I think this tune is a perfect example of how Shorter's compositions often seem to break all the normal rules of harmony and yet also seem to just work perfectly to the ear. I'm often baffled by looking at a Shorter chart and trying to make logical sense of the chord progression, but if I just let go of all that and just listen, the tunes make so much sense and are just so cool. He was an absolutely genius.
He has a unique sound and concept. He was prolific added a lot of original music to the jazz repertoire, not only for Miles Davis , but for the world of jazz musicians.
This tune was my favorite in college. The blues section allowed for my improv mistakes in the A section to just wash away and it always gave me a little confident boost for the second time around
Another great piano lesson from the master! One general point I've learned from all these videos:- Every note matters. every note does something or not if you leave it out, (whether in the right or left hand). Seems kind of obvious I know but I've found choosing which notes to play (or not play) much more carefully really helps.
Thanks so much....I think they are diminishing ...particularly now...when there's no gigs or things to practice for. Wait ...that's not right...I practice for my tutorials.
@@KentHewittpiano88 Working a song with some of the changes I learned from you.. I like that pattern 1-4-3-6-2-5-1....I am more of songwriter than a performer www.malleymusic.net Tonight I am going to try to write a bridge to that pattern thought of going down a step and repeating .. I study you a lot I just retired from teaching.
Thanks for the video, enjoyed it and it has helped me learn this tune. One question, or clarification: I noticed you said the chord is Ab-7 the last half of measure 2, but then you play Abma7 in the progression when it comes around again in measure 6. Is this correct? The Abmi7 sounds cool, but when I listen to Shorters original recording I hear Herbie playing voicings of Abma7 in measure 2. Do my ears deceive me?
You probably are right and it's an Abmaj7. I haven't listened to the recording in years so I credit you. Shame on me...I used a score. I'm sure you are right that it should be maj7...kudos to you, bro. Back in the day we all learned from the original recordings, which is the best way. Watch my new vid coming out soon about not trusting fakebooks!
I think this tune is a perfect example of how Shorter's compositions often seem to break all the normal rules of harmony and yet also seem to just work perfectly to the ear. I'm often baffled by looking at a Shorter chart and trying to make logical sense of the chord progression, but if I just let go of all that and just listen, the tunes make so much sense and are just so cool. He was an absolutely genius.
He has a unique sound and concept. He was prolific added a lot of original music to the jazz repertoire, not only for Miles Davis , but for the world of jazz musicians.
Most actionable information and analysis of this classic I have seen. Thank you.
Wow, Joe!! Big statement, and so important to me...a million thanks!
This tune was my favorite in college. The blues section allowed for my improv mistakes in the A section to just wash away and it always gave me a little confident boost for the second time around
I understand greatly...thanks so much for affirming what I was trying to convey!
Really liked this one Kent....could not sit still listening to your solo...all exiting concepts!!
Phyllis please write to me....want to exchange ideas via emails. kenthewitt@hotmail.com
Thank you for making Wayne Shorter more accessible for me.
I'm so glad I could do that...humble thanks!
Excellent 'rainy night jazz' album. Thank you for your analysis. Really deep stuff!
So cool, Paul...love your comment!
Another great piano lesson from the master! One general point I've learned from all these videos:- Every note matters. every note does something or not if you leave it out, (whether in the right or left hand). Seems kind of obvious I know but I've found choosing which notes to play (or not play) much more carefully really helps.
You've a very important concept, and thanks for telling me, Robin!
fantastic, and a great channel.Wayne has influenced my music so much...freedom of notes.
Great comment, Mike! Freedom of notes...I love that perception....let's join forces!
I like your solo Kent🙌
That means more than anything to me!!!
Nice work Kent ... your piano techniques are better than ever :)
Thanks so much....I think they are diminishing ...particularly now...when there's no gigs or things to practice for. Wait ...that's not right...I practice for my tutorials.
Hello Kent I really like your tutorial I learn quite a lot and as well the quotes
Love that comment...thanks!
Jazz guys....wow.. need to start from the beginning
Exactly right...and I'd like to help!
@@KentHewittpiano88 Working a song with some of the changes I learned from you.. I like that pattern 1-4-3-6-2-5-1....I am more of songwriter than a performer www.malleymusic.net Tonight I am going to try to write a bridge to that pattern thought of going down a step and repeating .. I study you a lot I just retired from teaching.
Hi Kent , haven't seen you for awhile but always looking, take care of yourself all the best , Jake
Jake....yes, I'm back...take care too!
Kent you have to do a breakdown of Goodbye Porkpie Hat which is very similar in that it’s an altered blues. Great video as always my friend.
Cool! Thanks for the suggestion! Love that song!
Kent Hewitt Groovy. Looking forward to it.
I love Wayne. Used to listen to Speak No Evil over and over. Kind of out style but still melodic. Think he tapped Trains sweet side
Trans sweet side...nice. Trane played more inside ....interesting that way.
I've always thought Mason & Hamlin's dug Wayne Shorter because they're darker than a Steinway yet very rich and that suits Shorter's Harmonies.
Such a perceptive comment...so many thanks!
Thanks for the video, enjoyed it and it has helped me learn this tune. One question, or clarification: I noticed you said the chord is Ab-7 the last half of measure 2, but then you play Abma7 in the progression when it comes around again in measure 6. Is this correct? The Abmi7 sounds cool, but when I listen to Shorters original recording I hear Herbie playing voicings of Abma7 in measure 2. Do my ears deceive me?
You probably are right and it's an Abmaj7. I haven't listened to the recording in years so I credit you. Shame on me...I used a score. I'm sure you are right that it should be maj7...kudos to you, bro. Back in the day we all learned from the original recordings, which is the best way. Watch my new vid coming out soon about not trusting fakebooks!
Great help to me! This tune is giving me some trouble. Trying to rationalize it in Bb has opened doors on the "A" section.
Write to me and I will help!
Fine
Thank you, Ran Blake!
Thanks Kent, my guitar player calls this tune occaisionally, I understand it better {:>)
He's hip...only an exclusive few know this tune!