Seriously, great to see you transcribe a piece of music with your midi workstation. So important to show folks how to integrate the ear, music theory, and keyboard harmony skills to figure out what a composer wrote. Back in the day, some of us used similar techniques to learn modern jazz solos by the greats, such as Charlie Parker and John Coltrane, using phonograph records and starting and stopping the turntable in the 50s and 60s.
I was really hoping you would talk about his score for The Village ! I love the music. Particularly with the solo violin part, played by Hilary Hahn, if I'm not mistaken. Great video !! Thanks !
+Moreshwar Briscoe I will do one about Howard Shore for sure! Also give me a little time and I should get a few more subscribers :) i've only been doing this since June.
Rick, I think your authenticity and understanding to what your are doing make your teachings so easy to absorb. Please continue your videos. TH-cam needs people like you. I would like your input on something related to Music theory. I have difficulty understanding how scales can be switched within a music piece. Thank you!
could you Make a tuts how to compose in the style of "James Horner", "Steve Jablonsky", "Alan Silvertri", "Howard Shore " and "Danny Elfman". their chord progression, scales techniques...
I Love JNH and just found out he was Elton John's keyboardist. That's James on Little Jeannie and Sorry Seems to Be the Hardest Words. Love seeing historical Rick as well.
Awesome Video!! - In the first cue, that last Fm(maj7) Chord, I can also hear a C# up in the violins. Sounds like its right next to the C, creating a nice but very subtle dissonance.
Ha! I cant believe this video exists. You're awesome. JNH is THE BEST. You forgot Restoration and Dying Young. They helped make him as a film composer after pop music.
Your ability to pick out chords and melodies shows you have top notch ears I'm wondering if you have perfect pitch or relative pitch either way you are the best Rick keep sharing your gift
This is incredibly helpful, Rick. As someone who relies heavily on his ear to compose/arrange, even with all the musical training I've had, I've always found it hard to explain what I'm doing. I can hear what I want in my head and can replicate it, but I'm hardly ever thinking of theory. As a final in my theory class at Juilliard (I swear that I'm not dropping that name to sound pretentious!) we were told to write an etude including all that we'd been studying, i.e. German 6ths, Italian 6ths, modulation...yada yada yada. Long story short, my brain felt trapped and I just sat down and wrote one without focusing on all the rules. Brought it in for review, and although the teacher didn't understand how I composed it without mapping it, I got an A-...got docked a couple points for an incorrect cadence at the end. ANYWAY, so as I approach arranging and orchestration as a novice, your videos are wonderful! Would love some Elfman and Silvestri breakdowns! (Back to the Future and maybe some Beetlejuice or Scissorhands!) Sorry for the long post!
What did 9 people not like about this video? I have become a big fan of yours Rick and really appreciate your offering, insight, experience, education and teaching cadence. Keep it up as long as your personal passion continues to grow.
Lots of excellent info here--thanks for taking the time to do this! You could make another video analyzing the cues to "Signs"--which I believe to be one of his best (and most underappreciated) scores.
I really like this video. Congrats I was wondering if you could do another orchestral review on him but for Maleficent. If you get permission of course
When you say "F Aeolian"on the The Village's theme, the composer really thought about using it, like "Oh, I think a F Aeolian should fit really well in the mood here" or he just picked each note by their sound and you figured out that it is an Aeolian scale?
Hey Rick :-) Can´t you make a video about Michael Kamen Soundtracks? (Robin Hood) or James Horner (Willow)? They´re so much more beautful than any others...Love ya :-) Greetings from Köln, Germany, Chimp
Like these videos, but transcribing and analyzing harmonics doesn't quite address how to write in his style. In the kong cue, he uses open basic chords and these 'extended' harmonies are just the byproduct of a singular linear melodic idea against a basic chord outline. This is how he creates the build and release of tension without actual resolution - typically 9ths and 4ths, often as passing tones. This is a much used technique for creating interest or intrigue without committing to an emotional state, allowing the possibility of later creating a focal point emotionally when it is most needed in a cue (by modulation or introducing strong thematic material). Telling what notes/harmonies are used at any given time doesn't tell me how to write like JNH as I can find the same group of notes in schoenberg, stravinsky, korngold, hermann etc. at a given time. Without the video, I don't see how to analyze what he is writing and to what purpose. Why does he introduce the brass and tymp and later snare? At what point in a scene does he modulate, why and what effect does that have. It's all in relation to the picture. Film music is so dependant and intertwined with the visuals, that in order to understand how JNH writes a cue, you need to see the visuals and first understand what he is accomplishing in relation to the story/characters/action/emotion and then see how he accomplishes it. Context is critical in how JNH writes film cues. This is not a criticism of your musical abilities, but rather a suggestion on the approach in analyzing a film cue without reference to the visuals. If you can't show video due to copyright, maybe you could describe what happens in the cue (in relation to the film), and how the composer addresses that musically. Keep up the good work.
