Thats the color of Gospel, Blues, Jazz and soul music..and of course rock music came for that!. Minor chords. Shell voicing in the left hand and extensions on right. I just found your channel and dig it. Keep up the good work
Another amazing tutorial Noah. Love your playing. Don't think I've ever seen Cmaj7(b9) written. Do you always refer to #5 as b13? For some reason I'm much happier with C7(#5/#9). So in your playing do you ever play the regular 5 (G) AND the b13, if you're playing a spread voicing?
Hey Chris, good question- yeah I think that chord is more commonly referred to as 7(#5/#9)! To answer your second question, yes, definitely! Totally fine to have the natural 5 somewhere in the voicing with a b13 in my opinion, and I do it sometimes. In the end, all of this stuff comes down to- do you like how it sounds? If you like the clash of a b9 over a Major 7.... then by all means, go for it! Yeah, I don't think I've ever seen a CMaj7(b9) written either haha... very clashy sound. But, even that, I think, could be used tastefully depending on the context.
@@NoahKellman Thanks Noah, that's great information. Appreciate the reply. I'll see if I can come up with a voicing that shows the maj7 b9 in a favourable light :)
I will have to say that the 7#11 sound strongly resolves as bVII7#11 to the vi chord (11 on top) or to IMaj... especially if approached by the IVMaj7 chord or iiimin9
![The 5 Most Important Chords for Playing Jazz [Jazz Theory Tutorial]](http://i.ytimg.com/vi/E05IpJlP-P8/mqdefault.jpg)
![6 Harmonic Tricks & Voicings for Neo Soul [Rnb Piano Tutorial]](/img/n.gif)
Yeah, you are one of the greatest tutorial teachers. Great structure and quality lessons !!
Amazing video! Very clear one after the other with the feel of these chords.. Perfectly to learn for me 😊
Thanks a lot!
Love your videos and keep up with the good work!
Holy moly you just showing WHY it doesnt sound good or examples of when to use it really clicked for me. Thank you!!
Adjectives help sooo much more than theory. Great video thank you
Another really helpful tutorial, I'll study this video in-depth....Thanks Noah!
You're welcome! Let me know if you have any questions I can help with.
Amazing information. Priceless
Thank U Sir ...From South Africa...
At 0:15 it can be intro for misty
🎶 Look at me! 🎶
Ohh woow Awesome.. Great tutorial.. And amezing knowledge for music. thank you so much for this useful music session..
Hey, you're welcome!
Thats the color of Gospel, Blues, Jazz and soul music..and of course rock music came for that!. Minor chords. Shell voicing in the left hand and extensions on right. I just found your channel and dig it. Keep up the good work
I see u' from Argentina man! You're make an incredible work in every single video, regreats n' congratulations! 👏🏼🇦🇷
Thanks, Matias! Glad you're enjoying them.
Very clear and helpful. Thanks for your great tutorials Noah.
Helpful and clear
great explanation, good audio, thanks for sharing these “nuggets”
Hey Theo, for sure. Glad you enjoyed it!
sharp 9 means sharp supertonic. We may be entering modes hence the interesring sound?
I absolutely love your neo soul lessons man
Thanks, Kabelo. Appreciate it, glad you're finding them helpful.
noah i love your channel 👌your channel is simple
Hey, thank you I appreciate it!
Another amazing tutorial Noah. Love your playing. Don't think I've ever seen Cmaj7(b9) written. Do you always refer to #5 as b13? For some reason I'm much happier with C7(#5/#9). So in your playing do you ever play the regular 5 (G) AND the b13, if you're playing a spread voicing?
Hey Chris, good question- yeah I think that chord is more commonly referred to as 7(#5/#9)! To answer your second question, yes, definitely! Totally fine to have the natural 5 somewhere in the voicing with a b13 in my opinion, and I do it sometimes. In the end, all of this stuff comes down to- do you like how it sounds? If you like the clash of a b9 over a Major 7.... then by all means, go for it! Yeah, I don't think I've ever seen a CMaj7(b9) written either haha... very clashy sound. But, even that, I think, could be used tastefully depending on the context.
@@NoahKellman Thanks Noah, that's great information. Appreciate the reply. I'll see if I can come up with a voicing that shows the maj7 b9 in a favourable light :)
Thank you!
Great teacher,great player,another great lesson,hope we can hook up,when you visit the ‘Cuse,thanks Noah!
Thanks, Ed! Glad you enjoyed it. Hope you're doing well!
Super
Thanks, Solomon!
3:36
Is there a way I can say the midi input screen?
hi, What is the name of tool behind your back on a laptop screen with midi notes visualisation?
How would I vocie a c major 9 if c is the top note?
I will have to say that the 7#11 sound strongly resolves as bVII7#11 to the vi chord (11 on top) or to IMaj... especially if approached by the IVMaj7 chord or iiimin9
imo lol
like a backdoor basically including ‘circle of thirds subs’ lol
Never knew what major was! Ugh
Subscribing!
i cant see the keys you are pressing when playing.....