Ein beeindruckendes Werk. Ich bewundere die Vielseitigkeit des musikalischen Genies Schubert. 1997 sangen wir auch diese schöne Messe, die zu Herzen geht. Ich bin immer wieder traurig, dass Schubert so wenige Jahre lebte, und dennoch hat er uns sehr viele Werke hinterlassen. Er konnte viele zu seiner Lebenszeit noch nicht hören, weil sie erst viel später aufgeführt wurden. Seine Bedeutung wurde leider unterschätzt. Schumann, Mendelssohn und Brahms hatten Anteil daran, dass seine Musik entdeckt und aufgeführt wurde.
From 22:47, Et in carnatus est.... Thar section is very unique, sitting right inside the Credo, with an exquisite sound, very well performed here. The soloists are beyond composed. Great work!
Eine sehr gelungene Aufführung; musikalisch differenziert dargeboten; sehr gute Tonaufnahme! - Schön für mich, Hermann Prey wieder zu hören - am 9. Juni 2020!
I hear and like sacred works by bach, mozart, beethoven, haydn, handel, brahms, verdi, dvorak, ..., and they all have their merits. however, by far, toching me the most is this piece. d950, d956, d960 to me the three pillars of unfathomable depth of emotion by late Schubert.
@@Rickriquinho a pathetic and funny combination of opera and symphony, rather tragicomic than mournful. But don't use words like garbage with juvenile categorization when you're talking about a great composer's work. All great composers have mediocre works
I can't believe this is THE Herman Prey singing there!! What? Such a small part? And then as a bass when he was a world class hugely important baritone? Maybe he was doing it as a favor to the conductor or something?
Hermann Oskar Karl Bruno Prey war ein deutscher Opern- und Liedsänger, Bariton Geboren: 11. Juli 1929, Berlin Verstorben: 22. Juli 1998, Krailling Ich höre und sehe ihn nicht in dieser Aufnahme, hat jemand einen Hinweis? Danke.
Cambreling as with others fails to relate this work more to the earlier and chirpier masses in the cycle rather than forwards to later romantic heaviness and grandeur; the smirk in the music just under the surface largely escapes him. He keeps a grip on the line and a gentle onward breeze, and finds some inward Schubertian working, yet turgidity creeps in and it begins to sound retiring; the Hamburg orchestra doesn’t get Austrian humour.
Considering that Schubert wrote this mass in the last year of his life, I think it can be accepted as part of his "late" style, and forgiven its lack of chirpiness.
this is gods Music........schubert was not an Atheist..........no great Music was ever composed by an Atheist.......Facts and love from vienna Austria.........where it all began,.,.Haydn,.Mozart,.Beethoven ,.schubert,.,.etc...............
I can understand atheists and may God forgive them, however when I hear works like this, it's the last thing for me to believe that composition of any of these could be possible in the mental state of disbelief.
Clearly you deny atheists the capacity for being human in the deepest sense of the term and for having spiritual and existential longings. That is just plain silly but I guess being a believer yourself you might just not understand the many flavors of atheism and agnosticism and how little that has to do with the core of music, or what any great art is.
Je crois que vous traduisez "plus connu,plus familier" par "supérieur".Petit rappel :le requiem "de Mozart"est en grande partie de Süssmayr (l'un de ses élèves) ,en général avec des indications laissées par Mozart,mais parfois sans indications pour certaines parties...De toute façon, ce genre de classement est ridicule dans le domaine de l'Art:chaque artiste apporte son génie propre.
@@Rickriquinho" Shut up"...Élégant !Ça évoque l'aboiement de quelqu'un qui ne supporte pas d'autre opinion que la sienne .Inutile évidemment de discuter. Heureusement que TH-cam recommande la courtoisie... .
It's far more appealing and inspired, as are all Mozart's masses. Hard to imagine a refined person as Schubert wrote any of the in general lame, bombastic and stale sounding masses.
