There is a shortage of welders all across the country. I got in a production factory last year learning how to weld for 20 an hour and have built up my skill and switched jobs a few times I make 30 an hour now. And do 1200 a week with a little over time. Try a trade. Most schools are offering grants which are like loans that you don't have to pay back. Find a trade you want to do if it's not welding, find an online school or in person school, contact customer service for information on Grants. I just did this and am about to get certified as a weld inspector and will be up to 40 an hr by next year. If you aren't interested in trades, my bad for the novel! But this shit changed my life so I thought I would share. I drove forklift most my life before that. Chased music too hard in my early 20s.
I'm pretty much happy with my Line 6 Helix LT. I went full digital back in 2021, mainly because I live in an apartment building where it's tricky to crank up a real amp, especially if you consider playing during late hours, and also because I love having a lot of different sounds at my disposal, so going digital saves A LOT of money. Line 6 has some sweet stuff in their modelers that other brands don't, like Whammy or Sunn amp and Life Pedal. Also having a built-in expression pedal is a big fat pro in my book.
I did the same thing in 2019, got a Helix LT. For awhile I just went into deep edit because I like creating all my own patches & sounds. But I didn't treat it like "oh look, I can have like 78.0614 different guitar sounds & piss off sound engineers at every gig I play." I treated it like a guitar amp combined with a pedalboard. So once I found the tone that matched the tones I hear inside my head, I just left it. Nobody ever says "man that modeler crap sounds weaksauce!" Mainly because the sound it puts out is massive. I totally love the Helix.
@@TaylorDanley on that note, I've been considering a helix or lt. One thing I've heard someone complain about is how beefy the helix exp pedal is in comparison to the LT's exp pedal. Would you say the LT exp pedal is durable enough to last as long as the other? Or should that even be a concern?
@@SixOG I've owned a LT since 2018 and started gigging with it a year ago. Expression pedal definitely holds up. One thing to note, it has a tension screw on it that you may have to adjust. Pedal was too hard to move when i first got it. Adjusted the screw once in 2018 and haven't touched it since.
In the words of Aaron Marshall from Intervals. “They’re all sick, it’s 2024 and all of the modelers are sick.” I’m sure you can get any of them to sound like each other.
Great VERY UNDERRATED band. I don't know anyone else who listens to them in My current friend group though 😞. I do have a preference for the character of Real tube amps and analog gear but if they keep heading in the right direction it'll be a very welcome alternative to the real thing. they're very close to the sound of real tube amp,etc. but it just needs a bit of work and hopefully we can get an almost 1 to 1 sound within a couple of years. perhaps even sooner. but if You can't find a good cheap enough tube amp, this and even some of the older tech still sound pretty damn good IMHO. if You weren't lucky enough to get a real tube amp on the cheap (or have the mega bucks to buy one of the expensive ones) it's not a bad alternative in the current climate for what it's worth. I'm still happy to play with a good enough solid state tone if the real thing isn't available. could be a little muddy and thin but it's way better than not having something good enough to work with at all. I'm absolutely guilty of owning and using some gear that really gets a bad rap. especially when compared to some of the newer, older, and more expensive counterparts.
@@shaharbar Why funny? He's right. They can sound quite similar. It's just the workflow and applications that might differ, and those can be very subjective.
@@shaharbarYeah artist who can just get stuff move around between things. Kiko, Jim root, dudes in polyphia, Rabea, meshuggah, the ghost inside, a lot of people go with neural. It captures crazy good. I was going between the two and went with the QC. Once youre up in that range it's just w.e
The Headrush core is criminally underrated. I bought the Kemper floor unit, which I had been daydreaming about since it was released. I finally got it..a year later I bought the Headrush Core on a whim. I got it for less than half price brand new, so I couldn't pass it up. I wanted it to be inferior to the kemper... I wanted to justify the obscene amount of money I paid, but there was no way around it. The headrush was right uo there. It was easier to use. Creating patches wasn't a chore. I was having to force myself to use the Kemper over the headrush. So there went the Kemper
The reason i went with a Kemper is because for me its a lot easier to get a good tone than any of the other modellers. Im not very tech savvy so the ability to just download a profile created by an expert like Jens Bogren really sold it to me. I had a Helix before and it was great but I spent way too much time tone chasing. I always had the nagging doubt that my tone wasn't as good as it could have been. I dont have that issue with Kemper.
@@abheceshabemuskk3531 that's bad profiles. I had the same thing happen in the beginning. Took some good profiles and tweaking to my amp/cab and pretty easily had profiles sounding as good as my actual high end heads/combos.
Yup, same here. Has a lot of features to offer for the price. The downloadable rigs/captures etc in their cloud is a bit lacking and not the best to browse, and the lack of desktop editor kinda sucks, but it’s a good unit
I love my Headrush Prime. I did a full backup on my PC and got rid off all the unnecessary data. Now there are only the rigs on it that I really use. There is no user patches limit. The revalver stuff already sounded great more than a decade ago when everybody else came up with highly compressed garbage. I just bought a second expression pedal. Now this thing is ready to be used on stage. I've got an FRFR monitor just in case.
Im rocking an Ampero One from Hotone and its got killer value for 200 bucks! With custom Cab IR's and all the big (and small) name amps and cabs modeled within, you cannot go wrong with it. I contemplate upgrading to the Ampero Stage for the upgraded DSP, editor and mic preamp because I sing and play live in my band. 2024 is such a great year for music gear!
The Tonex is in a separate category, it not a multi effect unit, if you don't count the basic noise gate, so so reverb and barebone compressor, it's just a profile player. I love the unit, hell, I run two in stereo but it doesn't fit with the others.
i'm sticking with helix. does everything i want from it, the UI might not look like much, but i think the workflow is super intuitive, and native is such an invaluable time saver.
I've been an Axe-Fx III user since it came out. Tried all the rest except the QC and nothing came close to me. With the recent plugin compatibility update I decided to give the QC a try. It immediately clicked with me and sounds so much better to my ears than the Axe. Much less tweaking, much more amp-like and just all around livelier. I sold my Axe and decided to stick with the QC for the time being.
I really want to like the QC and apps, but the modeling still sounds off to me. I’m current using the Neural apps for writing, but it’s going to be Fractal or the real thing for final tracking.
@@sean_miller I hear you. I don't play a lot with the models, I mostly use 3rd party captures or captures of my own amps. They are 95% there EQ-wise and 100% there distortion texture and feel-wise.
@@denniskrottje012 honestly, I just felt like I had to tweak the Axe way too much to get rid of the inherent mud that's there with all high gain amps. I'm using the same IRs for both devices and the QC sounds just right, certainly brighter than the Axe but at least not muddy at all.
