Ornette Coleman - The Shape of Jazz to Come (1959) - [Smooth Jazz Sax Recordings]
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Ornette Coleman - The Shape of Jazz to Come (1959)
00:00 Lonely Woman (1959)
04:56 Eventually (1959)
09:14 Peace (1959)
18:11 Focus On Sanity (1959)
24:58 Congeniality (Nomad) (1959)
31:40 Chronology (Step In) (1959)
Randolph Denard Ornette Coleman (March 9, 1930 - June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer. He was one of the major innovators of the free jazz movement of the 1960s, a term he invented with the name of an album. Coleman's timbre was easily recognized: his keening, crying sound drew heavily on blues music. He was awarded a MacArthur Fellowship in 1994. His album Sound Grammar received the 2007 Pulitzer Prize for music.
FROM WIKIPEDIA: en.wikipedia.org/wiki/Ornette...
The Shape of Jazz to Come is the third album by jazz musician Ornette Coleman. Although Coleman initially wished for the album to be titled Focus on Sanity, after one of the songs on the album, it was ultimately titled The Shape of Jazz to Come at the urging of Atlantic producer Nesuhi Ertegun, who felt that the title would give consumers "an idea about the uniqueness of the LP." Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring his working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California. Two outtakes from the session, "Monk and the Nun" and "Just for You", would later be released respectively on the 1970s compilations Twins and The Art of the Improvisers. In 2012, the Library of Congress added the album to the National Recording Registry.
FROM WIKIPEDIA: en.wikipedia.org/wiki/The_Sha... 🎷🎶 🎷🎶 🎷🎶
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Ah yes, free jazz, my favorite type of "smooth jazz"
Lol it is mine
My poor brain thought that it was free jazz because it is on TH-cam xD
@@aposteriori1594
you re cute...not poor brain...
See, although i cant play sax, - (i can piano) -
I can follow every single note they play, no, its not easy ,with my poor brain...
Of cource i had to learn...
At the end i feel we are lucky that somebody else did it for us, he has experimented and improvised and explored these notes and harmonies in the universe of music... I play with him, i change notes,
i make more good dissonance ...
We are blessed to be able to listen and play with them, even with our poor brain..
Really lucky... all of us...
@@noisemonkey7 ñn
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Free jazz is more complex than smooth jazz.
I just listened this from start to finish for the first time, is the first jazz record i listen to. I don't think my life will ever be the same after today
So happy to read this! Keep us posted on that, and may it change for the better. Jazz music has also transformed and enhanced my life.
Talk about the road less traveled. Enjoy your voyage!
Next: Pat Metheny Group
Then, Plini
@@FindingsOfAnArmouredMind bro what plini has nothing to do with ornette coleman
Oh yea I love smooth jazz so much. I just listened to another really smooth jazz recording called "Ascension" by a certain sax player named John Coltrane. So relaxing and good for reading or drinking coffee
It combines perfectly with another smooth jazz recording called "Machine Gun" by famous pop sax player Peter Brötzmann
@@elmambooz Oh and reminds me of Pithecanthropus Erectus, a great easy listening masterpiece
Besides all these, I like to meditate listening to one of the smoothest pieces of music ever: Albert Ayler's "Spiritual Unity".
Throw in some chilly classic waltz like Night on Bald Mountain by Mussorgsky, and youre ready to go
Oh,reminds me of an record called pulse demon by Merzbow so good to drink coffe at the mourning.
Ornett Coleman advocated a style of Jazz that is not bound the by cliche structures like 12 bar blues, I've got rhythm swing, Bebop etc. and this record represent "Freedom in music" which coined "Free Jazz". He said if you are a Jazz musician don't be afraid to break the rules and explore because that's what's gonna propel this music to new avenues and "shape the new Jazz to come. Don't aim to be smooth like other players otherwise you'll end up sucking a dummy and a copy-cat, otherwise you'll like chewing what had been chewed, chewed, and chewed and thrown out for others to eat...eating the chewed instead of cooking your own stuff!!! Thanks.
