Hayao Miyazaki and Mamoru Oshii are old friends (1983~), and they have been compared with each other well. "Hayao Miyazaki's movie is a movie that 100 people watch once, Mamoru Oshii's movie is a movie that one person views 100 times."
I agree I watch Miyazakis movies once or twice but Mamoru I have rewatched Ghost In The Shell like 7 times it changed everything from my taste in anime and how I view life
Honesty I feel like I could watch both Oshii and Miyazaki's movies until the end of time. Spirited Away, Princess Mononoke, and Howl's Moving Castle I've watched like 50 times each, and Angel's Egg and The Sky Crawlers literally think about every single day.
Timecode 1:10 Do you remember the first movie you ever saw? 2:40 What was the first manga you ever read? 3:57 What point that you've realised to make movies? 4:48 When you realised to make it a career? 8:29 Your parents support you? 10:26 From what do you start working on a movie (idea, sketch etc)? 13:16 XXX (do not understand the question :) 16:12 When did you become to interest in technologies? 19:27 Where did you get the idea for the Patlabor? 22:40 What do you think about the fear of progress? 27:17 What attracted you first in the story of the GiTS? 31:46 What did you think the original comic when you've got it? 34:37 How do you describe your animation style? 43:37 How do you see the connection between video games and anime movies? 46:35 What inspired you to make Sky Crawlers? 52:00 You brought smth new to share with us. 54:30 QUESTIONS FROM THE AUDIENCE 54:43 How you started to work witn Kenji Kawai? 1:01:12 How do you feel of CGI-remake of GiTS from the group of the independent artists? 1:03:18 Could be Angel's Egg be make today? 1:04:58 How it feels to doing movies alone? 1:06:51 Your movie is filled with loneliness. But you say technologies make us happier. How do you explain this? 1:08:23 Why did you choose Warsaw (Poland) as a setting for The Sky Crawlers? 1:09:59 What do you think of the current state of the anime? 1:12:57 Can GiTS become real? 1:15:54 Why are there so many stills in your movies? 1:20:25 APPLAUSE
I wish one day to be able to attend something like this for Oshii-san again. It is probably not so of the current condition of the world. So until then, I am envious of those who were there and got to ask him a question.
His more well known films are quite serious in tone, but Oshii has directed a number of humorous anime like Urusei Yatsura, the Patlabor TV series and the short lived Gosenzo-sama Banbanzai. He’s honestly really great at directing comedy
A great and interesting insight to his work and thoughts. :) Its understandable that you didn't show the shortbits on YTube, but it would still be great if you could write what scenes was depicted from each film, for a sense of reference? :)
His works always make me go: wait, when was this made? They all seemed way too technically advance for their time. His mastery of the medium was such that I am convinced he single-handedly spawned Japanese culture of the 90s. I don't think any the major 90s Japanese works quite escape his influence and vision, whether it's Patlabor and ultimately, Ghost in the Shell, his success seeped in and to me, defined what's "Japanese" of the 90s: Dark, moody, edgy in a decaying, dusty and isolated way, his works screams 90s Japan without making a loud sound, just echoes of said voice bouncing off distant concrete walls. Modern Japanese creative industry sorely miss someone like him.
Can anyone link the timecodes for anime which part was used as examples ? I understand that it was cutted for copyright sake, but it's very hard to get what they talk about right after watching them.
+Maki Terashima-Furuta I thought it was really great! Even if it did drop a bit in quality, it didn’t impact the fluency and was really high to begin with.
Thank you! As you may know, it's not just translating but also public speaking where you can get nervous, distracted, forgetful, etc. when you're up on stage.
@@makiterashima-furuta9580 you did an incredible job and yes it can be very exhausting. Oshii-san is very detailed when he responds to questions, which is a good thing to his audience but as you noted a long process for translation.
Hayao Miyazaki and Mamoru Oshii are old friends (1983~), and they have been compared with each other well.
"Hayao Miyazaki's movie is a movie that 100 people watch once,
Mamoru Oshii's movie is a movie that one person views 100 times."
ちゃーちゃん Is that your quote, I can't find it anywhere.
@@Alexlinnk Mamoru Oshii said that actually in other talk video.
I agree I watch Miyazakis movies once or twice but Mamoru I have rewatched Ghost In The Shell like 7 times it changed everything from my taste in anime and how I view life
True × ∞
I have watched Patlabor 2 so many times.
Honesty I feel like I could watch both Oshii and Miyazaki's movies until the end of time. Spirited Away, Princess Mononoke, and Howl's Moving Castle I've watched like 50 times each, and Angel's Egg and The Sky Crawlers literally think about every single day.
I was amazed when Oshii answered my question and the amount of detail he gave to go with it. Still one of my favorite directors!
Angel's Egg is a bloody masterpiece.
@Excelsior yes
Yes
No, because is very difficult to enjoy the first time
Oshii is such a interesting individual, thanks for hosting this interview!
its youuuu !
Timecode
1:10 Do you remember the first movie you ever saw?
2:40 What was the first manga you ever read?
3:57 What point that you've realised to make movies?
4:48 When you realised to make it a career?
8:29 Your parents support you?
10:26 From what do you start working on a movie (idea, sketch etc)?
13:16 XXX (do not understand the question :)
16:12 When did you become to interest in technologies?
19:27 Where did you get the idea for the Patlabor?
22:40 What do you think about the fear of progress?
27:17 What attracted you first in the story of the GiTS?
31:46 What did you think the original comic when you've got it?
34:37 How do you describe your animation style?
43:37 How do you see the connection between video games and anime movies?
46:35 What inspired you to make Sky Crawlers?
52:00 You brought smth new to share with us.
