Insane? Probably. As far as the what/when of the content goes, that's hard for me to manage as much as I'd like while I still have a "day job". Until I can master competitive eating or how to find the best deals at Costco, I'm nowhere close to being an actual TH-camr. But thanks for sticking with me!
It's Christmas morning, a day like any other here in Guangzhou, but I have this stocking full of goodies. Thank you, Joe Walker and thank you, Rough Cut. I appreciate the glimpse into the bin. I'd love a dive into bin structure as someone who is obsessed with bins and folders and organization.
Fantastic to see this kind of detail - so rare. Thank you, I know clearances as well as Joe's time must be very hard to secure. One thing - please please look at your capture / encoding settings when doing this kind of feature. I have no idea of the proxy quality of Joe's material to start with - and it's obviously complex imagery to start with /comes from many diferent sources - but there are so many sections where it's almost impossible to see what's happening in the AVID record window. We're seeing TH-cam's re-encode of your encode. Looking at it - it's all of 778kb/sec for an HD video stream - crazy low quality. Perhaps it's better with TH-cam Premium. You may have standard encoder profiles for this channel that works for fullscreen, bright interview footage, but once TH-cam has made your uploaded encode even worse... If you can possibly think about uploading it at higher quality to hopefully get a better result for such steller access, that would be amazing. Thanks again.
With all of those audio tracks and the combined .wav files for sound-fx etc, if the edit needs to be changed does the editor just chop up those clips in the timeline and move them around too? Or does the new timeline need to go back to the various audio departments to have new .wav exports made? Otherwise I can imagine it would get very confusing especially if it's late in the process?
The process you're describing is called re-conforming, and tools like "Matchbox" and "EdiLoad" can be used to help with this during audio post production. The editor can definitely chop up and move the stems around if there's a change, but I'm sure they'll ultimately send out the final timeline again to the sound department and ask for new stems to keep everything updated, especially on a production of this scale.
I don’t get how you have only six trucks of dialogue. When I am editing, I have like 12 because a lot of of the times they overlap when I make the cuts.
This is an incredible breakdown. So cool to see the post production process at such a high level
I can’t believe we can watch this for free. Thank you.
joe's voice was one of the best things in the movie. wonder how he felt editing his own voice :D
Thank you for infinite valuable editing information.
My pleasure. Thanks!
You are insane! In a matter of two days I'm seeing the best content ever put out by you
Insane? Probably. As far as the what/when of the content goes, that's hard for me to manage as much as I'd like while I still have a "day job". Until I can master competitive eating or how to find the best deals at Costco, I'm nowhere close to being an actual TH-camr. But thanks for sticking with me!
😂
Thanks for being out there
It's Christmas morning, a day like any other here in Guangzhou, but I have this stocking full of goodies. Thank you, Joe Walker and thank you, Rough Cut. I appreciate the glimpse into the bin. I'd love a dive into bin structure as someone who is obsessed with bins and folders and organization.
Very very cool. It’s inspiring watching this
Genius! I love Joe, Billy Goldenberg, Eddie h and many others. They all are amazing.
Happy Holidays indeed! This is a gift!
Love it!
This was great. Useful insight.
Incredible learning material. Thanks for sharing.
Thanks for watching!
This is so good
Thank you for sharing.
OMG ! thank you . 🙏
Fantastic to see this kind of detail - so rare. Thank you, I know clearances as well as Joe's time must be very hard to secure. One thing - please please look at your capture / encoding settings when doing this kind of feature. I have no idea of the proxy quality of Joe's material to start with - and it's obviously complex imagery to start with /comes from many diferent sources - but there are so many sections where it's almost impossible to see what's happening in the AVID record window. We're seeing TH-cam's re-encode of your encode. Looking at it - it's all of 778kb/sec for an HD video stream - crazy low quality. Perhaps it's better with TH-cam Premium. You may have standard encoder profiles for this channel that works for fullscreen, bright interview footage, but once TH-cam has made your uploaded encode even worse... If you can possibly think about uploading it at higher quality to hopefully get a better result for such steller access, that would be amazing. Thanks again.
love it
You are amazing
With all of those audio tracks and the combined .wav files for sound-fx etc, if the edit needs to be changed does the editor just chop up those clips in the timeline and move them around too? Or does the new timeline need to go back to the various audio departments to have new .wav exports made? Otherwise I can imagine it would get very confusing especially if it's late in the process?
The process you're describing is called re-conforming, and tools like "Matchbox" and "EdiLoad" can be used to help with this during audio post production. The editor can definitely chop up and move the stems around if there's a change, but I'm sure they'll ultimately send out the final timeline again to the sound department and ask for new stems to keep everything updated, especially on a production of this scale.
I don’t get how you have only six trucks of dialogue. When I am editing, I have like 12 because a lot of of the times they overlap when I make the cuts.
Wow
The avid interface is so antiquated. It’s hard to understand why you editors are not using da Vinci resolve or something much more modern.