History of the Beatles Amplifiers
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Nobody goes this in depth on the analysis of the band! Thanks for the attention to detail!
Thank you
@@TheGuitarShow Rickenbacker, a pioneer in Electric guitar, and Fender guitar co. were both developing at around the same time, within 20 miles of each other in Orange County, California. Silver Beatles were aware enough to be getting some pretty advanced gear.
Thanks for the history. 😎
Wow.. this guy goes WAAAAY back. Great work brother!
My pleasure bro!
Interesting side note: when The Beatles were playing a show for Swedish radio during their 1963 tour, the Vox amps hadn't arrived so they borrowed Fender amps from the other band playing the show
the "gear" in those days was just not the top priority.....like nowadays....
Thank you for the most comprehensive history of the Beatles amplification that I’ve seen anywhere, with the bonus of having so many historical photos. I own the “Beatles Gear” book, but this video covers all of the amplifier material in a much more pleasant format that I can listen to driving in the car or through headphones while I’m babysitting the kids. I sincerely appreciate the amount of work that you put into the details and accuracy and I watch and listen to this over and over and always pick up new information. Thank you for the kind of content that makes TH-cam worth watching.
Pleasure 🙏🙏🙏🙏
Got the Stones gear book. Great for us nerds.
The 100W Vox head Paul used (mentioned at 21 minutes) ended up in a recording studio called Fairview in Hull, East Yorkshire. I used it on a session my band was doing there, lovely sound & tone with my '78 Precision.
I always wondered whatever happened to the Fender Twins that George and John had while recording Let It Be. I’d kill to have one of those today.
I had one of those Fender Twin Reverbs. I also had a black-face Super Reverb before that. In my opinion the Super is a much better amp. All black-face Fenders are better than their CBS silver-face replacements. They changed something in the circuits. Of course Fender redeemed their selves, at some point (I don't know when), because I bought a Super Sonic that sounds great.
Hey wait didn't I see you playing one of those amps recently?? 🤔🤔🤔
As a former Marshall stack, I do not endorse this video
@@graemeking7336 lol I bet
I have a silverface super reverb and I use it for everything, even bass. It's a superb amplifier. I have it since the early 80s. I don't think I'll sell it. The twin is more powerful, but the super have so much presence.
My favorite was the AC100 used in 64-65 period. "I Feel Fine" "Ticket to Ride" "Day Tripper"...just great sounds.
Not my favorite tone, but a really good one, undoubtedly.
Greatest band to ever walk the earth... the Beatles got me writing and loving music and Hendrix got me loving guitar and poetry.
That elusive sound, with a permanent sunday feeling, eternal childhood/christmas vibe, finally explained, thank you.
Pleasure
That's exactly what the mop tops music has always done for me too!
Amazingly informative video that must have taken hours of hard work to research and compile all the information, but I dare bet that non of The Beatles had any idea what valves or indeed anything about the amplification they used.....they just wrote and played their amazing music for us all. Congratulations on this awesome historic video.
I remember back in the 60's when the Beatles hit the USA, I was bass player in our band & I went out & bought a VOX bass amp ( I forget model), I think it had 2 10" speakers, and a Hofner bass. I liked the Hofner cause it was smaller & lighter than a Fender. Plus Paul used one....
Plus the German Hofner had such a beautiful soft punchy base sound.........
I honestly can’t stand the beatle bass….. but the ones I’ve played have never sounded the way Paul’s bass did. The hofner beatle bass’s I’ve played sound extreamly thin, weak…
Great memories can never be replaced.
I was playing in a band in Hereford England in 1965-1966. Our lead guitar player Alan who was about 5' 6" turned up with an AC100 for a practice session. I recall that jokingly we asked him how he was going to move this monster around on his own without a hoist. It was pretty spectacular back then, not least its great sound and volume but the chrome stand was something else. I recall we played one night in London at the famed 2 eyes coffee bar and had to haul this monster down tight stairs to a basement. Great days.
