Learning the lines/licks is important to learning the language, I have found, but ultimately, a player wants to be able to skate, or tap dance all over the fretboard, swing while doing so, incorporating the arpeggios, scale, and lines, that the player has branded into his muscle memory, and subconscious mind. I LOVE your channel, if it wasn't for educators like YOU, Robyn Nolan, Christian Van Hemert, I NEVER would have made the progress, so quickly - its 3 yrs now - and I LOVE this music. Thx again!!!
This improv approach with stock licks or patterns reminds me a lot of bluegrass. I used to memorize “G runs” and “tags” and then you figure out how to fit them in to different standard songs. Lots of hours trading solos with a friend and eventually it began to sound like I knew what I was doing. Each time a little different but with a pretty small stock of actual vocabulary
ChatGPT Transcript Summary: 0:03 - [Music] 0:14 - Thank you 0:16 - [Music] 0:25 - [Music] 0:28 - Introduction 0:31 - Promoting Favino Laurier Release 0:37 - Laurier and his Background 0:45 - Notable Gypsy Jazz Players from the Region 0:51 - Lauriers Unique Style 1:13 - My Improvisation Based on Laurier Solo 1:43 - Overview of Today's Topic: Improvisation 2:33 - Addressing Criticisms of Gypsy Jazz Improvisation 2:56 - Advertisement and Support 3:54 - The Criticism of Gypsy Jazz Improvisation 4:07 - Codified Language in Contemporary Gypsy Jazz 4:35 - Manipulating Patterns vs. Using Licks 5:03 - East of France Gypsy Jazz Players 5:36 - Examples of G Minor Arpeggio Usage 6:27 - Adding Creativity to Musical Patterns 7:13 - Manipulating Patterns and Rhythm 8:05 - Using Patterns in Different Contexts 8:40 - Beginner vs. Advanced Improvisation 9:31 - Steps Beyond Basic Improvisation 9:44 - Analyzing Laurier Solo 10:08 - Filling Holes in Arpeggios 10:21 - Transcription and Harmonic Direction 12:03 - Adding G7 Chord Before C Minor 12:30 - Analyzing C Minor Arpeggio Decorations 13:05 - Developing Personal Improvisation Ideas 13:50 - Example of a Cadence Phrase 14:18 - Summary of Ideas for Improvisation 15:01 - Creative Thinking and Transposing 16:03 - Variation from Laurier's Approach 16:36 - Incorporating D7 and Diminished Chords 17:20 - Mastering Chromaticism and Improvisation 18:02 - The Role of Muscle Memory in Improvisation 18:45 - Adding Feeling and Nuance to Playing 21:34 - Highlighting Released Videos and Different Players ChatGPT Transcript Details: 0:03 - [Music] - Introduction to the audio or video segment with a brief music excerpt. 0:14 - Thank you - Acknowledgment and thanks to the audience for tuning in or supporting the project. 0:16 - [Music] - Another brief music excerpt, possibly setting the mood or transitioning between segments. 0:25 - [Music] - Continuation of the music, potentially establishing the theme or atmosphere for the discussion. 0:28 - Introduction - Overview of the session’s content and objectives. - Brief introduction to Favino Laurier and the focus of the discussion. 0:31 - Promoting Favino Laurier's Release - Details about Favino Laurier’s new release or project. - Information on where to find or purchase the release, and any special features or highlights. 0:37 - Favino Laurier and His Background - A detailed look at Favino Laurier’s career. - Background information, influences, and key milestones in his musical journey. 0:45 - Notable Gypsy Jazz Players from the Region - Overview of influential Gypsy jazz musicians from the same region as Laurier. - Discussion of their impact on the genre and any relevant collaborations or contributions. 0:51 - Favino Laurier's Unique Style - Exploration of Laurier’s distinctive musical style. - Characteristics that set his playing apart from others in the Gypsy jazz genre. 1:13 - My Improvisation Based on Laurier's Solo - Personal demonstration or analysis of improvisation inspired by Laurier’s solo. - Techniques and approaches used in the improvisation. 1:43 - Overview of Today's Topic: Improvisation - Summary of the key points to be covered about improvisation in Gypsy jazz. - Importance of improvisation in Laurier’s music and Gypsy jazz in general. 2:33 - Addressing Criticisms of Gypsy Jazz Improvisation - Examination of common criticisms directed at Gypsy jazz improvisation. - Discussion of how these criticisms affect musicians and the genre. 2:56 - Advertisement and Support - Information about supporting the channel, project, or artist. - Mention of any sponsors, upcoming events, or ways to get involved. 