"Come and meet a friend of mine" It didn't seem like a friendship two songs ago, Christine... 🤣 Also I love how he just goes from this whole "sensitive lover/Christine I've been waiting for 10 years just to see your face" to "your mentor/I'll kidnap your son if you don't sing". Classic Phantom 👏👏👏
And doesn’t answer her question about getting to leave at 2:57. If you listen he dodges the question. He had no intention of letting her leave this time. I think he knew about the boy before she came over to America
I LOVE how you can see the shift in him here once Gustave runs into the room, he slips right into his Mr Y persona and you can see it’s starts making Christine nervous because she knows him too well….he was being real with her now he’s slipping back into Phantom mode so something’s coming and she’s bracing for it as she hurriedly sends Gustave to bed. That sly look he gives her right before going into his little ultimatum makes me smile, Ramin’s just knows how to turn that switch so effortlessly lol
"You sing, you leave together; pockets full, debts paid. You refuse, you leave alone." "She walks, you leave together; pockets full, debts paid. She sings, you leave alone." So the devil really did take the hindmost...
@@zagredl.m5478 I wonder, did he give her a chance to answer before he threatened her son? It's an interesting thought that he halfheartedly threatened to take her son, so that she had an excuse to say yes... So it's not on her, that she wanted to sing his music again. The way he says "A man this hideous is capable of anything", a bit forced. This is just a thought
@@muppmanda7 I wish we could exchange thoughts, but my English writing level is not the best and I feel that most of my words would be misrepresented. I interpreted Christine´s decision different, but I think that everyone can believe whatever prefer. But when Erick threatened Christine, that was before he knew that Gustave was his son, after "The beauty underneath" he let Christine go, and asked her to take also Gustave with her without conditions. Then she said to him that she will sing anyway.
One of the things I love about LND (and believe me, they are few), is how they still snuck some of the tracks from POTO in. In this scene, we hear Stranger Than You Dreamt it, the title song, and Angel of Music/Wandering Child.
Hi everyone! :) Because we've all been quarantined at home, I thought I might as well take this time and share some more LND videos for you all to enjoy! Stay safe & well ! x
Comparing to the DVD version of that evil angry emo phantom during this scene this phantom was actually very....nice lol And Christine wasn’t afraid of him like the Aussie version was.
bugi dog You’re right. She looks more mature in this version. But come to think of it, Christine has known him from the beginning and knows he’s capable of taking lives to satisfy his pleasure, so it’s reasonable enough to understand if the Aussie version interpreted her fear of him hurting Gustav, his own child that she doesn’t want him to know, or even killing him.
@@TheOscarFrancois But even here, the Phantom threatens to take her child away from her before he "knows" it is his child. He says he'll take him if she refuses to sing for him. Not exactly a "nice" guy!
@@kudubwrong7897 well you also have to remember the Phantom despite his musical and engineering prowess is at his core a full blown sociopath he cares for Christine yes, but still will stop at nothing not even murder as we saw in past to get what he wants
He’s desperate to get her to sing for him again and then in comes Gustave who at this time he believes is Raoul’s kids which triggered his jealousy at the reminder that Raoul’s got her, so his possessiveness and obsession for Christine came roaring back to life…”in America you will sing ONLY for ME!” aka ‘You are MINE!’ basically That’s the Phantoms character…his struggle between his obsession and his love, his obsession got triggered here.
Some people say that in LND there are practically no motives from the original POTO... Maybe there aren't many but once you know them and you spot them *_DAMN THIS IS STRANGER THAN YOU DREAMT IT, TITLE SONG, ANGEL OF MUSIC AND "THINGS HAVE CHANGED RAOUL" REFERENCED IN ONE HECKIN SONG!!!_*
@@elizabethschuyler_hamilton inside of my mind the ending of Love Never Dies isn't real and you marry Erik and live with him and Gustave among all of those beautiful operas, colorful costumes and inventions.
@CAMI HEATH ahhaa thats okay ....lol everybody i asked either said "America" or "you will sing for me" 😂 And im like Nope. I can hear those. They are as clear as day😂
Love Ramin's voice but Ben's acting is way more astonishing!!! "I am your angel of music! I am dying, suffocating in the darkness! Give me breath! Give me life! SING FOR ME!!!!!"
