Hi, I'm from Germany. Rammstein is playing a classic "Industrial Metal" style. A 50-50 mix of synthesizers and hard metal guitars. A big part of the German history in one video. The black woman as Germania. Germania is the personification of the German nation. It isn't and wasn't a goddess or Joan of Arc. The glass coffin: It is Little Snow White from the Grimm-fairytales....and from their own video "Sonne". Only with black skin and in space. The piano song at the end is the song "Sonne", too. The line in this song "So jung und doch so alt" (So young and yet so old) means: Germany as a unified state is very young. A unified German nation is only existing from 1871 onwards. Before that year of unification Germany was made of countless, little mini-states and the people identified first and foremost as Prussians, Hessians, Saxons etc, etc, etc. and only in a second line of thought they had a lose sense of being somehow Germans, too, as a kind of unifying second identity. So the area & the landscape where the Germans are living and the Germans themselves as a people...are thousands of years old. But only recently, in 1871, there was a unified Germany as one single state. So Germany as a unified state is very young...and at the same time it is thousands of years old. The battle of the Teutoburg forest against the Romans (and Rammstein as Roman soldiers and Germans alike). That battle is of ABSOLUTE importance for the German history. The hanged bodies in the trees were the beaten Roman soldiers, who were gruesome sacrificed to the Germanic gods...and were partly nailed to the trees. The Varus-(Teutoburg)-Battle was already in 9 AD. In 16 AD were the vengeance campaigns of Emperor Germanicus. Therefore we see here the arrival of the Roman troops of Germanicus and they are watching their dead comrades hanging in the trees or getting their heads chopped off (for nailing them to the trees). In reality the Romans under Germanicus found only the bones of the Varus army in the various ways they were slaughtered, sacrificed and displayed at the trees. Slaves were liberated even decades after the battle. After the scenes with the Romans we saw the Hindenburg Zeppelin disaster (the burning Zeppelin in the background). The moustaches and clothing from the fight scene are from WWI and post WWI years. From the working class people in WWI and the roaring 20's. In the WWII years later on this kind of big bushy moustache was already out of fashion. The falling banknotes in the prison are not about corruption. That scene is about the hyper-inflation of the 1920's, that took away the savings of the Germans and left them in deep poverty and desperation. One had to pay a loaf of bread with a handcart full of nearly worthless banknotes back then and it hit the German people deep down inside and in their souls. Especially the poor ones and the simple workers. The V2 rocket (first manmade object in space) as technical triumph of the German spirit...and at the same time the killing of the concentration camp prisoners in the bunker factories below the mountains during the production of that rocket. This scene in the video could be a representation of a very specific concentration camp. It was "Mittelbau-Dora" below the Kohnstein mountain. A mixture between a big, huge bunker factory for V1 and V2 rockets and a concentration camp. The concentration camp inmates had several different markings for different kinds of convicts and their "crimes" sown to their chests, like it was in reality, too. A pink triangle for homosexuals, the star of David for Jews and two of them were marked with the double-triangles for Jehovas Whitnesses. The book burnings of the Nazis and the burning of the witches of the church. In the same scene with the book burning there is EVEN MORE going on. The cooperation of the church with the Nazis, when the priest with the cross embraces the Nazi SA-man. The scene with the sign with the Hammer and a pair of compasses in a circle of wheat is the sign of the GDR (DDR). The socialst German state in the east that existed before the German reunification. Therefore it was Karl Marx in the background in the scene with the tank (not the scene at the concentration camp). The scene with Rammstein wielding guns (the pumpgun) and taking Germania hostage was about leftwing terrorism of the 1970's. The terrorists were called the RAF (Rote Armee Fraktion). My interpretation of the red scanner-like beams: There are two different kinds of beams. The massive straight red light beam that goes up into the heavens AND there were those smaller, thinner "scanner" beams. Aliens (or humans from the future) are scanning the whole German history. Like some real scientists are scanning and excarvating ancient Mexican or Egyptian statues, for example. The massive red light beam is the red ribbon of time that ties together all the historical events. PS: As for the dogs: Germans are fanatical dog lovers. We are a dog-owner nation. The dog is a firm part of Germany. PPS: They didn't eat the body of the woman and her inner organs, even if it really looked that way. They were eating the national dish of Germany, that was put on the body of the black woman: Sauerkraut, Kassler & sausages. In my opinion it symbolizes the church eating itself fat on the goods and values and food of Germany during the simple