3:54 - The Criticism of Gypsy Jazz Improvisation - In-depth look at specific criticisms faced by Gypsy jazz improvisers. - Perspectives from critics and musicians on these criticisms. 4:07 - Codified Language in Contemporary Gypsy Jazz - Analysis of the standardized or codified elements within modern Gypsy jazz. - Discussion on how these conventions shape improvisation and performance. 4:35 - Manipulating Patterns vs. Using Licks - Comparison of two approaches to improvisation: pattern manipulation versus lick usage. - Advantages and disadvantages of each method in the context of Gypsy jazz. 5:03 - East of France Gypsy Jazz Players - Focus on notable Gypsy jazz musicians from the eastern region of France. - Their contributions to the genre and influence on Laurier. 5:36 - Examples of G Minor Arpeggio Usage - Presentation of examples demonstrating the use of G minor arpeggios in improvisation. - Analysis of how these examples contribute to Laurier’s style. 6:27 - Adding Creativity to Musical Patterns - Techniques for incorporating creativity into established musical patterns. - Tips for improvisers to enhance their originality and expressiveness. 7:13 - Manipulating Patterns and Rhythm - Strategies for manipulating rhythmic patterns to create interesting improvisations. - Examples of rhythmic variations and their impact on the music. 8:05 - Using Patterns in Different Contexts - Discussion on how patterns can be adapted and used effectively in various musical contexts. - Examples of versatile patterns and their applications. 8:40 - Beginner vs. Advanced Improvisation - Comparison of improvisation approaches for beginners versus advanced players. - Key differences in technique, theory, and execution. 9:31 - Steps Beyond Basic Improvisation - Guidance on progressing from basic improvisation techniques to more advanced practices. - Steps to develop a personal improvisational style and voice. 9:44 - Analyzing Laurier's Solo - Detailed analysis of a solo by Favino Laurier. - Examination of his techniques, choices, and stylistic elements. 10:08 - Filling Holes in Arpeggios - Techniques for addressing gaps or "holes" in arpeggio usage during improvisation. - Tips for smooth and coherent musical phrases. 10:21 - Transcription and Harmonic Direction - The role of transcription in understanding and developing improvisation skills. - Discussion of harmonic direction and its influence on improvisational choices. 12:03 - Adding G7 Chord Before C Minor - Explanation of how adding a G7 chord before a C minor chord can affect the harmonic progression. - Examples and practical applications. 12:30 - Analyzing C Minor Arpeggio Decorations - Analysis of decorative elements used with C minor arpeggios. - How these decorations enhance the musical expression. 13:05 - Developing Personal Improvisation Ideas - Techniques for generating and developing unique improvisation ideas. - Encouragement to explore personal expression and creativity. 13:50 - Example of a Cadence Phrase - Presentation of an example cadence phrase. - Analysis of its role in improvisation and how it can be used effectively. 14:18 - Summary of Ideas for Improvisation - Recap of the key concepts and techniques discussed for improving improvisation. - Summary of actionable tips and strategies. 15:01 - Creative Thinking and Transposing - The importance of creative thinking in improvisation. - Techniques for transposing ideas to different keys and contexts. 16:03 - Variation from Laurier's Approach - Discussion on how to vary or deviate from Laurier’s approach to improvisation. - Encouragement to explore and develop a personal style. 16:36 - Incorporating D7 and Diminished Chords - Techniques for incorporating D7 and diminished chords into improvisation. - Examples of how these chords can add depth and complexity. 17:20 - Mastering Chromaticism and Improvisation - Strategies for mastering chromaticism in improvisation. - Tips for integrating chromatic elements smoothly into solos. 18:02 - The Role of Muscle Memory in Improvisation - The importance of muscle memory in facilitating improvisation. - Exercises and practices to build and enhance muscle memory. 18:45 - Adding Feeling and Nuance to Playing - Techniques for adding emotional depth and nuance to improvisational playing. - Tips for connecting with the audience and conveying feeling through music. 21:34 - Highlighting Released Videos and Different Players - Showcase of recently released videos or performances. - Highlighting various Gypsy jazz players and their contributions to the genre.