I’ve had the axe fx3 mk2 turbo three months now. I have yet to hear mud. Mud is not inherent to it. But the best is of all of them this one feels like a tube amp to me. In a room with my tube amp side by side this axe is as close as you can get. Recorded they all sound great but In The room this one rules.
Thanks for the demo, but why does everybody compare supersaturated, complete Distortion death metal tones on these modelers? There is one clean tone at about 20 minutes and it sounds absolutely terrible... I would love to hear someone pick out a medium gain tone and just play a G chord, let it ring out. Let us hear the sustain, what does it sound like as the notes Fade Out let us hear the complexities of the overtones if they are present or if it's a flat sounding solid state sound. You did so much work on this video, there is so much great commentary about the background and usability, this was a very useful video, except for your playing. None of that super fast chunka chunka stuff gives us any idea of what the things really sound like. When you play a chord, can you hear the individual notes? Is it all buzzed, or does it actually sound like a guitar..? I wish I could tell.
DUDE! I was digging through your channel checking out your older modeler vids yesterday. Thinking it's time to start living in the now, thank you so much for making this video!
I think an iPad (with M1, M2 or M4) is really the best thing out there if you're a power user that mostly plays at home or small gigs. You can do anything with it and a handful of plugins and AUM or bias fx2, and with the others a computer or app is often required to make the most of them anyway.
@@scottshepherd1365 I feel the same way. Not necessarily only about this video, but myself as well. I always lean toward something that sounds like a rectifier. 😬 and maybe one or two other tones.
I cautiously entered the digital modeller world recently with the purchase of a QC. 5 shows in and I can't even begin to imagine going back to amps and pedals! The QC does everything I want and more, topped off with sounding bloody fantastic!
Boss is watching these kids like a boss. The only thing the old Gt-100 missed was IR's. It missed the game for being out too early. If it had IR's I'd've kept till today gladly. But sold exactly just because of that. So now, grab a gt-1000/core/gx and be done.
I'm also a GX-100 user, but the GT-1000 is more on a par with the others in the list. They're very similar, but the GT-1000 has a higher bit rate and the balanced XLR outputs and more "pro-level" features. It's all down to budget; the GX-100 is very capable at about half the price of the GT-1000.
@@jakeriddoch I really agree ...not many are hip to what a GT 1000 even just the core can do...the UI gets all weird for most.....I actually like the UI because when I want I can create a complicated chain in stereo very easily
Quad Cortex still wins it for me. It's priced right, it's about as flexible as the AxeFX and you can start using it straight away without reading the manual because the NeuralDSP people really put some time in the user interface.
@@canadiancombatwombatthe3rd782 Good luck having hardware drivers tied behind an account and having to pay transfer fees in case you want to sell it. I'll take this overpriced computer over this any time of the day.
I have a Fractal FM9 Turbo and a Headrush Core. I’ve tried several times to love the Fractal unit, but the headrush is easier to use and to me sounds better for the few tones I use the most. YMMV
@@uncleted3961 I went to PMT with the intention of buying the Core and the manager himself told me not to waste my money as he's sick of sending them back. Not a great endorsement when the shop selling them turns down an easy 600 quid. I tried some others and bought a Helix LT instead. Loving it so far.
I recently got a brand new Helix Floor purple edition for a really good price and so far have no regrets. The expression pedal really doesn’t get used but it’s still a nice option.
@@officialWWM that’s true as well, absolutely. Kirk Hammett actually said in a guitar magazine interview that he doesn’t actually know how to use their Fractals. I’m sure he knows the basics byh now but it’s his tech who’s doing all the deep dive menu stuff
@@AlienPizzaZombie yes. I don’t have a tech, so I gotta be able to drive it myself 😂. I’ve had the Headrush for years. I’ve been thinking of making a change but I know this thing inside out and it’s so easy to use.
listening on a 5.1 surround system .... Axe FX and Fender have a depth to the sound that the others lack - not sure how to describe it but the others sounded flat or one dimensional but the Fractal and Fenders had this space to them that elevated the sound.
A Boss Katana Head Mk2 - No cloning or capturing but great sounds, effects and I/O for under 300. I use a midi hub box to connect my old line 6 fbv shortboard as a controller.
Harley Benton DNA FX Advanced for £159 is the absolute steal of the century. This thing sounds every bit as good as anything out there and if you havent tried one then your missing out!
Thanks for the video Taylor. Tipp: When filming displays you can change the exposure time of your camera to get rid of the blinking issue that comes from interference between display's refreshing-rate and exposure time of camera. (E.g. at 21m08s)
Dude! Best one of these comparisons I’ve seen! I like how you weren’t wishy washy with your opinions and called the units out when needed. As a HR Core user I’m happy you dig it as much as I do. The value proposition for it is insane! A future vid idea could be the same but sub $300 tier. Pod Express, NUX, Mooer, etc. I’d love to see an updated 2024 video on those since so many pedals have been released in that price range.
This is such a great and thorough showdown of these units. I personally loved the Axe FX III more than the other in terms of sound to be quite honest. The Fender Tonemaster Pro gotta say it’s dope and Fender has an interesting opportunity of creating a deeper integration with Studio One. Given that Fender owns PreSonus, I can see a great DAW/Modeler contender here for live use.
I'm still using an AX8 and happy with it. Works great as a live rig, and I use it to split the signal for recording a DI in the studio. With some added IRs and some tweaking, you can get some killer tones.
AX8 user here too, and i still cant justify myself to spend the money to upgrade to the FM9. Thing works and sounds great, and has my favorite form factor of any modeler old or new.
FYI. A very well known music store have had so much trouble with people returning dodgy Headrush boards that when i walked in to buy one they told me not to waste my money. I ended up with a Helix LT and im loving it so far.
I personally own/owned all these units. The headrush is the only unit that doesn't have background artifacts when hitting high note bends. Little swirling digital artifacts. Even my Fractal fm9 has artifacts, which was surprising. The headrush hands down rules them all in my experience live, at rehearsals, and in the studio. It is the closest thing to a tube amp feel and sound.
I've got a Boss GX-100 and it's awesome! And at only $700 AUD it's affordable and light too, plus you have a huge array of classic Boss pedal FX onboard. And if I want, I can pair it with my Line 6 HX Effects for even more fun!
Started using Helix Lt in 2020 and it was the best Decision I’ve made Gear wise Ever! Still Love my Tube Amps but Helix is so Fun to Use and Easy and Sounds Killer . So convenient!
Got an HX Stomp back in 2020, they had an offer where they included a free HX Native license, best offer ever. I usually run out of DSP but can’t justify getting the LT or Floor version, so I got a used Neunaber Neuron preamp and use it in conjunction. The Revv Red model on the stomp still sounds better but I can get close enough 😅
About the line6 age. The good thing abount software is: they can be updated, without actualy making us buy new hardware. So, as long as the hardware Line6 created back in the day is capable of handling the software, the Helix can still be updated to sound amazing for a ood ammount of time.
