The best singer tlga sia.. Bukod sa maganda na voice, maganda pa version nia, ramdam na ramdam mo tlga ung sincerity ng kanta.. Tagos sa puso.. Nakakaiyak. Sarap ulit ulitin pakinggam😢🙂♥️
let's not discredit a singer for a few shaky notes because every singer has their own Waterloo. pasalamat nga tayo that we can hear such beautiful voice for the consumption of our ears! sa totoo lang mahirap talaga ang areglo nito. tingin ko si jonathan manalo ang gumawa ng areglo which is good kasi sobrang nag shine ang boses ni lani sa buong album. unlike nung nasa universal siya parang hindi siya masyado nabirit. bumibirit lang siya sa mall shows niya. walang singer na makakagawa niyan dito na head voice tapos shift agad sa chest voice. amateur singer lang ako pero alam ko gaano kahirap gawin niyan. kadalasan lahat ng mga professional singers dito manipis ang head voice normal falsetto lang. lani sang in a choir before kaya well-developed ang head voice niya kaya nga kaya niya kumanta ng classical pieces.
Naalala ko elementary pa lang ako nung napanood ko si Lani sa Glorietta Mall, grabe parang sumasabog sa mukha ko yung boses nya!!! Ang opening song nya ay “I miss you like crazy”.
nagiisa ka lang miss lani.. wala xang sablay.. jusko makacomment ung iba kala mo naman nakakakanta kahit konti.. sabagay ganyan talaga pag pinanganak na inggit.. walang gamot jan
Kya ako bilib ako sa kanya iba kse ang timbre nang boses niya,kaya number 1 fans niya ako hanggang sa huling sandali..mananatili ako sa iyo Mam,Lani KEEP SAFE @nd STRONG
Hi ma'am Lani sana mkasa kita kumanta! gustong gusto k ang mga knta I hope mapagbigyan m ako at sana masagot m ang kahilingan k! knta po ang hobby k....love u!!
+KusanagiRai very detailed critique. you equally contrasted the strengths and weaknesses of the performance. i think you're a music major. yeah she made the high note seem like she was yawning! i had to listen again to the note and compare in my mind the note from the phantom and it is the same! unbelievable! even sarah brightman sounds strained in the studio recording. lani's note was just flying off the roof! yep the transition from head to chest voice was really shaky prolly because she was sitting and also because this song is really different from her usual fare of songs parang iba yung tessitura tama ba or is it because of the added "whistles" that required her to make more transitions compared to just singing the song straight without embellishments? but nevertheless, i still love lani! still one of the best!
Lani is used to "open chest" singing, which involves prominent thyroarytenoid action (thick vocal folds), round vowels, and dynamic support (commonly known in traditional vocal pedagogy as "appoggio"). IMO, she needs to master using the twanger, a stable larynx, and correct vowel tuning in a cricothyroid-dominant (head-voice-dominant) setup. The twanger is the epiglottic funnel (or aryepiglottic sphincter), an opening above the larynx. Narrowing the funnel amplifies the higher overtones of the voice, creating an illusion of thickness and a very resonant, bright vocal quality--called "twang"--which causes the skull to strongly vibrate. (This vibratory sensation is often known as "mask resonance", "forward resonance", and "head resonance".) The twang, when maximized alongside a stable larynx, an open throat, firm fold compression, and constant abdominal support in head voice, makes head voice sound like chest. This is commonly known as the "mix", "mixed belt" or "chesty mix". The mix is less weighty but more flexible than open chest. Thus it's easier to shift the voice to and from that placement. It can also be stretched to extremely high notes. Listen to how easily this girl navigates her middle range and high notes using the mix: watch?v=WGREQ670LrU&t=8m41s Some other noteworthy examples: watch?v=oq7mryVuE4Q&t=1m50s watch?v=vjaGkR7Kifo&t=0m59s watch?v=aZ5ZclZTeTU&t=2m28s watch?v=K79PR-Ngwk4&t=3m45s Many hard rock and heavy metal singers are