I think inserting licks or ornaments in parts where you know they will fit is certainly a form of improvisation! Paco de Lucia the famous flamenco guitarist used this to great effect as well as real-time composition! And he said he owed a lot to jazz for that 😁
Denis, great channel! I’ve been a DC music supporter for years & had no idea you had this channel-until now! I am subscribed & am enjoying your great work 👍
Have many many DC lessons and they are simply the best on the planet (have almost all Bireli lessons !) - I teach EXACTLY the same on Introspection Academy (Greg Howe style) - Greg uses “pathways” (you call it patterns) - took me 10 years to find them almost all, takes my students a few weeks now to get going !
Favino is amazing, isn't he? He achieves so much with so little in terms of core vocabulary - and no, I'm not trying to make that sound like a bad thing. Denis: thank you for the music, man. From the days of Hyperhip Media and now DC Music School I have enough reference material to last a lifetime. (Good job I'm going to live till I'm 125)
Super chaine Denis, merci beaucoup pour ta vision de la musique et ta manière de la transmettre d'une manière aussi personnelle que la tienne ! Ca a pas l'air comme ça mes tes vidéos font vraiment du bien à sortir du format des autres musiciens youtubers, y,'a une authenticité qui est vraiment chouette dans ce que tu fais ! En tout cas merci beaucoup pour ton travail et ta passion et bon courage pour la suite :)
Ive been following your channel for a while. I'm an accordion player and trying to learn Gypsy Jazz, this channel has helped a lot. Thanks for all those great contents!!!
salut denis , tu es toujours interessant Cutting edge of this stuff ! Great ! tres interessant ! i m so thankfull pour tout le insight que mon parcours Django and his people and descendants !!! Et donc , apres 20 ans dans cette bulle ( woah time flies ) la chu pret a me reploguer, lespaul , strat , dans des ptits amps a lampe avec la mentalité de ceux qui se sont ploguées comme ca , fin 60s 70s, mais qui avaient grandi sur Django ! Je serais presque pret pour une ptite guitare en plastic !!!! lol - So im still alive and digging ! KEEP UP THE GREAT WORK DJANGO CHANG !!!
Hi from Montreal. Well we just had our first Django festival and it was great! You’ll have to play at the next one! Maybe a masterclass while you’re at it? 😀 Thanks again for this video. I’ll be checking out your recommendations on DC music school. Thx again!
For me, the truth is somewhere in the middle of the triangle of - on the fly music writing (by inspiration, magic of the moment, etc..), muscle memory and conscious using of music theory - all 3 is needed. Btw I play more like "common" swing/jazz than gypsy, I'm pretty bad in learning licks, or transcribed stuff
Licks are vocabulary. Longer licks are quoted phrases. Extemporaneous speakers use vocalulary and commonly used phrases to speak publicly without preparation. Musical improvisation is the same thing. Its just a musical conversation using whatever musical vocabulary the musicians know.
Interestingly, I was reading about much revered rock guitarist David Gilmour. It appears that he will record a pile of improvised takes on a new theme/song/idea and then take his favourite bits from them to create an ideal/finished product.
Well, was Beethoven or Bach improvising? Well, the answer is yes! They would start improvising on an idea or theme and build up a piece from there. It's what I hear that interests me.and not the process Whether a performance piece is part prepared - or wholly prepared -is fine with me as long as it sounds great.