Oh yeah I LOVE Ben’s acting in this scene, his obsession for her just comes roaring out in full force as he’s grabbing her arms basically screaming in her face that he’s dying without her…so dramatic LOL Weirdly romantic too even though it’s absolutely horrible what he’s threatening her with, so very Phantom and I happen to like that he’s still got his teeth, although on the surface he might appear to be more mellow…he’s not tamed in the slightest and I like him like that.
I know you get this question a lot of times but do you have the entire London show? I saw the Australian version online but I really want to see the version with Ramin and Sierra
@@98hamtaro There’s a channel called the show must go on and they premiered musicals from ALW, so they showed the LND Australian version. Sadly, they only premiered it for the weekend so the only other way you could watch it is by buying the dvd
For years i only knew the original soundtrack from the London version. Then i saw the Australian version if DVD, and now i am seeing mire and mire from the actual London production. But this little part... in my opinion the CD version did it better than any of the actual theatre versions. For those who don't know: in the original soundtrack this part where the Phantom threatens to harm Gustave doesn't exist. He just promises to show him around after Gustave asks him to. This means he also doesn't threaten Christine to sing for him here. The first time you hear anything about the eventual will she or won't she sing scheme in tge soundtrack version is wheb the Phantom finds out Gustave is his son. And then Christine OFFERS to sing for him despite them wanting to leave earlier. All if this makes the Phantom a much more likeble character in that version. His whole manipulation game with Raoul could in that version be seen as a reaction on Christine admitting her desire to be with the Phantom again.
@@Anna_00_ He is the reason she became such a fantastic singer during Phantom of the Opera. Ten years later, she still retains such fame from those glory days. Though what has she done to repay him? Denied him and betrayed his love.
I think he already knew about him and played it off to everyone that he was completely surprised. He also had no intention of letting her leave going by the fact he completely dodged answering the question.
The thing about the Phantom is there is always this battle going on between his love for Christine and his Obsession with her. Those two parts of his character are always at odds. Here we see his obsession come roaring on back when he gets desperate to hear Christine sing for him. That dark side of him used to terrify Christine when she was younger but I like how now we just see her frustration with him like ‘really, you’re going to pull this crap again on me?” I honestly don’t think Erik would have harmed Gustave, maybe given him a scare at most but this was just him falling back into his old habits because he didn’t know how else to convince her to sing.
On some level I think he knew one time wouldn’t be enough for either of them and he knew that once she sang for him again it would reawaken her passion both for his music and him because he has always been her Idol. Regardless of what messed up stuff he does and as much as she might try and deny it…Christine absolutely worships his genius as much as he’s obsessed with her voice. So yeah he was after her the whole time and on some level I think Christine knew that, but was unable to keep herself from falling back under his spell.
Ok but why is he such an ass to Christine? Why does he threaten her? It's his fault she's not with him. He left her. He has NO right to talk to her like that.
I thought the comments on the "Beneath The Moonlit Sky" video were just memeing about Gustave being in the other room 😨 I had no idea that this song proceeds that one.
London all the way even though the Australian cast did good acting but no with the story where London did both correctly making this all the less confusing
Overall I really like this version but there are just a few times it seems like there is distance between the words and the body language. Perhaps you can't tell expressions as well because of the distance of the camera though. In the middle of the scene here Phantom talks about keeping her son there eternally and Christine waits a second before responding with her line and the way he says "a man as hideous as this, believe me, is capable of anything" for me comes across more like he is just in habit saying that phrase automatically and doesn't really believe it. Maybe he had plans of how this conversation would go in his head and then putting the child into the middle of it was just something he is winging on the fly and he is convincing himself & her at the same time. That would make sense with the way that he goes back to almost rehearsed instructions of what will happen once she agrees to sing. The way he says "in America you will sing for me and only for me" before he leaves comes across as more dangerous than the "capable of anything" comment. Does anyone know if this was one of the scenes they altered/shortened from the original longer version of this show? I'm wondering if there were other lines that aren't there anymore which might also explain this.