The helix can do a lot of the same routing the fractal can. You can send a signal with IR’s to front of house and have a signal without them to an amp. You can also use it to switch amp channels!
one thing that keeps my mind hung up on the Headrush Mx5 is that it can do the signal path splitting like the HX Stomp with a more modern UI interface, a midi connection, and a footpedal. The only thing i wish it had was a XLR output.
Great review! I got the TMP and love it. Then the updates started coming and haven’t stopped, so it is even better now! Not having capture I think is a way to have massive processing power for long trails and complex rigs. I could get a Tonex if I really want to capture, but with so many good amps to choose from I don’t need to.
The answer to which is best will vary from person to person. They will all sound great. Really it comes down to the differences in user interface, size, processing power and price and which of those are more important to you.
I love my HeadRush Core! It is so damn affordable now and very very versatile tons and tons of options for your money and useful also the I/O is fantastic XLR & 1/4 out. Oh yeah with stereo send and return as well. Super sick! Great roundup video thanks for not forgetting the Core users. Taylor you're my dad. 🤣
@@EoinNoonan same here, been playing on my FM9 for a little over a year and it's ridiculous, lightyears ahead of the plugins i sold all my old gear to aquire before it a few years ago. Fractal's gotten me playing so much guitar!!..... That being said, i also just went and bought a jcm800 and 1960AHW cab because, at the end of the day, there's nothing like a cranked marshall and half stack.
I have the Helix LT and enjoy it very much. I found a Headrush older model floor pedal at a pawn shop for very low price and it's nice too. I get great sounds from it and the touch screen is really enjoyable to use. I do have it mounted on a shelf instead of on the floor since I'm a home player and I sit in a chair. It works very well that way and the tones are great but I do find myself using the Helix LT most of the time.
As someone who doesn’t gig (for now) I’ve been perfectly happy with plug-ins for what I need. I do have a tube amp that I never turn on though! It’s way too loud since I’ve become a dad with the kiddos around. Pretty sure I’ll be selling it to fund a modeler at some point.
I have had Fractal Ax FX II since I think 2013, definitely at least 10 years. Currently, with the latest update "Ares II", which is one of the first versions of FW from AXE III, the interface is already very different and for most people it is simply unreadable, but... I don't see the point in changing it, it still sounds and will sound perfect.
It's still my GT1000Core (because it's mine) Joking aside I recently set up some new patches with the hi gain 'modded' profile and fuzz 59% fuzz and it sounds amazing
Nah, unless you're considering keeping costs low. Money aside, Axe-Fx III / FM9 can do literally anything in one box, and the amp models are extremely accurate in representing the real amps. It doesn't have the new capture tech other stuff has, but it doesn't need to with all the amp models included. Its biggest con is UI, but if you use Axe Edit editor, then it's a breeze. I'd rather have AxeFxIII/FM9/FM3, Quad Cortex, or Tone Master Pro before a GT-1000 + ToneX, but that's just me.
I got 2 used helix racks for my band 1.2k each with the remote. I totally agree, if you know what you do, all these computers can sound great. For me its the functionality of the helix and the flexibility to use 4 send and returns for external fx. Or in my case i‘m planing to build a hybrid rig with real preamps.
I'm a Zoom G6 peasant. But I love it. I primarily use their own amp models and I'm happy with them. It's weak in DSP for effects, but it has an FX loop, at least. I got it for under $300 on some insane deal. And it has an amp once you shell out $40 for a bluetooth module so it will connect to your phone XD
separate power supplies is a great thing. They dont take up space inside the unit and creates less heat also if they burn out which they can they would be easy to replace and not needing to be sent out to a service center
Actually, there is a plug-in called ReValver 5 that includes most of the HeadRush's amps/effects, with Core and Prime having ReValver's amps and cabs onboard 😄
Placater in the Helix I love. Helix doesn't stack od's well. Internal or external all end up sounding kind of the same. I've just bought an IR-D to go with it and it is perfect. Glassy high end, punchy feel and all the od's have their own flavour now.
I have been using a PodGo for a couple of years now. It sounds great. People start looking for my amp on stage and I don't have one! Lol. Just recently bought a Helix LT and I am still learning how to use it. But my favorite sound wise is my Kemper Power Amp. It just has the feel of playing through a tube amp. I absolutely love my Kemper and use it every single day at home. May end up getting the new Kemper pedal. Kemper rules.
Re the Kemper, I don't understand what "building a signal chain" means. I choose a profile, I add FX up front and FX behind, takes less than a minute, signal chain built and completed.
I bought Headrush Prime last month. Before that I was a Line 6 products user for almost 10 years (Firehawk, POD, Helix). Headrush is a beast. The dynamics when playing is much better for me than on the Helix. I wouldn't say it's better than Helix. It's just different. Amp cloning is a great thing, the effects are good, especially the drive and distortion section. Looper is awesome. Footswitches are fully customizable. I play acoustic and electric guitar. It literally covers everything. I hope it will have support for a long time. Great video btw
A couple things to note. 1) Thanks for taking the time to put together a highlight real of some of the various modelers that you may or may not own. It is helpful. 2) For Line6 - I was surprised the Stomp XL was the item was chosen to represent the Helix line, instead of... the Helix. Again, this could be just due to your availability of the product and the Stomp XL being what you had from their LONG line of products. 3) I understand these are kind of all the big name manufacturers... but no love for the other players in the game? NUX Trident? Hotone Ampero Stage II ? I know you have love for Hotone, you used it for like a year before your budget for gear got bigger. lol Again, this is a good representation of what some of the major players have available right now. I appreciate the information.
I have an Axe FX3 and a rack mount Kemper. The new liquid profiling and on a rack or toaster is a pretty incredible update and sounds incredible, Fractal has better effects, routing and editing. I have owned a Helix and Headrush and neither were as good in my opinion, never tried a quad cortex but have no interest because it has no rack mount option.
Cost benefit factor: still the Hotone Ampero. Touchscreen, still recent updates, the opportunity to load own IRs, XLR Outputs, Midi, ... for that small amount of money. A no brainer!
I've gotten to a point where I'd rather see companies make more of their own "amps" within the unit. The FAS models in the Axe FX interest me more than say, the 5150 and JCM800 models that EVERY SINGLE MODELER has. The tech is there, they can make amps that are physically impossible, yet it's not really being done.
I use a line 6 pod go with third party IRs and its awesome. I also use some choptones presets that absolutely RIP and sound dead up like kemper and QC.
I have the Fractal FM9 which is the best I’ve ever played and I had a lot of those things…Pod XT Live, Eleven Rack, Kemper Power Rack, Kemper Power Head…The FM9 is more than you’ll ever need. The Axe FX has minor advances over the FM9 but is way more expensive.
