Seriously, great to see you transcribe a piece of music with your midi workstation. So important to show folks how to integrate the ear, music theory, and keyboard harmony skills to figure out what a composer wrote. Back in the day, some of us used similar techniques to learn modern jazz solos by the greats, such as Charlie Parker and John Coltrane, using phonograph records and starting and stopping the turntable in the 50s and 60s.
Your ability to pick out chords and melodies shows you have top notch ears I'm wondering if you have perfect pitch or relative pitch either way you are the best Rick keep sharing your gift
What did 9 people not like about this video? I have become a big fan of yours Rick and really appreciate your offering, insight, experience, education and teaching cadence. Keep it up as long as your personal passion continues to grow.
I was really hoping you would talk about his score for The Village ! I love the music. Particularly with the solo violin part, played by Hilary Hahn, if I'm not mistaken. Great video !! Thanks !
This is incredibly helpful, Rick. As someone who relies heavily on his ear to compose/arrange, even with all the musical training I've had, I've always found it hard to explain what I'm doing. I can hear what I want in my head and can replicate it, but I'm hardly ever thinking of theory. As a final in my theory class at Juilliard (I swear that I'm not dropping that name to sound pretentious!) we were told to write an etude including all that we'd been studying, i.e. German 6ths, Italian 6ths, modulation...yada yada yada. Long story short, my brain felt trapped and I just sat down and wrote one without focusing on all the rules. Brought it in for review, and although the teacher didn't understand how I composed it without mapping it, I got an A-...got docked a couple points for an incorrect cadence at the end. ANYWAY, so as I approach arranging and orchestration as a novice, your videos are wonderful! Would love some Elfman and Silvestri breakdowns! (Back to the Future and maybe some Beetlejuice or Scissorhands!) Sorry for the long post!
He is an above average composer. Not a god of anything. The guy in the video is just a musician with perfect pitch, definetly not a god. Richard Wagner was a god of music, not these peasants
Rick, I think your authenticity and understanding to what your are doing make your teachings so easy to absorb. Please continue your videos. TH-cam needs people like you. I would like your input on something related to Music theory. I have difficulty understanding how scales can be switched within a music piece. Thank you!
could you Make a tuts how to compose in the style of "James Horner", "Steve Jablonsky", "Alan Silvertri", "Howard Shore " and "Danny Elfman". their chord progression, scales techniques...
Awesome Video!! - In the first cue, that last Fm(maj7) Chord, I can also hear a C# up in the violins. Sounds like its right next to the C, creating a nice but very subtle dissonance.
Lots of excellent info here--thanks for taking the time to do this! You could make another video analyzing the cues to "Signs"--which I believe to be one of his best (and most underappreciated) scores.
Omg the transition from the tritone F# - C to F Dorian was amazing ! And Ebmin followed by F minmaj7 totally nailed it ! ! I totally enjoyed this video and the way you analysed this score!
I love this as you are breaking down hit movie scores! You know your theory as well! Nice you have someone taking the time to share this with other musicians and composers like myself! I've learned so much already!! Thank you sir. I will use some of this in some of my new songs! I really want to learn how to score film!
Great stuff, Rick. I lean towards this type of structure naturally and this lesson helps give me a theoretical foundation for my composure which is really revealing. Learning lots, thanks again!
+Moreshwar Briscoe I will do one about Howard Shore for sure! Also give me a little time and I should get a few more subscribers :) i've only been doing this since June.
Excellent work on this analysis! You selected my fave JNH cue of all time. I didn't care for that film, but bought the OST CD, way back in '05, and still consider that and co-composed Batman Begins as JNH's greatest scores. Speaking of Batman Begins, consider an equally analytical video of Hans Zimmer. THX!!
Ha! I cant believe this video exists. You're awesome. JNH is THE BEST. You forgot Restoration and Dying Young. They helped make him as a film composer after pop music.
I was listening to 'Central Park' on repeat all day today/yesterday and come to find out you're doing the breakdown of the score. Crazy. ... Elmer Bernstein? ;)
hi rick thanks for your huge knowledge! it's funny how the line at 29min15 sound very optimistic , suspended and bright for a phrygian sound and how modes can have 2 faces : real dark phrygian sound versus f#/F sonorities
WOW NICE!!! Just came across your channel. I love James Newton Howard's compositions and will be seeing him live in Manchester, England end of this year. I've subbed. I also do my own vocal arrangements to orchestral film compositions so would be good to get connected :)
Would you consider doing a video on Hans Zimmer's use of layering in roughly the last minute of his song "Cornfield Chase?" Thank you so much for your videos
I really like this video. Congrats I was wondering if you could do another orchestral review on him but for Maleficent. If you get permission of course
When you say "F Aeolian"on the The Village's theme, the composer really thought about using it, like "Oh, I think a F Aeolian should fit really well in the mood here" or he just picked each note by their sound and you figured out that it is an Aeolian scale?