![Schubert: Mis nr. 6, D 950 - Radio Filharmonisch Orkest and Groot Omroepkoor - Live Concert [HD]](http://i.ytimg.com/vi/EtRaxyzSwYE/mqdefault.jpg)
![Schubert: Mis nr. 6, D 950 - Radio Filharmonisch Orkest and Groot Omroepkoor - Live Concert [HD]](/img/tr.png)
Eine historische wunderbare Aufnahme . . . Ich habe sie mit Bewunderung genossen!!
Very spiritual and reflective. Beautiful late Schubert. Thanks!
Ein beeindruckendes Werk. Ich bewundere die Vielseitigkeit des musikalischen Genies Schubert.
1997 sangen wir auch diese schöne Messe, die zu Herzen geht. Ich bin immer wieder traurig, dass Schubert so wenige Jahre lebte, und dennoch hat er uns sehr viele Werke hinterlassen. Er konnte viele zu seiner Lebenszeit noch nicht hören, weil sie erst viel später aufgeführt wurden. Seine Bedeutung wurde leider unterschätzt. Schumann, Mendelssohn und Brahms hatten Anteil daran, dass seine Musik entdeckt und aufgeführt wurde.
Uno dei piu' grandi capolavori della musica sacra, poco eseguita nel nostro paese.
¡ Que inmenso el genio de Franz Schubert, cuanto mas nos hubiera legado si no hubiera fallecido tan joven!
One of the last singing of a greatly loved singer Hermann Prey.
The 16th notes underpinning the beginning of the Sanctus are like transformative, transfiguring rays of heavenly light.
This is very beautiful, thank you!
From 22:47, Et in carnatus est.... Thar section is very unique, sitting right inside the Credo, with an exquisite sound, very well performed here. The soloists are beyond composed. Great work!
What a Work of Divine Musical Genius and Heavenly Inspiration is Schubert's Mass in E Flat! An ascending AFFLATUS to celestial Glory..
Che grande fortuna per un giovane cantante di avere l'opportunità di collaborare con un grande artista come Hernan Prey!
Eine sehr gelungene Aufführung; musikalisch differenziert dargeboten; sehr gute Tonaufnahme! - Schön für mich, Hermann Prey wieder zu hören - am 9. Juni 2020!
Incredible! Words cannot describe how great this work is!
I hear and like sacred works by bach, mozart, beethoven, haydn, handel, brahms, verdi, dvorak, ..., and they all have their merits.
however, by far, toching me the most is this piece.
d950, d956, d960 to me the three pillars of unfathomable depth of emotion by late Schubert.
@@lincyu8 Verdi's Requiem is just a bombastic garbage.
@@Rickriquinho a pathetic and funny combination of opera and symphony, rather tragicomic than mournful. But don't use words like garbage with juvenile categorization when you're talking about a great composer's work. All great composers have mediocre works
actually it's quite uneven and too imitating Mozart. First parts are just boring by their banality/ The true masterpiece of Schubert is 8th symphony.
@@roger5725 he-he. If you don't feel mediocrity of many works of them, then you cannot feel whole geniality of their masterpieces,
The best interpretation of this incredible piece.
Moltíssimes gràcies. Una obra mestra !
And who are the choir? Why aren't they given a mention for such wonderful performance?
Una delle migliori in assoluto
Fascinating! Thanks.
22:49 RIP Deon van der Walt 💐
thank you very much for this post
Wonderful!!!
I can't believe this is THE Herman Prey singing there!! What? Such a small part? And then as a bass when he was a world class hugely important baritone? Maybe he was doing it as a favor to the conductor or something?
¡¡ Maravillosa obra !!
Grande...un offertorio al Creador
Jusqu'à nouvel avis, le créateur de cette œuvre admirable est Schubert, et non votre très hypothétique Dieu !
