I’m glad someone finally notices Floor Sliding Reporter Guy for the Legend he is. Too bad this song’s choreography has only ever been awkward from what I’ve seen but it’s still great
If I ever make it big as an actor, remember Ryan Cook started here. I remember doing our own wee production of CATCF back in primary school. I was Willy Wonka. We did proper auditions, everyone else got a full audition except me, I had to leave early and only got to say one line (Welcome my friends, welcome to my chocolate factory!), but I seemed to really impress them with that one line. The looks on their faces as I delivered the line and I beat our everyone else for the part. 90% of the kids, boys and girls, were auditioning for WW, he was the coveted role. It was the most fun I've had in my life, and set me on the path I'm on today to one day be an actor. I love watching different productions to compare how we did it differently. This scene especially. In our version, smoke machines launched from both sides, and I stepped out as it cleared. Used a really old, ripped voice but made sure to project so no one missed a word. We decided to go a little more intense and for shock factor. At, "Though it appears I've lost my pep!" my voice gradually grew until I shouted the last word and brought my cane down hard upon the floor. Then I grab onto a reporter's forearm, shaking, take the step and fall. A group of people surround me, take off my cloak and put on my hat, then the circle breaks apart revealing Willy Wonka. I can't sing so the song had to go a different route. We had everyone sing the song, but chose specific bits for me to call out. At one point everyone gets down on their knees surrounding me. I call out, "It must be believed to be seen," and as I do it slowly point the cane upwards with everyone following, then for the final bit, from follow me, for I guarantee I'm doing it. I loved the last line though, I go from rapid fire shouting their names to a suave voice, "Do come in," whip around and raise my cane in the air perfectly in sync with the background swap.
bro these captions so salty 💀💀 honestly i think the fact that the sets or whatever on the broadway vers werent as spectacular made it more special- it really emphasised the actors' talent. special effects aint shit if the performance isnt good!
1 3 O Segredo É Crer Para Ver Lyrics [WILLY WONKA] Venham me ajudar Tenho medo de cair Só consigo andar Se o joelho permitir Dentro dos portões Perdi a força jovial A minha vida está no fim Mas eu li no Tao Te Ching JID “Dance Now' Official Lyrics & Meaning | Verified Que a chave da jornada É o passo inicial Quem quer entrar num mundo Com doces de "A" a "Z"? Quem quer provar Surpresas no ar? O segredo é crer para ver Quem quer viver um sonho No meu atelier? A explicação Da minha visão O segredo é crer para ver Não há nenhum mistério Feitiços ou poções Eu só construímos mеu impérios próprios Que seguem os meus próprios ajustes Quеm quer provar delícias Num templo de prazer? Ao seu redor O que há de melhor O segredo é crer para ver Quem quer entrar na dança Fazer fondu ou frappé? No meu salão, tudo é só perfeição O segredo é crer para ver quem quer saber o enigma O como eo porquê? A explicação criar Mora atrás ver fazer o melhor segredo alguém é crer para Pareço um cara especial minha infância foi normal Então, veja será que existe assim que o mundo igual a? Um tenho um prêmio para quem Enxerga a vida mais além [TODOS] Chegou a sua chance! Não deixe escapar! [WILLY WONKA (e CORO)] Está ao seu alcance Mas só um aqui vai ganhar (Mas só um aqui vai ganhar)
Honestly, people like you make me want to take all of my videos down and keep them for myself. I upload these videos just for fun and just to entertain. I literally have the entire show uploaded on my channel.. If you wanted to see the normal song so bad, you have that option as always. I don’t understand why you have to be rude because someone else is enjoying themselves. I guess you be you.
@@MrNonsenseSr It's hard, but I have to say I prefer the west end version, I think broadway made Mr. Wonka way too sadistic, and they clearly forgot to build a set, but on the other hand, I prefer Broadway's humor. I actually had the pleasure of meeting Douglas Hodge in 2013 after seeing the show, and I'd say that he and Borle are just as good as wonka, but as a brit I guess I'll always side with Hodge
I support you mr nonsense sr!these idiots are telling you what do that is just unfair.i adore this channel and you introduced Willy wonka musicals in the first place
Not a fan of the us interpretation of the character. He always seems too young and not eccentric enough .. saw the orignal eest end cast and i much prefer west end. Hes the best of the american versons but still leabes desire
God the Broadway version of this Musical really is terrible. It’s ridiculous how much better our British West End version was. For one thing we actually, you know…HAD A FUCKING BUDGET!!!
