Hey, I happen to work at Adox on the production side and I can confirm that your guess is correct. It's a film we have in 35mm unperforated pancakes and I'm the one who perforates it. The reason it's cinema sprockets is simply that it was the tool we had on the perforation machine at the time. We've since swapped it for a standard one to do maintenance on the cinema sprocket tool, and so the next batch we do will likely have normal sprockets. I can also say it's not a cinema emulsion, so the halation is just cuz that's how it was made. Definitely enjoyed seeing the trichrome results though not sure I'll be doing that myself with this film.
@@atticdarkroom with all that said... Give trichromes a shot with CMS 20. I tried it last summer and got really cool results in daylight. Looks almost like Kodachrome.
I've tried it once before and got pretty good colors. I've been meaning to try it again but it's always out of stock. I'll definitely pick up a few rolls the next time I find some.
Woh! An Adox person! OK, please tell us you guys are talking to Fuji about snagging one of their decommissioned 120 machines?!? Or you're partnering with CineStill to spool 120/220? Or you've magically repaired your 120 machine? Whatever it takes so I can once again feed my GW680 CMS 20:)
@@jw48335 Maybe they should just take over all of Fujis film stuff. With the knowledge on how to make their greatest films that Fuji all discontinued. Does Cinestill offer 220 now?
The BLEACH BYPASS! Damn. It's so good. That crunchy, contrasty goodness is so great. Also, just the normally developed film is really great right off the press for "flat" scans.
Seeing the normal roll, I went: "that looks like bleach bypass". And then you went ahead and bleach bypassed it. I'm not a huge fan of any of the looks other than just normal. Maybe if you only pushed like +1. It's great that we now might get more options for film especially when it's just Kodak making most of it. Thank you for another amazing vid, you always make it super entertaining!
It's going to be a long road ahead for ADOX, but I'm very hopeful. They also seem to have a realistic outlook saying this process can take upwards to 4+ years. I'm hoping this is one of many new color emulsions that come out of this.
As someone who's quite colourblind, most colour films all look quite the same to me and are just "meh" and I have little interest in shooting them. The bleach bypass you did really just looks incredibly sharp and crisp like the colours are actually able to be differentiated from one another even though the sky does get blown out. I love that high contrast. I may actually want to give this colour film a shot!
Thank You for posting this. I’ll be keeping my eye open for and will support them by buying some no matter what. I just appreciate the effort that that they’re trying to make color film.
Hey man saludos from Chile!!! These videos are great and im always waiting for the next one. This the most interesting and entertaining analog photography channel ive ever seen. Cant wait to see you blow up.
Color Mission Inception. I watched this while scanning a roll of Color Mission. I really like it! Agreed on the greens. That bleach bypass also looks killer!
Loved this video! I also got some Color Mission and the saturation and contrast is insane! Unlike anything I've seen from color film & I usually shoot Gold 200 so i'm no stranger to saturation. I accidentally left mine in the developer a little long and panicked a bit because the film base came out super pink, haha. I even reblixed it because the base was so dense (didn't help). The scans turned out fine tho, albeit a bit grainy. Also, the red on this film pops like crazy from my experience, interesting you noticed it more with the greens!
I was hoping you'd do a video in this film stock! The bleach bypass looks great! But by far my favourite shot was the one at 7:17 ! It works soo good with the redscale!
I remember that their old CHS 100 II had cinema-style sprockets. I had a chance to talk with Mirko (the ADOX owner) in 2018 together with Juho from Camera Rescue but I forgot to ask him about the sprocket holes though.
Hey, could make a video about the film that comes in the Kodak Daylight camera? It's a 800 speed CN and I always crack em' open and use it as a cheap high speed film. It looks cheap but it's something. Can't find much information about them. Would love to see your opinion on it. Thanks
It's on my list of things to try. As far as I know its Gold 800 which is allegedly the same as Lomo 800. Cant say for certain, but definitely worth experimenting with.
