Yes I’m on this journey has a writer but mainly a sports, news & documentary photographer. The sheer passion & the journey consumes you. Your driven by the stories & through this you attract money.
the sheer faith and resilience to continually have to stop, then go raise money again, so you can shoot another little portion of the thing you're trying to make is crazy. if you ask me, that's the real genius of a man like lynch. almost nobody can do that.
I wish these ideas and attitudes were still around today. Media has completely changed, there is no cinematic experience anymore. The world and society is run by 'content.' Maybe I'm a cynic.
Don't make art with the expectation of making a career or making money. There's an extraordinary amount of luck necessary for anyone to make art for a living, and if instead you just continue to make art because you love to do (and don't quit your day job) maybe that passion may bloom into something more.
In America, creative careers are only for those with generational wealth. That's why you get a bunch of vapid trash being created by American filmmakers. While the good stuff comes from people whose talents are grown overseas. Look how many great European directors there are. They became great because their nations supported their growth. Nobody born in America will ever have that opportunity.
He does say you need a fair amount of luck/fortune in the first place That or will Will does a lot more than we give it credit for (probably because most people have a low will and find excuses for many things), but more sacrifices have to be made, whereas fortune requires less
Yes well he's a creative person but he likely would have been a carpenter or something more practical and creative if film didn't work out he started out with painting in art school and yes I think his parents were supportive of him to help financially most don't have that but you can just have a hobby photography or carving whatever I think David is socially awkward too but he's still expressive and interesting.
People who insist that money is the motive behind art are simply trying to justify why they have no talent or true passion for it. Case and point this condescending interviewer
Lynch comes from a background in Arts. Film to him is but a moving painting with sound. One of his very first shorts is the animation of a painting. No wonder he has this attitude towards filmmaking - and therefore a few more commercial experiences like DUNE were so hurtful to him. For a while he could take Advertising gigs, but on a time when he was already big enough to deliver commercial short films that were really out there - and brands were OK with it because they were signature productions.
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He's absolutely magnetic, totally mesmerizing to look at. That handwave. I feel like I'm being mesmerized.
that handwave felt like he was trying to make his thoughts stay in line by syncing with the movement of it
it was such a nice detail
An interview with David Lynch's right hand, ...
@@eternaldoorman5228 I've seen him eating a donut for two minutes straight and he had me hypnotized.
Bro got rizzed💀
I love how much this applies to all art forms, and to be honest many ways of life
Yes I’m on this journey has a writer but mainly a sports, news & documentary photographer. The sheer passion & the journey consumes you. Your driven by the stories & through this you attract money.
the sheer faith and resilience to continually have to stop, then go raise money again, so you can shoot another little portion of the thing you're trying to make is crazy. if you ask me, that's the real genius of a man like lynch. almost nobody can do that.
He is so great! Just listening to him is very liberating for me. ❤
My cosmic brother
I wish these ideas and attitudes were still around today. Media has completely changed, there is no cinematic experience anymore. The world and society is run by 'content.' Maybe I'm a cynic.
I wish I had as clear a vision as David
patience
David is so human. Resonates deeply.
He's a dreamweaver
Don't make art with the expectation of making a career or making money. There's an extraordinary amount of luck necessary for anyone to make art for a living, and if instead you just continue to make art because you love to do (and don't quit your day job) maybe that passion may bloom into something more.
In America, creative careers are only for those with generational wealth. That's why you get a bunch of vapid trash being created by American filmmakers. While the good stuff comes from people whose talents are grown overseas. Look how many great European directors there are. They became great because their nations supported their growth. Nobody born in America will ever have that opportunity.
sounds wonderful but alot of us can’t afford or are not good socially (usually both)
So true. Not everyone of us can do whatever it is we dream of.
@@williamneal9076But we can find ways to contribute to or inspire what we want. There are a lot of social roles for people in the art world.
He does say you need a fair amount of luck/fortune in the first place
That or will
Will does a lot more than we give it credit for (probably because most people have a low will and find excuses for many things), but more sacrifices have to be made, whereas fortune requires less
Yes well he's a creative person but he likely would have been a carpenter or something more practical and creative if film didn't work out he started out with painting in art school and yes I think his parents were supportive of him to help financially most don't have that but you can just have a hobby photography or carving whatever I think David is socially awkward too but he's still expressive and interesting.
There’s no point where you go, “Oh I’m successful I’ll take a nap now.”
Eraserhead is pure art , as if macabre good be personified
People who insist that money is the motive behind art are simply trying to justify why they have no talent or true passion for it. Case and point this condescending interviewer
I imagine he was probably looking to make a film.
Lynch comes from a background in Arts. Film to him is but a moving painting with sound. One of his very first shorts is the animation of a painting. No wonder he has this attitude towards filmmaking - and therefore a few more commercial experiences like DUNE were so hurtful to him. For a while he could take Advertising gigs, but on a time when he was already big enough to deliver commercial short films that were really out there - and brands were OK with it because they were signature productions.
Awesome
Quentin & Lynch really should have lunch.
Ok but why is he sitting in the chair from Peewee's Playhouse?
lol
❤❤❤❤❤❤❤❤❤
Weird that the interviewer is not miked…