Honestly can't believe I'm watching and learning this for free, this is so valuable for people who are into production, mixing and mastering. I've said this before in a comment but it is truly amazing the work you put into making these videos for people to learn. Also very humble by the artist to give out the stems for people to practice. Everything in this video truly made my day. Keep up the good work!👏
You are the best teacher ever because no one teaches you these in this way, they are always so extra about it but you explain it casually, which makes it incredibly easy to understand. Thank you for this quality content!
Thank you Michael! Words cannot express how glad I am to have met you. Been struggling with the essence and purpose of mastering for a long time and that didn't let me understand what mastering was all about or how to go about it. This tutorial answered it all. You're priceless! Really, I love you man♥️
Same here. lol when I get to, say, Mea Culpa (Deadbeat mix) FINAL 17? This one isn’t hypothetical, either. Occasionally, I will add a word that helps identify the main edit. It can help to see the exports at certain places of development, kinda like a timeline.
Michael you should charge more for your level of knowledge! I advice you for 100 £ax 1 or 2 revisions one mastercut! Other for a plus! I mean I understand you level of knowledge,ok you have less equipment but still you can make good quality up to a client's market point! Because you purely can not satisfy the big clientele !you have family and you need to manage more your well time spent 😅
Like countless other people I wanna join in and thank you for all the videos! It's especially awesome that these lessons apply to pretty much any genre one is producing (I'm mostly doing spacey ambient music, sometimes even electronic rock). Although loudness and compression specifics is a bit different in those genres, the basic ideas are same. In a matter of days my mixes and masters have become way more clear and juicy, thanks to your vids! (tho in my case it's often been "putting out fires" as my source files and sounds can be from years ago and are crappy quality, so I'm not dealing with subtleties but rather major ugly frequencies lol)
Brother,I cannot tell you how your guidelins means alot to me,you are doing amazing work,from which lots of people are ripping the benefits,I am deeply thankful to you,lord bless you man,❤❤❤..
Hey, thank you for this helpful video! It gets very tricky when u master trap or rap songs where most of the times you want the bass to stand out but you also want loudness. Please consider this genre reference for a future mastering video, it would be very helpful! Thank you again, amazing job!
Could you please make a video about mixing and mastering a badly recorded live performance? For example when the vocal mic captured some of the drums as well. That would be very helpful!
do you have a video to better explain sample rates and export settings? I figured we could all gain some knowledge with that as well , a video diving further in depth.
Hey! Awesome video thank you so much for making these step by step vids! I was wondering if you could just use the same limiter twice? Does that work? I have ozone elements and I was wondering if I could just add that twice and use the maximizer in there twice cuz I see you're using a limiter and a maximizer and I don't really understand the difference. Why not just use the same twice? Thanks in advance!
Yes bredda from Jamaica its acoustica audio plugins the future of itb mix and mastering I've owns tons of aqua plugins and nebula 4 with thons of libraries
Hi Michael. Great video. :) I have a question that might be a bit unrelated. At the end of the session, when all is done and accepted by the artist you print the final version. Your session is in 48kHz 24 bit and you convert it to 44,1kHz 16bit with RX. All fine. Here's my question. What is the difference between printing the song at 48kHz from your DAW and using outside program to convert it and just printing the song from your DAW again with 44,1kHz and 16bit ? This is one of the things that keeps escaping me. Is there a significant difference or is it just a matter of personal preference? Thanks :)
Mainly just a workflow preference, however, I find some plugins do work better at higher sample rates (even though many deliberately oversample) and that working at 48k can sometimes lead to fewer issues. This is often purely anecdotal and I don’t always have proof of it definitely sounding better than working a whole project at 44.1k. After all the processing is done I find that an external SRC and dither is very reliable and easier to control than running distortion plugins at a different sample rate in the session. These sort of choices don’t always lead to a better sound but I find they help me create a consistent sound where the artist cannot tell the difference between the 44.1 and the 48 versions (which is the end goal!). Sorry for such a long reply, I hope that made sense. If anything is unclear just let me know :)
@@inthemix Thank you so much. So, basically... It's better to print the final mix and then convert it "outside of the session" to prevent issues that may (or may not ;) ) arise during downsampling with all the plugins running within the session, yes? Thanks :)
I have a problem with mastering. So i have a track where the build has no bass and the drop has and when i try to master it and push the track as loud as i can.. The build ends up louder than the drop. Like the bass in the drop makes the whole drop quieter than the build. So how can i fix that and push the track as loud as it can get while maintaining dynamics to make the drop hit harder and make it louder than the build?