I don't understand. In this part, Ramin wore a tailcoat, but from Before The Performance to the end of the show, he wore a frock coat. It would have made more sense if it was the other way around
Watching this again I really love how Sierra’s Christine plays it here, she’s not scared of him, not anymore, she seems more hurt to me then anything, hurt that he would threaten her AGAIN, Sierra’s Christine is not as angry to me as say Anna’s Christine in the Australian show. Sierra’s is more broken, by her Angel leaving her, by Raoul becoming a drunk and having to raise her son practically alone while her husband gambles away all their money…you get the sense she’s holding on for Gustave but has completely lost herself and her passion…and since their was no initial refusal from Christine here (unlike in the Australian Show) I think she’s more hurt that Erik thinks he HAS to threaten her to get her to sing for him when she might have agreed to sing for him anyway but his jealousy got triggered here and the old Phantom came out. But Christine’s not scared this time, just sad.
"A man as hideous as this is capable of anything." feels wildly out of character. Like I get in this version he's confident enough to laugh off Raoul making fun of him and he goes maskless by choice a few times, but this still feels off for him to say.
I just feel this was an empty threat on his part, he’s slipping back into his ‘Phantom’ persona, he’s desperate for her to sing for him and fell back into old habits. Notice Christine is more sad and frustrated with him then scared…at least it seems so to me. It’s like her mind is going “seriously, you’re going to pull this crap on me again?!”
Again, if the book Erik was accepted by Christine and they got together, Erik would never have left her. He would have been faithfully devoted to only her. He is faithfully devoted to only her and loves only Christine. This LND Phantom makes little to no sense to both the original Erik in the book or the version of Erik in the ALW musical. Oh well… it’s severely flawed but fun fluff at best.
Makes perfect sense to me why he would chicken out and run, Eriks insecurity about his face and his belief that she could never possibly love him because of it has always been the wedge between him and Christine, along with his deeply seated feelings of being unworthy of her. After their night off passion that Erik would think that Christine would regret what they had done the next morning and hate him for it, or worse look at him with disgust or horror is completely believable. In his mind it’s better to run now and deal with the pain of leaving her rather than face the complete soul crushing agony of a second rejection by her and her hatred and disgust on top of it. Besides he is a fugitive on the run from the authorities, what kind of life could he offer her? Remember Erik had already let her go once before at the end of POTO because he loved her and believed she could have a better life with Raoul, I don’t see his view on that changing just because they made love. Their mistake is that they both should have talked about all this before jumping into bed together, but instead they let their passion take control and they slept together before addressing all the issues they were both still dealing with.
I love how Erik is trying to leave in the beginning and Christine's like 'nope come back here, you're going to meet my son.'
*our son
"Come and meet a friend of mine"
It didn't seem like a friendship two songs ago, Christine... 🤣
Also I love how he just goes from this whole "sensitive lover/Christine I've been waiting for 10 years just to see your face" to "your mentor/I'll kidnap your son if you don't sing". Classic Phantom 👏👏👏
Phantom: I am going to be normal, going to play it cool, going to just offer money THREATS IT IS. I mean, points for trying, I guess.
Yeah he's not a good dude. That's kinda a running problem.
And doesn’t answer her question about getting to leave at 2:57. If you listen he dodges the question. He had no intention of letting her leave this time.
I think he knew about the boy before she came over to America
"Someone strange and mad!" the way Ramin's Erik glances over like ' Who me?'
I LOVE how you can see the shift in him here once Gustave runs into the room, he slips right into his Mr Y persona and you can see it’s starts making Christine nervous because she knows him too well….he was being real with her now he’s slipping back into Phantom mode so something’s coming and she’s bracing for it as she hurriedly sends Gustave to bed.
That sly look he gives her right before going into his little ultimatum makes me smile, Ramin’s just knows how to turn that switch so effortlessly lol
"You sing, you leave together; pockets full, debts paid. You refuse, you leave alone."
"She walks, you leave together; pockets full, debts paid. She sings, you leave alone."
So the devil really did take the hindmost...
Thats not what Devil Take the Hindmost means.
It actually means thats the looser takes the worse price or smth..google it
Well for me the one who lost was kinda Christine, since whatever she would've done she wouldn't have any control of the situation...
Not really "he's not mephistopheles you know"
@@ogaoms8985 so "either way you choose you cannot win" / "either way you choose he has to win"
I love how right here at 2:33 he gives christine the exact same deal he bets raoul with later, but switched. So that theres NO way he will lose.
daecromancer But when he realized that Gustave is his son, he let Christine leave without the condition of singing, so she chose by herself to sing.
