una gran interprete con gran voz dificil reunir esas dos cualidades yo se de ella por que mi mama compro discos de LIDIA MENDOZA entre algunos temas recuerdo esta mal hombre y amor de madre destino cruel entre otras. maravillosa artista no fregaderas.
la cantante favorita de mi abuelito qedp.....y eso que compre las estampillas del correo con la imagen de Lydia Mendoza......una gran idola para mi y eso que tengo 19 anos la admiro porque tocaba la guitarra de 12 cuerdas
Ezequiel Vargas, Lydia toco "guitarra doble" y no el bajo sexto. Aqui hay una referencia al respecto: " The 12 string guitar that Lydia Mendoza played should not be confused with a bajo sexto. Both have 12 strings, but a bajo sexto is tuned a full octave below a standard six string guitar (like a bass) while Lydia's 12 string was tuned a fourth below (which is considered a baritone). Interestingly enough, this is the same tuning that Leadbelly and Willie McTell used for their 12 strings. I've heard Lydia's 12 string referred to as a "guitarra doble" and have seen old catalogs where 12 strings were sold as "Mexican 12 strings". When Nikki asked me if I would build a copy of Lydia's 12 string, I told her that it was going to take a while. First I had to figure out what it was, that meant finding out when it was made,who made it, how was it built, how was it tuned etc. That was not an easy task as the guitar world has largely ignored Mexican American instruments and because of that, it was going to be very difficult to find an example to study. I started inquiring with different guitar geeks I know and kept coming up empty handed. Finally the great blues player Steve James, who lives in Austin, Texas and who knows quite a bit about Tejano music, musicians and instruments, told me that he thought that the guitar was made by the Acosta family of San Antonio, Texas. Steve suggested I get in touch with Lydia's biographer Yolanda Broyles-Gonzalez. Yolanda suggested that I speak with her husband Francisco Gonzalez who was a musician and string maker. Francisco confirmed to me that the guitar was built in the shop of Guadalupe Acosta. He also told me that he had restrung one of Lydia's guitars at some point. He said she used a standard 12 string set made by D'Addario and that she tuned the guitar down to B. This piece of information was like gold to me. To get confirmation of the builder was huge, but to get an idea of the strings she used and her tuning was a big boost. Neither Steve James nor Francisco Gonzalez knew of anyone with an old Acosta 12 string, but they both told me that the grandson of Guadalupe Acosta, Mike Acosta, had a music store in San Antonio and that I should try to contact him. I found the number for Acosta Music in San Antonio but to my disappointment it had been disconnected." from: fraulini.blogspot.com/2014/06/lydia-mendoza-and-her-acosta-12-string.html
Yo canto igual que ella cuando empezó mi voz es cuando ella vos clarita y con ese entusiasmo que ella cantaba hombre la gente me llamaba que yo era Lidia Mendoza y yo decía que no muchas gracias hubieron muchos problemas porque la gente me decía que yo era por orgullosa que yo no me quería declarar que era ella no le dije ah no yo no ni la conozco que nunca la conocí que vos no haber sabido saber de ella apenas por este aparato ⁰ pero qué bueno haberla conocido cuando están ahí va a ser ya hubiera sido un regalo muy muy lindo porque esa mujer se ve que fue hermosa hermosa hermosa
buen concepto de esta artista, a mi me cautivo por medio de mi abuela Leobigilda Flores y mi padre Rodolfo Fl.F. Afectuozamente Uriel Flores Cantero .17-I-2017.
Esta mujer toca el corazón de quien la escuche
una gran interprete con gran voz dificil reunir esas dos cualidades yo se de ella por que mi mama compro discos de LIDIA MENDOZA entre algunos temas recuerdo esta mal hombre y amor de madre destino cruel entre otras. maravillosa artista no fregaderas.
Increíble!..está Reliquia!🎶®️©️🇨🇴
que mujer tan hermosa y que bello canta quien me cuenta de ella
la cantante favorita de mi abuelito qedp.....y eso que compre las estampillas del correo con la imagen de Lydia Mendoza......una gran idola para mi y eso que tengo 19 anos la admiro porque tocaba la guitarra de 12 cuerdas
ERA UNA DOCEROLA O UN BAJO QUINTO TENGO ESA DUDA_
Ezequiel Vargas, Lydia toco "guitarra doble" y no el bajo sexto. Aqui hay una referencia al respecto:
" The 12 string guitar that Lydia Mendoza played should not be confused with a bajo sexto. Both have 12 strings, but a bajo sexto is tuned a full octave below a standard six string guitar (like a bass) while Lydia's 12 string was tuned a fourth below (which is considered a baritone). Interestingly enough, this is the same tuning that Leadbelly and Willie McTell used for their 12 strings. I've heard Lydia's 12 string referred to as a "guitarra doble" and have seen old catalogs where 12 strings were sold as "Mexican 12 strings".
When Nikki asked me if I would build a copy of Lydia's 12 string, I told her that it was going to take a while. First I had to figure out what it was, that meant finding out when it was made,who made it, how was it built, how was it tuned etc. That was not an easy task as the guitar world has largely ignored Mexican American instruments and because of that, it was going to be very difficult to find an example to study. I started inquiring with different guitar geeks I know and kept coming up empty handed. Finally the great blues player Steve James, who lives in Austin, Texas and who knows quite a bit about Tejano music, musicians and instruments, told me that he thought that the guitar was made by the Acosta family of San Antonio, Texas. Steve suggested I get in touch with Lydia's biographer Yolanda Broyles-Gonzalez. Yolanda suggested that I speak with her husband Francisco Gonzalez who was a musician and string maker. Francisco confirmed to me that the guitar was built in the shop of Guadalupe Acosta. He also told me that he had restrung one of Lydia's guitars at some point. He said she used a standard 12 string set made by D'Addario and that she tuned the guitar down to B. This piece of information was like gold to me. To get confirmation of the builder was huge, but to get an idea of the strings she used and her tuning was a big boost. Neither Steve James nor Francisco Gonzalez knew of anyone with an old Acosta 12 string, but they both told me that the grandson of Guadalupe Acosta, Mike Acosta, had a music store in San Antonio and that I should try to contact him. I found the number for Acosta Music in San Antonio but to my disappointment it had been disconnected." from: fraulini.blogspot.com/2014/06/lydia-mendoza-and-her-acosta-12-string.html
@@esgomez5031muy interesante. Se tiene wue documentar antes de que esta joya desaparesca
Yo canto igual que ella cuando empezó mi voz es cuando ella vos clarita y con ese entusiasmo que ella cantaba hombre la gente me llamaba que yo era Lidia Mendoza y yo decía que no muchas gracias hubieron muchos problemas porque la gente me decía que yo era por orgullosa que yo no me quería declarar que era ella no le dije ah no yo no ni la conozco que nunca la conocí que vos no haber sabido saber de ella apenas por este aparato ⁰ pero qué bueno haberla conocido cuando están ahí va a ser ya hubiera sido un regalo muy muy lindo porque esa mujer se ve que fue hermosa hermosa hermosa
Estupendo y maravilloso material corazón!
buen concepto de esta artista, a mi me cautivo por medio de mi abuela Leobigilda Flores y mi padre Rodolfo Fl.F. Afectuozamente Uriel Flores Cantero .17-I-2017.
Brava
here from the clan quest mod
Brava