Thnx for the video sir,Hope you're doing well,you're tutorials are really helpful for me.....Can you do a tutorial on Fruity Filter? I think its one of the most underrated plugins in FL Studio.,it would mean a lot.
No particular reason. I’ve experimented and sometimes change this. To be honest it’s been very difficult to hear or see a difference if the first is set to 0 or -1
Thank you so much for the tutorial, Michael. Appreciated! Anyway, I've checked that my system requirements is possible to run izotope mastering plugins. However, is it alright if I run it in the laptop? Since I don't have desktop pc at this moment. Thank you ^^/
Love your teachings bro, But something can be confusing sometimes. That is, you done so many tutorials on "Mastering" : some with stock plugins and third parties. There is another one with Ozone and you said you used that because it is what you used to. And other mastering videos, different plugins. Finally, what should i now rely on that is best? Different tutorials with different plugins, which one is best and which Tutorial is more reliable? Or is it that some of those plugins are not quality enough that's why you come up with different teachings with different plugins? Kind of confused... Because I know I don't need all these plugins for just one single song. What Ozone can do, I think Maximus too can. Please help, lost
Thanks for the question. All the videos I have made are still fully reliable and trustworthy. All the things I have taught are still applicable no matter which plugins you use. I choose different plugins in each video so that I am not giving the impression that one brand or company is essential. You are correct that the stock and free Maximus plugin is suitable for mastering. Another reason for making a few different mastering videos is to use songs in different genres and with clients who wanted different results (super loud vs dynamic. Clipped and distorted vs clean). Many videos on TH-cam are only relevant in the few days or weeks after posting, however, I aim to produce videos which are still relevant and useful many years into the future. Does that help?
What about the whole -14lufs thing? Is that have the mix sit at-14lufs FOR mastering or AFTER mastering?? I'm trying to figure out what numbers I need to aim for in general and it's been a journey -.-
-14 is the lowest you should aim for since it’s the loudness of some streaming sites. If you go lower the services will apply their own limiter to match the loudness to other songs. If you go higher they will simply turn your volume down without any sort of limiting, so that’s better. I would suggest looking at volume levels of professional tracks of your genre and try to match that.
Thank you for the video Michael. I really don't see the point in mastering above -14 lufs if it's going to be turned down. Is there a difference when it's turned down to -14 as compared to mastering at -14? If I turn the dbs down on a loud master will that give me an accurate representation of the sound when the streamers turn it down?
Hi Marlon. Excellent question! There is a big difference in the sound between mastering at -14LUFS or mastering much louder and having it turned down to -14LUFS average. Sometimes a master will sound better or worse with either approach. Many artists love the dense and energetic sound of a heavily limited master and they actually want to hear thier song with less dynamic range because it sounds like a "record" to them. This is completely okay if the artist wants it. I have experience with loud masters being turned down on spotify and also having -14LUFS masters sounding quiet and I've come to the conclusion that you should probably master to -14 average as an absolute minimum and then push it until it sounds best to you. Remember that the -14 is a integrated value over a whole song. It's possible to have a chorus at -10 and still be -14 overall :)
@@inthemix Thank you Michael. I feel it could be best to master loud and compress yourself instead of having the streamers compress for you. This way you know how it will sound. Also, I just heard about "equalizer tool" inside the edison in fl. Image line has a short tutorial. It looks like it could give more control of the frequencies. Have you used this tool? and what do you think about it?