@@zagredl.m5478 I wonder, did he give her a chance to answer before he threatened her son? It's an interesting thought that he halfheartedly threatened to take her son, so that she had an excuse to say yes... So it's not on her, that she wanted to sing his music again. The way he says "A man this hideous is capable of anything", a bit forced. This is just a thought
@@muppmanda7
I wish we could exchange thoughts, but my English writing level is not the best and I feel that most of my words would be misrepresented. I interpreted Christine´s decision different, but I think that everyone can believe whatever prefer.
But when Erick threatened Christine, that was before he knew that Gustave was his son, after "The beauty underneath" he let Christine go, and asked her to take also Gustave with her without conditions. Then she said to him that she will sing anyway.
Staying true to that "for either way you choose, you cannot win!" from Final Lair in Phantom of the Opera
@@juanpedraw4245 I was thinking that was a nice parallel, was just about to comment this
One of the things I love about LND (and believe me, they are few), is how they still snuck some of the tracks from POTO in. In this scene, we hear Stranger Than You Dreamt it, the title song, and Angel of Music/Wandering Child.
I agree it's one of the only things that saved it for me
Hi everyone! :)
Because we've all been quarantined at home, I thought I might as well take this time and share some more LND videos for you all to enjoy!
Stay safe & well ! x
Blair Bart II unfortunately they only filmed the Australian version not the London version
Blair Bart II wdym?
Blair Bart II I don’t post these videos the opera ghost does
Blair Bart II probably a fan that uploads the phantom of the opera and love never dies videos
Thank you for this and hope you and your family are safe
But that eye contact immediately at the beginning. 😳
I like how the phantom kneels down to Gustave’s level…that is how you make a child feel more comfortable
Ramin and Sierra are great....in one version he doesn't threaten her...he just disappears through the mirror after talking to her son. His son!!!
Holy sh*t !! There is so much Phantom Of The Opera here im fangirling HARDDDDD!
The music, the melodies, the track, "things have changed Raoul ! "
2:18 lol, it sounds like there's someone in the audience whispering "Jesus Christ" threatens to kidnap/murder his OWN kid to get Christine to sing.
@@whoeveriam789 okay, not his son, but this is some "I killed my ex's dog to get them to talk to me again" stuff.
@@EthalaRide he was the father but he wasn’t the daddy
Me everything I hear about Love Never Dies : Jesus CHRIST
Comparing to the DVD version of that evil angry emo phantom during this scene this phantom was actually very....nice lol And Christine wasn’t afraid of him like the Aussie version was.
bugi dog You’re right. She looks more mature in this version. But come to think of it, Christine has known him from the beginning and knows he’s capable of taking lives to satisfy his pleasure, so it’s reasonable enough to understand if the Aussie version interpreted her fear of him hurting Gustav, his own child that she doesn’t want him to know, or even killing him.
@@TheOscarFrancois But even here, the Phantom threatens to take her child away from her before he "knows" it is his child. He says he'll take him if she refuses to sing for him. Not exactly a "nice" guy!
Where i can find it?
@@kudubwrong7897 well you also have to remember the Phantom despite his musical and engineering prowess is at his core a full blown sociopath he cares for Christine yes, but still will stop at nothing not even murder as we saw in past to get what he wants
I can feel the agony in his voice.
NOW I NEED THE ULTRA HD VERSION :’)
Did anyone notice the 10 long years song is also stranger than you dreamt it from the classic phantom?
Also after that we have a lil bit of "wandering child"
Which one the one at the beginning or in this scene
I love the original London cast with Ramin and Sierra. Thank you for sharing. More will be definitely better.
*_things have changed, raoul_*
O P E
Gustave is still in the other room listening... I-
3:59 I’m sobbing. Don’t get me started on the title song
Ikr
His fatal flaw is he keeps giving Christine these crazy ultimatum’s. Why can’t he just love her?
He's a narcissist. He needs power and control.
He’s obsessed with a version of her that isn’t who she actually is
He’s desperate to get her to sing for him again and then in comes Gustave who at this time he believes is Raoul’s kids which triggered his jealousy at the reminder that Raoul’s got her, so his possessiveness and obsession for Christine came roaring back to life…”in America you will sing ONLY for ME!” aka ‘You are MINE!’ basically
That’s the Phantoms character…his struggle between his obsession and his love, his obsession got triggered here.