Hi Rick ! Thank you very much for these videos !! Aside from the already mentioned big names some people suggested, can you do one about Bear McCreary and Harry Gregson-Williams please ? :)
Can you do a How To Write Like Hans Zimmer? Hans Zimmer is one of my idols and I gotta know how he does it. I know that James Newton Howard and Hans Zimmer have worked together in certain films but it'd be freaking amazing to be able to compose like him.
+tom harrison I know. I see the ad constantly and I'm too broke for it. Trust me. I'd pay for master class. But broke college student is my life right now
To quote the back handed compliment from another famed Hollywood composer that worked for him, “Zimmer is a factory...” While he may be popular from a corporate use standpoint, there are better composers one could study, artistically speaking.
Hey Rick :-) Can´t you make a video about Michael Kamen Soundtracks? (Robin Hood) or James Horner (Willow)? They´re so much more beautful than any others...Love ya :-) Greetings from Köln, Germany, Chimp
That looks like Spitfire Audio Albion I. I have a bunch of them but I can see it on the screen. I could have another one blended at the same time however. I don't remember.
I often wonder how 2 dif composers would score a movie and if anyone could watch the same movie with 2 dif comps and not feel influenced by the first to the point of not being able to give the 2nd score an unbiased opinion ...
I keep thinking you’re about to get into the ‘how to’.... Why not do this: a graphic of the album or soundtrack, so people can easily get the author, movie and cue?
Like these videos, but transcribing and analyzing harmonics doesn't quite address how to write in his style. In the kong cue, he uses open basic chords and these 'extended' harmonies are just the byproduct of a singular linear melodic idea against a basic chord outline. This is how he creates the build and release of tension without actual resolution - typically 9ths and 4ths, often as passing tones. This is a much used technique for creating interest or intrigue without committing to an emotional state, allowing the possibility of later creating a focal point emotionally when it is most needed in a cue (by modulation or introducing strong thematic material). Telling what notes/harmonies are used at any given time doesn't tell me how to write like JNH as I can find the same group of notes in schoenberg, stravinsky, korngold, hermann etc. at a given time. Without the video, I don't see how to analyze what he is writing and to what purpose. Why does he introduce the brass and tymp and later snare? At what point in a scene does he modulate, why and what effect does that have. It's all in relation to the picture. Film music is so dependant and intertwined with the visuals, that in order to understand how JNH writes a cue, you need to see the visuals and first understand what he is accomplishing in relation to the story/characters/action/emotion and then see how he accomplishes it. Context is critical in how JNH writes film cues. This is not a criticism of your musical abilities, but rather a suggestion on the approach in analyzing a film cue without reference to the visuals. If you can't show video due to copyright, maybe you could describe what happens in the cue (in relation to the film), and how the composer addresses that musically. Keep up the good work.
I’ll have t9 relisten to The King Kong soundtrack. It didn’t grab me like Howard Shores LOTR, not sure why his score was rejected. I’d love to hear his version.
So where's the explanation about how he makes music? Where are the secrets? You just say "Look, there are strings, and here's the tremolo, here's F Dorian" etc. We can see it in the scores. But how to write like JNH?
"that's a straight f major chord" woah woah woah, it's 2019 - why are we putting that chords sexuality into a heteronormative prison??? maybe its a pan f major chorddddddddddddddddddddd /s
The Village soundtrack is just absolutely amazing.
Fun to see your ear breaking things down. Thanks for your hard work!
I didn't want this one to end so soon. It was like having a fountain of gorgeous chordal and modal knowledge cascade over me. Thank you Rick.
Pétra Gaffney You are welcome Petra!!
Please do more film scoring videos. They're fantastic.
Yeah!!!
Can you please make on one on Jerry Goldsmith: themes or cues from Alien, The Mummy, Poltergeist or Star Trek would be particularly nice!
Yes!!