This is a super great video but it has left me with so many questions because it's such a different approach to mastering from the last video Firstly, if the bass is the problem, shouldn't we reduce it during the mixing process? essentially reducing the bass means changing the frequency content of the song, which is as far as I know something you need to do during the mixing process, and even tho it might be something you can fix, do you really want to change the mixing engineer's vision of the mix? (as for changing the frequency content he was aiming for) Second, can't you just link the bass to another channel and add it after the compression? so that the bass won't be a part of the compression and that it'll only affect the instruments. Maybe you can use a separate compressor on the sub as well, but considering the fact that usually, the sub-area is consistent, why would it be a problem to the whole mix? it's essentially like adding a consistent signal to the mix, not including the kick. Lastly and it's about the limiter itself, I've seen loud tracks that have a ton of bass, while still sounding clear, there has to be a way to achieve it without sacrificing reducing the bass level (and no the tracks were not distorted), maybe they've used just a better and a more transparent compressor, or limiter? Despite all of these points, I do know that usually Synthwave tracks like yours tend to have less bass, so it might be the reason why you did that, and if it is it makes total sense, and it was super informative to see that approach to mastering. Every walkthrough you make brings in something new to learn, so keep doing these, it's awesome :)
Thank you very much for the video Michael and Clo Sur for being so kind for sharing the stems. Those stuff are very helpful for us amateurs!!! It is always great to experiment with commercial level songs by these amazing tutorials / tips / tricks. Brilliant!!! Guys, anyone watching this video please support Clo Sur as well, it is not something we see often!!!
I have a question, what's the reference file format(quality, bitrate etc) and from where do you source it? Are the levels of the reference track before uploading or after uploading to streaming platforms? Now a days, it's harder to get a high quality reference tracks. And the low quality references are just useless in terms of mastering.
Wait so if the track loudness is reaching -6 LUFS and spotify limits down to -14 LUFS isnt it going to sound very different when streaming? What exactly happens to parts of the song that are way above -14 lufs when streaming on spotify ?!
Spotify doesn’t limit down to -14. Only on some playback systems where the user has selected loudness compensation will some gain reduction be applied. On most systems I tested, this plays back at the full loudness on Spotify.
Brother can you please do complete tutorial for how to master in FL Studio (Only use Stock plugins & All Genres) with how to tonal balance (without tonal balance control plugins )
Mixing and Mastering are big problems for me in my own productions, your step by step guides from start to finish helped me out so much, thank you Michael! 💖
Hey man, how do i colour multiple recorded clips on playlist in a way that i get to see the those " coloured clips" in the the channel rack to group them easily before sending them to a muxer track?
Long time subscriber. Fantastic demonstration! That mix was really well balanced to begin with though. That helped a lot. I hardly ever get mixes like this. Bravo!
This is incredible. When I have some free time I am super excited to download the stems and practice along. It’ll be extremely valuable to first try and imitate what you’re doing then try and make some adjustments of my own to see what sounds good.
Hello In the mix I've been following you since I started producing my own songs last March, 2021. Your contents helped me alot understanding the basic mechanism to complex functions. Thank you so much❤
Not a professional engineer so these help out a LOT and learning all this for free is truly valuable, so a big thanks Micheal! Your efforts are really appreciated. Clo Sur, Solo Ray, Andy Toy and Chris Szczech, great track guys and big up to ye for supplying the stems!
Thank you Michael and thank you Solo Ray for the incredible track production work on this song.
Thanks again for letting our community download the stems and mix down to practice their skills!
@@inthemix plz host a remix contest soon.
Hey Clo Sur! Amazing song, and it ended up sounding great! I both downloaded the stems and saved your song in my favourites! ^w^
@@TheFinalGamerRN Thank you!
Clo, your song sounds horrible and I'm not talking about the mix or master!