And then players started copying him :-) It's like that revealing conversation: "I'm not like anyone else." "I'm the same". Big Ornette and Haden fan here.
Andile I think it was Miles who said this is not free jazz but "Formless Music"...
@@MichaIsraelKovler Miles was kind of a perfectionist although he later engaged in the same "formless music" like "fusion" where he would blow a string of runs. Although I could still find a "form" in Colman's music it was different when he took a solo...he would explore all avenue coming up with strange but organised sounds. For me free jazz would be like say a guy plays any note and the other guys follow whatever direction the leader is taking them to...it's difficult to explain "free jazz."
@@skimanization the thing with miles is he was a man who changed his mind when he was certain of something. In the late 50's and early 60's when Coleman came up, miles said that he was " All screwed up inside". Later, he admitted appraisal of his music. I think that miles was influenced to a certain extent by Ornette.
@@MichaIsraelKovler Bitches Brew is a form less too !
I like the bit where the horse starts laughing, oh and the alley cat getting worked up over a bee (and his rival sauntering over the tiles for a night on the pull), and the old guy with the bourbon who can flap his ears, and the bit with the dwarf hooker on the corner near the night club...and.. oh yes, also the
Massive Ed, Edd & Eddy vibes from this album
The Shape of Jazz to Come fue el primer disco de Ornette Coleman que compré en un viaje a París en 1962. Uno de mis mejores amigos me lo dio a conocer en Fort Rabot meses antes. Y debo confesar que desde el primer momento no me costó adentrarme en su melodía. Es más, desde los primeros compases me enganchó. Durante semanas no pasaba un solo día que no lo escuchara como se escucha la voz de un profeta. Su título anunciaba lo que estaba por venir. Más de seis décadas después, en 2015, volví a escucharlo durante meses con la misma devoción, pillándome en ese trance cuando anunciaron su fallecimiento. A diario buscaba el reencuentro con aquel artífice del nuevo jazz abriendo estructuras clásicas, sin miedo ni complejos. Un gran músico amante de melodía y disonancias, ni más ni menos que lo que el siglo comportaba. Como escribiera Fred Kaplan: «La clave para comprender Ornette, es que era ante todo un melodista». Aunque parezca extraño, esa es la verdad de este músico rompedor. Como lo fueron Bach, Beethoven o Schönberg. Mi relación con The Shape of Jazz to Come viene de tan lejos… Fue el primer disco que escuché de Ornette Coleman y, con el paso del tiempo, a cada escucha añoro aquel momento y la frescura que me procuró. Guardo por él un cariño entrañable, incita al recogimiento, permite aliviar cuanto veneno tragué en el día y purificar el ánimo. Me pregunto al modo que lo hiciera Thoreau: «¿por qué el recogimiento tiene que asemejarse a la tristeza? Hay un tipo de tristeza fértil, que no evito, sino que incluso busco seriamente. Me resulta del todo gozosa. Ahuyenta la trivialidad en mi vida. Mi vida corre con una corriente más profunda… » (Diario, 17 de agosto de 1851). Algo de eso me ocurre con The Shape of Jazz y no me arrepiento por gozar de esta nostalgia.
Gracias Pedro, por tan sutil comentario
Así da gusto leer los comentarios
Gracias Román, mas no hay comentario sutil sin lector que lo aprecie
Gracias
Gracias a ti Luis
Thankfully this is not ''a smooth jazz recording ''. Mislabeled. This IS however a damn masterpiece!
google: 10 Smooth Jazz Records That Won't Make You Hate Yourself ;-P
@@cazgerald9471 If I made that list, it would be 10 Weather Report albums.
Mislabeled for sure. To label Lonely Woman as smooth jazz is fine sacrilege
Everything but easy- listening -JAZZ. Thanks Ornette !