So cool
AC100 was the loudest at that time only way to get louder at the backline was by stacking , I used to have to lug my 600 and whatever it was watts up flights of steps by myself
A very interesting and detailed account of the Beatles amps. I too had a VOX AC30 when I played lead guitar in a semi pro SE London band from 1964 to 1967. The top boost (brilliant) channel was incredible! The best sound ever.
In 1968 I joined another band but moved over to bass. The worst thing I ever did was to put my AC30 in part exchange for a Vox T60 bass amp. I agree 100% with all the comments in the video. The amp was forever blowing up the OC28 germanium power transistors. I worked as an electronics technician so I did the repairs myself, but it was almost a monthly task!
By 1972 I'd had a gut full of the T60! It had a crappy sound also, so I 'reversed engineered' our lead guitarist's 100W Marshall head and built my own version. I did it for £25 would you belief only having to buy the 4 x EL34 power valves and getting the mains and speaker transformers wound. I keep the T60 speaker cabinet, removed the 12" speaker and managed to fit another 15" speaker into it. So 2x 15" and with the home built Marshall 100W head it sounded great.
Around 1980 I thought my playing days were over and sold the amp and cab for £150. Also my Fender 1972 P bass for the same price.... Another big mistake!
Some 20 years later (in 1998) I joined another band, so had to re-equip myself! I got a secondhand (1980) Marshall SB 100 head with a Marshall 2 x12" bass reflex cabinet which I still use to this day and never had a problem with it.
Thanks for the detailed comment John
@@TheGuitarShow You´re welcome :)
Thanks for bringing back some great memories. I worked at Brian Kelly's repair shop on Stuart Rd. Waterloo, Liverpool in the 60s. The shop was called Alpha Sound Services and we used to service all the gear from whichever bands were either local or in town for a gig. Most bands (groups) were appearing at Allinsons Theatre Club in Litherland and Brian Kelly Also ran the Litherland town hall dance club where he would book The Quarrymen, Gerry and sometimes Beryl Marsden, The Merseybeats, Billy J Cramer and ocationally an "out of town" act. Several would be on the same bill for 10 shillings entrance fee. Most amps were single end record player types (EZ Rectifier) with one ECL 84 Triode Pentode (pre-amp and main am in one envelope). Later Guitar amps used ECC 83s as Phase splitters and 2x EL84s as a push pull output stage and then remarried the top and bottom halves through the output transformers. Power output increased later on using EL34s as output with a 400v DC HT line and a negative 32v feedback circuit. I remember repairing amps with CREAM stenciled on them but I was so into The Beatles that I did not realise who's amps they were until I moved to the states and was told by my American Wife. I still have lots of great stories of those times and Marshall Ams.
Thanks for the amazing comment
Wow! A privilege to just read your story man! Loved it.
@@whydahell3816 thanks
I agree with Scuba Do, great to hear of the times and of the days. Been both Beatle and Cream fan from the 60s and now a vintage guitar enthusiast and collector. I'd love to be able to have been in the 'hood during those times. And you brought us there.
Great history!
We were Canadian Beatle fans. Had a folk band, not quite up to the Beatles stature, but were trying. We though Vox was the key to our success . Our lead guitar had a Super Beatle amplifier with wawa pedal, I had a Vox Jaguar organ, and our drummer had a Ludwig kit with Weather King skins. We also had the smaller Essex Base and the Vox PA system with Ampeg Amp. We had done a good job at convincing Detroits Capital records affiliate that we had talent, but it just wasn't true. We were once told we had one song that stood out.... but it was "I am a rock", by Simon and Garfunkel. We even tried having jackets made out of Vox cloth... no success. Loved the Beatles, sad that we never made it. Met lots of bands that went on to fame, but not us. Great times, great video!