people (farmers, simple workers etc) lived a long time in a kind of hell of poverty and serfdom (the red fetish area below the table with Germania on it). But that eating scene could indeed have a double meaning. It could represent the 30 years war, that was fought for religious reasons and depopulated large areas of Germany. It forced the people to commit canibalism because nobody was there anymore to produce food. Except the fat, wealthy people of the church, of course. They were still able to eat enough. Only the simple people at the bottom (farmers etc) died from hunger and had to fight and die in that war. The 30 years war was the biggest catastrophe in Germany until WWI happened. PPPS: The short scene with the dogs and their gas masks = WWI, where in reality animals (messenger dogs & horses) AND soldiers were wearing gas masks, too. PPPPS: The puppies at the end are Leonberger dogs. The Leonbergers nearly went extinct during WWI and WWII. PPPPPS: The black woman in the prison was dressed in a Prussian uniform with a Prussian helmet. Till sings the famous, often misinterpreted, line of the "Deutschlandlied" (Song of the Germans), that is not forbidden in Germany but simply isn't sung anymore in our modern national anthem. Till sings in his version the line "Deutschland über allen" (Germany above everybody) What is a BIG change to the real line in the orginal Deutschlandlied-song. In the original Deutschlandlied song it is written as "Deutschland über alles" (Germany above everything). The real, whole line of that old Deutschlandlied goes "Deutschland, Deutschland über alles. Über alles in der Welt" (Germany, Germany above everything. Above everything in the world). This line is often misinterpreted by many people as chauvinism and as a looking down upon all other countries on this planet. But that is wrong and not many people know about that in Germany and elsewhere. The writer of that famous line didn't meant it in a chauvinistic way. When that song was written, Germany was divided into umphteeth mini-states, what made Germany relative powerless and defenseless. Therefore the task of German unification was the goal above any other goal for all Germans (at least the writer of the song meant it that way). So the main goal for all Germans had to be the united Germany. The goal of "(united) Germany above everything else". That was, how that line was meant by the writer of the song. The line isn't forbidden, like many people wrongly think. It's simply not sung anymore and not part of the official anthem of modern Germany anymore. This has NOT its reason in the seemingly chauvinist meaning of "Deutschland über alles", like many people wrongly think. This whole stanza of the Deutschlandlied isn't sung anymore, because in other parts of the stanza are borders and landscapes mentioned, that aren't German borders and landscapes anymore. We want to live in peace with the people and countries, who are now living in those former German lands and therefore we don't sing about those old borders and landscapes anymore. It has nothing to do with the "Deutschland über alles" line in that stanza, like many people wrongly are thinking. Finally: The scenes I'm now talking about are pretty dark and low light. The WWII submarine in the submarine bunker during the astronauts are walking by with the glass coffin. I think, the choice of the black woman as main actress was made, because: a) it makes any accusations of racism and fascism against Rammstein useless b) she represents one colour of the German flag and she is wearing the rest of the colours of our German flag as makeup and jewellery and clothes on her body: Black, Red and Gold c) it provokes many people EVEN MORE 😄 Greetings Mega
@@CavHDeu Warum? *Dieser* geniale Text ist wirklich nicht zu toppen, auch wir Deutsche lernen noch was dazu ... und würdig, jedem Reactor in den Kommentaren zu hinterlassen!! 😎👍
The whole Video will understand only Historians and Germans and these people also have to watch the video several times. The song is about the ambivalent relationship of Rammstein and many Germans to their country, because of the violent and cruel history with extensive human crimes, especially in recent history. It is a "recurring red theme" through all the violent german history. Therefore the video features various events from German history, including Roman times, the Middle Ages, witch hunting and burning, Protestant Reformation, the November Revolution, the "Golden Twenties" and hyperinflation, Nazi book burnings, the Hindenburg disaster, the First and Second World Wars, the Holocaust, the Weimar Republic, the Red Army Fraction (violent anti-capitalist alliance of young people and students against Nazis in high state and economy positions in post-war Germany and also a anti-american alliance because of the Korea and Vietnam war, which turn into dangerous terrorists), and the division of the country into West and East Germany including the Uprising June 17 in East Germany A lot of people do not understand the scenes with the dogs. This breed of dogs are not German Shepards, but Leonberger. This breed of dog narrowly escaped extinction during the First and Second World Wars and is symbolic of the German people, whose existence was also strongly threatened in those wars - both now have a second existential chance.