All music is based on a language, scales. How you digest and relay that language is up to the person. Rock, Blues, Bluegrass, and everything in between has a scale system. So yes, it is a system. The real trick is can you make it speak to someone outside yourself!!! Stop being so critical and just have fun!!!!
So in a nutshell: Start at a very young age, quit school, play and practice the whole day every day and eventually, with a bit of luck, you could become a decent gypsy jazz player. lol
![ละลาย (LALALYE) - DAOU PITTAYA ต้าห์อู๋ พิทยา [OFFICIAL MV]](http://i.ytimg.com/vi/wo6r9TgausI/mqdefault.jpg)
Here's the Soundslice transcription! Please like, subscribe, and leave a comment!
www.soundslice.com/slices/6gGkc/
Learning the lines/licks is important to learning the language, I have found, but ultimately, a player wants to be able to skate, or tap dance all over the fretboard, swing while doing so, incorporating the arpeggios, scale, and lines, that the player has branded into his muscle memory, and subconscious mind. I LOVE your channel, if it wasn't for educators like YOU, Robyn Nolan, Christian Van Hemert, I NEVER would have made the progress, so quickly - its 3 yrs now - and I LOVE this music. Thx again!!!
This improv approach with stock licks or patterns reminds me a lot of bluegrass. I used to memorize “G runs” and “tags” and then you figure out how to fit them in to different standard songs. Lots of hours trading solos with a friend and eventually it began to sound like I knew what I was doing. Each time a little different but with a pretty small stock of actual vocabulary
ChatGPT Transcript Summary:
0:03 - [Music]
0:14 - Thank you
0:16 - [Music]
0:25 - [Music]
0:28 - Introduction
0:31 - Promoting Favino Laurier Release
0:37 - Laurier and his Background
0:45 - Notable Gypsy Jazz Players from the Region
0:51 - Lauriers Unique Style
1:13 - My Improvisation Based on Laurier Solo
1:43 - Overview of Today's Topic: Improvisation
2:33 - Addressing Criticisms of Gypsy Jazz Improvisation
2:56 - Advertisement and Support
3:54 - The Criticism of Gypsy Jazz Improvisation
4:07 - Codified Language in Contemporary Gypsy Jazz
4:35 - Manipulating Patterns vs. Using Licks
5:03 - East of France Gypsy Jazz Players
5:36 - Examples of G Minor Arpeggio Usage
6:27 - Adding Creativity to Musical Patterns
7:13 - Manipulating Patterns and Rhythm
8:05 - Using Patterns in Different Contexts
8:40 - Beginner vs. Advanced Improvisation
9:31 - Steps Beyond Basic Improvisation
9:44 - Analyzing Laurier Solo
10:08 - Filling Holes in Arpeggios
10:21 - Transcription and Harmonic Direction
12:03 - Adding G7 Chord Before C Minor
12:30 - Analyzing C Minor Arpeggio Decorations
13:05 - Developing Personal Improvisation Ideas
13:50 - Example of a Cadence Phrase
14:18 - Summary of Ideas for Improvisation
15:01 - Creative Thinking and Transposing
16:03 - Variation from Laurier's Approach
16:36 - Incorporating D7 and Diminished Chords
17:20 - Mastering Chromaticism and Improvisation
18:02 - The Role of Muscle Memory in Improvisation
18:45 - Adding Feeling and Nuance to Playing
21:34 - Highlighting Released Videos and Different Players
ChatGPT Transcript Details:
0:03 - [Music]
- Introduction to the audio or video segment with a brief music excerpt.
0:14 - Thank you
- Acknowledgment and thanks to the audience for tuning in or supporting the project.
0:16 - [Music]
- Another brief music excerpt, possibly setting the mood or transitioning between segments.
0:25 - [Music]
- Continuation of the music, potentially establishing the theme or atmosphere for the discussion.
0:28 - Introduction
- Overview of the session’s content and objectives.
- Brief introduction to Favino Laurier and the focus of the discussion.
0:31 - Promoting Favino Laurier's Release
- Details about Favino Laurier’s new release or project.
- Information on where to find or purchase the release, and any special features or highlights.