Lmfao
I love refused cover of this album
Deadly Rythm vibes
This just shows how influential The Shape Of Jazz To Come was, it changed punk/hardcore forever
I don't really know much about jazz but I knew I was hearing something special from the first track
How much sound is coming from 2 horns, bass and drums! no guitar, no piano...man, these guys played.
I seriously think the last two tracks are two of the most incredible jazz pieces I've ever heard.
Ahhh.... a smooth jazz fan I see.
This is what I hear in my head every day even when I’m not listening to jazz
It's about the notes you don't hear😂
What a special year 1959 was; Charles Mingus Ah-Um , Miles Davis Kind of Blue & the superb Ornette Coleman album. Oh for a Time Machine . And a front seat at the Five Spot would also be great. And maybe overhear what Leonard Bernstein thought or even Norman Mailer or a hero of mine Steve Lacy who had played the club the year before with Thelonious Monk. And all the great art that was going on New York. What a swinging town it must have been.
If the smooth jazz tag was to trick people into listening to Ornette, then thats ok by me, brother.
This is the type of music that can not only keep up with my adhd, it can also tell my brain to shut up. Cheers!
This is the roughest smooth jazz I've ever heard
Its smooth as hell to me
So much mysteries to explore in this music.
Ok my god!! Ornette Coleman you come from another planet!!
First track it’s like brainwashing, i wake up with this fucking sax in my mind.
It sounds absolutely beautiful and it makes me cry.🎧🎼😍
The shape of jazz for me to "come".
I was working in a little used records store in Columbus, Ohio in about 2000. All of the musicians and their girl friends and local cats in the know would come in. I would spin unusual and cool things we would get in. I had the original vinyl spinning one day and a musician I don't remember gave me his 3 cents about this record. He layed down the history and importance of this recording. It changed everything. Miles Davis didn't think he had a career any more. This doesn't seem like it now, maybe, but this is groundbreaking. It is a little challenging at first but let it spin and don't overthink it. Ornette toured into the 2000's. I missed him in Phoenix. That was a show I regret not seeing.
PS. Columbus REJECTED Nirvana on their first tour which I am very proud of. The Jazz festival organizers there had a huge public argument about whether Kenny G. should be allowed to perform. He was REJECTED. When Seattle was chosen by the record companies to be the NEW THING, Columbus was a little butthurt and then they said F*ck It and still continue to do their own things. Columbus still has a very solid music scene. The weather is terrible and there is lots of heroin to shoot and jobs are hard to come by. Hurry and see your favorite bands before they O.D. Not a joke...Reality.
Absolute Masterpiece
humming this all day long
Freedom and joy forgotten secrets of music
Listening to it now it doesn't seem as far off-grid as it did at the time. It inspired a whole school of thought taken up by Archie Shepp, John Tchicai, Roswell Rudd, Pharaoh Saunders, etc. It was one of the seminal albums, like Kind of Blue, Bitches Brew, and many others
Extraordinary bass playing on that famous opener.
I just adore the complexity and courage.
now you must acquire a taste for free form jazz
I think it's smooth in its own way. And my god does it swing and just drenched with blues like all the best jazz.
Never thought Henry Rollins would introduce me to more Jazz than what I am finding on my own.
Free jazz is a kind of hardcore
Rollins simply loves ALL music genres.
He amazed me by being a fan of Hawkwind 😮 A legendary, English psychedelic band.
As smooth as powdered glass.
One of the best things happen in Jazz!!!! LONELY WOMAN FOREVER!!!!
When are you guys coming to north Germany?
I came here because of Freddie Hubbard. Normally I'm not really into Free Jazz but this man hooks you. Congeniality (Nomad) is a fine work!
Po tylu latach i ciągle extra!!
Drugi numer brzmi dla mnie jak założenia socjalizmu. Niby dobrze ale nie ma żadnego sensu ... Teoche sie ta muza o absurd ociera, chociaż tematy sa świetne ...
