For one of my sound editing classes in film school this past semester, we had to recreate a scene's sound design of our choice and I choose when Paul rides the worm. After many hours/days I got it nearly exactly replicated, but man did I gain even more respect for Joe Walker and any film/sound editor. But even a simple project like that teaches you so much about sound editing.
28:18 just the roughly drawn storyboard with some simply sound effects made my heart beat faster ... like a comic book with sound effects. Thx for sharing how you do your "magic" 🥰
This is incredible! Mad respect to people like Joe Walker who just go beyond editing. His thoughtfulness, insights and knowledge about the game is on another level.
It's Christmas morning, a day like any other here in Guangzhou, but I have this stocking full of goodies. Thank you, Joe Walker and thank you, Rough Cut. I appreciate the glimpse into the bin. I'd love a dive into bin structure as someone who is obsessed with bins and folders and organization.
Very cool sitting with Joe Walker at his work desk with him walking me through his work/thinking processes on a scene from my favorite movie of 2024. Awesome.
This is amazing! As someone who loves video editing and aspires to work in the film industry this was seriously so inspiring and fascinating to watch. Also, I know it would probably never happen but I would love to see a full length storyboard cut of the film
I loved every second of this. Thankyou. Also: what a lovely person. You can see how his manner and approach to working are conducive to building trust across departments. Great snapshot and example.
Incredible piece of content, wish stuff like this was more available for us just starting out. I can see how the story board with all the timed audio could become a brilliant base for everyone to build off.
Thanks! Info on editors and their process should be more available. One of the problems is that they almost always leave out the editor when doing "behind the scenes" features about movies and TV shows. Hopefully, some of the other content I put on this channel will help make up for that in some small way.
Insane? Probably. As far as the what/when of the content goes, that's hard for me to manage as much as I'd like while I still have a "day job". Until I can master competitive eating or how to find the best deals at Costco, I'm nowhere close to being an actual TH-camr. But thanks for sticking with me!
Fantastic to see this kind of detail - so rare. Thank you, I know clearances as well as Joe's time must be very hard to secure. One thing - please please look at your capture / encoding settings when doing this kind of feature. I have no idea of the proxy quality of Joe's material to start with - and it's obviously complex imagery to start with /comes from many diferent sources - but there are so many sections where it's almost impossible to see what's happening in the AVID record window. We're seeing TH-cam's re-encode of your encode. Looking at it - it's all of 778kb/sec for an HD video stream - crazy low quality. Perhaps it's better with TH-cam Premium. You may have standard encoder profiles for this channel that works for fullscreen, bright interview footage, but once TH-cam has made your uploaded encode even worse... If you can possibly think about uploading it at higher quality to hopefully get a better result for such steller access, that would be amazing. Thanks again.
I'm a bit gobsmacked at how mouse driven it seems to do things like selecting clips , muting and unmuting. Selecting clips one by one and then dropdown menus to mute compared to lasso, shortcut key. Joe seems to do so many extra mouse clicks and screen navigation. Maybe it was just that the Avid he was using to demo didn't have a streamdeck or mapped keyboard shortcuts. Can't fault the creative process, especially the use of sound pre music to establish rythmn and tension. I bet all the departments love that.
With all of those audio tracks and the combined .wav files for sound-fx etc, if the edit needs to be changed does the editor just chop up those clips in the timeline and move them around too? Or does the new timeline need to go back to the various audio departments to have new .wav exports made? Otherwise I can imagine it would get very confusing especially if it's late in the process?
The process you're describing is called re-conforming, and tools like "Matchbox" and "EdiLoad" can be used to help with this during audio post production. The editor can definitely chop up and move the stems around if there's a change, but I'm sure they'll ultimately send out the final timeline again to the sound department and ask for new stems to keep everything updated, especially on a production of this scale.
I don’t get how you have only six trucks of dialogue. When I am editing, I have like 12 because a lot of of the times they overlap when I make the cuts.
Not as often, comparably speaking, but it does happen. Everything Everywhere All at Once, for example. I believe Anora was as well. When it does happen, it's typical that the filmmakers are coming from more of an indie space. Perhaps the directors were the original editors, and then the film gets picked up by a studio, and then an editor is brought on to finish the film. Rather than switch editing platforms, the editor will continue the project on Premiere. The Peanut Butter Falcon happened like that. This is a generalization, so flame away, but I find that it's often because Premiere is the preference of the director. David Fincher is a prime example. Media Composer's strengths are really in its collaborative capabilities, how it handles large amounts of media, and the depth of its editing model. All things that are requisite in the feature film world, but not as valued for short form projects or scenarios where one person is doing everything.