0:37 - Favino Laurier and His Background
- A detailed look at Favino Laurier’s career.
- Background information, influences, and key milestones in his musical journey.
0:45 - Notable Gypsy Jazz Players from the Region
- Overview of influential Gypsy jazz musicians from the same region as Laurier.
- Discussion of their impact on the genre and any relevant collaborations or contributions.
0:51 - Favino Laurier's Unique Style
- Exploration of Laurier’s distinctive musical style.
- Characteristics that set his playing apart from others in the Gypsy jazz genre.
1:13 - My Improvisation Based on Laurier's Solo
- Personal demonstration or analysis of improvisation inspired by Laurier’s solo.
- Techniques and approaches used in the improvisation.
1:43 - Overview of Today's Topic: Improvisation
- Summary of the key points to be covered about improvisation in Gypsy jazz.
- Importance of improvisation in Laurier’s music and Gypsy jazz in general.
2:33 - Addressing Criticisms of Gypsy Jazz Improvisation
- Examination of common criticisms directed at Gypsy jazz improvisation.
- Discussion of how these criticisms affect musicians and the genre.
2:56 - Advertisement and Support
- Information about supporting the channel, project, or artist.
- Mention of any sponsors, upcoming events, or ways to get involved.
3:54 - The Criticism of Gypsy Jazz Improvisation
- In-depth look at specific criticisms faced by Gypsy jazz improvisers.
- Perspectives from critics and musicians on these criticisms.
4:07 - Codified Language in Contemporary Gypsy Jazz
- Analysis of the standardized or codified elements within modern Gypsy jazz.
- Discussion on how these conventions shape improvisation and performance.
4:35 - Manipulating Patterns vs. Using Licks
- Comparison of two approaches to improvisation: pattern manipulation versus lick usage.
- Advantages and disadvantages of each method in the context of Gypsy jazz.
5:03 - East of France Gypsy Jazz Players
- Focus on notable Gypsy jazz musicians from the eastern region of France.
- Their contributions to the genre and influence on Laurier.
5:36 - Examples of G Minor Arpeggio Usage
- Presentation of examples demonstrating the use of G minor arpeggios in improvisation.
- Analysis of how these examples contribute to Laurier’s style.
6:27 - Adding Creativity to Musical Patterns
- Techniques for incorporating creativity into established musical patterns.
- Tips for improvisers to enhance their originality and expressiveness.
7:13 - Manipulating Patterns and Rhythm
- Strategies for manipulating rhythmic patterns to create interesting improvisations.
- Examples of rhythmic variations and their impact on the music.
8:05 - Using Patterns in Different Contexts
- Discussion on how patterns can be adapted and used effectively in various musical contexts.
- Examples of versatile patterns and their applications.
8:40 - Beginner vs. Advanced Improvisation
- Comparison of improvisation approaches for beginners versus advanced players.
- Key differences in technique, theory, and execution.
9:31 - Steps Beyond Basic Improvisation
- Guidance on progressing from basic improvisation techniques to more advanced practices.
- Steps to develop a personal improvisational style and voice.
9:44 - Analyzing Laurier's Solo
- Detailed analysis of a solo by Favino Laurier.
- Examination of his techniques, choices, and stylistic elements.
10:08 - Filling Holes in Arpeggios
- Techniques for addressing gaps or "holes" in arpeggio usage during improvisation.
- Tips for smooth and coherent musical phrases.
10:21 - Transcription and Harmonic Direction
- The role of transcription in understanding and developing improvisation skills.
- Discussion of harmonic direction and its influence on improvisational choices.
12:03 - Adding G7 Chord Before C Minor
- Explanation of how adding a G7 chord before a C minor chord can affect the harmonic progression.
- Examples and practical applications.
12:30 - Analyzing C Minor Arpeggio Decorations
- Analysis of decorative elements used with C minor arpeggios.
- How these decorations enhance the musical expression.
13:05 - Developing Personal Improvisation Ideas
- Techniques for generating and developing unique improvisation ideas.
- Encouragement to explore personal expression and creativity.