Great comment thanks
@@TheGuitarShow I had a Vox Essex bass amp combo, with 2X12 and a chrome stand; it was a Thomas Organ solid-state amp, and it was crap; when you turned it up, it crackled, and they could never figure out what caused the noise. I traded it in for a Traynor Custom Special amp with an 8X10 cabinet., which was a fair bit better; at least it was a tube amp. The amps sold in Canada were the Thomas Organ versions, which were mostly solid-state, if not all of them. I lived in Toronto, and you couldn't get a British-made Vox. Years later, I got a 65 AC-15, made in England, which I still use and is very loud. It has seven tubes and a tube rectifier. I'm negotiating with a friend at the moment for a 63 AC-15. The AC-30s are too heavy to be carrying to gigs; don't have any roadies anymore. I'll never sell the AC-15; it's a keeper and sounds great. One warning: the metal surrounds in the Old Vox amps aren't wide enough to fit the newer EL-84s, which are wider than the old ones; nobody ever mentions that. I had to get the holes drilled out wider.
Wow! So much more technical information than I had expected. I really appreciate that the research was done to determine exactly what kind of tubes were used in the pre and power amp stages of each amplifier. Very interesting!
Thank you!
Some Beatles historians have suggested why the Beatles didn't use the new Marshall sound system for their concerts in 1966. The Who were using that sound system at the time while later in the year both Cream and Jimi Hendrix were to use it well. Though probably the reason was that the Beatles were fed up with touring and the screaming girls in 1966 that improving their concert sound was a low priority by then.
It's amazing to me that you can bring us such great and deep details about their equipment.
*Thank you very much* as I've waited precisely 60 years for this information... Ever since I watched them in February of '64 and played guitar ever since that night- like many others!!!
P.S. In 1969 I switched to Solid State, _Sam Ash_ amps (x2) The _clean_ sound of solid state blew my mind!!!
@@artdonovandesign my pleasure 🙏🙏🙏🎸
I'm glad this video was made. As a Beatles aficionado and owner of some of these amps, I was impressed that the Vox Foundation was mentioned. This bass amp was used by PMC for a short time but is usually overlooked in any type of retrospective. Great job! Thank you.
The early Vox AC30 was just 2 AC15's in the same cabinet, each feeding one of the speakers. That means it was effectively a 2x15watt stereo amp.
incorrect Ewan..first one was the ac30/4 which was not 2 ac15 going at the same time...the Beatles never used them... hank Marvin did and i think they were the best sounding ac30..another thing this guy says is George martin rigged up a teak amp with the big speaker..no such thing that was jet Harris amp setup..Paul McCartney asked for it when they got to studio 2..jet Harris told me that.and the studio engineers told him that..u can actually see jet Harris on this vid with the bass setup when hes showing the amp on the floor that's jet with his amp setup..McCartney called jet the governor
@@lapitch1 leak, not teak. probably a TL12.
@@duncan-rmi dam spell check
Outstanding! You could have almost named this video; 'really, really rare photos of the Beatles'
Thanks!
Actually, those photos have all been around for many years, published in various books and magazines.
@@drutgat2 😴
@@drutgat2 aKsHeWaLlY
No one likes a know it all.
Excellent! I love it that the guys went to somewhat bigger amps to cut through the screaming. Great video.
Thanks Ramon! A lot of hard work went into this!
Thanks Billy
My very first amp was the VOX Super Beatle V11 41 (with the distortion effect) shown at the 28 minute mark along with the chrome swivel stand. Bought it in 1976 for $300 out of the back storage room of a local guitar shop where it had been collecting dust. I hauled that thing around the country with me for 42 years until a basement flood finally delivered its final blow (sigh).
It was around 1968 I was given a blown T60 solid state head and a destroyed matching bass cabinet (black vynyl with brown torn speaker cloth) ... I sent the speakers away and had them re-coned and distinctly remember that they were a 12 inch and a 15 inch speaker ... it stuck in my mind that was an odd design for two different speakers to be working along side each other. The T60 head was a lost cause and kept failing under pressure, so I switched to a 100 watt all tube Selmer bass amp which was housed in an all steel cabinet shell.