I love Christian Borle’s vocals and Mike Wartella as Mike Teavee, but those are the only two things I can think that I can really give The Broadway version credit on lol. You’re pretty much entirely right
@@hierrikmedan6934 Even as good as Borle’s voice is, it still doesn’t particularly scream ‘Wonka’, nothing about the Broadway version does. The four naughty kids being played by adults was a strange choice on the whole and re-using songs from the 1971 version just serves to reiterate that it’s a passionless adaptation that is afraid to stand on its own two feet. Especially since all the American Wonka’s, not just Borle, seemed to be trying way too hard to emulate Wilder. The West End version was firmly its own thing, aside from Pure Imagination being the finale, which is literally the ONLY thing they took from the 70s movie. Douglas Hodge’s Wonka IS the Wonka from the books. Eccentric, twisted, childlike, Monty Pythonesque and carrying a David Bowie-like ageing 70s glam rockstar vibe. You could tell that this was nothing like the Wilder or Depp version. It was firmly its own thing and it was glorious.
@@thomaskilroy4573 i agree with some of that. With Borle i just view them as covers honestly. I don't think the re-use of songs is what makes it passionless, as it also does way more with the songs and uses the 1971 parts of the kids' songs as more of a callback and doesn't reuse the entire thing, and Candyman, Pure Imagination and Golden Ticket are popular for a reason and I see the point in using them as Wonka and Charlie's songs. There are other things I think DO make it passionless as an adaptation but if i listed them all here I think you'd get bored lol. The short version of my opinion on the Broadway version is that I love some things they did to modernize the adaptation from a purely story perspective, but the execution of almost all of it did not work nearly as well as it did in the WE, the Broadway stamp just makes it sound more fancy lol
Saw the show on Broadway with Christian Borle. I am a huge fan of his work, particularly in Something Rotten and Falsettos. By the way, Mrs. Gloop on Broadway and on the National Tour was played by my stepdaughter Kathy Fitzgerald. She has had a fantastic career on Broadway and off (she was especially fun in Wicked as Madame Morrible on Broadway and in the National Tour and when she originated the part of Roz, the office snitch in 9 to 5. She is considered to be one of the finest character actors on stage. She played ten different characters every night in The Producers on Broadway through the entire six year run).
![KRK - ชนิสรา Ft.WanMai , N/A [Official MV] Prod. By Sakarin](http://i.ytimg.com/vi/C-WMwwYobcU/mqdefault.jpg)
I’m glad someone finally notices Floor Sliding Reporter Guy for the Legend he is. Too bad this song’s choreography has only ever been awkward from what I’ve seen but it’s still great
I’m completely in love with the choreography of this song! 😃
“Shut it, Jerry! No body cares about serious and global issues!”
I love this show and this vastly superior rendition of this song! Good job!
When I saw it on Broadway in September 2017, this was my favorite number in the whole show. The choreography was perfect.
I like this version of the musical. I wish the playlist didn’t get hidden all of a sudden
Same! I used to watch it all the time until it got removed.
I need to thank you for making this!!!! I absolutely adore Noah Weisberg and was just looking up his Willy Wonka today. This is hilarious
Did you find the candy man travels America playlist?
@@patriciatyler1615the videos are now hidden for some reason. It must be believed to be seen.
Love a good villain song
At first I was like “what!?” and then I watched the veruca squirrel song
I love Noah weisbergs interpretation of wonka its amazing
Thank you for posting videos from this show! I'm in a community theater production of it right now
My favorite Willy Wonka will always be Douglas Hodge. To me, he is the one and only Willy Wonka.
Agreed
@@jamesn56 Yes! Thank you.