13:50 - Example of a Cadence Phrase
- Presentation of an example cadence phrase.
- Analysis of its role in improvisation and how it can be used effectively.
14:18 - Summary of Ideas for Improvisation
- Recap of the key concepts and techniques discussed for improving improvisation.
- Summary of actionable tips and strategies.
15:01 - Creative Thinking and Transposing
- The importance of creative thinking in improvisation.
- Techniques for transposing ideas to different keys and contexts.
16:03 - Variation from Laurier's Approach
- Discussion on how to vary or deviate from Laurier’s approach to improvisation.
- Encouragement to explore and develop a personal style.
16:36 - Incorporating D7 and Diminished Chords
- Techniques for incorporating D7 and diminished chords into improvisation.
- Examples of how these chords can add depth and complexity.
17:20 - Mastering Chromaticism and Improvisation
- Strategies for mastering chromaticism in improvisation.
- Tips for integrating chromatic elements smoothly into solos.
18:02 - The Role of Muscle Memory in Improvisation
- The importance of muscle memory in facilitating improvisation.
- Exercises and practices to build and enhance muscle memory.
18:45 - Adding Feeling and Nuance to Playing
- Techniques for adding emotional depth and nuance to improvisational playing.
- Tips for connecting with the audience and conveying feeling through music.
21:34 - Highlighting Released Videos and Different Players
- Showcase of recently released videos or performances.
- Highlighting various Gypsy jazz players and their contributions to the genre.
I think inserting licks or ornaments in parts where you know they will fit is certainly a form of improvisation!
Paco de Lucia the famous flamenco guitarist used this to great effect as well as real-time composition! And he said he owed a lot to jazz for that 😁
One can also make the same case about 'regular' Jazz, or Blues for that matter. It hard to take the training wheels off no matter the style or genre.
Love these videos Denis!!
Always spot on! Thank you Denis!
Denis, great channel! I’ve been a DC music supporter for years & had no idea you had this channel-until now! I am subscribed & am enjoying your great work 👍
Have many many DC lessons and they are simply the best on the planet (have almost all Bireli lessons !) - I teach EXACTLY the same on Introspection Academy (Greg Howe style) - Greg uses “pathways” (you call it patterns) - took me 10 years to find them almost all, takes my students a few weeks now to get going !
Another great video! Thank you Denis✌️
Favino is amazing, isn't he? He achieves so much with so little in terms of core vocabulary - and no, I'm not trying to make that sound like a bad thing. Denis: thank you for the music, man. From the days of Hyperhip Media and now DC Music School I have enough reference material to last a lifetime. (Good job I'm going to live till I'm 125)
Man, as always your videos are pure gold
Thank you for your generosity and passion.
Great video Denis!
Je trouve ça incroyable toutes les cultures que vous assimilez, bonne continuation!👍
Super chaine Denis, merci beaucoup pour ta vision de la musique et ta manière de la transmettre d'une manière aussi personnelle que la tienne ! Ca a pas l'air comme ça mes tes vidéos font vraiment du bien à sortir du format des autres musiciens youtubers, y,'a une authenticité qui est vraiment chouette dans ce que tu fais ! En tout cas merci beaucoup pour ton travail et ta passion et bon courage pour la suite :)
Et ben un très grand merci à toi d’avoir pris le temps d’écrire ce message! Ca me touche!
Love your teaching Denis. Thank you!
Great video! 👍
Ive been following your channel for a while. I'm an accordion player and trying to learn Gypsy Jazz, this channel has helped a lot. Thanks for all those great contents!!!
Magnifique! Merci Denis on a de la chance quand même :)
“From a guitar geometry point of view, you fill the holes” or gaps between arpeggio notes
A other great video thanks @ Denis the gypsy Jazz guru 👌🎶🎶🎶🎸😎👍
Definitely hard to do on improvisations. Thanks for this video Denis!