Some people say that in LND there are practically no motives from the original POTO...
Maybe there aren't many but once you know them and you spot them
*_DAMN THIS IS STRANGER THAN YOU DREAMT IT, TITLE SONG, ANGEL OF MUSIC AND "THINGS HAVE CHANGED RAOUL" REFERENCED IN ONE HECKIN SONG!!!_*
Thank you for uploading this with such amazing quality 💛
There is some extra lines for the Phantom!
Things have changed, Raoul...
They sure have..
*gets popcorn*
You've always loved Erik, haven't you?
@@raquelbraga2800 Yep
@@elizabethschuyler_hamilton inside of my mind the ending of Love Never Dies isn't real and you marry Erik and live with him and Gustave among all of those beautiful operas, colorful costumes and inventions.
0:36 it just looks like Christine is using her son as a shield 🤣
Does anyone know what he says at 3:40??
Just before he says " You will sing for me"
Please anyone?
@CAMI HEATH What i mean is after he says "america". Because he opens the mouth and there is a glitch and then he says "you will sing for me"
@CAMI HEATH ahhaa thats okay ....lol everybody i asked either said "America" or "you will sing for me" 😂
And im like
Nope. I can hear those. They are as clear as day😂
If phantom took a darth vader no i am your father 😂😂
What did she say at 2:27 ? I tried but I couldn't hear it. "You're date to my son" ?
“You would take my son” is what she says, because Phantom would use Gustave as leverage to make her sing for him again
@@alisond929 thank you. I have bad hearing.
Love how he's within 3 mins of meeting Gustave and he's all "THAT PERFECT SPECIMEN"
I think he knew, he’s been stalker her the whole time
I love this so much! Do you have a full copy of this?? I really desperately need this in my life... thank you!
Yes
А можно вас попросить выложить полную версию этого мюзикла
My god!!! Thanks very much!!!!!! But...i want more...😘😘😂😂😂🥰🥰
Love Ramin's voice but Ben's acting is way more astonishing!!!
"I am your angel of music! I am dying, suffocating in the darkness! Give me breath! Give me life! SING FOR ME!!!!!"
Oh yeah I LOVE Ben’s acting in this scene, his obsession for her just comes roaring out in full force as he’s grabbing her arms basically screaming in her face that he’s dying without her…so dramatic LOL
Weirdly romantic too even though it’s absolutely horrible what he’s threatening her with, so very Phantom and I happen to like that he’s still got his teeth, although on the surface he might appear to be more mellow…he’s not tamed in the slightest and I like him like that.
There’s no one like Ramin or Sierra. Beautiful people with equally beautiful voices. Also two of the biggest goobers on the face of the planet.
I know you get this question a lot of times but do you have the entire London show? I saw the Australian version online but I really want to see the version with Ramin and Sierra
Susana Gonzalez we all need to spam ALW
Um, there is its says something like 'love never dies sierra and ramin (love tape)'
Please Susana where did you find the australian version streaming ?
@@98hamtaro There’s a channel called the show must go on and they premiered musicals from ALW, so they showed the LND Australian version. Sadly, they only premiered it for the weekend so the only other way you could watch it is by buying the dvd
th-cam.com/video/IKcjhiQuEgA/w-d-xo.html
Thank you once again.
For years i only knew the original soundtrack from the London version. Then i saw the Australian version if DVD, and now i am seeing mire and mire from the actual London production. But this little part... in my opinion the CD version did it better than any of the actual theatre versions. For those who don't know: in the original soundtrack this part where the Phantom threatens to harm Gustave doesn't exist. He just promises to show him around after Gustave asks him to. This means he also doesn't threaten Christine to sing for him here. The first time you hear anything about the eventual will she or won't she sing scheme in tge soundtrack version is wheb the Phantom finds out Gustave is his son. And then Christine OFFERS to sing for him despite them wanting to leave earlier. All if this makes the Phantom a much more likeble character in that version. His whole manipulation game with Raoul could in that version be seen as a reaction on Christine admitting her desire to be with the Phantom again.
Where on earth did you find these? I never realised that version existed in London, I thought it was something they added in the Aussie one
It’s interesting how “Ten Long Tears of Yearning” is not in the official soundtrack for original cast… which is this casting…
I love how the have hints of the original phantom of the opera in the song
Hi can you please send me the full copy of this?
