Sunny // Fujita Tomo & Pritesh (transcription/tab)

Mainly bebop licks. Fujita san plays the turnaround with a Bm11 chord, and their turnarounds are slightly different. Tabbed this out mainly to steal licks.
Source:
• Working on Sunny with ...
Feel free to leave a comment requesting something for me to tab or transcribe next.
Tabbed out using guitar pro 7.5
#sunny #jazzguitar #tomofujita #guitar

[@zeroxityx]

Awesome work do you have a PDF? Thanks

[@Zenith127music]

pdf:
drive.google.com/file/d/1uENjKOgrDZUwVh1PyblsLPbjraZQHbIc/view?usp=sharing

[@lucydayLucida]

@@Zenith127music Much appreciated!

[@tigerbelly2152]

@@Zenith127music god bless you

[@Themaxmerock007]

God bless youu

[@composermega]

i have no words... that was just diabolical

[@zihenglu4344]

this is insane…. thank you for transcribing this

[@Priteshwalia-official]

wow WHY AM I JUST SEEING THIS NOW!!!!!

[@mistanuggets22]

Thank u so much for this!!! 🙏🙏🙏

[@余紫翔]

oh my god! This is super help.

[@babadziada4499]

So sweet.

[@jessicatiarany5864]

omg! thankyou so much!

[@lvanlee2830]

Coolstuff!

[@qpdband]

thanks so much

[@markmarki9511]

Doing God's work

[@재롱한번]

love it!!!!

[@우창수-h7n]

Thank you~^^

[@우창수-h7n]

Thinks~~^^

[@js1129882]

awesome‼︎

[@tomandmarley]

Hi great work thanks! Any chance of the guitar pro file?

[@stefanadkowicz2828]

What scale does he play on the 251 around 0:43? I can't figure it out ://

[@simonaks9774]

Bb Harmonic Minor! (over C7, I personally don’t find modes helpful so idk what to call it)
it’s Bb major but Db instead of D
or, Bb natural minor with a G and A instead of a Gb and Ab

[@stefanadkowicz2828]

​@@simonaks9774 why would he use that? I dont see a connection between Bb minor and C7. Thanks for help :))

[@simonaks9774]

@@stefanadkowicz2828 sure thing!
he’s basically “implying” the minor 4 to major 1 progression. Bb minor to F. It’s a super common, really good progression that you can find almost anywhere you look.
if you think about it, most notes in the Bb harmonic minor scale are the same as C mixolydian (the C7 scale). The only ones that are different, Db and Eb, turn out to be the b9 and #9 of C7. In Jazz, these are considered “color tones” that people often use over chords like C7 to give them some spice.
Hope that’s helpful!

[@simonaks9774]

In jazz, a lot of the time people use chord substitutions to make a progression more colorful. This is one of those situations where both C7 and Bb minor have “gravity” towards F major, so one can be used instead/over the other and it works!

[@stefanadkowicz2828]

@@simonaks9774 so i can think of it as "colored" c mixolydian, which works well with F major 251. You are making things much clearer. Hope you have a great day :))

[@jamesturner2012]

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