How to Fake Anything on Stage: Part II

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  • เผยแพร่เมื่อ 10 พ.ย. 2024

ความคิดเห็น • 8

  • @joseortiz-fw7by
    @joseortiz-fw7by 2 ปีที่แล้ว +8

    You know they say jazz music picked up where classical music left off(; loved this lesson thank you

  • @mrCetus
    @mrCetus 2 ปีที่แล้ว +1

    Looking forward to part iii

  • @JoeLinux2000
    @JoeLinux2000 2 ปีที่แล้ว +1

    This is a very fascinating lesson.

  • @ClassicalContrarian
    @ClassicalContrarian 2 ปีที่แล้ว

    If you’re operating in the world of theory at all times, you will never sound inspired.

    • @SZ-wb1qb
      @SZ-wb1qb 2 ปีที่แล้ว +1

      They are more like guidelines

    • @UnfamiliarPlace
      @UnfamiliarPlace 2 ปีที่แล้ว +7

      As a self-taught pianist, I used to think this way, but once I learned a little theory I realized I was never so repetitive and imitative of what had been done for centuries as when I didn't know what was out there. If you don't learn what's been done you usually reinvent the wheel.

    • @joseortiz-fw7by
      @joseortiz-fw7by 2 ปีที่แล้ว +1

      @@UnfamiliarPlace you may feel stuck now but there is more learn that will free you up more❤️ are you familiar with Barry Harris method of piano? Lincoln has great videos on it with him! Check it out, really helped broaden my ear

    • @harpsichordkid
      @harpsichordkid 2 ปีที่แล้ว +6

      And if you operate outside the world of theory, you’ll sound like a four year old banging on the piano in the church basement.
      And certainly, one may have good grammar and poor eloquence. But no one who is eloquent has poor grammar.