This is an incredible breakdown. So cool to see the post production process at such a high level
⭐️⭐️⭐️⭐️⭐️: very incredible
I can’t believe we can watch this for free. Thank you.
We are getting there
For one of my sound editing classes in film school this past semester, we had to recreate a scene's sound design of our choice and I choose when Paul rides the worm. After many hours/days I got it nearly exactly replicated, but man did I gain even more respect for Joe Walker and any film/sound editor. But even a simple project like that teaches you so much about sound editing.
You should definetly upload the clip I would love to see how it turned out
This is amazing, so educational and inspiring. Learned so much about how people collaborate across the edit
joe's voice was one of the best things in the movie. wonder how he felt editing his own voice :D
Wait ... what/whom did he voice? :D
@@Nover_Music the computer providng info on Dune. That's Joe's voice.
@@iforgotthenamemate Oh cool, thank you.
28:18 just the roughly drawn storyboard with some simply sound effects made my heart beat faster ... like a comic book with sound effects. Thx for sharing how you do your "magic" 🥰
Thank you for infinite valuable editing information.
My pleasure. Thanks!
This is incredible! Mad respect to people like Joe Walker who just go beyond editing. His thoughtfulness, insights and knowledge about the game is on another level.
This was AWESOME. This is rare to be able to watch such dedicated and skilled editor with such beautiful footage for free
It's Christmas morning, a day like any other here in Guangzhou, but I have this stocking full of goodies. Thank you, Joe Walker and thank you, Rough Cut. I appreciate the glimpse into the bin. I'd love a dive into bin structure as someone who is obsessed with bins and folders and organization.
Very cool sitting with Joe Walker at his work desk with him walking me through his work/thinking processes on a scene from my favorite movie of 2024. Awesome.
This is amazing! As someone who loves video editing and aspires to work in the film industry this was seriously so inspiring and fascinating to watch. Also, I know it would probably never happen but I would love to see a full length storyboard cut of the film
I loved every second of this. Thankyou. Also: what a lovely person. You can see how his manner and approach to working are conducive to building trust across departments. Great snapshot and example.
Thanks, Jason. Glad you enjoyed it. That's Joe. What you saw is what you get. Great guy.
Incredible piece of content, wish stuff like this was more available for us just starting out. I can see how the story board with all the timed audio could become a brilliant base for everyone to build off.
Thanks! Info on editors and their process should be more available. One of the problems is that they almost always leave out the editor when doing "behind the scenes" features about movies and TV shows. Hopefully, some of the other content I put on this channel will help make up for that in some small way.
This deserved an instant sub.
this was so much fun! thank you for the wonderful insight!
Incredible learning material. Thanks for sharing.
Thanks for watching!
You are insane! In a matter of two days I'm seeing the best content ever put out by you
Insane? Probably. As far as the what/when of the content goes, that's hard for me to manage as much as I'd like while I still have a "day job". Until I can master competitive eating or how to find the best deals at Costco, I'm nowhere close to being an actual TH-camr. But thanks for sticking with me!
😂
Thanks for being out there
Genius! I love Joe, Billy Goldenberg, Eddie h and many others. They all are amazing.
Fantastic to see this kind of detail - so rare. Thank you, I know clearances as well as Joe's time must be very hard to secure. One thing - please please look at your capture / encoding settings when doing this kind of feature. I have no idea of the proxy quality of Joe's material to start with - and it's obviously complex imagery to start with /comes from many diferent sources - but there are so many sections where it's almost impossible to see what's happening in the AVID record window. We're seeing TH-cam's re-encode of your encode. Looking at it - it's all of 778kb/sec for an HD video stream - crazy low quality. Perhaps it's better with TH-cam Premium. You may have standard encoder profiles for this channel that works for fullscreen, bright interview footage, but once TH-cam has made your uploaded encode even worse... If you can possibly think about uploading it at higher quality to hopefully get a better result for such steller access, that would be amazing. Thanks again.
thank uuu keep creating and inspiring
Happy Holidays indeed! This is a gift!
Im at a loss for words. Thank you immensely!!!!