I arrived here through Michael Ondaatje`s books, thank God I did!
This is hard, it’s meant to be. I’ve heard of how the band was formed, some of them had never played anything like that before, heard a bit of it on Coleman’s fairly brief performances, and went ‘can I play with you that has just blown my mind!’ Every time I hear it I’m just poleaxed. I never heard Coleman live. They say it was like being hit by an out-of-tune steamroller. The Gods don’t do this very often. To me this is still the most futuristic recording ever made in the jazz genre, it is exactly what it says on the label - shape of stuff to come. I wasn’t even born in 1959, it took some vision and technique to put this together in 1959. I’m not a Colemanist but I know when to say hats off, my man. This is a hell of a piece of art.
Impossible to stop listening, I had to go over the full abum.
This is wild
amazing
How has the extraordinarily music of black cuture devolved into rap? It has to be the single biggest reversal of talent in music history.
I listen to Dizzy Gillespie, Wes Montgomery, Count Basie, BB King, Buddy Guy, Albert Collins and many others, too numerous to mention. ALL PIONEERS of their particular genre.
If it’s not for you then it’s not for you, stop giving genres an objective title, there’s bad jazz and bad hip hop , same goes for good jazz and good hip hop. Preference ≠ the other is bad
60 damn years ago, this album dropped. Today in 2019, it will murder anything that calls itself "music". Don't come close to this Legendary album that guards the peripheries of the infinite boundaries of what is musically possible.
late 50s, early 60s was a platinum age for jazz, and great for developments in international films too
MASTER PIECE
Beyond Classic! Many Thanks and Kind Regards ;)
thanks for uploading ♡
Que hermoso tema!! Uno de los mejores del cuarteto de Ornette !!! Nostalgia, sabor amargo, tristeza, no se con cual quedarme pero es hermoso. Un hermoso regalo de Ornette !!! No me cansaré nunca de escucharlo.
Hermoso
Next up on Classic Mood Experience's "smooth" Jazz list...Albert Ayler's Spiritual Unity.
awesome style
primeira vez que ouço ornette coleman e ja achei bom demais, insano, incrível e surpreendente como deveria de ser, obrigado por postar 😎
Muito bom! Conheci num blog sobre música, tinha uns 500 ótimos discos pra baixar, infelizmente o blog acabou por direitos autorais.
Coleman, siempre presente.
Love it. If this is just a taster...wow !
That's so smooth 😭
Rory Gallagher led me to this, apparently Coleman was a particular hero of his.
Did not know that and I'm a huge Rory fan. Cool to hear that he was so eclectic in his tastes. That's not surprising tough since his vocabulary as a player was so rich.
A watershed, metaphorically speaking. Not as much as Free Jazz, but close to it.
ΜΕΓΑΛΗ ΜΟΥΣΙΚΗ! ! ! !
beautiful work
Badass
(that's right,
The Mascara Snake,
fast and bulbous!)
MY SMILE's STUCK
Victor Hayden A K A The Mascara Snake 🐍
Antennae Jimmy Semens 💦- Jeff Cotton
Rockette Morton 🚀 👽- bass
Aka mark Boston!!!
Don’t Forget Zoot Horn Rollo 🌝 🎶
Also Known As Bill Harkleroad
Who Could Forget Drumbo!!!! 🥁 🐘 well beefheart left him off the album credits then hooned him down a flight of stairs!!! The Mascara Snake some ppl argue didn’t contribute much to Trouty but without him we wouldn’t have hair pie intro and that’s right the mascara snake fast and bulbous so tbh he’s good with me
Bulbous also tapered!
quando vc começa a ouvir o album free jazz do coleman, e ouvir ascesion e transition do coltrane, vc começa a ver que esse free jazz nem é tão free assim, ta até seguindo uma clara linha ritmica e melodica. é só vc acostumar os seus ouvidos...
igual qualquer musica cara, é so tu se abrir que ela entra em tu
Just amazing ...