I prefer Noah and the Italian version
If I ever make it big as an actor, remember Ryan Cook started here. I remember doing our own wee production of CATCF back in primary school. I was Willy Wonka. We did proper auditions, everyone else got a full audition except me, I had to leave early and only got to say one line (Welcome my friends, welcome to my chocolate factory!), but I seemed to really impress them with that one line. The looks on their faces as I delivered the line and I beat our everyone else for the part. 90% of the kids, boys and girls, were auditioning for WW, he was the coveted role. It was the most fun I've had in my life, and set me on the path I'm on today to one day be an actor. I love watching different productions to compare how we did it differently. This scene especially. In our version, smoke machines launched from both sides, and I stepped out as it cleared. Used a really old, ripped voice but made sure to project so no one missed a word. We decided to go a little more intense and for shock factor. At,
"Though it appears I've lost my pep!" my voice gradually grew until I shouted the last word and brought my cane down hard upon the floor. Then I grab onto a reporter's forearm, shaking, take the step and fall. A group of people surround me, take off my cloak and put on my hat, then the circle breaks apart revealing Willy Wonka. I can't sing so the song had to go a different route. We had everyone sing the song, but chose specific bits for me to call out. At one point everyone gets down on their knees surrounding me. I call out,
"It must be believed to be seen," and as I do it slowly point the cane upwards with everyone following, then for the final bit, from follow me, for I guarantee I'm doing it. I loved the last line though, I go from rapid fire shouting their names to a suave voice,
"Do come in," whip around and raise my cane in the air perfectly in sync with the background swap.
Whoa. Just WHOA. If you ever have *any* video of your performance as Wonka, I’d sure as sweet chocolate HECK would *LOVE to see it!!*
4:10 he really found the potential of his vocal range-
Wily did a Doctor Who regeneration right there!
Why do I notice things as small as Charlie and Mike casually making eye contact while holding hands.. ;-;
🤨🏳️🌈
Good to see Jerma985 in the role he was born to play
“Ah!”
3:48 *CHOCOLATE*
They always say they're not going to imitate the movie, but they're always lying.
Now you are going to make the video Miracle but so much better?
Why doesn't he say all their surnames at the end? I'm sure he did in the original.
This has been on and off in a lot of productions. When they say it usually changes, and some remove it outright. It's strange.
Villain song
"Social distancing"
I thought it would be Jared Bradshaw But still Cool Video
Is no one going to point out Mrs. Gloop shaking her sausage rapidly
YOOOO
Can you make a vidiots but so much better
bro these captions so salty 💀💀 honestly i think the fact that the sets or whatever on the broadway vers werent as spectacular made it more special- it really emphasised the actors' talent. special effects aint shit if the performance isnt good!
Plis link video
Is it at London?
No
No this is the US tour with Noah Weisberg
1
3
O Segredo É Crer Para Ver Lyrics
[WILLY WONKA]
Venham me ajudar
Tenho medo de cair
Só consigo andar
Se o joelho permitir
Dentro dos portões
Perdi a força jovial
A minha vida está no fim
Mas eu li no Tao Te Ching
JID “Dance Now' Official Lyrics & Meaning | Verified
Que a chave da jornada
É o passo inicial
Quem quer entrar num mundo
Com doces de "A" a "Z"?
Quem quer provar
Surpresas no ar?
O segredo é crer para ver
Quem quer viver um sonho
No meu atelier?
A explicação
Da minha visão
O segredo é crer para ver
Não há nenhum mistério
Feitiços ou poções
Eu só construímos mеu impérios próprios Que seguem
os meus próprios
ajustes Quеm quer provar delícias
Num templo de prazer?
Ao seu redor
O que há de melhor
O segredo é crer para ver
Quem quer entrar na dança
Fazer fondu ou frappé?
No meu salão, tudo é só perfeição
O segredo é crer para ver
quem quer saber o enigma
O como eo porquê?
A explicação criar
Mora atrás ver fazer o melhor
segredo alguém é crer para
Pareço um cara especial
minha infância foi normal
Então, veja
será
que existe assim que
o mundo igual a?
Um tenho um prêmio para quem
Enxerga a vida mais além
[TODOS]
Chegou a sua chance!