Excellent work on this analysis! You selected my fave JNH cue of all time. I didn't care for that film, but bought the OST CD, way back in '05, and still consider that and co-composed Batman Begins as JNH's greatest scores. Speaking of Batman Begins, consider an equally analytical video of Hans Zimmer. THX!!
WOW NICE!!! Just came across your channel. I love James Newton Howard's compositions and will be seeing him live in Manchester, England end of this year. I've subbed. I also do my own vocal arrangements to orchestral film compositions so would be good to get connected :)
So where's the explanation about how he makes music? Where are the secrets? You just say "Look, there are strings, and here's the tremolo, here's F Dorian" etc. We can see it in the scores. But how to write like JNH?
Hi Rick ! Thank you very much for these videos !! Aside from the already mentioned big names some people suggested, can you do one about Bear McCreary and Harry Gregson-Williams please ? :)
I keep thinking you’re about to get into the ‘how to’.... Why not do this: a graphic of the album or soundtrack, so people can easily get the author, movie and cue?
I often wonder how 2 dif composers would score a movie and if anyone could watch the same movie with 2 dif comps and not feel influenced by the first to the point of not being able to give the 2nd score an unbiased opinion ...
I was listening to 'Central Park' on repeat all day today/yesterday and come to find out you're doing the breakdown of the score. Crazy. ... Elmer Bernstein? ;)
Omg the transition from the tritone F# - C to F Dorian was amazing ! And Ebmin followed by F minmaj7 totally nailed it ! ! I totally enjoyed this video and the way you analysed this score!
hi rick thanks for your huge knowledge! it's funny how the line at 29min15 sound very optimistic , suspended and bright for a phrygian sound and how modes can have 2 faces : real dark phrygian sound versus f#/F sonorities
Would you consider doing a video on Hans Zimmer's use of layering in roughly the last minute of his song "Cornfield Chase?" Thank you so much for your videos
Great stuff, Rick. I lean towards this type of structure naturally and this lesson helps give me a theoretical foundation for my composure which is really revealing. Learning lots, thanks again!
I love this as you are breaking down hit movie scores! You know your theory as well! Nice you have someone taking the time to share this with other musicians and composers like myself! I've learned so much already!! Thank you sir. I will use some of this in some of my new songs! I really want to learn how to score film!
He is an above average composer. Not a god of anything. The guy in the video is just a musician with perfect pitch, definetly not a god. Richard Wagner was a god of music, not these peasants
Can you do a How To Write Like Hans Zimmer? Hans Zimmer is one of my idols and I gotta know how he does it. I know that James Newton Howard and Hans Zimmer have worked together in certain films but it'd be freaking amazing to be able to compose like him.
+tom harrison I know. I see the ad constantly and I'm too broke for it. Trust me. I'd pay for master class. But broke college student is my life right now
To quote the back handed compliment from another famed Hollywood composer that worked for him, “Zimmer is a factory...” While he may be popular from a corporate use standpoint, there are better composers one could study, artistically speaking.
That looks like Spitfire Audio Albion I. I have a bunch of them but I can see it on the screen. I could have another one blended at the same time however. I don't remember.
I’ll have t9 relisten to The King Kong soundtrack. It didn’t grab me like Howard Shores LOTR, not sure why his score was rejected. I’d love to hear his version.
"that's a straight f major chord" woah woah woah, it's 2019 - why are we putting that chords sexuality into a heteronormative prison??? maybe its a pan f major chorddddddddddddddddddddd /s
Fun to see your ear breaking things down. Thanks for your hard work!
The Village soundtrack is just absolutely amazing.
Can you please make on one on Jerry Goldsmith: themes or cues from Alien, The Mummy, Poltergeist or Star Trek would be particularly nice!
Yes!!
Seriously, great to see you transcribe a piece of music with your midi workstation. So important to show folks how to integrate the ear, music theory, and keyboard harmony skills to figure out what a composer wrote. Back in the day, some of us used similar techniques to learn modern jazz solos by the greats, such as Charlie Parker and John Coltrane, using phonograph records and starting and stopping the turntable in the 50s and 60s.