masters of the mix. Kaya sobrang tataas ng mga boses nila, and still very flexible and piercing, babae man o lalaki (think Aegis, Adam Lambert). RnB & soul singers Patti Labelle, Chaka Khan, Anita Baker, and Jennifer Hudson are also worth learning from. Regine Velasquez uses a headier variant of it. (Yes, she doesn't like pulling up chest, contrary to popular belief.) I've seen her call it "headtone mix" on her Twitter. :) Lani can navigate the high mix, too: watch?v=HJiKo04VsrE&t=2m18s ...but she rarely uses it! IMO, the mix is her most prominent weakness. If she masters it, it'll be very, very hard to fault her. :)
KusanagiRai OMG total nosebleed (i'd really want to decipher it though) but i somehow get your point. when i was listening to videos you posted si Patti LaBelle ang unang pumasok sa isip ko. oh my you're a true music major! it must be really exciting and interesting to talk to you about these things! KusanagiRai is in the house! when she sings "classical", what type of singing style does she use? is that kind of singing not continuous with open chest kaya harder to transition? re regine, what does it mean when she doesn't like pulling up chest? so it means, a lot of people incl me were mistaken thinking that she was singing in full chest when she reaches for those crazy high notes? reminds me of her performance of reasons. i think naka twang siya dun sa high note. tama ba? watch?v=igd-zkoLzVo i really appreciate your very extensive and informative post. i wanna learn that mix! i think i've been singing in open chest also but lately i've been suffering from a condition similar to regine's. raspy and it cracks easily unlike before kaya i'm on voice rest right now.
Leland Ginger-Crescent Sorry about the language, lol. My bad. When Lani sings classical, she uses head voice with an open throat (low larynx, raised soft palate--imagine the beginning of a yawn), twang, and lots of abdominal engagement. A low larynx amplifies the lower harmonics of the voice, adding some "darkness" to the sound. But Lani also has some strong twang, which adds brightness or "ring" to her overall sound. IMO, the main reason her classical singing sounds so good is she is able to balance the dark and bright qualities of her voice, producing a sound known as the "chiaroscuro" timbre (from "chiaro", which means bright, plus "oscuro", which means dark). Lani is probably the most technically skilled Filipino singer I've heard. :) And yes, female classical singing (almost 100% head voice) is markedly different from open chest (almost 100% chest voice, as the name implies). Mahirap yung mabilisang transition, but it can be done with practice. Here's an example of a shift from a "legit" musical theatre sound (not as heady and open as chiaroscuro but close to chiaroscuro) to an open chest sound: watch?v=vHvJDMDNHoE&t=3m46s At 3:46, Louise Dearman sings in legit head voice but suddenly shifts to open chest to belt out the words "die alone". On Regine: "Pulling up chest" is essentially belting predominantly in chest voice. There are two reasons I say Regine doesn't often do it: 1. I hear a lot of "crying" in her belting. Chesty belting sounds like controlled, sustained yelling. It's thick and somewhat "primal". What Regine does is thinner and whinier. It sounds more like sustained crying than sustained yelling. According to the findings of voice researcher Jo Estill, the cry is caused by phonating with a relatively high larynx and thin vocal folds (head-voice-dominant setup). 2. Regine herself says her voice is naturally a "headtone mix". She uses that placement more often than its chestier variants. It's her strength. :) And yes, she uses lots of twang to make her high mix sound powerful and "chesty" (you've provided a good example). If you really believe she belts in full chest, then she has succesfully fooled you. Props to her. :) The end goal of mastering the mix is to be able to make head sound like chest, and her voice epitomizes just that.