Your mother is amazing!
S Müller your mother is amazing also!
@@Flux799 Our mothers are all amazing
ベースがすごくいい。
Tremendo~^
The shape of jazz to come es un álbum de free jazz, grabado y lanzado originalmente en 1959 por el saxofonista estadounidense Ornette Coleman. Fue uno de los primeros discos de vanguardia y en él ya se mostraban los elementos esenciales del free jazz. Se grabó con un cuarteto sin piano, y produjo un gran impacto, al contener estructuras armónicas muy poco reconocibles y utilizar la improvisación simultánea.
En 2003, el álbum fue considerado en el puesto número 246 de la lista de los "500 discos más importantes de la historia", de la revista Rolling Stone. Chris Kelsey en su ensayo "Free Jazz: A Subjective History" lo considera uno de los 20 discos esenciales de la historia del jazz.
I saw Ornette twice in Vancouver at the jazz festival once at the then rundown NewYork Theater and another time downtown at the Commodore Ballroom and on both occasions he had the two three piece bands and himself in the middle .on both of these events after the first number an escapee from Lord Of The Rings went up to the stage and yelled "that's not Jazz "and walked out . different guys but both dwarves. The first time I was amused the second time I was gobsmacked How many times did that happen to him ? and those tickets weren't cheap so you would think they would of listened to some material first . And what would Gimli Golinson Know About jazz anyway
ジャズ来たるべきもの🎵🎷良いタイトルですね～😂
nice and smooth :D
@Lance Wilson :D
Pure sorrow with a jazz band being in charge of that emotion.
Jazz as you have never Heard before
The second song sounds sounds like thrash metal with saxophones instead of guitars
Average Kerry king enjoyer?
There’s a tendency to accommodate sublime experiences to the absolutely inferior concepts and dimensions of what one’s own fossilized identity 😊.
@nurikkulanbaev3628 I was when I was younger. Can't say I listen to Slayer much these days but I still appreciate the guitar work.
Hardcore punk
30:36 wo!
Congeniality is so happy
Reading comments and disagreements here, I am interested to understand and possibly enjoy this music. I enjoy melody, not senior's dance party stuff, but what I hear in Monk, Mingus, Coltrane, Davis and others. I understand them, mostly. I don't yet understand Coleman. I play this CD from time to time, to 'try it again'.
But to read people arguing about definitions of this or that kind of music, or of music altogether, seems to miss the point.
I believe that this music is complex, likely needs expertise and talent to play, and perhaps needs technical musical knowledge to understand. But understanding is just one way to approach anything, and it often depends upon our feeling that what we are experiencing belongs in one familiar category or another. But why do we feel a need to find boxes to put things in?
Enjoyment can be an experience very different from understanding. And maybe that takes relaxing and hearing, including relaxing our expectations and attachments to this way or that way, and allowing ourselves to just be present, hearing the sounds.
I'll continue to play this CD from time to time, to try it again.
They way i hear this album is i donot think about structures , standard harmony rules, patterns. Every phrase is moving forward. It is for consumption not for making a conclusion out of it. Its a free journey. HARMOLODICS..Cheers
I'm not sure anyone can (learn to) appreciate this. I don't know why I like it but I have always (since mid teens at least) liked 'complex' music (Frank Zappa is on my top 5 list of musicians). You may have a point about the "technical knowledge" as I play the drums and have made some efforts to learn sax and clarinet. I don't think this is music you put on for a dinner party (or as background music for anything), you need to actively listen to it.
Most people are "brainwashed" to need a steady beat, I think.
Mark Turner and Jason Palmer (with Marcus Gilmore). The combination of Coleman and Cherry reminds me of that duo, just ''dirtier".