One of my friends and I react in the following MANNER to each other whenever you post a vid: "WAKE UP BABE, ATTIC DARKROOM JUST POSTED!!!" Thanks for the based content you make Btw, I read that rodinal is basically an ingredient in paracetamol, so maybe there is a video to be made on that?
@@atticdarkroom I’m also thinking the Japanese Garden with that muted, filtered light punctuated by the cherry blossoms. Might be a little late for that this year.
I’ve shoot this film as well and I can confirm that underexposing leaves rather grainy pictures like yours, after that first roll I got the advice to shoot it at ISO 125 and the results are way nicer. Why didn’t you try to overexpose ?
Looking forward to getting my hands on this stuff. Also, how on earth do you begin to understand the charts and such on data sheets, they’re all so confusing. The things you do with film amaze me and I’d love to try some things out for myself, but the amount of technical information blows me away sometimes. Did you learn all this stuff by teaching yourself? Or did someone teach you?
Datasheets are dense. No one ever taught me how to read a datasheet and I never sat down and tried to understand it in its entirety. But as I worked on different projects over time I found myself asking technical questions and always referred to the datasheet. I guess I just learned what each section was about over time. I wish I could give you a better answer.
Ah man, the one thing I wanted to see, this in ecn-2 you didn’t do. I really suspect that this is orwo influenced cinema film, especially with the sprocket holes being BH shaped.
Hey, I happen to work at Adox on the production side and I can confirm that your guess is correct. It's a film we have in 35mm unperforated pancakes and I'm the one who perforates it. The reason it's cinema sprockets is simply that it was the tool we had on the perforation machine at the time. We've since swapped it for a standard one to do maintenance on the cinema sprocket tool, and so the next batch we do will likely have normal sprockets. I can also say it's not a cinema emulsion, so the halation is just cuz that's how it was made. Definitely enjoyed seeing the trichrome results though not sure I'll be doing that myself with this film.
Thanks for clearing that up. You guys are doing awesome work over there.
@@atticdarkroom with all that said... Give trichromes a shot with CMS 20. I tried it last summer and got really cool results in daylight. Looks almost like Kodachrome.
I've tried it once before and got pretty good colors. I've been meaning to try it again but it's always out of stock. I'll definitely pick up a few rolls the next time I find some.
Woh! An Adox person!
OK, please tell us you guys are talking to Fuji about snagging one of their decommissioned 120 machines?!? Or you're partnering with CineStill to spool 120/220? Or you've magically repaired your 120 machine? Whatever it takes so I can once again feed my GW680 CMS 20:)
@@jw48335 Maybe they should just take over all of Fujis film stuff. With the knowledge on how to make their greatest films that Fuji all discontinued. Does Cinestill offer 220 now?
“Just shoot it and develop it normally, you’ll get better results.” This is a lesson a lot of extremely online film shooters should learn…
what is an extremely online film shooter
@@AppleGameification a film shooter who spends too much time in front of their screen, presumably only interacting with other film shooters
well, in this case it seems that cross processing in E6 gives better results.
Easily one of the most underrated channels on TH-cam, always super interesting and well made. Always look forward to your uploads
Thanks! I really appreciate it!
“Ah yes, a new film to torture” -Attic Darkroom while watching the news
The BLEACH BYPASS! Damn. It's so good. That crunchy, contrasty goodness is so great. Also, just the normally developed film is really great right off the press for "flat" scans.
I love the look. If I can get another roll I would love to try it in different lighting conditions.
The pics lookes like digital HDR photos!
Seeing the normal roll, I went: "that looks like bleach bypass". And then you went ahead and bleach bypassed it. I'm not a huge fan of any of the looks other than just normal. Maybe if you only pushed like +1. It's great that we now might get more options for film especially when it's just Kodak making most of it. Thank you for another amazing vid, you always make it super entertaining!