Dr Alexandra Lloyd, lecturer in German at the University of Oxford, explain what the fuck is going on during the video's nine minutes…. The video opens in AD 16, on the ‘barbarian’ side of the limes, the border of the Roman Empire. Roman soldiers creep through the woods in the aftermath of the Battle of the Teutoburg Forest. The Romans were ambushed by an alliance of Germanic Tribes, led by a chieftain called Arminius (the original Hermann the German). Three legionary standards were captured, a loss symbolic and moral, as well as physical, and decades were spent trying to recover them. Rome never again attempted to take the lands east of the River Rhine, known as Germania…. ‘Germania’ refers not just to a place, somewhere partly defined by where it isn’t (Rome) as well as where it is, but also to a national figurehead, traditionally representing the German people. Germania is a strong woman, usually armour-clad and battle-ready. Various symbols appear with her, among them a breastplate with an eagle, a black, red, and gold flag, and a crown. Look out for these in the video - they come up again and again - and the colours of the contemporary flag are there in every scene…. We get our first glimpse of Germania here (played by Ruby Commey), who stands holding Till Lindemann’s severed head. Next, astronauts appear carrying a metal and glass box shaped like a coffin. In the background we see a U-boat - a German submarine, used in World Wars I and II. Then we move to a scene set at a boxing match which takes us to Weimar Germany (1918-1933), a period known for its political instability but also greater cultural liberalism. Here, Germania appears in the cabaret costume of a flapper girl, and the boxers fight with knuckle-dusters as a crowd cheers them on…. We see the former East Germany, complete with busts of Marx and Lenin, the national emblem of East Germany, and a lookalike of the long-serving, insular, and repressive GDR leader Erich Honecker. There’s another astronaut, or rather a cosmonaut: Sigmund Jähn, the first German in space, who flew with the USSR’s space program (and who’s also a character in the 2003 film, Good Bye Lenin!). Medieval monks feast grotesquely on the supine Germania, tearing sauerkraut and sausage from Ruby Commey’s body, prison inmates are beaten by guards dressed in police and military uniforms from different historical periods…. The most obviously shocking scene references the Holocaust and the Nazi period. Four members of the band, in the striped uniforms of camp inmates, wait at the gallows, about to be hanged. They wear the cloth emblems used to identify their ‘crimes’: a pink triangle for homosexual prisoners, a yellow star for Jewish prisoners, a red and yellow star for Jewish political prisoners…. This sequence, teased in an earlier promo video, has already caused controversy. Have Rammstein the right to do this? Do they trivialise the suffering of Holocaust victims? How can they justify using Holocaust imagery to promote their new video? These are important questions that are part of a much bigger debate about the ethics of using the Holocaust in art and media…. Other scenes include the band walking away from a flaming airship, referring to the 1937 Hindenburg Disaster, in which 36 people died. Rats scuttle across the floor when the monks first appear, suggesting the Pied Piper of Hamelin, a legend with origins in the 13th century…. Germania walks towards the camera in a leather jacket, gold jewellery and a string of bullets across her chest, resembling the chariot drawn by four horses (the ‘Quadriga’) on top of the Brandenburg Gate in Berlin. The band members’ heads are shown as white marble busts, taking us to the 19th century Walhalla memorial in Bavaria, built as German Hall of Fame, its sculpted heads of German worthies on display to this day…. In the prison, hundreds of banknotes fall from above, suggesting the devastating hyperinflation Germany suffered in the 1920s. Nazis burn books, intercut with religious fanatics burning witches. We recognise members of the Red Army Faction (also known as the Baader-Meinhof group), a militant organisation active in the 1970s in West Germany. And in a blink-or-you-miss-it exchange, we are reminded of the much-criticised relationship between the churches and the state during the Third Reich… Each scene captures in a moment the icons of an era, and the video cuts between them more and more frenetically as it goes on. Events bleed into each other, linked by the presence of the band members and the red laser beam that appears throughout the video, a ‘roter Faden’ (red thread or central theme), connecting each event…. Germany engages with its history in a very particular way. Try to imagine the video about Britain, with Britannia played by Ruby Commey. What would the equivalent events be? Quite a few of the tableaux might be similar - Romans, Crusaders, monks, 18th-century soldiers, collarless shirts and bareknuckle boxing - but would it have the same impact?.... There’s no affection, and