Brian May likes this.
Too late he died in 1967
Why because the vox amps like the ac30?
They need to mention how truly gnarly those little Selmer's sounded. Allegedly the guitar tones on Sgt Pepper intro was gotten with the 14 watt Selmers CRANKED with no extra gain added!
@@jessicarich7506 what
This is the best in depth detailed cover of the Beatles amps ever made! Great job. Love it.
Fascinating. I almost fell out of my chair when I heard Brian Epstein asked for 25% but Brian got stuff done and made himself worth it.
Col. Tom used to get 50% with Elvis
Thanks! I think 20% is the going rate for managers
Peter Grant and the 4 of LZ all split it evenly 5 ways, aside from writing credit royalties of course. It should be noted he was the first to get the band 90% at their venues and their unprecedented deals at Atlantic, he believed in Jimmy's plan and didn't eat then alive,, which he could have.
then he gave the beatles away when they went stateside. 25 percent and gave 75 percent to the venues, its written that the guys in the u.s. were shocked, they were expecting maybe 20 percent. epstien got it backwards
A lot of so called managers were mostly booking agents. One band I was in was paying our so called manager 25 percent commission on every job. Back then I thought it was a rip off. We were playing Fraternity house gigs back then too, and the President of the fraternity told me he had "Sent the deposit to our manager and the check he gave me was the balance". Our so called manager was a crook. We caught him and I FIRED him. I called him a Thief and told him to take a hike.
My dad bought me a used Super Beatle in 1969. It blew up in a dramatic shower of electronic fireworks after a few hours use. I traded it for a white sparkle Kustom 100. I wish I still had both of them.
I am watching this again - what a labour of love this video is ! Typical of The Guitar Show !!!
So interesting and filled with wonderful details. Terrific!
Pleasure
Seeing those lovely old units reminded me I need to buy more De-Oxit. 😸
I was thinking of my Super Beatle and slave Power Amplifier. The xlr speaker jacks were all green when I pulled them out recently, I didn't bother trying to plug them in, I know it won't work without some scrubbage. These are almost as old as me, I probably ought to put in new capacitors, before I let the smoke out of something else.
Yup, formerly known as Cramolin. Can't be beat.
Obviously a labor of love. It shows! Thank you Sir!
Thanks Kristopher
Really like the series
Thanks Maurice
very thorough job ramon....as always.....but i really enjoyed this.....thanks for all the work.... vox really knew how to keep a customer happy in those days
Very engaging! Amps could really define a band, as we all found out in the years that followed.
Brings back memories of the last band I was in. Had 2 Super Beatles, a Buckingham and a Fender Bassman.
Nice!
Great setup! All you needed was a precision bass with an Acoustic amp (or similar), a B3 Hammond and a Leslie, and a good drum set The sound of the sixties!
john frye You guys had some money! That gear wasen't cheap!
Jack OBoyle Cool.
Non-musicians never had the thrill of performing and having people applaud you.
Where was Evergreen park high?
Thanks I have been waiting for this video for a long time great job
Thanks
It's history and yet still refreshing to watch and learn something from it. Great job!
Thanks so much 🙏
That was really interesting - the info on the amps and the photos, most of which I have never seen, made this quite enjoyable for this Beatle fan.
Many thanks indeed Andrew
Great video. Very well researched, good details and very well sourced photos.
Many thanks indeed
Watched it Monday early morning made my day ! Thank you
Pleasure Franco
Does anyone know if they played in Bamberg Germany about 1961 at the Tredmill Club?(Warner Barracks) I was 18 Yrs. old stationed there in the US Army. The Tredmill was a tiny German Army club we always stopped at to get primed up before going up town.I remember 4 Brits dressed in black, 3 guitars and a drummer.they played good, but their voices sounded to (strange) to us.Of course this sound was brand new then to everyone.After a few beers me and my buddies could not stand this kind of music any longer and walked out. I have often wondered if this was the Beatles. I would appreciate a reply if you know anything on this.