Honestly can't believe I'm watching and learning this for free, this is so valuable for people who are into production, mixing and mastering. I've said this before in a comment but it is truly amazing the work you put into making these videos for people to learn. Also very humble by the artist to give out the stems for people to practice. Everything in this video truly made my day. Keep up the good work!👏
You are the best teacher ever because no one teaches you these in this way, they are always so extra about it but you explain it casually, which makes it incredibly easy to understand. Thank you for this quality content!
Thank you Michael! Words cannot express how glad I am to have met you. Been struggling with the essence and purpose of mastering for a long time and that didn't let me understand what mastering was all about or how to go about it. This tutorial answered it all.
You're priceless! Really, I love you man♥️
Thank you for all of your work you have put so much years in here.
With this man I will master mastering.
Thank you very much for this amazing video Michael....!!!
(A fan from a small Greek island)
Thank you for all the work you are doing to help us! Really admiring you
Your tutorial videos are simply the best out there! Thank you 🙏🏼
Michael you are really great.. now i wanted to change from cubase to fl studio because of you.
You are the best 👍👍👍
"Don't name your track Final Master, if you call it final master it almost certainly won't be."
Damn do I feel called out!
Great Video, Michael!
Same here. lol when I get to, say, Mea Culpa (Deadbeat mix) FINAL 17? This one isn’t hypothetical, either. Occasionally, I will add a word that helps identify the main edit. It can help to see the exports at certain places of development, kinda like a timeline.
I got a good laugh outta that too.
Michael you should charge more for your level of knowledge! I advice you for 100 £ax 1 or 2 revisions one mastercut! Other for a plus! I mean I understand you level of knowledge,ok you have less equipment but still you can make good quality up to a client's market point! Because you purely can not satisfy the big clientele !you have family and you need to manage more your well time spent 😅
Like countless other people I wanna join in and thank you for all the videos! It's especially awesome that these lessons apply to pretty much any genre one is producing (I'm mostly doing spacey ambient music, sometimes even electronic rock). Although loudness and compression specifics is a bit different in those genres, the basic ideas are same.
In a matter of days my mixes and masters have become way more clear and juicy, thanks to your vids! (tho in my case it's often been "putting out fires" as my source files and sounds can be from years ago and are crappy quality, so I'm not dealing with subtleties but rather major ugly frequencies lol)
Brother,I cannot tell you how your guidelins means alot to me,you are doing amazing work,from which lots of people are ripping the benefits,I am deeply thankful to you,lord bless you man,❤❤❤..
I agree with Lucas Nyberg, your Work is incredible !!
Thank you for this. I'm always tuned into your channel. Your videos is very action packed and to the point.
Hey, thank you for this helpful video! It gets very tricky when u master trap or rap songs where most of the times you want the bass to stand out but you also want loudness. Please consider this genre reference for a future mastering video, it would be very helpful! Thank you again, amazing job!
YEES! THIS IS ACTUALLY WHAT IVE BEEN WAITING FOR!
We just love you and every single and so valuable video of yours !
What a great video. I have never seen such beneficial content in my country.
(from overseas)
Beautiful song, they used lots of reverb rooms on it, 80s classic signature sound, amazing track! congrats Michael!
Another great tutorial!!
Thanks for the knowledge. Catchy tune as well. I'll stream it for sure.
I'm also aiming big as an artist this year thanks for the information
Amazing as usual. Thanks man!
Top stuff! Thank you ⚡️
Thank you, I have learned so much from you and still learning ❤
Mann you've gat a perfect jawline
Man I'm Just A Big Fan Of You🇿🇦
Amazin video, as always :)
Thank you 🙂 You are very generous to share this for free - Valuable, and expensive information otherwise.
YOU ARE AMAZING.
Just finished streaming the song... Loved it.
Michael Thank You ♥️..
Could you please make a video about mixing and mastering a badly recorded live performance? For example when the vocal mic captured some of the drums as well. That would be very helpful!
Your studio changed quite a lot, isn't it?....so what about a studio tour??😁
And maybe we need to know about your equipment...so a review??😋
Very helpful video Thanks
final final final final Master
Another great video man. Thanks so much!
do you have a video to better explain sample rates and export settings? I figured we could all gain some knowledge with that as well , a video diving further in depth.