Thank you so much from France!❤❤
Thanks a lot OG :)
Pays her DEBT???? What the heck??? I did not realize that was a line in this version 😅
What would the line be otherwise? (there's like a million versions of this, isn't there? lol)
Idk that's just such a weird thing to say 😅
@@Anna_00_ He is the reason she became such a fantastic singer during Phantom of the Opera. Ten years later, she still retains such fame from those glory days.
Though what has she done to repay him?
Denied him and betrayed his love.
I don’t think Phantom was gonna kill Gustav I just think he was gonna take him.
I think he already knew about him and played it off to everyone that he was completely surprised. He also had no intention of letting her leave going by the fact he completely dodged answering the question.
Thanks for uploading this, I have wait this since I saw this version of LND. Do yo have look with your heart?
Dana Pamela Salas Mendoza I uploaded ’Look With Your Heart’ today! See my previous video.
@@operaghost7381 do you perhaps have the whole show? If you could upload that I'LL BUILT YOU AN ALTAR
The thing about the Phantom is there is always this battle going on between his love for Christine and his Obsession with her.
Those two parts of his character are always at odds. Here we see his obsession come roaring on back when he gets desperate to hear Christine sing for him.
That dark side of him used to terrify Christine when she was younger but I like how now we just see her frustration with him like ‘really, you’re going to pull this crap again on me?” I honestly don’t think Erik would have harmed Gustave, maybe given him a scare at most but this was just him falling back into his old habits because he didn’t know how else to convince her to sing.
"things have changed, Raoul"
AAAAAAA
Do you happen to have After the performance??
This is the bit in the album i remember that strenger then i dremted
At 2:57, anyone notice he doesn’t agree she will get to leave when she asks, he says “will of course receive a princely fee”
On some level I think he knew one time wouldn’t be enough for either of them and he knew that once she sang for him again it would reawaken her passion both for his music and him because he has always been her Idol.
Regardless of what messed up stuff he does and as much as she might try and deny it…Christine absolutely worships his genius as much as he’s obsessed with her voice. So yeah he was after her the whole time and on some level I think Christine knew that, but was unable to keep herself from falling back under his spell.
Thanks for uploading the new clips. Is there any chance you could upload the Cooney Island Waltz and Only for You?
luv how andrew lloyd webber makes it clear at 3:50 that he doesnt want mr. hammerstein ;) claiming sierra haha get it?
Mother please! I'm scared! What a dream! An awful dream! Someone strange and mared, seizing me and drowning me!
I’m not your mother but I can I hug you
@@beneddiected I'd be okay with that, I need a hug 🤗
Gustave Daaé *hugs you* There there Gustave. I’m here with you beside you. To hold you and to guard you :D
@@beneddiected Thank you! 😄
Gustave Daaé anything for the cutest little boy ever ❤️
Ok but why is he such an ass to Christine? Why does he threaten her? It's his fault she's not with him. He left her. He has NO right to talk to her like that.
...
Amen and exactly why the phantom lost christine!
I thought the comments on the "Beneath The Moonlit Sky" video were just memeing about Gustave being in the other room 😨 I had no idea that this song proceeds that one.
which do you like best? love never dies in London or in version Australian?
London
London
definitely london
Australia
London all the way even though the Australian cast did good acting but no with the story where London did both correctly making this all the less confusing
Ooo do you have Madame giry & meg singing about Christine before she arrives in New York?
I know it was in the London one
Do you have Dear Old Friends?
Rhiannon J Just uploaded! Hope you enjoy!
Opera Ghost thank you!!
Thanks!! But someone explain about the song from past?
Overall I really like this version but there are just a few times it seems like there is distance between the words and the body language. Perhaps you can't tell expressions as well because of the distance of the camera though. In the middle of the scene here Phantom talks about keeping her son there eternally and Christine waits a second before responding with her line and the way he says "a man as hideous as this, believe me, is capable of anything" for me comes across more like he is just in habit saying that phrase automatically and doesn't really believe it. Maybe he had plans of how this conversation would go in his head and then putting the child into the middle of it was just something he is winging on the fly and he is convincing himself & her at the same time. That would make sense with the way that he goes back to almost rehearsed instructions of what will happen once she agrees to sing. The way he says "in America you will sing for me and only for me" before he leaves comes across as more dangerous than the "capable of anything" comment.