BOSS GT1000 core, It has a good sound, few amps but they sound great, many effects, it has the power to have many blocks activated. Thanks to the fact that you can have several sound chains you can experiment a lot, which is what I love. Ok, not all the effects are perfect, and from the pedal it is more difficult to setup, a lot of learning curve, however it has a computer program that makes it much easier. If you like to experiment for me it is perfect at a reasonable price.
Just an update: Headrest heard your gripe about no editor and, along with the most recent update, just included a browser based editor. That's really cool, because in theory you could use laptops, tablets, phones, even a Chromebook (?) without needing an app! I get app fatigue, and being browser based means you're connected directly to the unit over Wi-Fi.
I landed with the TMP after using fractal for a year and Helix for several before that. You can get good tones out of all of them, but it strikes the right balance for me between great sound and ease of use. My only gripe is I really wish it had spdif or aes out instead of just usb for digital connection.
The way you feel about eh Axefx 3 is the same way I felt about the digitech RP20 Valve back in 1997. For its time, it sounded great but was a beast to learn.
my BOSS GT-1 can match any sound made here and cost under $200 and can run on 4AA batteries... plus I'm broke AF so even if its not as bad ass as far more expensive modelers i choose to believe it is 🤣
I love my Helix but I do really want a Quad Cortex with the new updates. If Line 6 puts out some more metal amps in the new update I may be convinced to keep it as I prefer the UI. That being said, I recently tried the Fender unit and was impressed.
If there's a feature that's so heavily demanded, the community finds a way to make a hack around solution, MAYBE hold off on redoing all the amp algorithms for the 4th time this generation, and develop an editor app.. Just sayin. 😂
They all sound the same after a minute of listening to so much gain LOOOOL, I bet no one can pick them out in a full mix with so much gain, impossible. Great vid :)
Indeed, a tough question. I'm still an old fashioned guy, using tube amps and a large pedalboard for my sporadic gigs. But for home use, I already migrated almost full towards plugins. However, I still had a gap to be filled: in rehearsals and small venues, my pedalboard and a 100W head may no be the best fit for the job. So, I decided to build n small pedalboard based on a modeler as its brain, and for that, I choose the Ampero Mini, which is affordable (a huge plus for a Brazilian nowadays), and despite it isn't a profiller, it still has some quality in its modelling.
At this point with how good modelers have gotten the only real thing that matters to me is whether or not it’ll do seamless switching. Bout the only thing that will hold me up anymore. Sure a gap in switching is something to the tune of 2-5 ms. But those milliseconds feels like an eternity to me and due to autism it will stop me playing dead in my tracks. I basically cannot handle it. I told my mom you said hi. She said “who the fuck is Taylor Delaney?!”
Quad Cortex over here, I'll never need to buy anything else again (hopefully). But Having used Line6 and Headrush, knowing people with Fractal and kemper. They're all fantastic, you cant go wrong anymore tbh
Boss GT-1000? Its not an axe fx but i get all kinds of killer sounds out of it. 4CM through my Peavey Invective 20 and Randall V2.. any sound i could imagine.
Non of the cheap options just the ones with the most marketing :( Boss IR2 (200) Two notes revolt Warlus ACS1 Nux Amp academy DSM simplifier And then the specific amps UAD amp pedals Tc electronic ampworx Carl Martin Im sure im missing some :)
As a broke father of 3 who can't afford any of these I appreciate you playing through them so I can hear them 😂
Sh!t, time to get a different job, cause guitar tones are worth it.
that's no excuse, plenty of dad's are doing it, so can you
Yeah I do need a better paying job cuz I pay my bills barely and I make $23.50/hour
There is a shortage of welders all across the country. I got in a production factory last year learning how to weld for 20 an hour and have built up my skill and switched jobs a few times I make 30 an hour now. And do 1200 a week with a little over time. Try a trade. Most schools are offering grants which are like loans that you don't have to pay back. Find a trade you want to do if it's not welding, find an online school or in person school, contact customer service for information on Grants. I just did this and am about to get certified as a weld inspector and will be up to 40 an hr by next year. If you aren't interested in trades, my bad for the novel! But this shit changed my life so I thought I would share. I drove forklift most my life before that. Chased music too hard in my early 20s.
Tonex One is $152 at proaudiostar, might be the cheapest option
I'm pretty much happy with my Line 6 Helix LT. I went full digital back in 2021, mainly because I live in an apartment building where it's tricky to crank up a real amp, especially if you consider playing during late hours, and also because I love having a lot of different sounds at my disposal, so going digital saves A LOT of money.
Line 6 has some sweet stuff in their modelers that other brands don't, like Whammy or Sunn amp and Life Pedal. Also having a built-in expression pedal is a big fat pro in my book.
@@artemyzolotorevsky5834 yeah I actually don’t like built in expression pedals and prefer adding one if I need it to save space, but the LT is solid!
@@artemyzolotorevsky5834 do you just play with headphones? Speaker monitors?
I did the same thing in 2019, got a Helix LT. For awhile I just went into deep edit because I like creating all my own patches & sounds. But I didn't treat it like "oh look, I can have like 78.0614 different guitar sounds & piss off sound engineers at every gig I play."
I treated it like a guitar amp combined with a pedalboard. So once I found the tone that matched the tones I hear inside my head, I just left it. Nobody ever says "man that modeler crap sounds weaksauce!" Mainly because the sound it puts out is massive. I totally love the Helix.
@@TaylorDanley on that note, I've been considering a helix or lt. One thing I've heard someone complain about is how beefy the helix exp pedal is in comparison to the LT's exp pedal. Would you say the LT exp pedal is durable enough to last as long as the other? Or should that even be a concern?
@@SixOG I've owned a LT since 2018 and started gigging with it a year ago. Expression pedal definitely holds up. One thing to note, it has a tension screw on it that you may have to adjust. Pedal was too hard to move when i first got it. Adjusted the screw once in 2018 and haven't touched it since.
In the words of Aaron Marshall from Intervals. “They’re all sick, it’s 2024 and all of the modelers are sick.”
I’m sure you can get any of them to sound like each other.
Great VERY UNDERRATED band. I don't know anyone else who listens to them in My current friend group though 😞. I do have a preference for the character of Real tube amps and analog gear but if they keep heading in the right direction it'll be a very welcome alternative to the real thing. they're very close to the sound of real tube amp,etc. but it just needs a bit of work and hopefully we can get an almost 1 to 1 sound within a couple of years. perhaps even sooner. but if You can't find a good cheap enough tube amp, this and even some of the older tech still sound pretty damn good IMHO. if You weren't lucky enough to get a real tube amp on the cheap (or have the mega bucks to buy one of the expensive ones) it's not a bad alternative in the current climate for what it's worth. I'm still happy to play with a good enough solid state tone if the real thing isn't available. could be a little muddy and thin but it's way better than not having something good enough to work with at all. I'm absolutely guilty of owning and using some gear that really gets a bad rap. especially when compared to some of the newer, older, and more expensive counterparts.