KusanagiRai this is getting really exciting! nah no prob abt the music jargon. i know it'd be difficult to explain it layman's terms. yeah i agree. lani is the most technically skilled filipina singer i've heard too. no wonder she was heavily pitted against regine during their SOP days. so lani also uses the twang in her classical singing? after reading your post this afternoon, i decided to do more research on appoggio and i stumbled on the videos of franco tenelli and he mentioned chiaro scuro! what a coincidence you just mentioned it also! i really couldn't understand much of what he said but after reading your post above, i understand it more. i also got tips on placement like using a low larynx. i'll try to practice it after voice rest. i see. so that's how a steady shift from head to chest in dearman's performance sounds like. i kinda get the crying in regine's voice. am i right in my observation that regine uses the crying belt in the final note of Piece of Sky while lara fabian uses a more chesty belt? on second thought, lara might be using the mix too. watch?v=TYCB68CWmBk&t=4m14s watch?v=gFyFDjnz43Y&t=6m46s yeah she really fooled me all this time! hahaha! i thought she had "separate" registers. using head voice like when she's singing Fallin' and using pure chest voice when belting out On the Wings of Love. i didn't know she was mixing the two. still so much to learn! i really wanna learn the mix though.
Leland Ginger-Crescent Yes, Lani's classical singing (actually, much of her singing, regardless of genre) has a considerable amount of cutting power (twang). Ah, Maestro Tenelli teaches the ultimate form of appoggio. Lani uses at least a lighter form of it. Halos walang veins na lumalabas sa leeg, halos walang makikitang effort sa mukha, buo at resonant ang boses, magaling sa dynamics, consistent ang timbre, at connected ang vocal folds from top to bottom. These are strong indicators of appoggio. Lani constantly adjusts her breath pressure with the right muscles (inner core muscles and intercostals, or the muscles between the ribs) and keeps her throat generally open. Many contemporary singers control pressure with their neck and laryngeal muscles, kaya alog ng alog ang mga ulo o mukhang hirap na hirap. Si Lani parang may kakwentuhan lang sa phone. :D Yes, that's Regine using the cry setup. :) It looks and sounds strained, though. Regine often closes up (super high larynx), maybe due to a lack of dynamic support. Strong dynamic support (appoggio) activates what is known as the "tracheal pull". Pinch your nose, close your mouth, and use your other hand to gently grab your adam's apple/larynx. Then, without unsealing your nose and mouth, try to inhale deep into your core. You should feel your adam's apple/larynx drop at least a little. That is the tracheal pull. An appoggio user is able to use varying degrees of it to prevent his larynx from rising too much. Of course, the challenge is to use and maintain it *while singing*. On a related note, Regine also has an occasional "Knodel" (Kermit sound), caused by tension at the root of the tongue. This is a sign of bad technique and, again, a lack of dynamic support. It puts direct pressure on the vocal folds. Listen well: watch?v=fc3MIMl9_NQ&t=2m28s She goes "what kind of fool I aaaaAAARRRM." The "RRR" sound is the Knodel. Even her studio singing has it: watch?v=4E1N-v4ZA7o&t=3m10s "...must dweeEERRL!" Christina Aguilera is notorious for this "gargling" sound too. As for Lara Fabian, she is indeed using a chestier setup. It's hard to judge how much head is involved, though. Lara, like Regine, is good at melding her head and chest. Great singers make it difficult for the listener to hear any unintentional, sudden shift. It's quite hard to learn the mix without a teacher. You have to know your current vocal strengths and weaknesses and find exercises that work for you.
