Sir plz upld jayalalita mvi's mavana magalu in 1965, badukuva daari in 1966, lorry driver in 1966, apoorva piravigal in 1967, panakkara pillai in 1968, iru deivangal in 1974, avalukku ayiram kangal in 1975, yarukkum vet kam illai in 1975, maatran thodatha maaligai in 1980, manipoor maamiyaar in 1980, nadhiyai thedi vanda kadal in 1980, neenga nalla irukkanum in 1992, sir plzz upld all these films as soon as possible sr plzzzzzzz
Karaharapriya, such a majestic and regal Sampurna raagam considered to be one of the Gaana raagas of our most beloved Carnatic Music idiom can also be automatically placed on a pedestal as one of the Prince of raagas for its most beautiful swaras providing the artiste ample scope to express to their hearts content the various contours, facets, and hues of the scale in its entirety. And when taken up for delineation by non other than the one and only Mrs. Ragunathan, sollanama? Having assiduously painstakingly followed her illustrious music for over 12 years, I have practically become one with the methodology and style to the t and can almost predict to perfection what swara Mrs. Ragunathan will take up next. Her dulcet voice ubiquitous to the ever famous Haagan Dazs Dulce de Leche Ice Cream Sundae is as cool and refreshing as the cold dessert yet perfectly golden and sweet as the warm caramel drizzled on top. Brighas are extempore and a signature trademark of the MLV bhani showcasing the melodic beauty and structure of the raagam in a quick flash of 30 sec or so. Such raaga phrases are a true music connoisseur and student of music's delight as they are tantalizing to the auditory senses creating a fervor and passion to practice and reproduce the same in the best way possible. Upon further analysis, such vocal tapestries are as ever challenging and fine replete with detail as walking on a tight rope blind folded at exorbitant speeds while never missing a single step; as a result, this in turn showcases the genuine command and mastery of the senior artiste based on her arduous hard work over a span of many years. Such recordings are a treasure trough and benchmark for upcoming artistes to emulate and follow for the future indeed. Namaskarams
Excellent concert 👌👏🙏🙏 Thanks jaya TV 🙏🙏
Fine and very nice
Okha bari,okha bari krithy is fentastic.
Sir plz upld jayalalita mvi's mavana magalu in 1965, badukuva daari in 1966, lorry driver in 1966, apoorva piravigal in 1967, panakkara pillai in 1968, iru deivangal in 1974, avalukku ayiram kangal in 1975, yarukkum vet kam illai in 1975, maatran thodatha maaligai in 1980, manipoor maamiyaar in 1980, nadhiyai thedi vanda kadal in 1980, neenga nalla irukkanum in 1992, sir plzz upld all these films as soon as possible sr plzzzzzzz
Karaharapriya, such a majestic and regal Sampurna raagam considered to be one of the Gaana raagas of our most beloved Carnatic Music idiom can also be automatically placed on a pedestal as one of the Prince of raagas for its most beautiful swaras providing the artiste ample scope to express to their hearts content the various contours, facets, and hues of the scale in its entirety. And when taken up for delineation by non other than the one and only Mrs. Ragunathan, sollanama? Having assiduously painstakingly followed her illustrious music for over 12 years, I have practically become one with the methodology and style to the t and can almost predict to perfection what swara Mrs. Ragunathan will take up next. Her dulcet voice ubiquitous to the ever famous Haagan Dazs Dulce de Leche Ice Cream Sundae is as cool and refreshing as the cold dessert yet perfectly golden and sweet as the warm caramel drizzled on top. Brighas are extempore and a signature trademark of the MLV bhani showcasing the melodic beauty and structure of the raagam in a quick flash of 30 sec or so. Such raaga phrases are a true music connoisseur and student of music's delight as they are tantalizing to the auditory senses creating a fervor and passion to practice and reproduce the same in the best way possible. Upon further analysis, such vocal tapestries are as ever challenging and fine replete with detail as walking on a tight rope blind folded at exorbitant speeds while never missing a single step; as a result, this in turn showcases the genuine command and mastery of the senior artiste based on her arduous hard work over a span of many years. Such recordings are a treasure trough and benchmark for upcoming artistes to emulate and follow for the future indeed. Namaskarams
I was out of the world when you told I sang for you ..
Aalapan of Karaharapriya is fine.
Very nice
Sudha ma sang innu Daya bharade for me ...