Funny enough, he picked Fractal.
@@shaharbar Why funny? He's right. They can sound quite similar. It's just the workflow and applications that might differ, and those can be very subjective.
@@shaharbarYeah artist who can just get stuff move around between things. Kiko, Jim root, dudes in polyphia, Rabea, meshuggah, the ghost inside, a lot of people go with neural. It captures crazy good. I was going between the two and went with the QC. Once youre up in that range it's just w.e
@@Illiyinmusic ye, i think most people see them as a replacement when they are really just a tool and something different completely really
The Headrush core is criminally underrated. I bought the Kemper floor unit, which I had been daydreaming about since it was released. I finally got it..a year later I bought the Headrush Core on a whim. I got it for less than half price brand new, so I couldn't pass it up. I wanted it to be inferior to the kemper... I wanted to justify the obscene amount of money I paid, but there was no way around it. The headrush was right uo there. It was easier to use. Creating patches wasn't a chore. I was having to force myself to use the Kemper over the headrush. So there went the Kemper
The reason i went with a Kemper is because for me its a lot easier to get a good tone than any of the other modellers. Im not very tech savvy so the ability to just download a profile created by an expert like Jens Bogren really sold it to me. I had a Helix before and it was great but I spent way too much time tone chasing. I always had the nagging doubt that my tone wasn't as good as it could have been. I dont have that issue with Kemper.
Kemper had the most real amp like tones also.
for me its the opposite I had it and it is muddy and compressed as hell compared to everything else.
@@abheceshabemuskk3531 that's bad profiles. I had the same thing happen in the beginning. Took some good profiles and tweaking to my amp/cab and pretty easily had profiles sounding as good as my actual high end heads/combos.
I have the headrush prime and I definitely don't regret getting it. It was cheaper had all the bells and whistles and wasn't hyped as the greatest.
@@mustangguy3706 it’s a good one
Yup, same here. Has a lot of features to offer for the price. The downloadable rigs/captures etc in their cloud is a bit lacking and not the best to browse, and the lack of desktop editor kinda sucks, but it’s a good unit
I have had the OG Headrush for years and I still love it. Trying to decide if the upgrade is worth it.
I love my Headrush Prime. I did a full backup on my PC and got rid off all the unnecessary data. Now there are only the rigs on it that I really use. There is no user patches limit.
The revalver stuff already sounded great more than a decade ago when everybody else came up with highly compressed garbage. I just bought a second expression pedal.
Now this thing is ready to be used on stage. I've got an FRFR monitor just in case.
Im rocking an Ampero One from Hotone and its got killer value for 200 bucks! With custom Cab IR's and all the big (and small) name amps and cabs modeled within, you cannot go wrong with it. I contemplate upgrading to the Ampero Stage for the upgraded DSP, editor and mic preamp because I sing and play live in my band. 2024 is such a great year for music gear!
Was kinda surprised to not see the ToneX on here! Especially with how budget friendly it can be.
I agree! I love my ToneX
The Tonex is in a separate category, it not a multi effect unit, if you don't count the basic noise gate, so so reverb and barebone compressor, it's just a profile player. I love the unit, hell, I run two in stereo but it doesn't fit with the others.
i'm sticking with helix. does everything i want from it, the UI might not look like much, but i think the workflow is super intuitive, and native is such an invaluable time saver.
I've been an Axe-Fx III user since it came out. Tried all the rest except the QC and nothing came close to me. With the recent plugin compatibility update I decided to give the QC a try. It immediately clicked with me and sounds so much better to my ears than the Axe. Much less tweaking, much more amp-like and just all around livelier. I sold my Axe and decided to stick with the QC for the time being.
I really want to like the QC and apps, but the modeling still sounds off to me. I’m current using the Neural apps for writing, but it’s going to be Fractal or the real thing for final tracking.
@@sean_miller I hear you. I don't play a lot with the models, I mostly use 3rd party captures or captures of my own amps. They are 95% there EQ-wise and 100% there distortion texture and feel-wise.
@@rzk2755 Funny, for me it was the exact opposite 🙂 Fractal sounds and feels the best for me.
@@denniskrottje012 honestly, I just felt like I had to tweak the Axe way too much to get rid of the inherent mud that's there with all high gain amps. I'm using the same IRs for both devices and the QC sounds just right, certainly brighter than the Axe but at least not muddy at all.
I’ve had the axe fx3 mk2 turbo three months now. I have yet to hear mud. Mud is not inherent to it. But the best is of all of them this one feels like a tube amp to me. In a room with my tube amp side by side this axe is as close as you can get. Recorded they all sound great but In The room this one rules.
Fender TMP + Fender FR12 - sweet setup is all I need for the next many years
Thanks for the demo, but why does everybody compare supersaturated, complete Distortion death metal tones on these modelers? There is one clean tone at about 20 minutes and it sounds absolutely terrible... I would love to hear someone pick out a medium gain tone and just play a G chord, let it ring out. Let us hear the sustain, what does it sound like as the notes Fade Out let us hear the complexities of the overtones if they are present or if it's a flat sounding solid state sound. You did so much work on this video, there is so much great commentary about the background and usability, this was a very useful video, except for your playing. None of that super fast chunka chunka stuff gives us any idea of what the things really sound like. When you play a chord, can you hear the individual notes? Is it all buzzed, or does it actually sound like a guitar..? I wish I could tell.
DUDE! I was digging through your channel checking out your older modeler vids yesterday. Thinking it's time to start living in the now, thank you so much for making this video!
I think an iPad (with M1, M2 or M4) is really the best thing out there if you're a power user that mostly plays at home or small gigs. You can do anything with it and a handful of plugins and AUM or bias fx2, and with the others a computer or app is often required to make the most of them anyway.
AUM loaded with ToneX & FX into a combo amp recently blew my mind.
I'm amazed that you were able to use so many different units and yet made the exact same sound
@@scottshepherd1365 I feel the same way. Not necessarily only about this video, but myself as well. I always lean toward something that sounds like a rectifier. 😬 and maybe one or two other tones.
I cautiously entered the digital modeller world recently with the purchase of a QC. 5 shows in and I can't even begin to imagine going back to amps and pedals! The QC does everything I want and more, topped off with sounding bloody fantastic!
Ive got my Ampero one 3 months Ago and is absolutely kicks ass for just 200€
+1 on this. I got an Ampero II Stage & for me it's a Quad Cortex killer!
I have a mini, do love it!
I also have an ampero one, and its form factor and quality are great for the price.
