Beethoven - Sonata No. 18 in E-flat major, Op. 31, No. 3, 'The Hunt' (Richard Goode)

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  • เผยแพร่เมื่อ 16 มิ.ย. 2024
  • 00:00 - Allegro
    08:46 - Scherzo. Allegretto vivace
    13:42 - Menuetto. Moderato e grazioso
    17:58 - Presto con fuoco
    Richard Goode, 1993
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ความคิดเห็น • 22

  • @noshirm6285
    @noshirm6285 ปีที่แล้ว +2

    The spirits of Haydn and Mozart married to that of Beethoven in the most marvelous way in this work👏🏻

  • @EmdrGreg
    @EmdrGreg 9 ปีที่แล้ว +5

    One of my favorite sonatas, and one of my favorite sets. Beautifully done.

    • @TheClassicalSauce
      @TheClassicalSauce 8 ปีที่แล้ว +2

      I agree. This sonata is wonderful. Underrated.

  • @MegaBubble
    @MegaBubble 11 ปีที่แล้ว +8

    just want to thank you so much for putting these up. Goode's performance are by far the best (overall of the cycle) that I've heard of Beethoven's sonatas. very clean, great sounding interpretations. I may have already commented on another video, but maybe I didn't.. I was really happy that someone put these up, and the 18th is one of my favorite Beethoven sonatas (if not my one favorite), despite E Flat Major being a key that I normally don't like. truly amazing stuff

    • @bruce_c_in_nz
      @bruce_c_in_nz 4 ปีที่แล้ว +2

      Richard Goode may be the most underestimated of all modern pianists. My late brother (who led the Lindsay Quartet) knew and played with him, and once told me that he thought Richard was the greatest living pianist, ahead of the much better known Murray Perahia. My own thoughts about his playing are no fuss, no drama, just great music. I have no reason to disagree with my brother.

    • @paulogazola
      @paulogazola 4 ปีที่แล้ว +3

      I agree, it's a superb interpretation. But how can you dislike the key of Emperor Concerto, Eroica Symphony, Sonata #4? This key is reserved for great stuff you know... :)

  • @calliehogan5722
    @calliehogan5722 9 ปีที่แล้ว +4

    Thank you for creating this account!! I was looking for a place for free, reliable versions of the classics and here it is!!

  • @eelevinas
    @eelevinas 9 ปีที่แล้ว +2

    Une excellente interprétation de la sonate "La Chasse". Vous faites, comme il le faut obligatoirement, ressortir les contrastes et les jeux de vitesses voulus par Beethoven.
    L'œuvre est maîtrisée d'un bout à l'autre sans grosses fautes.
    19/20

  • @playercembalo8248
    @playercembalo8248 5 ปีที่แล้ว +4

    Best interpretation !
    Well balanced and delicate.
    Even better than Ashkenazy.

  • @bruced47
    @bruced47 3 ปีที่แล้ว

    Brilliantly performed with heart.

  • @matavidya
    @matavidya 10 ปีที่แล้ว +2

    Very wonderful!

  • @rafalwisniewski8590
    @rafalwisniewski8590 8 ปีที่แล้ว +3

    splendid

  • @Didi-et3wu
    @Didi-et3wu 6 ปีที่แล้ว +1

    Wonderful!

  • @andrewkennaugh6329
    @andrewkennaugh6329 6 ปีที่แล้ว +5

    Richard Goode(changed from Guss)is a very good pianist...no pun intended...he performs with the music...if you play with the music you must be twice as GOODE!!😊😊

  • @xenio72
    @xenio72 6 ปีที่แล้ว +1

    Ah ma qui era in stato di grazia! Un vortice di gioia...

  • @andy85s71
    @andy85s71 5 ปีที่แล้ว +2

    17:58

  • @drale75
    @drale75 8 ปีที่แล้ว +7

    Why "the Hunt"
    what is "hunting" about this sonata? Who goes to hunt after "the Tempest"?

    • @stevenlawrason4864
      @stevenlawrason4864 6 ปีที่แล้ว +1

      Drasko Bozovic An answer to your question as to what does the name hunt signify as a motif to this most lavish bit of key play, By the time the tempest was over the storm had left such a disarray of clutter and debris from such a mighty wind, Beethoven found himself in a lurch as to where his recently drafted manuscripts might have been swept off too, the wind hidden manuscripts I speak of were devised of a fine Bach like counterpoint and Beethoven's own signature devices of genius, this wonderous alchemy of notes would make up the bulk of what would become the late sonatas 28 through 32, so he did hunt and hunt again , while absorbed in his labors to find where the tempest might have blown those fine notes he simply palmed off number 18 as the hunt, call it homage to the artistic obsession, numbers 19 through twenty six were no more then a breeze of a very bad vintage of German wine laced with mercury,, which brings us to sonata no 25 ( the coo coo sonata) and a very fitting title at that because he had quite snapped his cap by then, after a short rehabilitation treatment in which the doctor had insisted the only way to replenish his sanity again was to simply let go, ( no use crying over spilled milk) well it worked, in sonata number 26 we find that sweet swan song of goodbye, at the same time Beethoven was also considering a move to Paris, to forget the past, he had been grooming himself on a little French before hand, bonjour, pomme, ou est le bar and of course adieu, hence the name given to 26, in the end it was no dice on the visa due to Beethoven's defilement of Napoleons name on the Erocia symphony, ( Even the French are unforgiving at times, no ones perfect) to shorten the end game of this very sorted history while he was finishing off no 27 he found his manuscripts for 28 to 32 under the clavier right next to the piss pot ,,, the hunt was over :@)

    • @TiticatFollies
      @TiticatFollies 5 ปีที่แล้ว +1

      @@stevenlawrason4864
      Crazy..