Does anyone know if this was one of the scenes they altered/shortened from the original longer version of this show? I'm wondering if there were other lines that aren't there anymore which might also explain this.
I don't understand. In this part, Ramin wore a tailcoat, but from Before The Performance to the end of the show, he wore a frock coat. It would have made more sense if it was the other way around
I think the frock coat was since Beauty Underneath?
@@beneddiectedmy point is, he should have worn his frock coat in this scene and then switched to the tailcoat
This is such a great recording….do you have the full show? blessings❤
Do you happen to have the lyrics/ dialogue?
Do you have the whole thing???
This is amazing! Do you have the quartet?
Is Ten years of yearning on the album? Is it the same tune as something in POTO?
@Hannah Brilliant thank you
Está criança é um filho de Erik e da Christine.
Watching this again I really love how Sierra’s Christine plays it here, she’s not scared of him, not anymore, she seems more hurt to me then anything, hurt that he would threaten her AGAIN, Sierra’s Christine is not as angry to me as say Anna’s Christine in the Australian show.
Sierra’s is more broken, by her Angel leaving her, by Raoul becoming a drunk and having to raise her son practically alone while her husband gambles away all their money…you get the sense she’s holding on for Gustave but has completely lost herself and her passion…and since their was no initial refusal from Christine here (unlike in the Australian Show) I think she’s more hurt that Erik thinks he HAS to threaten her to get her to sing for him when she might have agreed to sing for him anyway but his jealousy got triggered here and the old Phantom came out.
But Christine’s not scared this time, just sad.
Este é o filho do Erik com a Christine.
Sorry but I think Ramin forgot his line after Sierria said you would take my son
"A man as hideous as this is capable of anything." feels wildly out of character. Like I get in this version he's confident enough to laugh off Raoul making fun of him and he goes maskless by choice a few times, but this still feels off for him to say.
If you listen hard enough he doesn’t tell her she will get to leave when she asks at 2:57.
He’s not changed in 10 years
@@rachaelt8729 im mainly referring to how he views his appearance. His character hasn't really changed, but his relationship to his disfigurement has.
I just feel this was an empty threat on his part, he’s slipping back into his ‘Phantom’ persona, he’s desperate for her to sing for him and fell back into old habits.
Notice Christine is more sad and frustrated with him then scared…at least it seems so to me. It’s like her mind is going “seriously, you’re going to pull this crap on me again?!”
Am I the only one whose upset that this entire scene is just recycled music from phantom and nothing original
Not whole- the beginning-
double EnnD production the entire thing except the beginning was recycled
Alex Destler personally it feels nostalgic to me
double EnnD production I can see that but it’s more lazy than anything. I get this is a sequel but it should also still be fresh and new
Again, if the book Erik was accepted by Christine and they got together, Erik would never have left her. He would have been faithfully devoted to only her. He is faithfully devoted to only her and loves only Christine. This LND Phantom makes little to no sense to both the original Erik in the book or the version of Erik in the ALW musical. Oh well… it’s severely flawed but fun fluff at best.
Makes perfect sense to me why he would chicken out and run, Eriks insecurity about his face and his belief that she could never possibly love him because of it has always been the wedge between him and Christine, along with his deeply seated feelings of being unworthy of her.
After their night off passion that Erik would think that Christine would regret what they had done the next morning and hate him for it, or worse look at him with disgust or horror is completely believable. In his mind it’s better to run now and deal with the pain of leaving her rather than face the complete soul crushing agony of a second rejection by her and her hatred and disgust on top of it.
Besides he is a fugitive on the run from the authorities, what kind of life could he offer her? Remember Erik had already let her go once before at the end of POTO because he loved her and believed she could have a better life with Raoul, I don’t see his view on that changing just because they made love.
Their mistake is that they both should have talked about all this before jumping into bed together, but instead they let their passion take control and they slept together before addressing all the issues they were both still dealing with.
guys i hate this show what was andrew on lmao
*C R A C K*
@@gustavedestler6193 Bro, you're ten years old, what do you know about that?
Wattpad fanfic juice
With a generous helping of Phantom-flavored self-insert OC
@@sanctacaecilia11 His supposed dad is a drunk, man 😥 Kids will pick up and remember whatever they hear, they're like information sponges
@@gustavedestler6193 GUSTAVE-