Groaning piercing sounds of Ornette's playing.... uuuuuuuu
He.is.best.got.deep.emotion
God talk with into this álbum
❤️❤️❤️❤️❤️
That amazing year…where every release tried to take openings, middles and endings to a new place and invented the studio LP almost by accident. Ornette was the most ‘hated’ musician in the world because he played LIKE THIS yet made it work. I still idolize this man yet increasingly I find people go ‘who?’ I’ve heard they even think Ornette was female because of the ‘e’ on the end! I’m sure Mr Coleman wouldn’t mind if folks thought he was female but really! People begged to join his band when they heard him play. All his life he had people begging to join what he was doing. Now they say ‘who?’
'primeiro estranha-se, depois entranha-se.'
fairplay
smooth like fusilli
Smooth jazz😂😂😂 my foot. OC Master of “free” jazz
Anarchical sounds ..timeless piece of vanguard.
the first 20 seconds sound like the song 'the end'
I prefer this to "Tomorrow Is The Question."
Thanks Uncle Rick Riordan for mentioning this man on your book.
This is free jazz, not "smooth" jazz. Even a novice like me understands that. The music is hard for me to process. Enjoying it a lot though.
I just don't get the label "smooth jazz". I'd consider myself a fairly hardcore jazz fan, but almost everything I've ever had presented to me as "smooth jazz" has been either onanistic or mediocre. Anyway, I totally agree. This record is not "smooth jazz".
Chill out it’s just a title, anyone who knows jazz knows this album well
Not "free jazz", it's avant-garde jazz.
@@alisamisayn8349 Yeah, I think people called it and considered it free at the time if I'm not wrong, but it doesn't really fit in what we consider really free jazz today
@@gon9684 he IS the Inventor of Free Jazz.
smoth jazzkkkkkkkkkkkk
Not as smooth as his follow up "free jazz", but it relaxes a bit. By the way, if you think this is not smooth enough, check out Braxton "for alto". This guy is the hell of a one-man-smooth-machine.
Yeah, this smooth elevator ready album is good, but you should hear his shred albums! There the party really starts!
greetings from jazz club Mezzoforte from Ljubljana, Slovenia, EU. We were squatting the bicycle factory for years. Now we are squatting some left factory restaurant. The government is against us because they are trying to sell the place as the heritage of socialism. we are regularly playing free improvised music. we are getting support from the Community.
曲の途中に広告を入れる感覚が理解出来ないね！
O la escena en la habitación de ella de breathless
Hardly smooth...
Si Miles Davis te encuentra raro, estas haciendo las cosas bien.
A trumpet and a sax stayed up all night doing coke
Joshua Lee Ornette didn’t do drugs fool! The Avant Garde musicians are the ones least likely to take drugs. Get ur conventional thinking head around that!
@@jibsmokestack1 Oh, yeah! They did them!
Alexandre De Faveri Ornette and Dolphy didn’t do drugs, neither did Sun Ra! Coltrane stop doing drugs in 57 and got more Avant Garde with every year till his death. Anthony Braxton to me doesn’t look like a drug user...I could go on! I don’t know about Cecil but my point you will find to be correct. The Avant Gatde or Free musicians were less likely to be drug users! Fact! Bop and Hardbop and Mainstream Jazz musicians post Bird had the most ubiquitous drug usage!
@@jibsmokestack1 I dig what you´re saying. It is likely that they realy did less drugs. You say "to me doesn´t look like a drug user", "less likely"...That´s not being sure about it, right? And we shouldn´t put our trust into these things. I believe they did something, sometimes. And they weren´t addicted as the ones we know, right? Good listenings, pal!
@@jibsmokestack1 trane taked lsd until his dead
i mean as much as I don't like omelets this one is good
I actually laughed out loud
This sounds like 3 cats screaming in heat
Fantastic, great upload, thanks. How about the master of smooth jazz - Eric Dolphy?
th-cam.com/video/yqnsvWlNeNY/w-d-xo.html