Hindi nya na hit yong notes🎼 sana binabaan na lang nya kaysa nawala sa tono, hirap kasi ng kanta na yan humuhiwalay yong kaluluwa mo sa hirap at taas ng tono kaya sabi ng kaluluwa mo bahala ka dyan kayanin mo yan ginusto mo yan!🤣
I hope she doesnt sing this live kung nde nia mxado na kondisyon boses nia. Too many register shifts. Too difficult. More practice pra wala mxado palpak
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The best singer tlga sia.. Bukod sa maganda na voice, maganda pa version nia, ramdam na ramdam mo tlga ung sincerity ng kanta.. Tagos sa puso.. Nakakaiyak. Sarap ulit ulitin pakinggam😢🙂♥️
Hirap nan nakaupo pa at live pa ako ang hindi makahinga kay Ms. Lani😂😂👏👏👏
Galing galing naman.
let's not discredit a singer for a few shaky notes because every singer has their own Waterloo. pasalamat nga tayo that we can hear such beautiful voice for the consumption of our ears!
sa totoo lang mahirap talaga ang areglo nito. tingin ko si jonathan manalo ang gumawa ng areglo which is good kasi sobrang nag shine ang boses ni lani sa buong album. unlike nung nasa universal siya parang hindi siya masyado nabirit. bumibirit lang siya sa mall shows niya.
walang singer na makakagawa niyan dito na head voice tapos shift agad sa chest voice. amateur singer lang ako pero alam ko gaano kahirap gawin niyan. kadalasan lahat ng mga professional singers dito manipis ang head voice normal falsetto lang. lani sang in a choir before kaya well-developed ang head voice niya kaya nga kaya niya kumanta ng classical pieces.
same mhrap yan kanta n yan mhrap un version ni lani
woohh nkaupo lng yan ah...ang hirap kaya bumirit pg ipit yung tyan.
Juvy Artezuela mas mahirap ung sayo itlog mo iniipit mo haha
Ang galinggggggggggg inupuan lang tayo!
Naalala ko elementary pa lang ako nung napanood ko si Lani sa Glorietta Mall, grabe parang sumasabog sa mukha ko yung boses nya!!! Ang opening song nya ay “I miss you like crazy”.
Wow! She soared even by just sitting She is indeed a league of her own A kind like no other thank you Qritiko for sharing your vids
mga notes na ayaw ipakanta hahaha.. kaloka! Ang galing ng Idol namin ^_^ #LaniMisalucha
mga notes na mahirap gayahin ng ibang singers
Biruan nga po nmin dati ay mdadamot cla nila regine kasi di nmin masabayan yung birit sila lang ang may kaya.hahahha
nagiisa ka lang miss lani.. wala xang sablay.. jusko makacomment ung iba kala mo naman nakakakanta kahit konti.. sabagay ganyan talaga pag pinanganak na inggit.. walang gamot jan
Lani ang galing mo talga.hindi nkksawng pakinggan ka
Inuulit ulit ko to astig
Kya ako bilib ako sa kanya iba kse ang timbre nang boses niya,kaya number 1 fans niya ako hanggang sa huling sandali..mananatili ako sa iyo Mam,Lani KEEP SAFE @nd STRONG
heartfelt rendition!
Grabe ang talaga ni Lani!
Ang lupit
Walang katulad, nag iisa
Awesome Lani ! :)
Wow thankyou for that wonderfull explanation....
I love you Lanie, you are great!
yung reaction nung lalakeng nakaitim hehehe
super sa galing!
mapapamura ka na lang sa galing
❤️❤️❤️❤️ Lani SUPERB
galing talaga ng asawa q ayeeee💋💋💋❤
Grate voice control WOW!!!
Lani is so fearless to hit that note.
May kumukurot kay Ms. Lani sa last verse.. Kaya ganun.. Don't be judgemental
Lupitttttt
Naiiyak ako sa version ni Ms Lani
Grabe sobrang galing tlga Ni Idol..
Wow ang galling ng dynamics nya
Wuuuuuutttt wuuuttttt ang hirap ata ng song. Great great....
Galing
Inuupuan lang ni idol ang taas ng note.kudos.
Idol 💞👏👏👏👏👏
Inupuan lang..basic sa kanya😍
Hi ma'am Lani sana mkasa kita kumanta! gustong gusto k ang mga knta I hope mapagbigyan m ako at sana masagot m ang kahilingan k! knta po ang hobby k....love u!!