perhaps not much hope: its pessimistic tone seems to be quite an off-brand message for post-1989 Germany, which wants to acknowledge its past critically, while also looking to its future as a state at the heart of Europe. And actually, while we get a lot of medieval and twentieth-century history, the video’s tour through the past seems to stop in the late 1980s, before the fall of the Berlin Wall and Reunification of East and West Germany. Instead, we jump into the future, where the space-suited band take Germania into the unknown, travelling in that coffin-shaped glass box…. There’s an echo of the video for Sonne, where Snow White is trapped in a glass coffin. In fact, a piano version of Sonne plays over the end credits of Deutschland. This is a useful link for understanding something of what Rammstein is doing here. In Sonne, where the band’s characters free themselves of Snow White (naturally, they’ve been her sex-slaves), only to realise that they have made a mistake and long for her return, the overwhelming feeling of Deutschland seems to be that when it comes to Germania (or Germany): you can’t love her, and you can’t live without her…. www.loudersound.com/features/we-got-an-oxford-university-professor-to-explain-what-the-fcks-going-on-in-that-rammstein-video
I use this for my workout. Just a fuckin good beat and it is great for doing weights. I am a German myself but the lyrics are disregardable. Who cares....I do not have to be a philosopher to lift my dumb ...bells. There were times when Germany was a nation to think about. Today this nation buys Spaghetti and toilet paper in times of a lockdown while the French bought red wine and condoms. All to be said.
Hi, I'm from Germany.
Rammstein is playing a classic "Industrial Metal" style. A 50-50 mix of synthesizers and hard metal guitars.
A big part of the German history in one video. The black woman as Germania. Germania is the personification of the German nation. It isn't and wasn't a goddess or Joan of Arc.
The glass coffin: It is Little Snow White from the Grimm-fairytales....and from their own video "Sonne". Only with black skin and in space.
The piano song at the end is the song "Sonne", too.
The line in this song "So jung und doch so alt" (So young and yet so old) means:
Germany as a unified state is very young. A unified German nation is only existing from 1871 onwards. Before that year of unification Germany was made of countless, little mini-states and the people identified first and foremost as Prussians, Hessians, Saxons etc, etc, etc. and only in a second line of thought they had a lose sense of being somehow Germans, too, as a kind of unifying second identity.
So the area & the landscape where the Germans are living and the Germans themselves as a people...are thousands of years old. But only recently, in 1871, there was a unified Germany as one single state.
So Germany as a unified state is very young...and at the same time it is thousands of years old.
The battle of the Teutoburg forest against the Romans (and Rammstein as Roman soldiers and Germans alike).
That battle is of ABSOLUTE importance for the German history.
The hanged bodies in the trees were the beaten Roman soldiers, who were gruesome sacrificed to the Germanic gods...and were partly nailed to the trees.
The Varus-(Teutoburg)-Battle was already in 9 AD. In 16 AD were the vengeance campaigns of Emperor Germanicus. Therefore we see here the arrival of the Roman troops of Germanicus and they are watching their dead comrades hanging in the trees or getting their heads chopped off (for nailing them to the trees).
In reality the Romans under Germanicus found only the bones of the Varus army in the various ways they were slaughtered, sacrificed and displayed at the trees. Slaves were liberated even decades after the battle.
After the scenes with the Romans we saw the Hindenburg Zeppelin disaster (the burning Zeppelin in the background).
The moustaches and clothing from the fight scene are from WWI and post WWI years. From the working class people in WWI and the roaring 20's. In the WWII years later on this kind of big bushy moustache was already out of fashion.
The falling banknotes in the prison are not about corruption. That scene is about the hyper-inflation of the 1920's, that took away the savings of the Germans and left them in deep poverty and desperation.
One had to pay a loaf of bread with a handcart full of nearly worthless banknotes back then and it hit the German people deep down inside and in their souls. Especially the poor ones and the simple workers.
The V2 rocket (first manmade object in space) as technical triumph of the German spirit...and at the same time the killing of the concentration camp prisoners in the bunker factories below the mountains during the production of that rocket.
This scene in the video could be a representation of a very specific concentration camp. It was "Mittelbau-Dora" below the Kohnstein mountain.
A mixture between a big, huge bunker factory for V1 and V2 rockets and a concentration camp.