Seriously, great to see you transcribe a piece of music with your midi workstation. So important to show folks how to integrate the ear, music theory, and keyboard harmony skills to figure out what a composer wrote. Back in the day, some of us used similar techniques to learn modern jazz solos by the greats, such as Charlie Parker and John Coltrane, using phonograph records and starting and stopping the turntable in the 50s and 60s.
I'm just glad to have all this modern technology to break things down easily
@@jingleskhanaudioproductions It might be easy for you. More power to ya'
Your ability to pick out chords and melodies shows you have top notch ears I'm wondering if you have perfect pitch or relative pitch either way you are the best Rick keep sharing your gift
What did 9 people not like about this video? I have become a big fan of yours Rick and really appreciate your offering, insight, experience, education and teaching cadence. Keep it up as long as your personal passion continues to grow.
I was really hoping you would talk about his score for The Village ! I love the music. Particularly with the solo violin part, played by Hilary Hahn, if I'm not mistaken. Great video !! Thanks !
This is incredibly helpful, Rick. As someone who relies heavily on his ear to compose/arrange, even with all the musical training I've had, I've always found it hard to explain what I'm doing. I can hear what I want in my head and can replicate it, but I'm hardly ever thinking of theory. As a final in my theory class at Juilliard (I swear that I'm not dropping that name to sound pretentious!) we were told to write an etude including all that we'd been studying, i.e. German 6ths, Italian 6ths, modulation...yada yada yada. Long story short, my brain felt trapped and I just sat down and wrote one without focusing on all the rules. Brought it in for review, and although the teacher didn't understand how I composed it without mapping it, I got an A-...got docked a couple points for an incorrect cadence at the end. ANYWAY, so as I approach arranging and orchestration as a novice, your videos are wonderful! Would love some Elfman and Silvestri breakdowns! (Back to the Future and maybe some Beetlejuice or Scissorhands!) Sorry for the long post!
Great choices, sir. Silvestri's use of percussion in particular would be interesting.
Can you analyse his score for 'Signs'?
(Opening titles + Hand of fate part 1 and 2)
James Newton Howard is a god of music and so are you Rick, love it.
He is an above average composer. Not a god of anything. The guy in the video is just a musician with perfect pitch, definetly not a god. Richard Wagner was a god of music, not these peasants
Can you do one of these on Michael Giacchino next?
Maybe not next but I will get to it. Any pieces in particular?
Doesn't matter to me.
A few i'd suggest are: "Anñyone Can Cook" from Ratatouille, "Letting Go" from Super 8, and "Carl Goes Up" from Up.
Definitely the Star Trek !!
Kronos from The Incredibles.
Rick, I think your authenticity and understanding to what your are doing make your teachings so easy to absorb. Please continue your videos. TH-cam needs people like you.
I would like your input on something related to Music theory. I have difficulty understanding how scales can be switched within a music piece. Thank you!
could you Make a tuts how to compose in the style of "James Horner", "Steve Jablonsky", "Alan Silvertri", "Howard Shore " and "Danny Elfman". their chord progression, scales techniques...
Hi Hari,
I will get around to all of them. Give me a little time :)
Awesome Video!! - In the first cue, that last Fm(maj7) Chord, I can also hear a C# up in the violins. Sounds like its right next to the C, creating a nice but very subtle dissonance.
Hillary Hahn played that score like an angel...the harmonics coming from her Vuillaume are incredible.
Thanks Rick for another great video... The Village soundtrack is a wonderful work that I have been studying for a while. Cheers, Max
Nothing wrong with study just keep on doing
Lots of excellent info here--thanks for taking the time to do this! You could make another video analyzing the cues to "Signs"--which I believe to be one of his best (and most underappreciated) scores.
Omg the transition from the tritone F# - C to F Dorian was amazing !
And Ebmin followed by F minmaj7 totally nailed it ! !
I totally enjoyed this video and the way you analysed this score!
Superb stuff! Trying all of these on keyboard and Mixcraft. thanks so much!
I love this as you are breaking down hit movie scores! You know your theory as well! Nice you have someone taking the time to share this with other musicians and composers like myself! I've learned so much already!! Thank you sir. I will use some of this in some of my new songs! I really want to learn how to score film!
These are fantastic Rick! Thank you so much! Look forward to more...
Great stuff, Rick. I lean towards this type of structure naturally and this lesson helps give me a theoretical foundation for my composure which is really revealing. Learning lots, thanks again!
I love the Grand Canyon soundtrack, as well as the movie.