The legendary
I love you lani
Siete na photograper nakaharang😅
LANI DI BAGAY SA BOSES MO ANG KANTA SINIRA MO LNG
ANG HIRAP KAYA NG KANTA, ANO KAYA MGA BASHER ANG KUMANTA KAYA KAYA NILA HANGANG BASH LNG NAMAN SILA WALEY TALENT MGA YUN
+KusanagiRai very detailed critique. you equally contrasted the strengths and weaknesses of the performance. i think you're a music major. yeah she made the high note seem like she was yawning! i had to listen again to the note and compare in my mind the note from the phantom and it is the same! unbelievable! even sarah brightman sounds strained in the studio recording. lani's note was just flying off the roof! yep the transition from head to chest voice was really shaky prolly because she was sitting and also because this song is really different from her usual fare of songs parang iba yung tessitura tama ba or is it because of the added "whistles" that required her to make more transitions compared to just singing the song straight without embellishments?
but nevertheless, i still love lani! still one of the best!
Lani is used to "open chest" singing, which involves prominent thyroarytenoid action (thick vocal folds), round vowels, and dynamic support (commonly known in traditional vocal pedagogy as "appoggio"). IMO, she needs to master using the twanger, a stable larynx, and correct vowel tuning in a cricothyroid-dominant (head-voice-dominant) setup.
The twanger is the epiglottic funnel (or aryepiglottic sphincter), an opening above the larynx. Narrowing the funnel amplifies the higher overtones of the voice, creating an illusion of thickness and a very resonant, bright vocal quality--called "twang"--which causes the skull to strongly vibrate. (This vibratory sensation is often known as "mask resonance", "forward resonance", and "head resonance".) The twang, when maximized alongside a stable larynx, an open throat, firm fold compression, and constant abdominal support in head voice, makes head voice sound like chest. This is commonly known as the "mix", "mixed belt" or "chesty mix".
The mix is less weighty but more flexible than open chest. Thus it's easier to shift the voice to and from that placement. It can also be stretched to extremely high notes. Listen to how easily this girl navigates her middle range and high notes using the mix:
watch?v=WGREQ670LrU&t=8m41s
Some other noteworthy examples:
watch?v=oq7mryVuE4Q&t=1m50s
watch?v=vjaGkR7Kifo&t=0m59s
watch?v=aZ5ZclZTeTU&t=2m28s
watch?v=K79PR-Ngwk4&t=3m45s
Many hard rock and heavy metal singers are masters of the mix. Kaya sobrang tataas ng mga boses nila, and still very flexible and piercing, babae man o lalaki (think Aegis, Adam Lambert). RnB & soul singers Patti Labelle, Chaka Khan, Anita Baker, and Jennifer Hudson are also worth learning from. Regine Velasquez uses a headier variant of it. (Yes, she doesn't like pulling up chest, contrary to popular belief.) I've seen her call it "headtone mix" on her Twitter. :)
Lani can navigate the high mix, too:
watch?v=HJiKo04VsrE&t=2m18s
...but she rarely uses it! IMO, the mix is her most prominent weakness. If she masters it, it'll be very, very hard to fault her. :)
KusanagiRai OMG total nosebleed (i'd really want to decipher it though) but i somehow get your point. when i was listening to videos you posted si Patti LaBelle ang unang pumasok sa isip ko.
oh my you're a true music major! it must be really exciting and interesting to talk to you about these things! KusanagiRai is in the house!
when she sings "classical", what type of singing style does she use? is that kind of singing not continuous with open chest kaya harder to transition?
re regine, what does it mean when she doesn't like pulling up chest? so it means, a lot of people incl me were mistaken thinking that she was singing in full chest when she reaches for those crazy high notes? reminds me of her performance of reasons. i think naka twang siya dun sa high note. tama ba?
watch?v=igd-zkoLzVo
i really appreciate your very extensive and informative post. i wanna learn that mix! i think i've been singing in open chest also but lately i've been suffering from a condition similar to regine's. raspy and it cracks easily unlike before kaya i'm on voice rest right now.