The concentration camp inmates had several different markings for different kinds of convicts and their "crimes" sown to their chests, like it was in reality, too. A pink triangle for homosexuals, the star of David for Jews and two of them were marked with the double-triangles for Jehovas Whitnesses.
The book burnings of the Nazis and the burning of the witches of the church. In the same scene with the book burning there is EVEN MORE going on. The cooperation of the church with the Nazis, when the priest with the cross embraces the Nazi SA-man.
The scene with the sign with the Hammer and a pair of compasses in a circle of wheat is the sign of the GDR (DDR). The socialst German state in the east that existed before the German reunification.
Therefore it was Karl Marx in the background in the scene with the tank (not the scene at the concentration camp).
The scene with Rammstein wielding guns (the pumpgun) and taking Germania hostage was about leftwing terrorism of the 1970's. The terrorists were called the RAF (Rote Armee Fraktion).
My interpretation of the red scanner-like beams: There are two different kinds of beams. The massive straight red light beam that goes up into the heavens AND there were those smaller, thinner "scanner" beams.
Aliens (or humans from the future) are scanning the whole German history. Like some real scientists are scanning and excarvating ancient Mexican or Egyptian statues, for example.
The massive red light beam is the red ribbon of time that ties together all the historical events.
PS: As for the dogs: Germans are fanatical dog lovers. We are a dog-owner nation. The dog is a firm part of Germany.
PPS: They didn't eat the body of the woman and her inner organs, even if it really looked that way. They were eating the national dish of Germany, that was put on the body of the black woman: Sauerkraut, Kassler & sausages.
In my opinion it symbolizes the church eating itself fat on the goods and values and food of Germany during the simple people (farmers, simple workers etc) lived a long time in a kind of hell of poverty and serfdom (the red fetish area below the table with Germania on it).
But that eating scene could indeed have a double meaning. It could represent the 30 years war, that was fought for religious reasons and depopulated large areas of Germany. It forced the people to commit canibalism because nobody was there anymore to produce food. Except the fat, wealthy people of the church, of course. They were still able to eat enough. Only the simple people at the bottom (farmers etc) died from hunger and had to fight and die in that war.
The 30 years war was the biggest catastrophe in Germany until WWI happened.
PPPS: The short scene with the dogs and their gas masks = WWI, where in reality animals (messenger dogs & horses) AND soldiers were wearing gas masks, too.
PPPPS: The puppies at the end are Leonberger dogs. The Leonbergers nearly went extinct during WWI and WWII.
PPPPPS: The black woman in the prison was dressed in a Prussian uniform with a Prussian helmet.
Till sings the famous, often misinterpreted, line of the "Deutschlandlied" (Song of the Germans), that is not forbidden in Germany but simply isn't sung anymore in our modern national anthem.
Till sings in his version the line "Deutschland über allen" (Germany above everybody) What is a BIG change to the real line in the orginal Deutschlandlied-song. In the original Deutschlandlied song it is written as "Deutschland über alles" (Germany above everything).
The real, whole line of that old Deutschlandlied goes "Deutschland, Deutschland über alles. Über alles in der Welt" (Germany, Germany above everything. Above everything in the world).
This line is often misinterpreted by many people as chauvinism and as a looking down upon all other countries on this planet. But that is wrong and not many people know about that in Germany and elsewhere.
The writer of that famous line didn't meant it in a chauvinistic way.
When that song was written, Germany was divided into umphteeth mini-states, what made Germany relative powerless and defenseless. Therefore the task of German unification was the goal above any other goal for all Germans (at least the writer of the song meant it that way).
So the main goal for all Germans had to be the united Germany. The goal of "(united) Germany above everything else".
That was, how that line was meant by the writer of the song.
The line isn't forbidden, like many people wrongly think. It's simply not sung anymore and not part of the official anthem of modern Germany anymore.
This has NOT its reason in the seemingly chauvinist meaning of "Deutschland über alles", like many people wrongly think. This whole stanza of the Deutschlandlied isn't sung anymore, because in other parts of the stanza are borders and landscapes mentioned, that aren't German borders and landscapes anymore.
We want to live in peace with the people and countries, who are now living in those former German lands and therefore we don't sing about those old borders and landscapes anymore.
It has nothing to do with the "Deutschland über alles" line in that stanza, like many people wrongly are thinking.
Finally:
The scenes I'm now talking about are pretty dark and low light. The WWII submarine in the submarine bunker during the astronauts are walking by with the glass coffin.