I'm just glad to have all this modern technology to break things down easily
@@jingleskhanaudioproductions It might be easy for you. More power to ya'
Please do more film scoring videos. They're fantastic.
Yeah!!!
I was really hoping you would talk about his score for The Village ! I love the music. Particularly with the solo violin part, played by Hilary Hahn, if I'm not mistaken. Great video !! Thanks !
You should do Lord of the rings by Howard Shore. Awesome channel btw, you deserve more subs :)
+Moreshwar Briscoe I will do one about Howard Shore for sure! Also give me a little time and I should get a few more subscribers :) i've only been doing this since June.
@@RickBeato You might have a few more subs now!
Can you analyse his score for 'Signs'?
(Opening titles + Hand of fate part 1 and 2)
Can you do one of these on Michael Giacchino next?
Maybe not next but I will get to it. Any pieces in particular?
Doesn't matter to me.
A few i'd suggest are: "Anñyone Can Cook" from Ratatouille, "Letting Go" from Super 8, and "Carl Goes Up" from Up.
Definitely the Star Trek !!
Kronos from The Incredibles.
Rick, I think your authenticity and understanding to what your are doing make your teachings so easy to absorb. Please continue your videos. TH-cam needs people like you.
I would like your input on something related to Music theory. I have difficulty understanding how scales can be switched within a music piece. Thank you!
could you Make a tuts how to compose in the style of "James Horner", "Steve Jablonsky", "Alan Silvertri", "Howard Shore " and "Danny Elfman". their chord progression, scales techniques...
Hi Hari,
I will get around to all of them. Give me a little time :)
I didn't want this one to end so soon. It was like having a fountain of gorgeous chordal and modal knowledge cascade over me. Thank you Rick.
Pétra Gaffney You are welcome Petra!!
I Love JNH and just found out he was Elton John's keyboardist. That's James on Little Jeannie and Sorry Seems to Be the Hardest Words. Love seeing historical Rick as well.
Awesome Video!! - In the first cue, that last Fm(maj7) Chord, I can also hear a C# up in the violins. Sounds like its right next to the C, creating a nice but very subtle dissonance.
Ha! I cant believe this video exists. You're awesome. JNH is THE BEST. You forgot Restoration and Dying Young. They helped make him as a film composer after pop music.
Your ability to pick out chords and melodies shows you have top notch ears I'm wondering if you have perfect pitch or relative pitch either way you are the best Rick keep sharing your gift
Awesome work Rick! It’s just amazing
This is incredibly helpful, Rick. As someone who relies heavily on his ear to compose/arrange, even with all the musical training I've had, I've always found it hard to explain what I'm doing. I can hear what I want in my head and can replicate it, but I'm hardly ever thinking of theory. As a final in my theory class at Juilliard (I swear that I'm not dropping that name to sound pretentious!) we were told to write an etude including all that we'd been studying, i.e. German 6ths, Italian 6ths, modulation...yada yada yada. Long story short, my brain felt trapped and I just sat down and wrote one without focusing on all the rules. Brought it in for review, and although the teacher didn't understand how I composed it without mapping it, I got an A-...got docked a couple points for an incorrect cadence at the end. ANYWAY, so as I approach arranging and orchestration as a novice, your videos are wonderful! Would love some Elfman and Silvestri breakdowns! (Back to the Future and maybe some Beetlejuice or Scissorhands!) Sorry for the long post!
Great choices, sir. Silvestri's use of percussion in particular would be interesting.
I love the Grand Canyon soundtrack, as well as the movie.
Excellent I loved howards music for the Village
What did 9 people not like about this video? I have become a big fan of yours Rick and really appreciate your offering, insight, experience, education and teaching cadence. Keep it up as long as your personal passion continues to grow.
Really enjoying the videos man. I know everyones throwing names around but Don Downie's Matrix would make a great lesson. Thank you for doing these!
+Rick Beato I agree here: Don Davis would be a good one to cover--particularly The Matrix and it's similarities to John Adams' Harmonielehre.
Great Stuff Rick Beato! Would love to see a video on how to write like Ennio Morricone :)
How about alan silvestri?
A lot of rhytmic percussions
Thanks Rick for another great video... The Village soundtrack is a wonderful work that I have been studying for a while. Cheers, Max
Nothing wrong with study just keep on doing
Great vid again Rick! Can you also do one on Bernard Hermann?