Não deixe escapar!
[WILLY WONKA (e CORO)]
Está ao seu alcance
Mas só um aqui vai ganhar (Mas só um aqui vai ganhar)
scAry gHOst mAn
Is this villainous Wonka supposed to be a ghost???
I prefer the original.
cool
Vox
so you've added some crappy captions and zoomed in on some things. can you not just upload the video
Honestly, people like you make me want to take all of my videos down and keep them for myself. I upload these videos just for fun and just to entertain. I literally have the entire show uploaded on my channel.. If you wanted to see the normal song so bad, you have that option as always. I don’t understand why you have to be rude because someone else is enjoying themselves. I guess you be you.
@@MrNonsenseSr It's hard, but I have to say I prefer the west end version, I think broadway made Mr. Wonka way too sadistic, and they clearly forgot to build a set, but on the other hand, I prefer Broadway's humor. I actually had the pleasure of meeting Douglas Hodge in 2013 after seeing the show, and I'd say that he and Borle are just as good as wonka, but as a brit I guess I'll always side with Hodge
@@peepeepoopoo8620 While that’s a valid point and all, I’m confused as to what that had to do with you insulting my edits ;-;
I support you mr nonsense sr!these idiots are telling you what do that is just unfair.i adore this channel and you introduced Willy wonka musicals in the first place
@@peepeepoopoo8620 Honestly, the music of this song kinda paints Willy Wonka as a villain, so I don’t blame Christian Borle.
This is pretty weird
Not a fan of the us interpretation of the character. He always seems too young and not eccentric enough .. saw the orignal eest end cast and i much prefer west end. Hes the best of the american versons but still leabes desire
God the Broadway version of this Musical really is terrible. It’s ridiculous how much better our British West End version was. For one thing we actually, you know…HAD A FUCKING BUDGET!!!
I love Christian Borle’s vocals and Mike Wartella as Mike Teavee, but those are the only two things I can think that I can really give The Broadway version credit on lol. You’re pretty much entirely right
@@hierrikmedan6934 Even as good as Borle’s voice is, it still doesn’t particularly scream ‘Wonka’, nothing about the Broadway version does. The four naughty kids being played by adults was a strange choice on the whole and re-using songs from the 1971 version just serves to reiterate that it’s a passionless adaptation that is afraid to stand on its own two feet. Especially since all the American Wonka’s, not just Borle, seemed to be trying way too hard to emulate Wilder. The West End version was firmly its own thing, aside from Pure Imagination being the finale, which is literally the ONLY thing they took from the 70s movie. Douglas Hodge’s Wonka IS the Wonka from the books. Eccentric, twisted, childlike, Monty Pythonesque and carrying a David Bowie-like ageing 70s glam rockstar vibe. You could tell that this was nothing like the Wilder or Depp version. It was firmly its own thing and it was glorious.
@@thomaskilroy4573 i agree with some of that. With Borle i just view them as covers honestly. I don't think the re-use of songs is what makes it passionless, as it also does way more with the songs and uses the 1971 parts of the kids' songs as more of a callback and doesn't reuse the entire thing, and Candyman, Pure Imagination and Golden Ticket are popular for a reason and I see the point in using them as Wonka and Charlie's songs. There are other things I think DO make it passionless as an adaptation but if i listed them all here I think you'd get bored lol. The short version of my opinion on the Broadway version is that I love some things they did to modernize the adaptation from a purely story perspective, but the execution of almost all of it did not work nearly as well as it did in the WE, the Broadway stamp just makes it sound more fancy lol
Saw the show on Broadway with Christian Borle. I am a huge fan of his work, particularly in Something Rotten and Falsettos. By the way, Mrs. Gloop on Broadway and on the National Tour was played by my stepdaughter Kathy Fitzgerald. She has had a fantastic career on Broadway and off (she was especially fun in Wicked as Madame Morrible on Broadway and in the National Tour and when she originated the part of Roz, the office snitch in 9 to 5. She is considered to be one of the finest character actors on stage. She played ten different characters every night in The Producers on Broadway through the entire six year run).
Fir st