Bellini - I Puritani - Credeasi misera (Luciano Pavarotti) 1973
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- เผยแพร่เมื่อ 20 ต.ค. 2024
- Credeasi misera
Bellini - I Puritani (Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov) Richard Bonynge
London Symphony Orchestra
Coro de la Royal Opera House
Covent Garden de Londres, 1973
Eternamente el Mejor!! Inagualable!! Pavarotti!! Arg.Buenos Aires!!
Elettrizzanti note alte. Bellissimo il fa sovracuto. Perfetto! 💕
he never should’ve did the F5 full falsetto. give us a little screech Luciano, we already love you
Straordinario! Pavarotti tenore romantico per eccellenza!
Cuánto te amo Luciano
4:52
one of my favourite operas and that recording from 1973 is stunning. best credeasi misera i have heard.
Fantastico meraviglioso ineguagliabile
La voz más bella de la historia de la ópera.
Pavarotti and Sutherland are wonderful together.
He was born to sing this role .
Oh my!!! 4:50 to 4:55. 😮 wow! 👏
The incomparable Joan Sutherland.
Sublime!
So beautiful! What voices!
einfach großartig !!!
That high F!! What beautiful, no, incredible singing.
The counter F is given in head voice, which has no artistic value. However, it is not possible to do otherwise, especially for a tenor voice. It would have been better not to do so!
It is simply incredible, impossible to sing! This aria needs so high level of abilities that it is impossible for a human. Had voice, jumping octaves and between registers. I'am sure Pav. was an UFO.
This aria is the hardest in a very hard role
wow i've never heard him sing falsetto lol
I don't think a tenor can reach high F without falsetto. I know they try to combine as much head voice with it. I just wonder why the composers wrote it that way...
It's possible, no problem!!! But, when Bellini wrote this opera and others ,the tenors of that times used just a "falsetto" voice, more because of the "gusto". Is the same on Rossini's operas...
This opera was written for Giovanni Battista Rubini. He was one of the (if not THE) premier tenors of his day. He was also a good friend of Vincenzo Bellini. Back in the day, in Bellini's time, tenors did not sing their high notes the way they do today 'from the chest' but rather used a more falsetto like voix-mixte. Rubini was capable of singing all the way up to soprano F this way. It should be noted that Rubini reportedly had a VERY high natural tenor voice, capable of chesting up to the Bflat after which point he would go into the customary (at the time) head voice/falsetto/voix mixte. Also, he was best known for the joy he brought to his singing and his elegant phrasing than his high notes, as were all tenors of that time.
@@learntocrochet1 Celso Albelo. He can.
There is a short clip here on TH-cam of Pavarotti singing a little bit in a soprano voice, being silly I think. I was so surprised that I forgot to save the video.
If he couldn’t do the high f (which is not written in the score) other than in falsetto - which sounds very odd - he should have left it out.
Otherwise a vocally thrilling interpretation of the aria.
Della Sutherland non si capisce una parola…
EL FA LO DA EN FALZZETTE
luis norberto Gomez y que mas da
4:51