No love for Boss? I've used the GX-100 since it came out. Has and does everything I currently need.
I don't think most are hip to that thing but I agree it's a amazing unit and powerful 💯👍🏻
Boss is watching these kids like a boss. The only thing the old Gt-100 missed was IR's. It missed the game for being out too early. If it had IR's I'd've kept till today gladly. But sold exactly just because of that. So now, grab a gt-1000/core/gx and be done.
Boss👎👎👎
Hotone ampero II Stage 👍🏻👍🏻
I'm also a GX-100 user, but the GT-1000 is more on a par with the others in the list. They're very similar, but the GT-1000 has a higher bit rate and the balanced XLR outputs and more "pro-level" features.
It's all down to budget; the GX-100 is very capable at about half the price of the GT-1000.
@@jakeriddoch I really agree ...not many are hip to what a GT 1000 even just the core can do...the UI gets all weird for most.....I actually like the UI because when I want I can create a complicated chain in stereo very easily
I've had a few modelers (Helix, Kemper, etc) Bought the TMP and im settled and happy. Sounds fabulous and so EASY to use.
@dustylense Kemper is a profiler not a modeller.
@@MrCleitus How do you think they make "models"?
Quad Cortex still wins it for me. It's priced right, it's about as flexible as the AxeFX and you can start using it straight away without reading the manual because the NeuralDSP people really put some time in the user interface.
you think it's priced right? it's super expensive
@@mattvdh For what it does, yes. You don't get the same flexibility out of the Helix rack, which costs the same.
@@BrunodeSouzaLino it's an overpriced computer that has already been beaten by the tonex in terms of sonic quality and price.
@@canadiancombatwombatthe3rd782 Good luck having hardware drivers tied behind an account and having to pay transfer fees in case you want to sell it. I'll take this overpriced computer over this any time of the day.
@@canadiancombatwombatthe3rd782 Uh, no.
I have a Fractal FM9 Turbo and a Headrush Core. I’ve tried several times to love the Fractal unit, but the headrush is easier to use and to me sounds better for the few tones I use the most. YMMV
I have no idea why more people don't talk about Headrush. The user interface is the best in the business.
@@uncleted3961 I went to PMT with the intention of buying the Core and the manager himself told me not to waste my money as he's sick of sending them back. Not a great endorsement when the shop selling them turns down an easy 600 quid.
I tried some others and bought a Helix LT instead. Loving it so far.
I recently got a brand new Helix Floor purple edition for a really good price and so far have no regrets. The expression pedal really doesn’t get used but it’s still a nice option.
Quad Cortex's sound and feel stands above all.
So does it's entry fee, lol.
That is not apparent in this review. It sounds like a harsh swarm of bees and my own experience was not dissimilar.
@@INeverWanted2010it’s priced like Kemper/Helix.
Its closest competitor is the FM9, which is a lot more and so is the Fender Tonemaster.
Whatever sounds good to your ears, that’s literally the only thing that matters
Not the only thing. It’s also got to be easy to operate!
@@officialWWM that’s true as well, absolutely. Kirk Hammett actually said in a guitar magazine interview that he doesn’t actually know how to use their Fractals. I’m sure he knows the basics byh now but it’s his tech who’s doing all the deep dive menu stuff
@@AlienPizzaZombie yes. I don’t have a tech, so I gotta be able to drive it myself 😂. I’ve had the Headrush for years. I’ve been thinking of making a change but I know this thing inside out and it’s so easy to use.
honestly they all sound as good as each other its more about what feels the best to use for your setup
My old line 6 HD147 is still tried and true
listening on a 5.1 surround system .... Axe FX and Fender have a depth to the sound that the others lack - not sure how to describe it but the others sounded flat or one dimensional but the Fractal and Fenders had this space to them that elevated the sound.
A Boss Katana Head Mk2 - No cloning or capturing but great sounds, effects and I/O for under 300. I use a midi hub box to connect my old line 6 fbv shortboard as a controller.
Harley Benton DNA FX Advanced for £159 is the absolute steal of the century. This thing sounds every bit as good as anything out there and if you havent tried one then your missing out!
I use a Boss GT1000 core into QSC speakers. Sounds awesome to me. I really enjoyed your comparison though.
Thanks for the video Taylor.
Tipp: When filming displays you can change the exposure time of your camera to get rid of the blinking issue that comes from interference between display's refreshing-rate and exposure time of camera. (E.g. at 21m08s)
Dude! Best one of these comparisons I’ve seen! I like how you weren’t wishy washy with your opinions and called the units out when needed. As a HR Core user I’m happy you dig it as much as I do. The value proposition for it is insane!
A future vid idea could be the same but sub $300 tier. Pod Express, NUX, Mooer, etc. I’d love to see an updated 2024 video on those since so many pedals have been released in that price range.
This is such a great and thorough showdown of these units.
I personally loved the Axe FX III more than the other in terms of sound to be quite honest.
The Fender Tonemaster Pro gotta say it’s dope and Fender has an interesting opportunity of creating a deeper integration with Studio One. Given that Fender owns PreSonus, I can see a great DAW/Modeler contender here for live use.
I'm still using an AX8 and happy with it. Works great as a live rig, and I use it to split the signal for recording a DI in the studio. With some added IRs and some tweaking, you can get some killer tones.
AX8 user here too, and i still cant justify myself to spend the money to upgrade to the FM9. Thing works and sounds great, and has my favorite form factor of any modeler old or new.
FYI. A very well known music store have had so much trouble with people returning dodgy Headrush boards that when i walked in to buy one they told me not to waste my money.
I ended up with a Helix LT and im loving it so far.
I personally own/owned all these units. The headrush is the only unit that doesn't have background artifacts when hitting high note bends. Little swirling digital artifacts. Even my Fractal fm9 has artifacts, which was surprising. The headrush hands down rules them all in my experience live, at rehearsals, and in the studio. It is the closest thing to a tube amp feel and sound.
I've got a Boss GX-100 and it's awesome! And at only $700 AUD it's affordable and light too, plus you have a huge array of classic Boss pedal FX onboard. And if I want, I can pair it with my Line 6 HX Effects for even more fun!
Started using Helix Lt in 2020 and it was the best Decision I’ve made Gear wise Ever! Still Love my Tube Amps but Helix is so Fun to Use and Easy and Sounds Killer . So convenient!
Got an HX Stomp back in 2020, they had an offer where they included a free HX Native license, best offer ever.
I usually run out of DSP but can’t justify getting the LT or Floor version, so I got a used Neunaber Neuron preamp and use it in conjunction. The Revv Red model on the stomp still sounds better but I can get close enough 😅
I’ve been playing for 24 years and have used all types of Amps.
Never have I got a better sound than I have with my fractal fm3
It feels like kemper is the old man of all of these, but i love mine and don't feel like i need the new kid on the block.