Yo, Scout! I've lived in Germany since the late 60s, always in the club and entertainment field. Lots and lots of Brit bands toured the US military club circuit back then... it was good, steady work for the musicians with lots of NCO and EM clubs to play in. This includes Warner Barracks in Bamberg. A Brit band could easily spend six months here, playing a full week here, and then moving on to the next base. Plus, most clubs were well-run and had acceptable manners. The German ladies loved the US club scene. Hotels were cheap, and the dollar-Deutsche mark exchange rates were good back then. The bigger stateside shows came and went, but the Brit bands were nonstop. That could make good money (300 bucks a nite, split 4 ways was typical). The entertainment agencies kept the clubs full of good shows, and they usually got their 15-20 percent cut.
@@Rieslingontheriver Thanks, Jack, Most of us went up town back then where the action was because our E.M. club then didn't have much good entertainment and and there weren't any Fraulein's hanging around there then.. It. was for troops that were confined to the base or do-gooders that wanted to save money and stay out of trouble..The Treadmill Culb was in a small German Army Barracks within the Warner, not a regular Em,NCO,or Officers Club .They sold real German beer and Stinehager .,and the German soldiers welcomed us.I didn't know of any other Brit Bands around, but this was Early 60's ,not Late 60's. Good to get your reply Jack, You must have had a pretty good time back then in that trade!
Brilliant research! Thanks from California US of A. The AC30 is a beast of power. I can't imagine the Beatles live in the Cavern. It must have been very loud! I own an AC15C1 and it sounds terrific. Beatles and Fender! OMG! Its a creamier sound overall, no mids.
Yes the cavern gigs must have been amazing. Thanks for watching
Well done on this vlog! I salute your attention to detail and content!
Thank you 🙏
Well done, Ramon, well done. Most enjoyable. Bravo.
Pleasure bro
Beatles gear book is an awesome reference too , thank you for the video. Top notch
I agree an excellent book. Thanks
What an awesome 😎 video/doc/rockumentary about The Beatles amps. Meticulously researched, superbly narrated - full to the brim with facts, specs, statistics and miscellaneous titbits. Lordy !! I’m in my element hearing these facts. Thank you 🙏 for putting together this great series. Please keep doing them ?!? They’re so interesting. Cheers 🥂. Rx
Ps- incidentally I’ve had a Jennings Vox AC/30 that was built in 1962 - I bought it in 1985 and it’s still ‘the’ best guitar 🎸 amp I’ve ever heard in my life. Still own it but it hasn’t worked in a while as the valves are shot due to masses of gigs as it was my main amp on the road. It is gorgeous and to me priceless. No amp gets near it in pure quality of sound. The louder it is - the better the sound. Most amps tbf go the opposite way. Turn em up and they go all muddy and horribly toppy - take the top of your head off. But not this baby ! Warm glassy tones to die for - and overdrive that just sings back at you in just the most aesthetic way imaginable. Anyway - that’s me - I’ve been bangin on for ages so wishing you all a merry day and all the best for the future. Xx 💋
Pleasure thanks for watching Riki
I got a real education here, lots of old questions finally answered. Enjoyed this video thoroughly! Great job!
Thanks 🙏
@@TheGuitarShow Absolutely. You have done a lot of homework here and deserve props. Fascinating stuff.
Wow! That is a lot of very interesting details. Cheers from Las Vegas.
Thanks
Excellent video Ramon!! i can tell you put a lot of work into making these videos, which is very much appreciated. cheers
Terrific research and detail presentation. Thanks, Ramon!
Pleasure
You have quite handedly preserved an important history .. You are loved and remembered in my books as well as everyone who knows to remember details !!
