Thank you so much for dealing with the dark edges of the photography world. The poetry in the margins not vert often. gets the space it deserves. And thank you in general for contributing to expand our appreciation of photography as art.
Oh, hello - well those weren't snapshots of mid-century Americana! So glad to see some different sides of photography examined by your excellent channel. These photographers aren't an easy watch/look, but so deserving of coverage and your discussion.
Excellent video Graeme, thank you!.. I am grateful for your work here, as all of your episodes educate me in one aspect or another, and open my eyes to new depths and range in my own photography.
I really enjoyed the introduction to these three photographers. Although there work is dark, I was hooked by the fascinating images of realities that we often avoid, or look away from. Art can draw us into those worlds, make us feel edgy about them, but yet, still at least, become aware of them.thanks, Sean
Another insightful and thoughtful introduction into the challenging interface between playing safe and over the edge. Many thanks Graeme. So many questions! One reason why I'm love this channel.
I feel interest in impressionistic work is at a low these days. These things tend to go in cycles with the zeitgeist. I would love to hear more about impressionism in photography in future videos thanks!
Very interesting, D'Agata always gives me a sense of repulsion but after I need to see more of that.very strange feeling, it touches raw emotions inside viewers
Interesting that Agata is shown with a Contax G2 auto-focus camera and a 'leica digital' maybe? in that a lot of his stuff is purposefully out of focus; I knew Ackerman had to be using a Holga or similar as it's almost impossible now a days to get photos that...bad.. even when trying , with modern cameras. I use toy digitals and old zone focus film cameras myself
Thanks for introducing me to Ackerman and d'Agata. Powerful, inspirational stuff.
Thank you so much for dealing with the dark edges of the photography world. The poetry in the margins not vert often. gets the space it deserves. And thank you in general for contributing to expand our appreciation of photography as art.
Thanks Willy.
So gritty & uncomfortably real, yet darkly irresistible. Thank you for intoducing these fascinating photogrsphers!
Finally a video that I can identify with !! Thank you
Artistic, Dark, Mysterious.Thanks, Subscribed! JT
Hi Pamela Yes, I really like this work.
Oh, hello - well those weren't snapshots of mid-century Americana! So glad to see some different sides of photography examined by your excellent channel. These photographers aren't an easy watch/look, but so deserving of coverage and your discussion.
Thanks James
Excellent video Graeme, thank you!.. I am grateful for your work here, as all of your episodes educate me in one aspect or another, and open my eyes to new depths and range in my own photography.
Thanks RP
Great - thank you!
Learning about the work of these photographers is like reading the poetry of Charles Bukowski. Disturbing and inviting at the same time.
Good analogy Jim
I like your inner view of photography. So much is the outside view now.
Thank you for showing great photographic work. Very interesting.
My pleasure
Very commendable - a superb series of images, thank your for introducing us to these photographers and their work.
Hi SBCD Many thanks!
Thank you very much for presenting three photographers so differents.
Very interesting, thanks! I liked & subscribed.
Thanks 110
Some of my favourite photographers. I also recommend checking out Lorenzo Castore's work.
A had a look at his work and there are definite similarities.
I really enjoyed the introduction to these three photographers. Although there work is dark, I was hooked by the fascinating images of realities that we often avoid, or look away from. Art can draw us into those worlds, make us feel edgy about them, but yet, still at least, become aware of them.thanks, Sean
Hi Sean You summed it up well, thanks.
If you like these kind of pictures get the book " Eyes wild open" by Marie Sordat. It is a good summary of this "trembling photography".
Hi Thanks, I hadn't seen that book, but just had a look online. Useful!
Another insightful and thoughtful introduction into the challenging interface between playing safe and over the edge. Many thanks Graeme. So many questions! One reason why I'm love this channel.
Glad you liked it Daniel
Thank you , 3 great photographers
Great video Graeme, amazing images from these three talented photographers, I found it very inspirational to say the least. 😎
Thanks Richard
Excellent work. Thank you!!
thanks for making this! great and very interesting video - happy to discover their work! I will probably order "End time city" soon
Half Life is also good.
Thank you for introducing me to Martin Bogrens photography. Never heard of him before even though I'm a swede :D
Love your channel! Thanks
Many thanks
I feel interest in impressionistic work is at a low these days. These things tend to go in cycles with the zeitgeist. I would love to hear more about impressionism in photography in future videos thanks!
I've added that to my list, thanks.
Good video, thank you. Is the philosophy and after construction or a requirement for be able to make picturess
Very interesting, D'Agata always gives me a sense of repulsion but after I need to see more of that.very strange feeling, it touches raw emotions inside viewers
I'm going to need to look into his thermal images some as those really hit a home run for me
Good video, thanks. I'd also add Igor Posner to this list.
I don't know him but will take a look .hanks
Interesting that Agata is shown with a Contax G2 auto-focus camera and a 'leica digital' maybe? in that a lot of his stuff is purposefully out of focus; I knew Ackerman had to be using a Holga or similar as it's almost impossible now a days to get photos that...bad.. even when trying , with modern cameras. I use toy digitals and old zone focus film cameras myself
Yes, probably pre-focusing to near foreground.
Pretentious.
Crap is crap…