Great video Ilan. Much respect for Copeland. Thanks for breaking it down. One of Copeland’s best drumming tracks is No Time This Time. See you tomorrow’s with NIN in Brooklyn.
Love the video, but as a guitarist listening A LOT to Copeland over the years, I think this bass drum playing is far too busy (though it definitely suits early punk-ish Police i.e. "Truth Hits Everybody" live etc.). The other magic element of Copeland is his bass drum placements. In those busy ride sections, he'd hit a quick thump-thump then let it breathe with 2 snare hits before coming back to it, all the while letting that ride do it's melodic work matching Sting's bass or vocals or even Andy's guitars. I think that use of space between all 3 (snare, bass drum and hi-hats/ride) should be taught too, and it's so hard to actually teach people to "feel" time like Stewart Copeland - he's so original. "Every Little Thing She Does Is Magic" (on the chorus) has the best ride playing that demonstrates this and the bass drum is very sparing. My second favorite ride playing is his simple overdub on "Message In A Bottle" - I think it was so creative to place it the way he did and it really impacts the punch of the song.
This whole series with Ilan has been stellar.
Best drum teacher I've ever seen.
Ilan is a fantastic teacher, if he ever decides to give up touring, he'd have great success as an online instructor.
The man! Privileged to have seen Ilan rising through Denver Harbor, LPS, TNR and NIN. Top drummer.
FON ?
RSR? What about OPL? DST? WQOS? NST?
This guy is great, lovin these vids. He's just killin it with NIN.
Great video Ilan. Much respect for Copeland. Thanks for breaking it down. One of Copeland’s best drumming tracks is No Time This Time. See you tomorrow’s with NIN in Brooklyn.
Dude. Nailed Copeland.
‘Bombs Away’ & ‘The Other Way Of Stopping’ are good songs to hear the technique. Great lesson!
For me, Copeland is also associated with splash cymbals and Octobans. Great job, Mr. Rubin.
Marco Gman of course
always a pleasure to see one of your videos, always a no BS approach, right to the point ,not too much talking ,more demonstration
Practice timestamp 0:50, 01:56, 03:23
Very enjoyable; thanks Ilan and Reverb!
Very cool. I can’t wait to try these patterns
Awesome! Thanks Ilan.
can't forget the GUH DOON DOON DUT (or blazing singles) on the toms and snare before the start of any given section
Drumming Techniques of Stephen Morris from Joy Division and New Order?
Play like a drum machine
become a fucking robot and play sweet non stop 16 on the hats and insanely cool drum parts, make sure you oil that robotic arm of yours too
loooool
The first beat he played was pretty much the kick snare pattern for Rock N Roll by Zep
Волосы у него - отпад !!! 🤩🤩
any way to provide some simple drum notation, it helps if a computer is not always available ,something to print out
Dying to know which ride is that
I think it's mentioned in previous episode, the hi-hat one
@@null11amorph he didn't really mentioned, he just said that was a rare one, and if break's it, he would be devastated.
Arthur Telles it says classic orchestral, looks like a 22’ or a 24’
@@TheArthurtelles Zildjian Orchestral Classics 22” Medium Heavy Cymbal
Snare drum?
6:10.. TIGHT!
is that 22"/23"/24" (?) Classic Orchestral cymbal Elvin Jones'?
Ilan needs to do one series on John Bonham. He knows he wants to.
What OHs did you guys use for this session?
Can someone tell me what ride that is
Super late, but I own that same cymbal. Zildjian Orchestral Classics 22” Medium Heavy Cymbal
Love the video, but as a guitarist listening A LOT to Copeland over the years, I think this bass drum playing is far too busy (though it definitely suits early punk-ish Police i.e. "Truth Hits Everybody" live etc.). The other magic element of Copeland is his bass drum placements. In those busy ride sections, he'd hit a quick thump-thump then let it breathe with 2 snare hits before coming back to it, all the while letting that ride do it's melodic work matching Sting's bass or vocals or even Andy's guitars. I think that use of space between all 3 (snare, bass drum and hi-hats/ride) should be taught too, and it's so hard to actually teach people to "feel" time like Stewart Copeland - he's so original. "Every Little Thing She Does Is Magic" (on the chorus) has the best ride playing that demonstrates this and the bass drum is very sparing. My second favorite ride playing is his simple overdub on "Message In A Bottle" - I think it was so creative to place it the way he did and it really impacts the punch of the song.
You’re wrong he always played a busy kick
nice.but why no notation?
Those cymbals are waaaay too ringy for me, but that's the style of Stewart alright!
Yeah cuz you’re boring and don’t like to stand out
\m/~~ I got the 666th like on this video. Hell yeah buddy rock-n-roll ~~\m/
Ilan! Break us down Dave Grohl!
Step 1: tie a brick to your right foot
Step 2: duhduhduhduhduhduh duhduhduhduhduhduh duhduhduhduhduhduh duhduhduhduhduhduh
You should have to pass a test and acquire a permit to use cymbols at all:) It's noise and that is all the fuck it is:)
Like maybe be able to spell the word cymbal?
@@BrettLee23 hahahahaha I'm a muzisan, not a drummer:)
Do we live next door to a drummer>?
@@Catinthehackmatrix No, we stand on stage with drummers:)