Nobody plays Sor so playful with contrasting voices, syncopated rythms, ready for the dancing queen Félicité Hullin, his wife. Worthy of the leading balletcomposer of his time. A highlight in this highlightproduction is the march with Lawalls ornaments ... Great film! Even the surprising Dixieband 9:44 seems to fit!
The most important variants are always in the second (fast) movements. In Allegretto the fast notes of the theme get some new permutations. Before the Valse after the flageolet horns, we hear the postal fanfare of hungaria postcars and the Valse gets melodic alternatives. The Marche opens with another Fanfare and the trio all in flageolets some variants. When we see, what Aguado did with his friends works, we see that this is appropriate.
Nobody plays Sor so playful with contrasting voices, syncopated rythms, ready for the dancing queen Félicité Hullin, his wife. Worthy of the leading balletcomposer of his time. A highlight in this highlightproduction is the march with Lawalls ornaments ... Great film! Even the surprising Dixieband 9:44 seems to fit!
Thanx for this, Dave!
The most important variants are always in the second (fast) movements. In Allegretto the fast notes of the theme get some new permutations. Before the Valse after the flageolet horns, we hear the postal fanfare of hungaria postcars and the Valse gets melodic alternatives. The Marche opens with another Fanfare and the trio all in flageolets some variants. When we see, what Aguado did with his friends works, we see that this is appropriate.