Love your DC school. Keep up the great work.
salut denis , tu es toujours interessant Cutting edge of this stuff ! Great ! tres interessant ! i m so thankfull pour tout le insight que mon parcours Django and his people and descendants !!! Et donc , apres 20 ans dans cette bulle ( woah time flies ) la chu pret a me reploguer, lespaul , strat , dans des ptits amps a lampe avec la mentalité de ceux qui se sont ploguées comme ca , fin 60s 70s, mais qui avaient grandi sur Django ! Je serais presque pret pour une ptite guitare en plastic !!!! lol - So im still alive and digging ! KEEP UP THE GREAT WORK DJANGO CHANG !!!
Merci Denis!
Great stuff!!
Manipulating known patterns or licks in the moment
Pay attention to where you start the phrase
Lots of great practical advice
Thanks
Hi from Montreal.
Well we just had our first Django festival and it was great!
You’ll have to play at the next one! Maybe a masterclass while you’re at it? 😀
Thanks again for this video.
I’ll be checking out your recommendations on DC music school.
Thx again!
This is great thank you so much for these lessons I've been learning favino through dc music school thanks to you
For me, the truth is somewhere in the middle of the triangle of - on the fly music writing (by inspiration, magic of the moment, etc..), muscle memory and conscious using of music theory - all 3 is needed. Btw I play more like "common" swing/jazz than gypsy, I'm pretty bad in learning licks, or transcribed stuff
Licks are vocabulary. Longer licks are quoted phrases. Extemporaneous speakers use vocalulary and commonly used phrases to speak publicly without preparation. Musical improvisation is the same thing. Its just a musical conversation using whatever musical vocabulary the musicians know.
Favino ! Amazing !
I'm done with scales, asperggios and altered extensions: licks over cadences it is.
“Manipulating things at the cellular level”
“Muscle memory and being able to react by instinct”
Interestingly, I was reading about much revered rock guitarist David Gilmour. It appears that he will record a pile of improvised takes on a new theme/song/idea and then take his favourite bits from them to create an ideal/finished product.
superbe, merci Denis
Love you
What a good lesson!
I love youe acoustic archtop sound! What amp you have? 😃
Great lesson Denis!!
👍🎩👍
What amp are you using. Sounds good. Maybe it's the guitar😅
What type of guitar is that also?
Nice mellow tone.
Fantastic 😍🎸👌🔥
Hi Denis!
Merci Denis, as tu l’occasion de faire des Master class.? En France ou en Belgique. Exposé très pertinent.
Gypsy 4 life all I know is Joscho Stephan is the goat and I'm learning from him
Well, was Beethoven or Bach improvising? Well, the answer is yes! They would start improvising on an idea or theme and build up a piece from there. It's what I hear that interests me.and not the process Whether a performance piece is part prepared - or wholly prepared -is fine with me as long as it sounds great.
Interesting thoughts, inspiring lesson, thx. Ehat guitar do you play in the video, looks like an old Gibson Charlie Christian. Can‘t read the logo.
It’s a Martin Tremblay
It is indeed a Tremblay Gibson ES-250 copy!
Intéressant!
yeeeeeeeeeeeee Denis!!!!
“Symmetrical shapes”, diminished chords and arpeggios
Also check out Messians modes of limited transposition, there are many symmetrical scales
hey.. Denis, you've just confirmed what I've always claimed... my mistakes are actually me 'manipulating' the thing! :) saved! Thank you. XD
luv it
Harmonic direction!
All music is based on a language, scales. How you digest and relay that language is up to the person. Rock, Blues, Bluegrass, and everything in between has a scale system. So yes, it is a system. The real trick is can you make it speak to someone outside yourself!!! Stop being so critical and just have fun!!!!
@@bradejensen you just said the same thing I said. That's fine you still have to be able to make it connect with other people!
How do you spell the artist's name whose style you base your lesson on?
👍👍👍
Dorado Schmitt... on DC music??
Oops hahah, it’s very difficult for Dorado to play guitar for long periods of time these days so it’s hard to do something with him :-(
So in a nutshell: Start at a very young age, quit school, play and practice the whole day every day and eventually, with a bit of luck, you could become a decent gypsy jazz player. lol