It's going to be a long road ahead for ADOX, but I'm very hopeful. They also seem to have a realistic outlook saying this process can take upwards to 4+ years. I'm hoping this is one of many new color emulsions that come out of this.
@@atticdarkroom I'm very excited to see someone other than Kodak and Fujifilm on the color film market
Best film channel on all of TH-cam. Covers all the bases with this film before anyone can even get their hands on it lol
I could see grainydays go for that redscale bypass look:) Looks almost Aerochrome-ish. Great stuff sir!
As someone who's quite colourblind, most colour films all look quite the same to me and are just "meh" and I have little interest in shooting them. The bleach bypass you did really just looks incredibly sharp and crisp like the colours are actually able to be differentiated from one another even though the sky does get blown out. I love that high contrast. I may actually want to give this colour film a shot!
You always have a different approach. Every time you upload I wanna hit play instantiated. You are certainly one of my favorite channels!
I appreciate that!
I just binge watched the whole channel, and I don't even shoot film. I'm just a general fan of experimentations.
Thank You for posting this. I’ll be keeping my eye open for and will support them by buying some no matter what. I just appreciate the effort that that they’re trying to make color film.
It's refreshing to see a company trying to release a new color emulsion. Looking at you Fuji.
Hey man saludos from Chile!!! These videos are great and im always waiting for the next one. This the most interesting and entertaining analog photography channel ive ever seen. Cant wait to see you blow up.
Adox themselves claimed on Photrio that they indeed use a cutter that perforates the film with the motion picture-style sprockets.
Color Mission Inception. I watched this while scanning a roll of Color Mission. I really like it! Agreed on the greens. That bleach bypass also looks killer!
Loved this video! I also got some Color Mission and the saturation and contrast is insane! Unlike anything I've seen from color film & I usually shoot Gold 200 so i'm no stranger to saturation. I accidentally left mine in the developer a little long and panicked a bit because the film base came out super pink, haha. I even reblixed it because the base was so dense (didn't help). The scans turned out fine tho, albeit a bit grainy. Also, the red on this film pops like crazy from my experience, interesting you noticed it more with the greens!
Babe, wake up! attic uploaded a new video.
Awesome vid! the amount of experimentation you did with the film is mind blowing haha. Love the effect of the trichromatic photos with moving cars
I was hoping you'd do a video in this film stock! The bleach bypass looks great! But by far my favourite shot was the one at 7:17 ! It works soo good with the redscale!
Shoot and develop normally? What kind of recommendation is this? What did you do to the attic darkroom guy?
Definitely not tied up in the basement. Nothing to see here.
why did I wait so long to watch this? this was amazing.
Fantastic work done 😍 and so much money and time for that different types of developing spent 😮😢
I remember that their old CHS 100 II had cinema-style sprockets. I had a chance to talk with Mirko (the ADOX owner) in 2018 together with Juho from Camera Rescue but I forgot to ask him about the sprocket holes though.
This is great!!! Definitely want to try and get some Adox soon
I just discovered and binged your channel, you're like the modern day Sergey Prokudin-Gorsky
Thanks. I really appreciate it!
really love how it looks pushed, I'll have to try that with the next batch they put out
Love the colors and the contrast. I missed out on getting some.
According to ADOX they have enough supply to trickle out for several years. Hopefully they'll release the next batch soon.
@@atticdarkroom I read that but also read somewhere that any remaining film would only be sold in the one store that has it.
I love your videos cant wait to see more
I hope we can see some more films that emphasize the greens like Fuji films did (considering we're getting less and less from them these days...)
There is still some left in Store at Foto Impex? Guess where I will go on Tuesday to get some :D.
“Just shoot it and develop it normally, you’ll get better results.” Describes this videos.
Hey, could make a video about the film that comes in the Kodak Daylight camera? It's a 800 speed CN and I always crack em' open and use it as a cheap high speed film. It looks cheap but it's something. Can't find much information about them. Would love to see your opinion on it. Thanks
It's on my list of things to try.
