I love how the 12 edo section feels simultaneously in and out of tune. That was like the perfect amount of dissonance. Great job on the song overall; I definitely enjoyed it. I am very interested for if and when you post to Spotify
Nice! It’s neat that notation software allows to experiment in different edos simultaneously with not much hassle, compared to traditional DAW approaches where one would need to use different synth instances tuned differently, or use MTS-ESP-aware plugins with an MTS-ESP master capable of changing the tuning mid-track. (Which is thankfully finally out there as freeware (see Wilsonic).)
I love how the 12 edo section feels simultaneously in and out of tune. That was like the perfect amount of dissonance. Great job on the song overall; I definitely enjoyed it. I am very interested for if and when you post to Spotify
> _I love how the 12 edo section feels simultaneously in and out of tune._
Definitely noticeable here, yeah!
Nice!
It’s neat that notation software allows to experiment in different edos simultaneously with not much hassle, compared to traditional DAW approaches where one would need to use different synth instances tuned differently, or use MTS-ESP-aware plugins with an MTS-ESP master capable of changing the tuning mid-track. (Which is thankfully finally out there as freeware (see Wilsonic).)