From Orson Welles to Béla Tarr: The Evolution of the Long Take

The development of the long take from Orson Welles to Béla Tarr. Forgive the phrase “visual painting,” which is redundant. “Cinematographic painting” is the intended term.

[@FRAMEINTOFOCUS]

Hot diggity dog. I agree with your perspective there Mr. Notes on Cinematography. Keep up the good work!

[@notesoncinematography]

Thanks!

[@alexanderleutloff1719]

Robert Eggers has a similar style nowadays
Especially in The Lighthouse, just with „shorter“ shots
Really like those types of long takes

[@notesoncinematography]

The Lighthouse is great!