Awesome! How do you feel about using a parallel channel in mastering?
Bro you are the best 😍
Hey! Awesome video thank you so much for making these step by step vids! I was wondering if you could just use the same limiter twice? Does that work? I have ozone elements and I was wondering if I could just add that twice and use the maximizer in there twice cuz I see you're using a limiter and a maximizer and I don't really understand the difference. Why not just use the same twice? Thanks in advance!
Absolutely use the same limiter twice (ideally with different settings)
Thanks brother ❤️
Always the Best👍💜
You should make a video on master and mixing just using FL studio native plugin that would be the ultimate sause like an in depth video...
Video looking crisp 😎👌
your CPU is off the roof!! haha! learned alot from you sir. thank you!
Doing the 4K screen capture at the same time really hurts the CPU!
nice master
your the main boss
Yes bredda from Jamaica its acoustica audio plugins the future of itb mix and mastering I've owns tons of aqua plugins and nebula 4 with thons of libraries
Hey in the mix hope that you’re doing well hopefully you will do a TH-cam video on runtime.
Thanks you ❤️❤️❤️🙏🙏🔥
Whats the difference between side channel and mid channel? I dont understand
Is that a Broste tea mug?!
Hi Michael.
Great video. :)
I have a question that might be a bit unrelated. At the end of the session, when all is done and accepted by the artist you print the final version.
Your session is in 48kHz 24 bit and you convert it to 44,1kHz 16bit with RX. All fine. Here's my question.
What is the difference between printing the song at 48kHz from your DAW and using outside program to convert it and just printing the song from your DAW again with 44,1kHz and 16bit ?
This is one of the things that keeps escaping me. Is there a significant difference or is it just a matter of personal preference?
Thanks :)
Mainly just a workflow preference, however, I find some plugins do work better at higher sample rates (even though many deliberately oversample) and that working at 48k can sometimes lead to fewer issues. This is often purely anecdotal and I don’t always have proof of it definitely sounding better than working a whole project at 44.1k.
After all the processing is done I find that an external SRC and dither is very reliable and easier to control than running distortion plugins at a different sample rate in the session.
These sort of choices don’t always lead to a better sound but I find they help me create a consistent sound where the artist cannot tell the difference between the 44.1 and the 48 versions (which is the end goal!).
Sorry for such a long reply, I hope that made sense. If anything is unclear just let me know :)
@@inthemix Thank you so much.
So, basically... It's better to print the final mix and then convert it "outside of the session" to prevent issues that may (or may not ;) ) arise during downsampling with all the plugins running within the session, yes?
Thanks :)
I have a problem with mastering. So i have a track where the build has no bass and the drop has and when i try to master it and push the track as loud as i can.. The build ends up louder than the drop. Like the bass in the drop makes the whole drop quieter than the build. So how can i fix that and push the track as loud as it can get while maintaining dynamics to make the drop hit harder and make it louder than the build?
Thanks 🙏🏼
amazing
You're the best1
HOW TO GET IN CONTACT WITH YOU BRO
I have a question 🙋♂️ for you why the mastering engineer has to set the runtime?
Thnx for the video sir,Hope you're doing well,you're tutorials are really helpful for me.....Can you do a tutorial on Fruity Filter? I think its one of the most underrated plugins in FL Studio.,it would mean a lot.
You could consider hopping over to his discord (link is in the video description) and suggest it there in the video suggestion channel
@@Windklang705 Thnx for suggesting, I'll surely do it if I get time,Have a nice day
Any reason the ceiling of the first limiter is set at 0db and then running into the 2nd limiter?