You should do Lord of the rings by Howard Shore. Awesome channel btw, you deserve more subs :)
+Moreshwar Briscoe I will do one about Howard Shore for sure! Also give me a little time and I should get a few more subscribers :) i've only been doing this since June.
@@RickBeato You might have a few more subs now!
I owe my introduction into the film music world to James Newton Howard.
Excellent I loved howards music for the Village
Awesome work Rick! It’s just amazing
Excellent work on this analysis!
You selected my fave JNH cue of all time.
I didn't care for that film, but bought the OST CD, way back in '05, and still consider that and co-composed Batman Begins as JNH's greatest scores.
Speaking of Batman Begins, consider an equally analytical video of Hans Zimmer. THX!!
I love his music on 1991’s My Girl!
Your videos are awesome Rick. Only been watching for today and already invaluable information! Don't stop!
Ha! I cant believe this video exists. You're awesome. JNH is THE BEST. You forgot Restoration and Dying Young. They helped make him as a film composer after pop music.
I was listening to 'Central Park' on repeat all day today/yesterday and come to find out you're doing the breakdown of the score. Crazy. ... Elmer Bernstein? ;)
hi rick thanks for your huge knowledge! it's funny how the line at 29min15 sound very optimistic , suspended and bright for a phrygian sound and how modes can have 2 faces : real dark phrygian sound versus f#/F sonorities
Really enjoying the videos man. I know everyones throwing names around but Don Downie's Matrix would make a great lesson. Thank you for doing these!
+Rick Beato I agree here: Don Davis would be a good one to cover--particularly The Matrix and it's similarities to John Adams' Harmonielehre.
Fantastic. So educational, Thank's Rick!
I love your work. I would really appreciate it, if you could do a video about John Powell. Especially his work on „How to train your dragon“
This is gold to me... Thank you so much.
WOW NICE!!! Just came across your channel. I love James Newton Howard's compositions and will be seeing him live in Manchester, England end of this year. I've subbed. I also do my own vocal arrangements to orchestral film compositions so would be good to get connected :)
Great Stuff Rick Beato! Would love to see a video on how to write like Ennio Morricone :)
Would you consider doing a video on Hans Zimmer's use of layering in roughly the last minute of his song "Cornfield Chase?" Thank you so much for your videos
I really like this video. Congrats I was wondering if you could do another orchestral review on him but for Maleficent. If you get permission of course
Very Nice.many thing You is clear for me.thank you
Please talk to Geoff Koch at the Nashville Composers Association about an appearance. You rock.
I don't know Geoff. What is the Nashville Composers Association?
Thank You Sir....Excellent Class sir....
You are so awesome Rick.
When you say "F Aeolian"on the The Village's theme, the composer really thought about using it, like "Oh, I think a F Aeolian should fit really well in the mood here" or he just picked each note by their sound and you figured out that it is an Aeolian scale?
Considering the composer, it was probably intentional.
In that Violin part from "The village" , the violin plays sixtuplets but then it plays onñly 5 or four notes. What's going on in those parts?
Thanks
Hi Rick ! Thank you very much for these videos !! Aside from the already mentioned big names some people suggested, can you do one about Bear McCreary and Harry Gregson-Williams please ? :)
Great vid again Rick! Can you also do one on Bernard Hermann?
Yes, I will. Listening now. Are there any particular pieces you want me to talk about? Rick
+Rick Beato Great! North by Northwest, Mysterious Island, Taxi Driver, and Psycho would be great! Thanks Rick!
Has to be there. One hundred percent with you on this one. Lalo Schifrin would be cool as well.
The day the earth stood still and Jason and the argonauts. Also Morricone!
Awesome video. Any chance you could look at some cues from JNH's Signs?
"Snow Falling on Cedars" !!!
Can you do a How To Write Like Hans Zimmer? Hans Zimmer is one of my idols and I gotta know how he does it. I know that James Newton Howard and Hans Zimmer have worked together in certain films but it'd be freaking amazing to be able to compose like him.
+tom harrison I know. I see the ad constantly and I'm too broke for it. Trust me. I'd pay for master class. But broke college student is my life right now
To quote the back handed compliment from another famed Hollywood composer that worked for him, “Zimmer is a factory...” While he may be popular from a corporate use standpoint, there are better composers one could study, artistically speaking.
Great analysis, thank you Rick.