22:48 'Et Incarnatus Est'
super prestation
過去に、栗田博文指揮による名古屋フィル・名古屋市民コーラスでのシューベルトのミサ曲第６番変ホ長調Ｄ９５０を聴いた事があります。
16:00 my favorite part
Hermann Oskar Karl Bruno Prey war ein deutscher Opern- und Liedsänger, Bariton
Geboren: 11. Juli 1929, Berlin
Verstorben: 22. Juli 1998, Krailling
Ich höre und sehe ihn nicht in dieser Aufnahme, hat jemand einen Hinweis? Danke.
Really flat mr. kaufmann at 24:17
I thought the same!
49:21/55:31 What does "LUNA NOBIS PARTEM" mean, esp. in the context of the Mass?
It's the "Dona nobis pacem" ("give us peace") from the Agnus Dei - a part from the ordinary of the Mass.
@@jonasschauer4016 Thanks! To my Ears It was hard to discern PRECISELY all the Latin Words! It seemed to be LUNA Nobis Partem....!
@@albertkundrat4624 Shows what you've been missing in not being Roman Catholic of the pre-Vatican 2 liturgies
@@daved6168 Ok
@@albertkundrat4624 the moon giving birth - perhaps it is a very esoteric doctrine of the Church.
22:45 !!
My favorite
16:00 Cum sancto spiritu…
EXQUISITO
Jonas Kaufmann looked like Ronaldo at that time.
Kiitos!
❤️
Robert Shaw's version is so much better. It's also on TH-cam.
I have it. I think this is better, and more authentic and uplifting.
The young Kaufmann looked like Cristiano Ronaldo
Cambreling as with others fails to relate this work more to the earlier and chirpier masses in the cycle rather than forwards to later romantic heaviness and grandeur; the smirk in the music just under the surface largely escapes him. He keeps a grip on the line and a gentle onward breeze, and finds some inward Schubertian working, yet turgidity creeps in and it begins to sound retiring; the Hamburg orchestra doesn’t get Austrian humour.
Considering that Schubert wrote this mass in the last year of his life, I think it can be accepted as part of his "late" style, and forgiven its lack of chirpiness.
this is gods Music........schubert was not an Atheist..........no great Music was ever composed by an Atheist.......Facts and love from vienna Austria.........where it all began,.,.Haydn,.Mozart,.Beethoven ,.schubert,.,.etc...............
I can understand atheists and may God forgive them, however when I hear works like this, it's the last thing for me to believe that composition of any of these could be possible in the mental state of disbelief.
to bad i dont understand rusian
Clearly you deny atheists the capacity for being human in the deepest sense of the term and for having spiritual and existential longings.
That is just plain silly but I guess being a believer yourself you might just not understand the many flavors of atheism and agnosticism and how little that has to do with the core of music, or what any great art is.
@@lincyu8 The Glagolitic mass disproves that. Composed by an atheist but seems to have divinity running through it.
Brahms was an atheist.
cough, cough, cough, cough, cough, cough, cough, cough
stop your ruining the performance
some kind of feeble imitation of Mozart's Requiem
Mozart's Requiem is far superior to this composition.
Je crois que vous traduisez "plus connu,plus familier" par "supérieur".Petit rappel :le requiem "de Mozart"est en grande partie de Süssmayr (l'un de ses élèves) ,en général avec des indications laissées par Mozart,mais parfois sans indications pour certaines parties...De toute façon, ce genre de classement est ridicule dans le domaine de l'Art:chaque artiste apporte son génie propre.
@@michelrocker9044 Shut up, amateur! This is criticism.
@@Rickriquinho" Shut up"...Élégant !Ça évoque l'aboiement de quelqu'un qui ne supporte pas d'autre opinion que la sienne .Inutile évidemment de discuter. Heureusement que TH-cam recommande la courtoisie...
.
It's far more appealing and inspired, as are all Mozart's masses.
Hard to imagine a refined person as Schubert wrote any of the in general lame, bombastic and stale sounding masses.
So what? This is Schubert's ethereal offering and it's a very great work. We praise God in many different ways. That's just a baffling thing to utter.