I think, the choice of the black woman as main actress was made, because:
a) it makes any accusations of racism and fascism against Rammstein useless
b) she represents one colour of the German flag and she is wearing the rest of the colours of our German flag as makeup and jewellery and clothes on her body: Black, Red and Gold
c) it provokes many people EVEN MORE 😄
Greetings
Mega
Hihihihihi ich wusste daß du mit deinem Kommentar wieder hier bist 👍😊
@@perleperle5441
:-)
Hast du auch noch nen anderen Text drauf? 🤔
Can you like stop commenting this on EVERY Deutschland reaction
@@CavHDeu
Warum?
*Dieser* geniale Text ist wirklich nicht zu toppen, auch wir Deutsche lernen noch was dazu ... und würdig, jedem Reactor in den Kommentaren zu hinterlassen!! 😎👍
The scene when Till Lindemann plays a woman (Ulrike Meinhof) is supposed to represent the time of the RAF (Red Army Faction).
The whole Video will understand only Historians and Germans and these people also have to watch the video several times. The song is about the ambivalent relationship of Rammstein and many Germans to their country, because of the violent and cruel history with extensive human crimes, especially in recent history. It is a "recurring red theme" through all the violent german history. Therefore the video features various events from German history, including Roman times, the Middle Ages, witch hunting and burning, Protestant Reformation, the November Revolution, the "Golden Twenties" and hyperinflation, Nazi book burnings, the Hindenburg disaster, the First and Second World Wars, the Holocaust, the Weimar Republic, the Red Army Fraction (violent anti-capitalist alliance of young people and students against Nazis in high state and economy positions in post-war Germany and also a anti-american alliance because of the Korea and Vietnam war, which turn into dangerous terrorists), and the division of the country into West and East Germany including the Uprising June 17 in East Germany
A lot of people do not understand the scenes with the dogs. This breed of dogs are not German Shepards, but Leonberger. This breed of dog narrowly escaped extinction during the First and Second World Wars and is symbolic of the German people, whose existence was also strongly threatened in those wars - both now have a second existential chance.
Rammstein. 🤟🏼🤟🏼💥💥 From Indonesia 🇮🇩
Well done! My next suggestion. Rammstein "Donaukinder".
Anyone who things their "pro Nazi" obviously doesn't listen to Rammstein.
Great reaction!!
More Rammstein please ❤
Jo Rammstejn je nejlepší💥👍
Try this:
Deutschland (Germany) = DOYTSH-LHANT
Rammstein = RUM-SHTINE
The masterpiece that you showed in the wrong aspect ratio? That one?
Dr Alexandra Lloyd, lecturer in German at the University of Oxford, explain what the fuck is going on during the video's nine minutes….
The video opens in AD 16, on the ‘barbarian’ side of the limes, the border of the Roman Empire. Roman soldiers creep through the woods in the aftermath of the Battle of the Teutoburg Forest. The Romans were ambushed by an alliance of Germanic Tribes, led by a chieftain called Arminius (the original Hermann the German). Three legionary standards were captured, a loss symbolic and moral, as well as physical, and decades were spent trying to recover them. Rome never again attempted to take the lands east of the River Rhine, known as Germania….
‘Germania’ refers not just to a place, somewhere partly defined by where it isn’t (Rome) as well as where it is, but also to a national figurehead, traditionally representing the German people. Germania is a strong woman, usually armour-clad and battle-ready. Various symbols appear with her, among them a breastplate with an eagle, a black, red, and gold flag, and a crown. Look out for these in the video - they come up again and again - and the colours of the contemporary flag are there in every scene….
We get our first glimpse of Germania here (played by Ruby Commey), who stands holding Till Lindemann’s severed head. Next, astronauts appear carrying a metal and glass box shaped like a coffin. In the background we see a U-boat - a German submarine, used in World Wars I and II. Then we move to a scene set at a boxing match which takes us to Weimar Germany (1918-1933), a period known for its political instability but also greater cultural liberalism. Here, Germania appears in the cabaret costume of a flapper girl, and the boxers fight with knuckle-dusters as a crowd cheers them on….
We see the former East Germany, complete with busts of Marx and Lenin, the national emblem of East Germany, and a lookalike of the long-serving, insular, and repressive GDR leader Erich Honecker. There’s another astronaut, or rather a cosmonaut: Sigmund Jähn, the first German in space, who flew with the USSR’s space program (and who’s also a character in the 2003 film, Good Bye Lenin!). Medieval monks feast grotesquely on the supine Germania, tearing sauerkraut and sausage from Ruby Commey’s body, prison inmates are beaten by guards dressed in police and military uniforms from different historical periods….