So amazing how things were in the old days, great video! Really enjoyed it :-)
Many thanks Max
The amp I always loved best was the Vibrolux with the twin 10 speakers. Cranked up, the tone was awesome but I little under powered for live work. I traded this up in 1971 for the twin reverb. I still have it but by the time I was 27, I was told by the quacks I had hearing loss and gave music away. Not long ago, my son started playing, so we resurrected the old amp after it blew up turning it on, putting in matching valves, a transformer an several new capacitors. Even with Standard Fender speakers, it still has an amazing tone.
So guitar amplification grew with "The Beatles". What else did they influence and inspirate about which we don't yet know?
What a gig, though: struggling at the beginning, having to "nick" an amplifier, struggle to afford guitars -- to biggest band in the world, and all the amplifiers and guitars one could want for FREE!
Great research and brings back many teenage passions at the time great rare pics too brilliant stuff
I dug the pic of young Mal Evans and the screen time he held, it wasn't lost on me.
Oh listen to that Mal............ohhh look out!
What an informative and entertaining presentation!
Thank you
the fotos of the very early pre beatles bands are very interesting.....you can actually sense and feel the talent and determination of John, Paul and George to play "their" music...it will be a long time yet for talents like that to be seen or heard again.....and all that with bare minimum of "equipment"......:-)
Great comment thanks
It's because they had that secret ingredient called talent, which most people now lack...
I’ve only recently started geeking out on guitar and music gear history and this video (and your entire channel) is amazingly detailed and informative. Thanks for your hard work!
Immediately hit that subscribe button.
Many thanks indeed Mags - much appreciated!
incredibly accurate, detailed, historic accounting of the world’s Greatest band, The Beatles’ equipment.
Many thanks
Wrong...The Rolling Stones own that title.
Brilliant info for us Beatles fans...Well documented and put together vid...Thank you
Very in depth history here. Thanks.
Was told a few years ago the outro to Birthday was Paul switching the top boost circuit off and on while the note decayed. Great tone on that track, what ever was used.
That's right I read that also, theres a similar story of the engineers doing the same to create the flanging effect on while my guitar gently weeps on the EMI mixing board.. He said it was a boring job as he had to twiddle the knob all day long until they finished the mix.
I think it was sweeping between the settings of the MRB (mid range boost) circuit.
@@TheGuitarShow The flanging was done by sending the signal to a second tape machine and varying the speed via a separate knob. This set-up was originally designed by Abbey Road engineer Ken Townsend to create ADT (automatic double tracking) so John wouldn't have to spend ages doubling his vocals. They used ADT for a few vocal tracks and occasionally on guitar.
Fantastic video!!! Great back story on the tech behind the Beatles sound. Thank you!!!
My first amp was an ELPICO which gave a very clean sound..The next was a Selmer grey amp with 2 chyannels and 4 inputs.This was also a clean sweet amp but with not much "bite"I think I had a vox transister amp next with more bite but not a sweet sound'One day in 1968 I discovered the FEnder Super Reverb,and I immediately "found my sound" A great clean amp but with bite.I had the very best complete rhythm sound via a Gibson 330 guitar.
We had two guitars and I was rhythm bass and harmony.the settings were as follows.
Rhythm channel Volume 4, treble 8, bass(very critical) around 4.Too little =no bass,too much=booming.All due to 4 10inch speakers giving a good bass bottom.treble boost switch ON .Guitar neck pickup volume 8, tone around 4 (may have been other way round?) Folk would not believe I had no bass player.We used to have 1500 ballroom dancers in great room of grosvenor house hotel Parl Lane London dancing to just my rhythm guitar,two mikes voices into Carlsbro PA 60 watt no monitors.How times have changed !
Chyannels?
