1:03 sounds f*cking awesome! The way Kocsis plays this climax, the steady Bb octave in the right hand and the changing chords and harmonies in the left just mesmerises me. I have to repeat this section multiple times every time I listen to this masterpiece.
Anyone who has tried to play 11:22, 11:42 and especially 11:59 knows that it's impossible to play...and one must resort to Legerdemain Tricks of Art.....BRAVO Maestro Kokcis!
Wunderschöne Interpretation dieser spätromantischen und perfekt komponierten Klaviersonate in verschiedenen Tempi mit klar artikuliertem doch elegantem Anschlag und mit künstlerisch kontrollierter Dynamik. Der zweite Satz klingt echt schön und auch beruhigend. Im Kontrast klingt der dritte Satz echt lebhaft und auch überzeugend. Faszinierend vom Anfang bis zum Ende!
@@remomazzetti8757 no, for instance bars 5 and 6 in the right hand has this single note sixtuplet figure, which is absent in the 1913 or 1931 versions which only contain alternating chords in the right hand
French was a very common language to speak the Russian Empire, along with German. Rachmaninoff spoke French early on in life (as was expected of an aristocrat like Rachmaninoff), and Tchaikovsky could speak Russian, French and German by the time he was 6. Russian publications were frequently published in French, German, or Russian. Titles and tempo markings exclusively in Russian were more commonly seen in religious music. However, in Soviet times, Russian publications tended to be in Russian or English, but often both.
1:03 sounds f*cking awesome! The way Kocsis plays this climax, the steady Bb octave in the right hand and the changing chords and harmonies in the left just mesmerises me. I have to repeat this section multiple times every time I listen to this masterpiece.
You should listen to that part played by Weissenberg he plays much more agressive
I like how with the manuscript, you can see the process of Rachmaninoff's mind between revisions
the pedaling and voicing is beyond words... genius interpretation.
Where did u find this manuscript oh my god 😳
We'll never know
@@saldana7395 -- Deep arcane secrets of Professor Bartmans.....Let us give Thanks! BRAVO from Acapulco!
IMSLP
He has in his own collection!
Its from the website of the russian national museum of music.
Mr Rachmaninoff's 'agitato' sometimes means that you should repair the piano. I love the dichotomy of force and beauty in this magical piece.
Anyone who has tried to play 11:22, 11:42 and especially 11:59 knows that it's impossible to play...and one must resort to Legerdemain Tricks of Art.....BRAVO Maestro Kokcis!
Hard though to match Horowitz' savage bells.....some say it was the way he demanded how his piano be "Voiced".....whatever that means?
@@steveegallo3384For me Horowitz is the best. Especially in live in London.
But Kocsis is extremely good.
omg the original score WOOOOOOOOOOOWWWWWW
Wunderschöne Interpretation dieser spätromantischen und perfekt komponierten Klaviersonate in verschiedenen Tempi mit klar artikuliertem doch elegantem Anschlag und mit künstlerisch kontrollierter Dynamik. Der zweite Satz klingt echt schön und auch beruhigend. Im Kontrast klingt der dritte Satz echt lebhaft und auch überzeugend. Faszinierend vom Anfang bis zum Ende!
Das liegt nicht zuletzt an der hervorragenden Interpretation des großen Zoltán Kocsis!
O my God thank you so much ❣️❣️❣️❣️
Seriously, how many people in the world can play this piece without a single mistake? 🤔🤔
But that’s not the most important
@@IEEMAZ_Convoluted_14.2.8.5 well of course it is.
@@d.o.7784 you are wrong
Kocsis for example 😂
@@sjlexternisti2315a beast😅😂
chopin’s handwritten sheet please❤❤
Kocsis is the best interpretation of this piece.
if would be cool if a pianist played all the parts that rach scribbled off so we could hear like a prototype version of the sonata!
The original 1913 version has been recorded many times.
@@remomazzetti8757 aren't the non-scribbled parts the 1913 version though? playing the scribbled parts would sound different then
@@remomazzetti8757 no, for instance bars 5 and 6 in the right hand has this single note sixtuplet figure, which is absent in the 1913 or 1931 versions which only contain alternating chords in the right hand
There's a whole other version in that manuscript...
Super sonata 😁
Bro found the original score
Please can you let us know where you found the manuscript? 😮😄
Its from the online library of the russian national museum of music.
Kocsis--once again a genius taken too early--why??
I wonder why he wrote the title in French
French was a very common language to speak the Russian Empire, along with German. Rachmaninoff spoke French early on in life (as was expected of an aristocrat like Rachmaninoff), and Tchaikovsky could speak Russian, French and German by the time he was 6. Russian publications were frequently published in French, German, or Russian. Titles and tempo markings exclusively in Russian were more commonly seen in religious music. However, in Soviet times, Russian publications tended to be in Russian or English, but often both.