiao as in most Brasil rhythms, it's going to be more syncopated again -- the various rim clicks that Mr. Sanabria demonstrated. Hope that helps differentiate.
Max??
That’s Igor Cavalera all over 🙌
Attention: do not think FOUR, think TWO.
So this is the beat Larnell was playing with Pan Fantasy...
i came in the comments section just to find comments about Little by little (Radiohead) :)
Max Georgin - Neorigg Me too! But damn, what a great percussion style overall!
O bacalhau
What is the snare?
Go.
"Bah on" kkkkkkkkkk
serio?KKKKKKK
Bananas in pajamas
Fredrick DingleDoe knbgfgnj
Little by little, hook or by crook..
Gran baterista pero enseñanza es otra cosa
the accent lol
Olmamış, becerememişsin. Cumhur Kebeci "Sen Aslı'dan da güzelsin" şarkısını dinle, not al..