I still see it in so many pro rigs.
It stood the test of time and I think we’re still gonna see them in 5 years.
About the line6 age. The good thing abount software is: they can be updated, without actualy making us buy new hardware. So, as long as the hardware Line6 created back in the day is capable of handling the software, the Helix can still be updated to sound amazing for a ood ammount of time.
The helix can do a lot of the same routing the fractal can. You can send a signal with IR’s to front of house and have a signal without them to an amp. You can also use it to switch amp channels!
I've been using the ampero ii stomp. Honestly, you get enough sculpting tools to make any one of these sound good.
one thing that keeps my mind hung up on the Headrush Mx5 is that it can do the signal path splitting like the HX Stomp with a more modern UI interface, a midi connection, and a footpedal.
The only thing i wish it had was a XLR output.
Great review! I got the TMP and love it. Then the updates started coming and haven’t stopped, so it is even better now! Not having capture I think is a way to have massive processing power for long trails and complex rigs. I could get a Tonex if I really want to capture, but with so many good amps to choose from I don’t need to.
The best one is the new Boss Katana Gen3 head. Because you get a built-in 100-watt power amp, and it only costs $369.
Analog modeling circuit also. But I plug by Behringer gdI-21 into it and it sounds even better.
The answer to which is best will vary from person to person. They will all sound great. Really it comes down to the differences in user interface, size, processing power and price and which of those are more important to you.
I love my HeadRush Core! It is so damn affordable now and very very versatile tons and tons of options for your money and useful also the I/O is fantastic XLR & 1/4 out. Oh yeah with stereo send and return as well. Super sick! Great roundup video thanks for not forgetting the Core users. Taylor you're my dad. 🤣
I have been tube amp guy for 30 yrs and just got the fm9 totally blown away its so good.
@@EoinNoonan same here, been playing on my FM9 for a little over a year and it's ridiculous, lightyears ahead of the plugins i sold all my old gear to aquire before it a few years ago. Fractal's gotten me playing so much guitar!!..... That being said, i also just went and bought a jcm800 and 1960AHW cab because, at the end of the day, there's nothing like a cranked marshall and half stack.
I have the Helix LT and enjoy it very much. I found a Headrush older model floor pedal at a pawn shop for very low price and it's nice too. I get great sounds from it and the touch screen is really enjoyable to use. I do have it mounted on a shelf instead of on the floor since I'm a home player and I sit in a chair. It works very well that way and the tones are great but I do find myself using the Helix LT most of the time.
As someone who doesn’t gig (for now) I’ve been perfectly happy with plug-ins for what I need.
I do have a tube amp that I never turn on though! It’s way too loud since I’ve become a dad with the kiddos around.
Pretty sure I’ll be selling it to fund a modeler at some point.
Same here.
I gig the QC, but at home its often plugins.
I think I powered up my (amazing sounding) tube amp twice in the last 5 years.
I have had Fractal Ax FX II since I think 2013, definitely at least 10 years. Currently, with the latest update "Ares II", which is one of the first versions of FW from AXE III, the interface is already very different and for most people it is simply unreadable, but... I don't see the point in changing it, it still sounds and will sound perfect.
The Valeton GP-200 is completely underrated.
Best
multi-effects device for under 500
Can't believe it didn't made to this list!
The Digitech RP155 modeler i have is from 2011 and holy smokes that thing is a tank and still works
It's still my GT1000Core (because it's mine)
Joking aside I recently set up some new patches with the hi gain 'modded' profile and fuzz 59% fuzz and it sounds amazing
The best amp modeler today is a used Boss GT-1000 with a ToneX in the loop. Hands down. No competition.
I'm running stereo ToneX Pedals in the loop of my HX Effects & it is sick
This is my goal right now, tonex one on fx loop of hx stomp as my amp coz i love its captures. Cant wait to get my hands on it.
Nah, unless you're considering keeping costs low. Money aside, Axe-Fx III / FM9 can do literally anything in one box, and the amp models are extremely accurate in representing the real amps. It doesn't have the new capture tech other stuff has, but it doesn't need to with all the amp models included. Its biggest con is UI, but if you use Axe Edit editor, then it's a breeze. I'd rather have AxeFxIII/FM9/FM3, Quad Cortex, or Tone Master Pro before a GT-1000 + ToneX, but that's just me.
IK just announced they are adding delay & modulation to ToneX, to both software & the pedals.. amazing for the low price.
@@jaboozled My setup cost me $850 and the ToneX was new.
I got 2 used helix racks for my band 1.2k each with the remote. I totally agree, if you know what you do, all these computers can sound great. For me its the functionality of the helix and the flexibility to use 4 send and returns for external fx. Or in my case i‘m planing to build a hybrid rig with real preamps.
I'm a Zoom G6 peasant. But I love it. I primarily use their own amp models and I'm happy with them. It's weak in DSP for effects, but it has an FX loop, at least. I got it for under $300 on some insane deal. And it has an amp once you shell out $40 for a bluetooth module so it will connect to your phone XD
Been using a helix LT since 2019 and love every bit of it. Just picked up a kemper toaster for the amps helix doesnt have. I love both units
separate power supplies is a great thing. They dont take up space inside the unit and creates less heat also if they burn out which they can they would be easy to replace and not needing to be sent out to a service center
Actually, there is a plug-in called ReValver 5 that includes most of the HeadRush's amps/effects, with Core and Prime having ReValver's amps and cabs onboard 😄
Head rush with dual 5150s had this weird digital sound on the noise gate. Went with the Ampero Stomp and sounds way better for heavy stuff.
Placater in the Helix I love. Helix doesn't stack od's well. Internal or external all end up sounding kind of the same. I've just bought an IR-D to go with it and it is perfect. Glassy high end, punchy feel and all the od's have their own flavour now.
I have been using a PodGo for a couple of years now. It sounds great. People start looking for my amp on stage and I don't have one! Lol. Just recently bought a Helix LT and I am still learning how to use it. But my favorite sound wise is my Kemper Power Amp. It just has the feel of playing through a tube amp. I absolutely love my Kemper and use it every single day at home. May end up getting the new Kemper pedal. Kemper rules.
Re the Kemper, I don't understand what "building a signal chain" means.
I choose a profile, I add FX up front and FX behind, takes less than a minute, signal chain built and completed.
I bought Headrush Prime last month. Before that I was a Line 6 products user for almost 10 years (Firehawk, POD, Helix). Headrush is a beast. The dynamics when playing is much better for me than on the Helix. I wouldn't say it's better than Helix. It's just different. Amp cloning is a great thing, the effects are good, especially the drive and distortion section. Looper is awesome. Footswitches are fully customizable. I play acoustic and electric guitar. It literally covers everything. I hope it will have support for a long time. Great video btw
A couple things to note. 1) Thanks for taking the time to put together a highlight real of some of the various modelers that you may or may not own. It is helpful.