The most obviously shocking scene references the Holocaust and the Nazi period. Four members of the band, in the striped uniforms of camp inmates, wait at the gallows, about to be hanged. They wear the cloth emblems used to identify their ‘crimes’: a pink triangle for homosexual prisoners, a yellow star for Jewish prisoners, a red and yellow star for Jewish political prisoners….
This sequence, teased in an earlier promo video, has already caused controversy. Have Rammstein the right to do this? Do they trivialise the suffering of Holocaust victims? How can they justify using Holocaust imagery to promote their new video? These are important questions that are part of a much bigger debate about the ethics of using the Holocaust in art and media….
Other scenes include the band walking away from a flaming airship, referring to the 1937 Hindenburg Disaster, in which 36 people died. Rats scuttle across the floor when the monks first appear, suggesting the Pied Piper of Hamelin, a legend with origins in the 13th century….
Germania walks towards the camera in a leather jacket, gold jewellery and a string of bullets across her chest, resembling the chariot drawn by four horses (the ‘Quadriga’) on top of the Brandenburg Gate in Berlin. The band members’ heads are shown as white marble busts, taking us to the 19th century Walhalla memorial in Bavaria, built as German Hall of Fame, its sculpted heads of German worthies on display to this day….
In the prison, hundreds of banknotes fall from above, suggesting the devastating hyperinflation Germany suffered in the 1920s. Nazis burn books, intercut with religious fanatics burning witches. We recognise members of the Red Army Faction (also known as the Baader-Meinhof group), a militant organisation active in the 1970s in West Germany. And in a blink-or-you-miss-it exchange, we are reminded of the much-criticised relationship between the churches and the state during the Third Reich…
Each scene captures in a moment the icons of an era, and the video cuts between them more and more frenetically as it goes on. Events bleed into each other, linked by the presence of the band members and the red laser beam that appears throughout the video, a ‘roter Faden’ (red thread or central theme), connecting each event….
Germany engages with its history in a very particular way. Try to imagine the video about Britain, with Britannia played by Ruby Commey. What would the equivalent events be? Quite a few of the tableaux might be similar - Romans, Crusaders, monks, 18th-century soldiers, collarless shirts and bareknuckle boxing - but would it have the same impact?....
There’s no affection, and perhaps not much hope: its pessimistic tone seems to be quite an off-brand message for post-1989 Germany, which wants to acknowledge its past critically, while also looking to its future as a state at the heart of Europe. And actually, while we get a lot of medieval and twentieth-century history, the video’s tour through the past seems to stop in the late 1980s, before the fall of the Berlin Wall and Reunification of East and West Germany. Instead, we jump into the future, where the space-suited band take Germania into the unknown, travelling in that coffin-shaped glass box….
There’s an echo of the video for Sonne, where Snow White is trapped in a glass coffin. In fact, a piano version of Sonne plays over the end credits of Deutschland. This is a useful link for understanding something of what Rammstein is doing here. In Sonne, where the band’s characters free themselves of Snow White (naturally, they’ve been her sex-slaves), only to realise that they have made a mistake and long for her return, the overwhelming feeling of Deutschland seems to be that when it comes to Germania (or Germany): you can’t love her, and you can’t live without her….
www.loudersound.com/features/we-got-an-oxford-university-professor-to-explain-what-the-fcks-going-on-in-that-rammstein-video
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not Douchland but Deutschland :)
I use this for my workout. Just a fuckin good beat and it is great for doing weights. I am a German myself but the lyrics are disregardable. Who cares....I do not have to be a philosopher to lift my dumb ...bells. There were times when Germany was a nation to think about. Today this nation buys Spaghetti and toilet paper in times of a lockdown while the French bought red wine and condoms. All to be said.
Found it hard to enjoy this man, you spoke and paused way to much, maybe turn your mic down a bit. Great song though.
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Must say this. You are talking way too much over this video. Your mic is too loud , it is really difficult to enjoy this.
to much paused ....Record
Watch Rammlied,then you can pronounce Rammstein correct.
Its a Bandname, you cant speak it, like in english.
Your Deutschand is pretty borderline too.
Just watch ther damn thing. 😒
Please, silence.....