Man!! Super precise and informative I didn't realize honestly what most of the VOX amps even were until I watched , they basically create the half stack for the Beatles that's nuts , but I can see why they would go with the twins in the end, it's insane to me that the rooftop was the last time they ever played live like ever ... Love the Beatles
I've owned and played darn near every Fender amp since 1960. We all started small in the early '60s, and built up to the Showman amps. I still have (and play)my 1966 Bandmaster. I dreamed about but never acquired any Vox amp. I only wanted one because I would see a wall of Vox amps on the stage whenever any British group (Beatles, Stones, DC5, Hermans Hermits, Clapton, Yardbirds) play on stage or on TV in the USA!
I always wondered how they managed our 120 volt power outlets in the USA when all those British VOX amps required 220 volts, 50 Hz power? None of my amps had an option switch on the back!
In those days, the BAND provided all the sound for instruments, the 'house' generally provided mikes and house PA speakers for the vocals! Hence, we all learned to set up monitor speakers facing the band at our feet so we could hear what the audience was hearing as we sang!
These days... I see guitar players showing up all around Las Vegas venues with NO AMP at all! They may have a foot-pedal set-up, but expect to plug into some house provided amplification system, along with mikes for vocals.
At best these days, about all you'll see on stage for live performances are some very small (i call them Practice) amps. A tiny Fender 10-15 watt amp (I have a "Frontman 15R" Fender amp) and we hope they will put a microphone in front of it and feed it to the sound man in the back of the room and he'll put it on the big house speakers with the vocals!
Its a crazy world of guitars and amps these days, especially if you are in the live show business.
I'd like to break out my old wems but their just to damn powerful
May I ask, in your opinion, when(IF?!)you think there will be live performances from unsigned bands happening in Vegas again..? 👍
I had access to a Vox Super Beatle back in the seventies that had a foot switch, w reverb, distortion, +others! I loved it!
nice - I would love to try one of those amps
I love the leather jackets and leather pants. I can only imagine how loud a quiet ride in the car must have been. The deafening silence of sweaty stinky creaking leather
Wow. How interesting. You are a wonderful documentation. Thanx, sonny
Many thanks Cecil.
excellent documentary! Job well done!
Many of the stills in this video are quite interesting.
This is so cool , thank you.
Pleasure Frank
Vox Super Beatle: beautiful amp!!
Tom Petty and the Heartbreakers used a wall of Vox Super Beatles during their American Girl period
My Friend Ramon...l have watched your show w Admiration and glee .. but this is my Favorite !!! w the exception of the one done on the steps of E M I ...that is also w o compare. Keep up the Good Works and My Best to you and all concerned. BEATLES FOREVER !!!!!!!
Pleasure Jim and thanks so much for watching!
I wonder whatever happened to all these amps and also with all the complicated deals that occurred during the early days who actually really owned them. The guitars crop up at auctions or family members find one so would it be a similar outcome with the amps. Excellent and informative thank you for the time and energy spent on this I’ve subscribed.
Amazing a lot of research here.. hats off to Ramone...
Thanks Glenn
This appeared on my feed so I watched and enjoyed... but then found that this channel has other fascinating videos. Peter green, Danny Kirwan... darn! Now I have lot’s of catching up to do! (Love what I’ve seen so far).
Many thanks indeed Roger
Lots of great info...thank you!
My Vox AC30 was made, as far as I can establish, in about November of 1963. Makes you wonder who first owned it.
Yes indeed you never know!
Lee harvey Oswald
It was Gary Glitter
@@billystinker Ahahaha hahahahah
Nice work man, thanks ! Cheers
You deserve more views for this...
Thanks Mike
Nice and definative
Brilliant unfussy delivery of material assembled with real scholarly finesse. The slow montage of stills illustrating the gear would be interesting in itself but you’ve added so many valuable insights and much obscure historical information. It would be good to know what Harrison, McCartney and Lennon thought of their solid state alternatives to valves. These videos are a genuine contribution to knowledge and took great skill and hard work to put together. Thank you. It’s all the better to praise them knowing you are a superb guitar player.