Yes, I will. Listening now. Are there any particular pieces you want me to talk about? Rick
+Rick Beato Great! North by Northwest, Mysterious Island, Taxi Driver, and Psycho would be great! Thanks Rick!
Has to be there. One hundred percent with you on this one. Lalo Schifrin would be cool as well.
The day the earth stood still and Jason and the argonauts. Also Morricone!
Lots of excellent info here--thanks for taking the time to do this! You could make another video analyzing the cues to "Signs"--which I believe to be one of his best (and most underappreciated) scores.
I owe my introduction into the film music world to James Newton Howard.
Please talk to Geoff Koch at the Nashville Composers Association about an appearance. You rock.
I don't know Geoff. What is the Nashville Composers Association?
I really like this video. Congrats I was wondering if you could do another orchestral review on him but for Maleficent. If you get permission of course
When you say "F Aeolian"on the The Village's theme, the composer really thought about using it, like "Oh, I think a F Aeolian should fit really well in the mood here" or he just picked each note by their sound and you figured out that it is an Aeolian scale?
Considering the composer, it was probably intentional.
Hey Rick :-) Can´t you make a video about Michael Kamen Soundtracks? (Robin Hood) or James Horner (Willow)? They´re so much more beautful than any others...Love ya :-) Greetings from Köln, Germany, Chimp
Like these videos, but transcribing and analyzing harmonics doesn't quite address how to write in his style. In the kong cue, he uses open basic chords and these 'extended' harmonies are just the byproduct of a singular linear melodic idea against a basic chord outline. This is how he creates the build and release of tension without actual resolution - typically 9ths and 4ths, often as passing tones. This is a much used technique for creating interest or intrigue without committing to an emotional state, allowing the possibility of later creating a focal point emotionally when it is most needed in a cue (by modulation or introducing strong thematic material). Telling what notes/harmonies are used at any given time doesn't tell me how to write like JNH as I can find the same group of notes in schoenberg, stravinsky, korngold, hermann etc. at a given time. Without the video, I don't see how to analyze what he is writing and to what purpose. Why does he introduce the brass and tymp and later snare? At what point in a scene does he modulate, why and what effect does that have. It's all in relation to the picture.
Film music is so dependant and intertwined with the visuals, that in order to understand how JNH writes a cue, you need to see the visuals and first understand what he is accomplishing in relation to the story/characters/action/emotion and then see how he accomplishes it. Context is critical in how JNH writes film cues. This is not a criticism of your musical abilities, but rather a suggestion on the approach in analyzing a film cue without reference to the visuals. If you can't show video due to copyright, maybe you could describe what happens in the cue (in relation to the film), and how the composer addresses that musically. Keep up the good work.
Only 30 thousand views. I don't get it.
Excellent work on this analysis!
You selected my fave JNH cue of all time.
I didn't care for that film, but bought the OST CD, way back in '05, and still consider that and co-composed Batman Begins as JNH's greatest scores.
Speaking of Batman Begins, consider an equally analytical video of Hans Zimmer. THX!!
WOW NICE!!! Just came across your channel. I love James Newton Howard's compositions and will be seeing him live in Manchester, England end of this year. I've subbed. I also do my own vocal arrangements to orchestral film compositions so would be good to get connected :)
So where's the explanation about how he makes music? Where are the secrets?
You just say "Look, there are strings, and here's the tremolo, here's F Dorian" etc. We can see it in the scores. But how to write like JNH?
Use these chords/voicings/melodies to write your own music.
"Snow Falling on Cedars" !!!
'Signs' please!
Awesome video. Any chance you could look at some cues from JNH's Signs?
Rick I love you but you left out Wyatt Earp and Waterworld With the ancient Asian sound to it especially the scene called swimming
Hi Rick ! Thank you very much for these videos !! Aside from the already mentioned big names some people suggested, can you do one about Bear McCreary and Harry Gregson-Williams please ? :)
Hillary Hahn played that score like an angel...the harmonics coming from her Vuillaume are incredible.
In that Violin part from "The village" , the violin plays sixtuplets but then it plays onñly 5 or four notes. What's going on in those parts?
Thanks
I keep thinking you’re about to get into the ‘how to’.... Why not do this: a graphic of the album or soundtrack, so people can easily get the author, movie and cue?
I often wonder how 2 dif composers would score a movie and if anyone could watch the same movie with 2 dif comps and not feel influenced by the first to the point of not being able to give the 2nd score an unbiased opinion ...
How do I get James Newton Howard to write like me?