No particular reason. I’ve experimented and sometimes change this. To be honest it’s been very difficult to hear or see a difference if the first is set to 0 or -1
Thank you so much for the tutorial, Michael. Appreciated! Anyway, I've checked that my system requirements is possible to run izotope mastering plugins. However, is it alright if I run it in the laptop? Since I don't have desktop pc at this moment. Thank you ^^/
Bro 🔥
Love your teachings bro, But something can be confusing sometimes. That is, you done so many tutorials on "Mastering" : some with stock plugins and third parties. There is another one with Ozone and you said you used that because it is what you used to. And other mastering videos, different plugins. Finally, what should i now rely on that is best? Different tutorials with different plugins, which one is best and which Tutorial is more reliable? Or is it that some of those plugins are not quality enough that's why you come up with different teachings with different plugins? Kind of confused... Because I know I don't need all these plugins for just one single song. What Ozone can do, I think Maximus too can. Please help, lost
Thanks for the question. All the videos I have made are still fully reliable and trustworthy. All the things I have taught are still applicable no matter which plugins you use.
I choose different plugins in each video so that I am not giving the impression that one brand or company is essential. You are correct that the stock and free Maximus plugin is suitable for mastering.
Another reason for making a few different mastering videos is to use songs in different genres and with clients who wanted different results (super loud vs dynamic. Clipped and distorted vs clean).
Many videos on TH-cam are only relevant in the few days or weeks after posting, however, I aim to produce videos which are still relevant and useful many years into the future.
Does that help?
@@inthemix Thanks Bro, it helped!
What about the whole -14lufs thing? Is that have the mix sit at-14lufs FOR mastering or AFTER mastering?? I'm trying to figure out what numbers I need to aim for in general and it's been a journey -.-
-14 is the lowest you should aim for since it’s the loudness of some streaming sites. If you go lower the services will apply their own limiter to match the loudness to other songs. If you go higher they will simply turn your volume down without any sort of limiting, so that’s better.
I would suggest looking at volume levels of professional tracks of your genre and try to match that.
Thank you for the video Michael. I really don't see the point in mastering above -14 lufs if it's going to be turned down. Is there a difference when it's turned down to -14 as compared to mastering at -14? If I turn the dbs down on a loud master will that give me an accurate representation of the sound when the streamers turn it down?
Hi Marlon. Excellent question! There is a big difference in the sound between mastering at -14LUFS or mastering much louder and having it turned down to -14LUFS average. Sometimes a master will sound better or worse with either approach. Many artists love the dense and energetic sound of a heavily limited master and they actually want to hear thier song with less dynamic range because it sounds like a "record" to them. This is completely okay if the artist wants it.
I have experience with loud masters being turned down on spotify and also having -14LUFS masters sounding quiet and I've come to the conclusion that you should probably master to -14 average as an absolute minimum and then push it until it sounds best to you. Remember that the -14 is a integrated value over a whole song. It's possible to have a chorus at -10 and still be -14 overall :)
@@inthemix Thank you Michael. I feel it could be best to master loud and compress yourself instead of having the streamers compress for you. This way you know how it will sound. Also, I just heard about "equalizer tool" inside the edison in fl. Image line has a short tutorial. It looks like it could give more control of the frequencies. Have you used this tool? and what do you think about it?
Nice edit but i feel vocal is little bit behind of music or instruments
Love from pakistan
2 nd comment ❤
People watch this video but dnt like the video ....shows how much egoistic people are ...
nice master
Thank you for mastering this song Michael! Always a pleasure hearing your process. 🙌🏻
Give this man a million subscribers already, he deserves every single one.
Your tutorials are just amazing!
As a young learner, you are my best teacher!
This is a super great video but it has left me with so many questions because it's such a different approach to mastering from the last video
Firstly, if the bass is the problem, shouldn't we reduce it during the mixing process? essentially reducing the bass means changing the frequency content of the song, which is as far as I know something you need to do during the mixing process, and even tho it might be something you can fix, do you really want to change the mixing engineer's vision of the mix? (as for changing the frequency content he was aiming for)
Second, can't you just link the bass to another channel and add it after the compression? so that the bass won't be a part of the compression and that it'll only affect the instruments.