Well done, thanks for all the investigative work and detailed reporting.
Thanks Clarence
Great compilation. Some of those amps (e.g. Sgt. Pepper era) must have sounded dreadful in isolation but all play a crucial part in the Beatles story.
Wow... never have seen a video as in-depth as this. Excellent!!
Hey Ramon! That wuz really cool...
I can imagine how dismal those solid state amps sounded next to AC30's...
The AC30's w/ the Top Boost mounted on the back (?) ...I bet those were amazing.
Thanx so much. Been trying to get me playing up to speed when using an amp w/ no natural
compression... this is a real challenge (Egnater Rebel 20) cheers
Nice those are great amps I played through one on the "tale of two bursts" video on this chanel. Thanks Jonny
One of those nasty solid state Vox amps was the secret sauce in the recording of Revolver , so much so ,there is even a pedal you can now buy which is based on the amps' preamp and has graphics by Klaus Voorman .
@@shaunw9270 dosnt surprise me although not my favorite amps they really worked for the Beatles music.
I was in a band and we played around quite a bit. I really loved the sound of our lead guitar players Fender Jaguar thru the Vox Super Beatle amp. But in the year we owned it, we never got to use it in a show. Two practice sessions and it quit. It would spend months in Calif and we get it back and there it goes again. After a year we traded it on a Fender Dual Showman. It worked for years. But I still liked the Vox sound.
vox had a "reputation" for not lasting....:-)
Young people watching this don't realize the money involved, or how puny/strong the amps were. Today, a practice amp that will fit under one arm has more than 10-watts. But, then no one had heard anything louder. My setup c. 1969 was top-of-the-line; a Fender Super-Reverb Amp with an absolutely fantastic 40-watts. Forget what I paid for it, probably because I don't want to remember --- it was a fortune. A new Telecaster I couldn't afford ($150 new) so I got a used sunburst finished one for $75. It was made about 1958 (I have no recollection of anyone referencing guitars by year then). Added a FuzzFace and CryBaby pedals and I could cover Iron Butterfly all day. Something I never see mentioned these days is that every electric guitar I ever laid eyes on then used flatwound strings to avoid the creak when sliding or bending. Nowadays string noise is and has been part of the desired sound.
This is most certainly true.
Holy crap! We look at $150 today and would buy 10 at that price 😂
Well, an AC100 was hardly a puny amp, nor were the Twin Reverbs they used later...I mean they weren't MESA BOOGIES or Marshalls but The Beatles weren't playing that kind of music either...
@@TheAerovons I'm far from a guitar amp expert, please pardon my ignorance. The Twin Reverbs they used on the rooftop concert, could those have reached down to street level to be heard?
@@edmondlau511 The Fender Dual Showman was the most powerful Fender amp (at the time)...the Twin Reverb is basically a Dual Showman as a combo, rather than separate head a BIG speaker cabinet, like the Showman. So yes, very loud. That said it wouldn't be like a Marshall stack ;)
Thanks for taking the time to make this series, Brilliant.. !!
The last amplifiers used by The Beatles were proudly made in my hometown of Fullerton, California USA, by Fender Musical Instruments Corporation, along with the famous electric guitars Fender Telecaster and Stratocaster.
Very nice, detailed and really informational. Must have taken some time to research all this.
Thanks Count
I’m a Beatles gear nut and you got all the details. Nice job. Good picture choices too
Thanks
Great detail.
Many thanks indeed Gregory
Thank you for a very comprehensive study. One claim gives me pause. In reference to the AC100s used at the BBC on July 28 1964, are you quite sure that EL84s were installed? For 100W output, would these not have been EL34s? In the photo the power tubes do not look like EL84s.
Great video. Thanks for sharing
Thanks for watching!
Love my AC 15 and AC 30
Excellent. Informative. Fascinating.
Pleasure Jim