As far as I know its Gold 800 which is allegedly the same as Lomo 800.
Cant say for certain, but definitely worth experimenting with.
Alright but when are you gonna redscale slide film? Redktachrome. Excellent video though.
It's on the list!
One of my friends and I react in the following MANNER to each other whenever you post a vid: "WAKE UP BABE, ATTIC DARKROOM JUST POSTED!!!"
Thanks for the based content you make
Btw, I read that rodinal is basically an ingredient in paracetamol, so maybe there is a video to be made on that?
Wait....am I a b&w film? :))
Go Adox, go!
thank you for the video
I would love to see what the bleach bypass would make of the Rose Test Gardens.
Greens and reds pop, so I'd imagine the shots in the rose garden would look really cool. It might be worth revisiting when the roses are blooming.
@@atticdarkroom I’m also thinking the Japanese Garden with that muted, filtered light punctuated by the cherry blossoms. Might be a little late for that this year.
I’ve shoot this film as well and I can confirm that underexposing leaves rather grainy pictures like yours, after that first roll I got the advice to shoot it at ISO 125 and the results are way nicer. Why didn’t you try to overexpose ?
Love your channel!
Great content!
interesting video as always :) have you tried any of the Rollei meant-to-be-crossprocessed films (Crossbird, Vario Chrome) ?
I have a few rolls of Crossbird. I just haven't had time to shoot it yet.
Add one stop of exposure with bleach bypass processing for extra-crunchy shadow detail? Would that be a viable path to the promised land?
That might be worth exploring. Hmmm...
I would have liked to see what this film looks like when it's overexposed and pulled.
Hey have you considered shooting lomo purple in rescale?interested to see what the results might be.
Yep! th-cam.com/video/O103Ad4O8so/w-d-xo.html
Try it in ecn-2 proces maybe it cine agfa Master roll freese. Becouse graine so big for 200iso film
Looking forward to getting my hands on this stuff. Also, how on earth do you begin to understand the charts and such on data sheets, they’re all so confusing. The things you do with film amaze me and I’d love to try some things out for myself, but the amount of technical information blows me away sometimes. Did you learn all this stuff by teaching yourself? Or did someone teach you?
Datasheets are dense.
No one ever taught me how to read a datasheet and I never sat down and tried to understand it in its entirety. But as I worked on different projects over time I found myself asking technical questions and always referred to the datasheet. I guess I just learned what each section was about over time.
I wish I could give you a better answer.
@@atticdarkroom I guess experience is sometimes the best teacher. Thanks for your input!
This iso200 film works mutch better if you used him as an iso160 film.
A bit more light and the results loks amazing
kinda reminds me of Ferrania Solaris
But what’s your opinion on just shooting and developing it normally?
Ah man, the one thing I wanted to see, this in ecn-2 you didn’t do. I really suspect that this is orwo influenced cinema film, especially with the sprocket holes being BH shaped.
I really should try ECN-2 some time.
@@atticdarkroom ohhhh yeeaaaahhhh!!!!
To be honest the bleach bypassed ones look similar to Color Implosion
So lemme see if I got this right: you're saying that I'll get it better results if I shoot it and develop it normally?
hold on those look like UTA parking meters, are you Utah based too?
I don't know but I think you should shoot and develop it normally. I think you'll get better results
"Just shoot it and develop it normally"
So you're saying I should experiment with it?🤔
Utterly bizzare video; "I took a film and wildly misused it a bunch of ways...in conclusion don't do this"
HOW DID YOU COLOR CORRECT THE E6 CROSS PROCESSED ROLL? Thats insane!
The quick and dirty way is using auto color in Photoshop. That'll get you mostly there and then some levels adjustments to round it out.
i love you this is such a good video ii love you
Glad you enjoyed the video!
Was hoping you would have overexposed by a stop.