Yesterday I watched this in school and it was AWESOME. A lot of people said that it was boring but i think that it was amazing with how they used technology to create the affects of Prospero's and Ariel's magic
I joined the RSC as a student member at the Fresher's stand at Westminster, and I intend on studying acting after I complete my course. This looks Splendid and Breath taking!
How thrilling for you! It is a very difficult part. Twenty years from now, you will look back on the experience with fondness. You probably spoke the lines with great beauty and sonority, murmuring out the vowels lovingly. Good for you.
If you're still stuck with the bleak post-Brechtian orthodoxy that's hung over productions since the 1970s, you might think so. Greg Doran's done that kind of hidebound traditional staging very well, all bare stage and alienation, guaranteed magic-free; but he isn't so reactionary. Nor does he mistake austerity for intellectualism, as the older generation of French and German producers are still doing. This is something new and groundbreaking, as much as Peter Brook's Midsummer Night's Dream was -- an expansion into a new stage language, to mirror the power of the text.
Mark has a beautiful voice. We went to see a showing at the cinema. It was absolutely amazing. I could watch it again.
Yesterday I watched this in school and it was AWESOME. A lot of people said that it was boring but i think that it was amazing with how they used technology to create the affects of Prospero's and Ariel's magic
Lizzie S Do you know a place where I can download this entire drama?
A truly magical revival! Simon Russell Beale is a glorious Prospero!
I joined the RSC as a student member at the Fresher's stand at Westminster, and I intend on studying acting after I complete my course. This looks Splendid and Breath taking!
I WATCHED THIS AT SCHOOL AND NOW WE ARE DOING A PLAY ON IT!!!!! I HOPE I GET ARIELS PART 🤞🤞🤞
Not a chance, duckie. :-)
loren Harding Monday and yesterday I did my play and I did get the part of Ariel actually
How thrilling for you! It is a very difficult part. Twenty years from now, you will look back on the experience with fondness. You probably spoke the lines with great beauty and sonority, murmuring out the vowels lovingly. Good for you.
loren Harding I'm auditioning for Ariel for a play....
Queen Valencia hope you get the part!
Best production I've ever seen to date. I wish I could go back and see it for the first time again
I watched this live today at school AMAZING
Lena Slodkowska same
Last week we did this play for Shakespeare in The Vines in Temecula and I was the role of Prospero. Good times. Good times.
Omg why can't I stop watching this
MARK QUARTLEYYYYY
Looks terrific
Top notch special effects
Well, I've just seen the play. I would say I still prefer Globe's version the most :)
We r doing dis at school
ok
R
The projection has some bad taste
this looks AWFUL
ur mum looks awful i watched it and its amazing -.-
lauren lane it was actually really good
If you're still stuck with the bleak post-Brechtian orthodoxy that's hung over productions since the 1970s, you might think so. Greg Doran's done that kind of hidebound traditional staging very well, all bare stage and alienation, guaranteed magic-free; but he isn't so reactionary. Nor does he mistake austerity for intellectualism, as the older generation of French and German producers are still doing. This is something new and groundbreaking, as much as Peter Brook's Midsummer Night's Dream was -- an expansion into a new stage language, to mirror the power of the text.
Nah your awful you bitch