Leland Ginger-Crescent Sorry about the language, lol. My bad.
When Lani sings classical, she uses head voice with an open throat (low larynx, raised soft palate--imagine the beginning of a yawn), twang, and lots of abdominal engagement. A low larynx amplifies the lower harmonics of the voice, adding some "darkness" to the sound. But Lani also has some strong twang, which adds brightness or "ring" to her overall sound.
IMO, the main reason her classical singing sounds so good is she is able to balance the dark and bright qualities of her voice, producing a sound known as the "chiaroscuro" timbre (from "chiaro", which means bright, plus "oscuro", which means dark). Lani is probably the most technically skilled Filipino singer I've heard. :)
And yes, female classical singing (almost 100% head voice) is markedly different from open chest (almost 100% chest voice, as the name implies). Mahirap yung mabilisang transition, but it can be done with practice. Here's an example of a shift from a "legit" musical theatre sound (not as heady and open as chiaroscuro but close to chiaroscuro) to an open chest sound:
watch?v=vHvJDMDNHoE&t=3m46s
At 3:46, Louise Dearman sings in legit head voice but suddenly shifts to open chest to belt out the words "die alone".
On Regine: "Pulling up chest" is essentially belting predominantly in chest voice. There are two reasons I say Regine doesn't often do it:
1. I hear a lot of "crying" in her belting. Chesty belting sounds like controlled, sustained yelling. It's thick and somewhat "primal". What Regine does is thinner and whinier. It sounds more like sustained crying than sustained yelling. According to the findings of voice researcher Jo Estill, the cry is caused by phonating with a relatively high larynx and thin vocal folds (head-voice-dominant setup).
2. Regine herself says her voice is naturally a "headtone mix". She uses that placement more often than its chestier variants. It's her strength. :) And yes, she uses lots of twang to make her high mix sound powerful and "chesty" (you've provided a good example).
If you really believe she belts in full chest, then she has succesfully fooled you. Props to her. :) The end goal of mastering the mix is to be able to make head sound like chest, and her voice epitomizes just that.
KusanagiRai this is getting really exciting! nah no prob abt the music jargon. i know it'd be difficult to explain it layman's terms.
yeah i agree. lani is the most technically skilled filipina singer i've heard too. no wonder she was heavily pitted against regine during their SOP days. so lani also uses the twang in her classical singing?
after reading your post this afternoon, i decided to do more research on appoggio and i stumbled on the videos of franco tenelli and he mentioned chiaro scuro! what a coincidence you just mentioned it also! i really couldn't understand much of what he said but after reading your post above, i understand it more. i also got tips on placement like using a low larynx. i'll try to practice it after voice rest.
i see. so that's how a steady shift from head to chest in dearman's performance sounds like.
i kinda get the crying in regine's voice. am i right in my observation that regine uses the crying belt in the final note of Piece of Sky while lara fabian uses a more chesty belt? on second thought, lara might be using the mix too.
watch?v=TYCB68CWmBk&t=4m14s
watch?v=gFyFDjnz43Y&t=6m46s
yeah she really fooled me all this time! hahaha! i thought she had "separate" registers. using head voice like when she's singing Fallin' and using pure chest voice when belting out On the Wings of Love. i didn't know she was mixing the two. still so much to learn! i really wanna learn the mix though.
Leland Ginger-Crescent Yes, Lani's classical singing (actually, much of her singing, regardless of genre) has a considerable amount of cutting power (twang).