Maybe you can use a separate compressor on the sub as well, but considering the fact that usually, the sub-area is consistent, why would it be a problem to the whole mix? it's essentially like adding a consistent signal to the mix, not including the kick.
Lastly and it's about the limiter itself, I've seen loud tracks that have a ton of bass, while still sounding clear, there has to be a way to achieve it without sacrificing reducing the bass level (and no the tracks were not distorted), maybe they've used just a better and a more transparent compressor, or limiter?
Despite all of these points, I do know that usually Synthwave tracks like yours tend to have less bass, so it might be the reason why you did that, and if it is it makes total sense, and it was super informative to see that approach to mastering.
Every walkthrough you make brings in something new to learn, so keep doing these, it's awesome :)
Thank you very much for the video Michael and Clo Sur for being so kind for sharing the stems. Those stuff are very helpful for us amateurs!!! It is always great to experiment with commercial level songs by these amazing tutorials / tips / tricks. Brilliant!!!
Guys, anyone watching this video please support Clo Sur as well, it is not something we see often!!!
I have a question, what's the reference file format(quality, bitrate etc) and from where do you source it? Are the levels of the reference track before uploading or after uploading to streaming platforms? Now a days, it's harder to get a high quality reference tracks. And the low quality references are just useless in terms of mastering.
Wait so if the track loudness is reaching -6 LUFS and spotify limits down to -14 LUFS isnt it going to sound very different when streaming? What exactly happens to parts of the song that are way above -14 lufs when streaming on spotify ?!
Spotify doesn’t limit down to -14. Only on some playback systems where the user has selected loudness compensation will some gain reduction be applied. On most systems I tested, this plays back at the full loudness on Spotify.
Thanks for the question and the answer. Was going to ask the same thing.
I was genuinely waiting for this video! I would follow you into a battle blindfolded, Michael! Thank you for your hard work! ❤
First to comment
First comment
Indeed you are. Hope you enjoy the video and free downloads :)
Let's go! Was just about to start mastering my track!
Thank you in the mix
Thank you very much you my best and best teacher ♥️
Brother can you please do complete tutorial for how to master in FL Studio (Only use Stock plugins & All Genres) with how to tonal balance (without tonal balance control plugins )
watching this on my sunday morning
Mixing and Mastering are big problems for me in my own productions,
your step by step guides from start to finish helped me out so much, thank you Michael! 💖
This is such a nice song.. Following along with the video is gonna be awesome..!
- not Windy XD
I agree with what not Windy said... O.O
- basically Windy
Thanks!
- Not KalZ
This is wholesome - not Michael
:DDD
Hi not Windy, not KalZ, not Michael, basically Windy and just Robber. I’m not Harshita:)
Hey man, how do i colour multiple recorded clips on playlist in a way that i get to see the those " coloured clips" in the the channel rack to group them easily before sending them to a muxer track?
Long time subscriber. Fantastic demonstration! That mix was really well balanced to begin with though. That helped a lot. I hardly ever get mixes like this. Bravo!
*Give us a free vst like tonal balance so we can also do this work easily*
This is incredible. When I have some free time I am super excited to download the stems and practice along. It’ll be extremely valuable to first try and imitate what you’re doing then try and make some adjustments of my own to see what sounds good.
Wish he produced EDM... I would beeen a edm god by now🤣.. just kidding
Damn your cpu meter's about to explode with those plugins...
You uploaded it on a right time.♥️
Thanks Michael you're the best tutor.👍🏻
Also shout out to the artist and the producer of this track for sharing their hard work and their stems!!!
👍 - _also_ for the YT algo! 😊
Hello In the mix I've been following you since I started producing my own songs last March, 2021. Your contents helped me alot understanding the basic mechanism to complex functions. Thank you so much❤
Not a professional engineer so these help out a LOT and learning all this for free is truly valuable, so a big thanks Micheal! Your efforts are really appreciated. Clo Sur, Solo Ray, Andy Toy and Chris Szczech, great track guys and big up to ye for supplying the stems!