Any PIANO or ORGANIST from Chicago is going to be next level! WENDELL LOWE, JASON TYSON, RODNEY EAST, PHILLIP FEASTER, LEONARD RAZOR, etc are just monsters!! 🔥🔥🔥🔥
Watching these great video learn.... What a friend we have in Diminished. Gospel keyboardist never met a note they didn't like to double. Chords need to be THICK. Thank you for your videos.
Maybe a better way to put it is this way. For instance, there is a song called withholding nothing where this is a progression: Gm7 Eb/Bb F major. I wanted to add a secondary dominant to the Eb/Bb (the key is F major). So, I thought about doing a F13 before the Eb/Bb. However, it sounded weird. I suppose because I would eventually end on a F major, which is somewhat similar. How do you explain this? What’s an example of an idea you would use in passing to the slash chord? Maybe, you could share a chord?
Hello Sean! I need some guidance with something. Here is a link to chord sheet: sanctuarypraiseteam.files.wordpress.com/2011/09/withholding-nothing-chord-chart.pdf * I want to add the secondary dominant concept to Eb/Bb leading to the F major. This is on the withholding nothing part. I was playing around with some idea. I thought since Eb/Bb is a four chord, I could add maybe an F13 to come before Eb/Bb. Maybe, this voicing FEb/ADG. However, I didn’t like the sound. I wonder is it because I resolve to an actual F major chord after all of that. What are your thoughts? I guess I’m confused on how secondary dominants work with slash chords.
![Behind the Scenes Breakdown on Live Performance on Kirk Franklin's Reunion Tour [November 2024]](http://i.ytimg.com/vi/YV8UuZiC6xc/mqdefault.jpg)
Any PIANO or ORGANIST from Chicago is going to be next level! WENDELL LOWE, JASON TYSON, RODNEY EAST, PHILLIP FEASTER, LEONARD RAZOR, etc are just monsters!! 🔥🔥🔥🔥
Man you just went ALL CAPS with this list lol!
Percy Bady
😂😂😂. Right brother
I'll go back even further to some of the OG's.....Ernie Allen, Ed Showers, Richard Gibbs. Can't forget the late great Cornell Thigpen.
Correct
Man those chords over somewhere over the rainbow are ridiculous 🤯
Jus, you watching lol?!!!
Yo, I want the full breakdown of that now 😭
Yes! @4:06-4:10 is crazy! Awesome job.
Wendell has been playing like this since the early 80’s!!!!!!
I LOVE WENDELL LOWE. I HAVE BEEN FOLLOWING AND LISTENING TO HIM FOR DECADES. ONE OF THE ABSOLUTE BEST MUSICIANS EVER 🎹💯
One of the all time greats…
The 'Over The Rainbow' was very Tatum-esque with the half-whole scale.
Dr. Lowe is teaching today
Class in session doc!
This is cold. I’ve gotta learn this diminished playing style.
get it man!
One of the GOATS!!!!!
Hmmmm 🙌🏼🙌🏼🙌🏼🙌🏼🔥🔥🔥
Mog is that you... .😅🔥#BYO
the way you can break down these videos is amazing
Praise God! I finally got it.
Just blazing
Wow, your voicing is spectacular ❤
Appreciate it doc!!
YES SIR YES SIR HE IN THERE KILLING!
dude! 😩
Sweet chords runs. Maynnne!!
yeah man, thanks for watching
🔥🔥🔥🔥🔥
I can listen to you play all day. Sean!
It sounds cool... somewhere over the rainbow 🌈
Sean you are powerful sir🎹🎹🔥🙌🏽
Man you are too good, I’m stressed out 😁
Thanks so much for the support!!
Watching these great video learn.... What a friend we have in Diminished. Gospel keyboardist never met a note they didn't like to double. Chords need to be THICK. Thank you for your videos.
Yup! 🥪
Tremendous value in this short lesson🔥💯 Half-whole scale adds instant altered sauce. Thank you!🙏🏼
My unk been playing since the age of 3... #justakidfromchicago
I discovered you this morning. Absolutely love your approach and technique. Masterful lesson. Thank you
Wow. 🔥 🔥
it’s crazy how I learned about whole step and half step in my college class😵💫
yeah man, the application, esp to gospel can be hard to find sometimes, but he nails it!
PREEEEACH!😅
Sean never disappoints; amazing ear and talent!
This is awesome. Can’t wait to log in and see this full breakdown!
yessir doc!! I got 5 sections for you!!
@@SeanWilsonPiano yeah! ✊🏾❤️
Yes!!!
It doesn't get any better than this channel. Thank you so much!!!
The best piano teacher
I need a private lesson
My favorite organist. Can you share the original video?
Thanks man as usual got us something to learn
Awesome
Tha last 10 seconds should be flagged Inappropriate smh Jesus 🙌🔥
mannnnnnnn smh
Your transcriptions are thorough and always the best sir 🔥❤️ . I gotta try out these chords
Yup!
Jeez! What kinda man is that? 😳
another name for the diminished scale is octatonic
Maybe a better way to put it is this way. For instance, there is a song called withholding nothing where this is a progression: Gm7 Eb/Bb F major. I wanted to add a secondary dominant to the Eb/Bb (the key is F major). So, I thought about doing a F13 before the Eb/Bb. However, it sounded weird. I suppose because I would eventually end on a F major, which is somewhat similar. How do you explain this? What’s an example of an idea you would use in passing to the slash chord? Maybe, you could share a chord?
What sounds you using on your Keyboard Sean?
Please what VST do you Use
Man these ppl with perfect pitch🤦🏽♂️I ain’t jealous… lol 😒
𝙥𝙧𝙤𝙢𝙤𝙨𝙢
I cant stand that my brain functions so linear. 🙄 Help me Lord.
I Quit.
Not a good musical balance between organist and soloist--he's doing much and she isn't so much.
This is my first time seeing someone accuse someone other than a drummer for doing too much…………still don’t agree
Hello Sean! I need some guidance with something. Here is a link to chord sheet: sanctuarypraiseteam.files.wordpress.com/2011/09/withholding-nothing-chord-chart.pdf
* I want to add the secondary dominant concept to Eb/Bb leading to the F major. This is on the withholding nothing part. I was playing around with some idea. I thought since Eb/Bb is a four chord, I could add maybe an F13 to come before Eb/Bb. Maybe, this voicing FEb/ADG. However, I didn’t like the sound. I wonder is it because I resolve to an actual F major chord after all of that. What are your thoughts? I guess I’m confused on how secondary dominants work with slash chords.