I was listening to 'Central Park' on repeat all day today/yesterday and come to find out you're doing the breakdown of the score. Crazy. ... Elmer Bernstein? ;)
Your videos are awesome Rick. Only been watching for today and already invaluable information! Don't stop!
Omg the transition from the tritone F# - C to F Dorian was amazing !
And Ebmin followed by F minmaj7 totally nailed it ! !
I totally enjoyed this video and the way you analysed this score!
hi rick thanks for your huge knowledge! it's funny how the line at 29min15 sound very optimistic , suspended and bright for a phrygian sound and how modes can have 2 faces : real dark phrygian sound versus f#/F sonorities
Hey Rick, do you use any vst's like NI komplete with your midi keyboard? your strings sound pretty cool :)
Can you tell me about scoring process with fixed tempo and signature changing along with video?
I love your work. I would really appreciate it, if you could do a video about John Powell. Especially his work on „How to train your dragon“
Would you consider doing a video on Hans Zimmer's use of layering in roughly the last minute of his song "Cornfield Chase?" Thank you so much for your videos
I love his music on 1991’s My Girl!
Great stuff, Rick. I lean towards this type of structure naturally and this lesson helps give me a theoretical foundation for my composure which is really revealing. Learning lots, thanks again!
I love this as you are breaking down hit movie scores! You know your theory as well! Nice you have someone taking the time to share this with other musicians and composers like myself! I've learned so much already!! Thank you sir. I will use some of this in some of my new songs! I really want to learn how to score film!
Do you like how James Horner composes? His scores give the kind of sad feeling. great music his motifs are awesome.
Superb stuff! Trying all of these on keyboard and Mixcraft. thanks so much!
Hi! What program do you use to play another instruments in the keyboard? Thank you!
This is amazing!, I see you´re using kontakt, which library?
keep it up!!!
Very Nice.many thing You is clear for me.thank you
These are fantastic Rick! Thank you so much! Look forward to more...
Thanks for all that information, i will be following you... :)
This is so awesome and fun. Thanks Rick. Happy subscriber.
reminds me on troy sometimes
I lov what you do ^^ One more subscriber from France ^^
Mr. Rick, you can composing ? There are some Your pieces ?
I can play like that
Fantastic. So educational, Thank's Rick!
Thank You Sir....Excellent Class sir....
Do you have anything on how and when to use chromatic notes?
Please, Alan Silvestri's BTTF analisys
That first A minor chord from the King Kong piece is exactly the same as the beginning of Delta Halo Suite; th-cam.com/video/EQR-n6Z7Kxk/w-d-xo.html
Did that just jump out to you as soon as you heard it? Great!
Rick Beato Lol, yes
Great analysis, thank you Rick.
The Village: Such great music - shame that the film itself is abysmal.
Time for Hans Zimmer...
This is gold to me... Thank you so much.
James Newton Howard is a god of music and so are you Rick, love it.
He is an above average composer. Not a god of anything. The guy in the video is just a musician with perfect pitch, definetly not a god. Richard Wagner was a god of music, not these peasants
What planet did Rick Beato come from?
Can you do a How To Write Like Hans Zimmer? Hans Zimmer is one of my idols and I gotta know how he does it. I know that James Newton Howard and Hans Zimmer have worked together in certain films but it'd be freaking amazing to be able to compose like him.
+tom harrison I know. I see the ad constantly and I'm too broke for it. Trust me. I'd pay for master class. But broke college student is my life right now
To quote the back handed compliment from another famed Hollywood composer that worked for him, “Zimmer is a factory...” While he may be popular from a corporate use standpoint, there are better composers one could study, artistically speaking.
You are so awesome Rick.
Great stuff, thanks!
What kind of studio monitor volume knob do you use?
Justin, this is a Presonus Central Station
great video. What orchestral libraries are you using for this i wonder?
That looks like Spitfire Audio Albion I. I have a bunch of them but I can see it on the screen. I could have another one blended at the same time however. I don't remember.
great thanks. Sounds great.
Thanx!
Thanks!
Love it
I’ll have t9 relisten to The King Kong soundtrack. It didn’t grab me like Howard Shores LOTR, not sure why his score was rejected. I’d love to hear his version.
you are god!!
Don't be preposterous, Rick Beato is nothing like god. Rick Beato exists!
"that's a straight f major chord" woah woah woah, it's 2019 - why are we putting that chords sexuality into a heteronormative prison??? maybe its a pan f major chorddddddddddddddddddddd
/s