Do you like how James Horner composes? His scores give the kind of sad feeling. great music his motifs are awesome.
This is so awesome and fun. Thanks Rick. Happy subscriber.
Thanks for all that information, i will be following you... :)
Hey Rick :-) Can´t you make a video about Michael Kamen Soundtracks? (Robin Hood) or James Horner (Willow)? They´re so much more beautful than any others...Love ya :-) Greetings from Köln, Germany, Chimp
How about alan silvestri?
A lot of rhytmic percussions
Hey Rick, do you use any vst's like NI komplete with your midi keyboard? your strings sound pretty cool :)
Can you tell me about scoring process with fixed tempo and signature changing along with video?
Hi! What program do you use to play another instruments in the keyboard? Thank you!
This is amazing!, I see you´re using kontakt, which library?
keep it up!!!
I lov what you do ^^ One more subscriber from France ^^
Great stuff, thanks!
'Signs' please!
Mr. Rick, you can composing ? There are some Your pieces ?
great video. What orchestral libraries are you using for this i wonder?
That looks like Spitfire Audio Albion I. I have a bunch of them but I can see it on the screen. I could have another one blended at the same time however. I don't remember.
great thanks. Sounds great.
Do you have anything on how and when to use chromatic notes?
Thanx!
I often wonder how 2 dif composers would score a movie and if anyone could watch the same movie with 2 dif comps and not feel influenced by the first to the point of not being able to give the 2nd score an unbiased opinion ...
Rick I love you but you left out Wyatt Earp and Waterworld With the ancient Asian sound to it especially the scene called swimming
Thanks!
Please, Alan Silvestri's BTTF analisys
What kind of studio monitor volume knob do you use?
Justin, this is a Presonus Central Station
I keep thinking you’re about to get into the ‘how to’.... Why not do this: a graphic of the album or soundtrack, so people can easily get the author, movie and cue?
Love it
What planet did Rick Beato come from?
Like these videos, but transcribing and analyzing harmonics doesn't quite address how to write in his style. In the kong cue, he uses open basic chords and these 'extended' harmonies are just the byproduct of a singular linear melodic idea against a basic chord outline. This is how he creates the build and release of tension without actual resolution - typically 9ths and 4ths, often as passing tones. This is a much used technique for creating interest or intrigue without committing to an emotional state, allowing the possibility of later creating a focal point emotionally when it is most needed in a cue (by modulation or introducing strong thematic material). Telling what notes/harmonies are used at any given time doesn't tell me how to write like JNH as I can find the same group of notes in schoenberg, stravinsky, korngold, hermann etc. at a given time. Without the video, I don't see how to analyze what he is writing and to what purpose. Why does he introduce the brass and tymp and later snare? At what point in a scene does he modulate, why and what effect does that have. It's all in relation to the picture.
Film music is so dependant and intertwined with the visuals, that in order to understand how JNH writes a cue, you need to see the visuals and first understand what he is accomplishing in relation to the story/characters/action/emotion and then see how he accomplishes it. Context is critical in how JNH writes film cues. This is not a criticism of your musical abilities, but rather a suggestion on the approach in analyzing a film cue without reference to the visuals. If you can't show video due to copyright, maybe you could describe what happens in the cue (in relation to the film), and how the composer addresses that musically. Keep up the good work.
reminds me on troy sometimes
I’ll have t9 relisten to The King Kong soundtrack. It didn’t grab me like Howard Shores LOTR, not sure why his score was rejected. I’d love to hear his version.
How do I get James Newton Howard to write like me?
Time for Hans Zimmer...
Only 30 thousand views. I don't get it.
I can play like that
That first A minor chord from the King Kong piece is exactly the same as the beginning of Delta Halo Suite; th-cam.com/video/EQR-n6Z7Kxk/w-d-xo.html
Did that just jump out to you as soon as you heard it? Great!
Rick Beato Lol, yes
So where's the explanation about how he makes music? Where are the secrets?
You just say "Look, there are strings, and here's the tremolo, here's F Dorian" etc. We can see it in the scores. But how to write like JNH?
Use these chords/voicings/melodies to write your own music.
you are god!!
Don't be preposterous, Rick Beato is nothing like god. Rick Beato exists!
The Village: Such great music - shame that the film itself is abysmal.
"that's a straight f major chord" woah woah woah, it's 2019 - why are we putting that chords sexuality into a heteronormative prison??? maybe its a pan f major chorddddddddddddddddddddd
/s