Debussy’s sensuous ambiguity

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This week we are presenting an analysis of the A section from the third movement of Claude Debussy’s string quartet. This slow and tender section reconciles the genre’s formalist tendencies (highly organized motivic and formal logic) with the composer’s impressionist and modernist tendencies (sensuous harmonies and expanded pitch collections).
/ @-momentsmusicaux-
Claude Debussy (1862-1918)
String Quartet in G minor, Op. 10 (L.91): III. Andantino, doucement expressif (1893)
Recording: Borromeo String Quartet live at Boston, Isabella Stewart Gardner Museum

[@luizcadu]

Few people know, but Paul Dukas was a music critic. Hence, his remark at the end!

[@-MomentsMusicaux-]

Indeed! So was Debussy! Thanks for your support.

[@jennayee0120]

Thanks for reminding me to love Debussy again

[@jaas0225]

1:34 Sounds just like Mars!!

[@MiguelLopez-ep3cy]

I'm binge watching all of your videos... Thanks for your work

[@-MomentsMusicaux-]

So nice of you! This kind of feedback makes me want to do more and more.

[@MiguelLopez-ep3cy]

@@-MomentsMusicaux- please don't stop!!!!

[@arturmoraes5655]

great video as the other were too, keep up the good content

[@-MomentsMusicaux-]

We'll try to! Thanks for supporting us.

[@asliuf]

beautifully made videos

[@-MomentsMusicaux-]

Glad you like them!

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[@quequito_de_miga1906]

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