This was great. Useful insight.
This is just amazing
Just awesome!
This was sooo helpful .
I spend a lot of time editing my 3 TH-cam channels.👌👌👌👌
Thank you Joe for sharing!!
I could watch that for hours
THIS IS GOLD!! THANKS FROM BRASIL!
Very very cool. It’s inspiring watching this
Incredible, thank you!
wish we could see what the final project file for the completed film looks like
Yesss thank you!
This is gold!
Wow, amazing, thank you!
SHAI-HULUD is good to his followers, giving us a lesson from master in person, Joe Walker
This is so good
I'm a bit gobsmacked at how mouse driven it seems to do things like selecting clips , muting and unmuting. Selecting clips one by one and then dropdown menus to mute compared to lasso, shortcut key. Joe seems to do so many extra mouse clicks and screen navigation. Maybe it was just that the Avid he was using to demo didn't have a streamdeck or mapped keyboard shortcuts. Can't fault the creative process, especially the use of sound pre music to establish rythmn and tension. I bet all the departments love that.
Thank you for sharing.
8:45 - Is this feature available in Davinci Resolve? Playing a clip within in timeline? Really nice way to preview clips. thanks in advance.
I wish I had seen it when in a film school millions years ago
21:33 A French editor would shudder at reading RAB, as it tends to have a “Don’t care” slang meaning.
😆
Just as I'm editing my short film :)
Love it!
OMG ! thank you . 🙏
Amazing
"I can't believe Denis didn't fire me" 😂😂
love it
You are amazing
god avid is so hard on the eyes
need this for joker 2
I asked the editor, Jeff Groth ACE, about that. It's not really his thing. Should have another one coming soon for Wicked, though.
is there any chance we can get the timeline screenshots please?
what kind of video editing application commonly use by the an editor of a film?
Just curious
AVID
🔥👀🔥
With all of those audio tracks and the combined .wav files for sound-fx etc, if the edit needs to be changed does the editor just chop up those clips in the timeline and move them around too? Or does the new timeline need to go back to the various audio departments to have new .wav exports made? Otherwise I can imagine it would get very confusing especially if it's late in the process?
The process you're describing is called re-conforming, and tools like "Matchbox" and "EdiLoad" can be used to help with this during audio post production. The editor can definitely chop up and move the stems around if there's a change, but I'm sure they'll ultimately send out the final timeline again to the sound department and ask for new stems to keep everything updated, especially on a production of this scale.
What is the software he is using
Avid
what is the name of this post? this is the first time I see such a program for creating movies
What is the timeline/footage transcoded to?
Which shoftwere is this ??
avid media composer
What editor (NLE) is he using?
Wow
What software is this?
avid
what is the software? some kinde of sony vegas or what ?
Avid
I don’t get how you have only six trucks of dialogue. When I am editing, I have like 12 because a lot of of the times they overlap when I make the cuts.
wht sowftwere is using for edting
AVID
What software is he using?
Avid Media Composer
@@The_Rough_Cut Is premiere ever actually used for films?
Not as often, comparably speaking, but it does happen. Everything Everywhere All at Once, for example. I believe Anora was as well. When it does happen, it's typical that the filmmakers are coming from more of an indie space. Perhaps the directors were the original editors, and then the film gets picked up by a studio, and then an editor is brought on to finish the film. Rather than switch editing platforms, the editor will continue the project on Premiere. The Peanut Butter Falcon happened like that. This is a generalization, so flame away, but I find that it's often because Premiere is the preference of the director. David Fincher is a prime example. Media Composer's strengths are really in its collaborative capabilities, how it handles large amounts of media, and the depth of its editing model. All things that are requisite in the feature film world, but not as valued for short form projects or scenarios where one person is doing everything.
@The_Rough_Cut thank you for such a detailed response! Merry Christmas 🎄
@Sari36YT Merry Christmas to you too!
Shoftwere name ???
AVID
avid media composer, wouldn’t recommend it unless you could be taught firsthand, it’s the standard of the industry but also an absolute pain to use
Wait I thought Dune was edited with Da Vinci resolve
😂😂😂 I can't believe 😢
really couldnt get him on a better mic>?
666 likes, hehe
The avid interface is so antiquated. It’s hard to understand why you editors are not using da Vinci resolve or something much more modern.
Yea what’s the answer to why, I wonder too
what software is this?
Avid Media Composer