Ah, Maestro Tenelli teaches the ultimate form of appoggio. Lani uses at least a lighter form of it. Halos walang veins na lumalabas sa leeg, halos walang makikitang effort sa mukha, buo at resonant ang boses, magaling sa dynamics, consistent ang timbre, at connected ang vocal folds from top to bottom. These are strong indicators of appoggio. Lani constantly adjusts her breath pressure with the right muscles (inner core muscles and intercostals, or the muscles between the ribs) and keeps her throat generally open. Many contemporary singers control pressure with their neck and laryngeal muscles, kaya alog ng alog ang mga ulo o mukhang hirap na hirap. Si Lani parang may kakwentuhan lang sa phone. :D
Yes, that's Regine using the cry setup. :) It looks and sounds strained, though. Regine often closes up (super high larynx), maybe due to a lack of dynamic support.
Strong dynamic support (appoggio) activates what is known as the "tracheal pull". Pinch your nose, close your mouth, and use your other hand to gently grab your adam's apple/larynx. Then, without unsealing your nose and mouth, try to inhale deep into your core. You should feel your adam's apple/larynx drop at least a little. That is the tracheal pull. An appoggio user is able to use varying degrees of it to prevent his larynx from rising too much. Of course, the challenge is to use and maintain it *while singing*.
On a related note, Regine also has an occasional "Knodel" (Kermit sound), caused by tension at the root of the tongue. This is a sign of bad technique and, again, a lack of dynamic support. It puts direct pressure on the vocal folds. Listen well:
watch?v=fc3MIMl9_NQ&t=2m28s
She goes "what kind of fool I aaaaAAARRRM." The "RRR" sound is the Knodel. Even her studio singing has it:
watch?v=4E1N-v4ZA7o&t=3m10s
"...must dweeEERRL!"
Christina Aguilera is notorious for this "gargling" sound too.
As for Lara Fabian, she is indeed using a chestier setup. It's hard to judge how much head is involved, though. Lara, like Regine, is good at melding her head and chest. Great singers make it difficult for the listener to hear any unintentional, sudden shift.
It's quite hard to learn the mix without a teacher. You have to know your current vocal strengths and weaknesses and find exercises that work for you.
Sorry I love Lani pero may mga flats po sa mataas na parts at nawala sa tono. But great performance just the same.
Parang last performance na nya Kaya bgay todo
WOW😱
wow
3:38 & 3:45 parang nawala po sa tono 😔 but i still salute you po ms lani. ❤️ ganda pdn ng voice 😊
Rochelle Tisoy Amorin Mataas kasi vocal range ni Ms Lani :)
Rochelle Tisoy Amorin ikaw kumanta kung kaya mong iperfect!
Mas gusto yun di masyadong perfect. Parang diamond... with inclusions which proves real 💎
live!!! shit hirap nyan.
Epal yung lalake sa harapan nya kainis
Matanda na pero mataas padin boses
Ako lang ba naiinis dun sa photographer na nakaharang?
Oo nga bwisit kala mo professional photographer
kaya pala konti ang views d2. puro ulo nitong lalaki na may id lace ng canon.
Brush huh
I'm
Jr.
Buckhaven
Mormonism
sablay yung dulo
Hindi nya na hit yong notes🎼 sana binabaan na lang nya kaysa nawala sa tono, hirap kasi ng kanta na yan humuhiwalay yong kaluluwa mo sa hirap at taas ng tono kaya sabi ng kaluluwa mo bahala ka dyan kayanin mo yan ginusto mo yan!🤣
gagi hahahaha
I hope she doesnt sing this live kung nde nia mxado na kondisyon boses nia. Too many register shifts. Too difficult. More practice pra wala mxado palpak
It's all right. Your idol, Regine, had a live concert with shaky voice from start to finish and even gave a rewind.
Mark Navarro nakapanood ka po ba ng The Ultimate Concert ? sino po ang pumalpak ? :)
vovo. ng.comment
utak talangka etong si navarro utak bulinaw. shut up mag hugas ka nalang ng plato sa kusina nio
bka masampal pkita