2) For Line6 - I was surprised the Stomp XL was the item was chosen to represent the Helix line, instead of... the Helix. Again, this could be just due to your availability of the product and the Stomp XL being what you had from their LONG line of products.
3) I understand these are kind of all the big name manufacturers... but no love for the other players in the game? NUX Trident? Hotone Ampero Stage II ? I know you have love for Hotone, you used it for like a year before your budget for gear got bigger. lol
Again, this is a good representation of what some of the major players have available right now. I appreciate the information.
I have an Axe FX3 and a rack mount Kemper. The new liquid profiling and on a rack or toaster is a pretty incredible update and sounds incredible, Fractal has better effects, routing and editing. I have owned a Helix and Headrush and neither were as good in my opinion, never tried a quad cortex but have no interest because it has no rack mount option.
I also have the Headrush Prime. I absolutely love it. No regrets at all.
@@TakeAHikeMike I like it a lot. I like the core even more, just for the size.
That was a great review of amp modelers. I’m on the fence about which one to buy. I think I’m going with the Headrush Prime or Fender unit.
I got the boss Gt1000 , very happy with it for sure ......
Personally I recommend NUX MG30. I really like it since it has everything you need. I use it along with my computer so I can create some dope patches.
I got the headrush gigboard. I like it. And I don't use 50% of it. Small for the computer desk
Where does my zoom g5n fall? I guess it's good enough until i need an upgrade?
Cost benefit factor: still the Hotone Ampero. Touchscreen, still recent updates, the opportunity to load own IRs, XLR Outputs, Midi, ... for that small amount of money. A no brainer!
The best video to help decision making when choosing a modeller I've ever seen 🙌 Thank you!
I've gotten to a point where I'd rather see companies make more of their own "amps" within the unit. The FAS models in the Axe FX interest me more than say, the 5150 and JCM800 models that EVERY SINGLE MODELER has. The tech is there, they can make amps that are physically impossible, yet it's not really being done.
I use a line 6 pod go with third party IRs and its awesome.
I also use some choptones presets that absolutely RIP and sound dead up like kemper and QC.
I have the Fractal FM9 which is the best I’ve ever played and I had a lot of those things…Pod XT Live, Eleven Rack, Kemper Power Rack, Kemper Power Head…The FM9 is more than you’ll ever need. The Axe FX has minor advances over the FM9 but is way more expensive.
BOSS GT1000 core, It has a good sound, few amps but they sound great, many effects, it has the power to have many blocks activated. Thanks to the fact that you can have several sound chains you can experiment a lot, which is what I love. Ok, not all the effects are perfect, and from the pedal it is more difficult to setup, a lot of learning curve, however it has a computer program that makes it much easier. If you like to experiment for me it is perfect at a reasonable price.
Axe fx sounds amazing 😮
Just an update: Headrest heard your gripe about no editor and, along with the most recent update, just included a browser based editor. That's really cool, because in theory you could use laptops, tablets, phones, even a Chromebook (?) without needing an app! I get app fatigue, and being browser based means you're connected directly to the unit over Wi-Fi.
I landed with the TMP after using fractal for a year and Helix for several before that. You can get good tones out of all of them, but it strikes the right balance for me between great sound and ease of use. My only gripe is I really wish it had spdif or aes out instead of just usb for digital connection.
The way you feel about eh Axefx 3 is the same way I felt about the digitech RP20 Valve back in 1997. For its time, it sounded great but was a beast to learn.
I know the focus was pedals, but big love also for Neural Amp Modeler for pc based modeling.
Yep, my local dealer was telling me they thought the Headrush was faulty... around the same time they were still selling the Line6 Helix.
I have a headrush pedalboard and it has a feature allowing you to change all the different parameters in each effect with your feet.
my BOSS GT-1 can match any sound made here and cost under $200 and can run on 4AA batteries...
plus I'm broke AF so even if its not as bad ass as far more expensive modelers i choose to believe it is 🤣
I love my Helix but I do really want a Quad Cortex with the new updates. If Line 6 puts out some more metal amps in the new update I may be convinced to keep it as I prefer the UI. That being said, I recently tried the Fender unit and was impressed.
Man, thats a good point about blue tooth and an app for the axeFx.
If there's a feature that's so heavily demanded, the community finds a way to make a hack around solution, MAYBE hold off on redoing all the amp algorithms for the 4th time this generation, and develop an editor app.. Just sayin. 😂
My rig: Scarlett 2i2=>old laptop with Reaper and Helix Native=> ISP power amp=>Egnater Vengeance 4x12.
I paid 240$ for Helix Native and apart from the cab IRs and parametric controls for everything it's a way better deal than my NeuralDSP plugins imho
@@athmaid yeah and the fact the patches are cross compatible with their hardware is a big win
They all sound the same after a minute of listening to so much gain LOOOOL, I bet no one can pick them out in a full mix with so much gain, impossible. Great vid :)
Difficult question...
Depend of using, budget
For me the best is the one that don't color the tone, and offer capture tone for the less Price
Indeed, a tough question.
I'm still an old fashioned guy, using tube amps and a large pedalboard for my sporadic gigs. But for home use, I already migrated almost full towards plugins. However, I still had a gap to be filled: in rehearsals and small venues, my pedalboard and a 100W head may no be the best fit for the job.
So, I decided to build n small pedalboard based on a modeler as its brain, and for that, I choose the Ampero Mini, which is affordable (a huge plus for a Brazilian nowadays), and despite it isn't a profiller, it still has some quality in its modelling.
Had to like for the AVGN reference What a throw back!
At this point with how good modelers have gotten the only real thing that matters to me is whether or not it’ll do seamless switching. Bout the only thing that will hold me up anymore. Sure a gap in switching is something to the tune of 2-5 ms. But those milliseconds feels like an eternity to me and due to autism it will stop me playing dead in my tracks. I basically cannot handle it.
I told my mom you said hi. She said “who the fuck is Taylor Delaney?!”
Quad Cortex over here, I'll never need to buy anything else again (hopefully). But Having used Line6 and Headrush, knowing people with Fractal and kemper. They're all fantastic, you cant go wrong anymore tbh
Boss GT-1000? Its not an axe fx but i get all kinds of killer sounds out of it. 4CM through my Peavey Invective 20 and Randall V2.. any sound i could imagine.
Non of the cheap options just the ones with the most marketing :(
Boss IR2 (200)
Two notes revolt
Warlus ACS1
Nux Amp academy
DSM simplifier
And then the specific amps
UAD amp pedals
Tc electronic ampworx
Carl Martin
Im sure im missing some :)
Fender TMP was my selection. Loving it.