54:30 QUESTIONS FROM THE AUDIENCE
54:43 How you started to work witn Kenji Kawai?
1:01:12 How do you feel of CGI-remake of GiTS from the group of the independent artists?
1:03:18 Could be Angel's Egg be make today?
1:04:58 How it feels to doing movies alone?
1:06:51 Your movie is filled with loneliness. But you say technologies make us happier. How do you explain this?
1:08:23 Why did you choose Warsaw (Poland) as a setting for The Sky Crawlers?
1:09:59 What do you think of the current state of the anime?
1:12:57 Can GiTS become real?
1:15:54 Why are there so many stills in your movies?
1:20:25 APPLAUSE
@triple6keyz tagging myself to come back to this
thank you very much
Patlabor 2 is one of the greatest movies ive ever seen
That laugh at 42:18 is probably the most expressive I've ever seen Oshii.
通訳さんが素晴らしい。で、押井さんも通訳さんの事を考えてセンテンスで切って話してるのも良い。
で、通訳さんが素晴らしい。
ありがとうございます。
時々映る観客の顔に笑顔が多い。難しい顔をしてない。海の外でも押井さんの話やっぱ面白く聞いてくれたんでしょうね。
そしてその話を訳してくれた通訳さんもお疲れ様でした。
こんなにサービス精神旺盛な押井さん、日本ではあまり見られないよなぁ。
キャラクターとストーリーしかない、ステレオタイプになってきているってのはこのインタビューから7年経った今日なおさら重く刺さる言葉だよなあ
最近の作品だとキャラクターしか残ってないかもしれないですね。でも需要なのかな。
押井守のジョーク結構面白いｗ
翻訳を挟む事で、本来なら途切れる事なく喋るであろう押井守監督の話に区切りが生まれ、なんと分かり易くなる事か。
Very interesting thoughts from Oshii-sama on the current state of the anime industry.
同時通訳のおねぇさんが凄い！
ありがとうございます。実は自分でも後半は自己嫌悪に陥るほど通訳のクオリティーが下がってしまい観客の方々に申し訳なく感じていました。ちょうどガルムウォーズの撮影真最中でこの日のために日帰りでモントリオールから監督と飛んで行ったというハードなスケジュールだったもので集中力がかなり欠けていました。でも素敵なコメントありがとうございます。お世辞でもとても嬉しいです！
Maki Terashima-Furuta 本物⁉︎
I feel like listening to this interview made me smarter.
Such an amazing director with a really fascinating take on the current state of the industry.
He's crazy about symbolizm in Christianity yet he's a briliant Director
I wish one day to be able to attend something like this for Oshii-san again. It is probably not so of the current condition of the world. So until then, I am envious of those who were there and got to ask him a question.
Probably my favourite japanese director.
hes got such a good sense of humor. considering his movies this was unexpected
His more well known films are quite serious in tone, but Oshii has directed a number of humorous anime like Urusei Yatsura, the Patlabor TV series and the short lived Gosenzo-sama Banbanzai. He’s honestly really great at directing comedy
Weirdly enough, Ghost In The Shell: Innocence is probably the closest to comedy the movie franchise has been if we exclude the manga.
Do you watch his other movie The Red Spectacles?
39:08 Such an insightful, interesting and funny guy.
Thanks for this video !
Mamoru Oshii is my Favorite Director
excellent translator
Thank you.
Just watched Patlabor 2. Amazing movie
Thanks for posting this interview! Cheers from Brazil \o/
He's a genius !!!
darn. once in a lifetime opportunity to ask oshii, and the question gets misunderstood...
I have to agree with him, the music from Garm Wars is my favorite! I love the mood of that one... dogs really add something to sci-fi.
Taking notes...
A great and interesting insight to his work and thoughts. :)
Its understandable that you didn't show the shortbits on YTube, but it would still be great if you could write what scenes was depicted from each film, for a sense of reference? :)
The Stanley Kubrick of anime.
The Greatest.
What a fucking legend. Holy shit
mamoru oshii and angles egg 1:03:18
G O A T
笑い声が凄い
His works always make me go: wait, when was this made? They all seemed way too technically advance for their time. His mastery of the medium was such that I am convinced he single-handedly spawned Japanese culture of the 90s. I don't think any the major 90s Japanese works quite escape his influence and vision, whether it's Patlabor and ultimately, Ghost in the Shell, his success seeped in and to me, defined what's "Japanese" of the 90s: Dark, moody, edgy in a decaying, dusty and isolated way, his works screams 90s Japan without making a loud sound, just echoes of said voice bouncing off distant concrete walls. Modern Japanese creative industry sorely miss someone like him.
Virtua Fighter of all things hahaha.
ゴーシェルとイノセンスが分かりやすい映画かぁ…
Can anyone link the timecodes for anime which part was used as examples ? I understand that it was cutted for copyright sake, but it's very hard to get what they talk about right after watching them.
he is a genius
If I understand correctly, project 2501 was just a one off thing and not actually a re-make of the entire film...
Interviewer laughs like Eric Andre...
Anime Sci Fi Goat
pff tetsujin 28 is awesomeeee
jin roh
@13:14
so he understands English.
Patlabor 2 is the best !!!
The interviewer's got a nasty laugh lol. He laughs at everything like it's a dirty joke haha.
Cool interview regardless... gotta respect Oshii!
He sounds like Eric Andre when he laughs
Rude! Leave him alone, bully!
He laughs like a Yakuza boss.
Owshiii
34:45
38:50 映画の持つ時間
New friend
1:11:31
< 3
10:43
Her translation really drops in quality after a while.
Sorry, I got tired after 2 hrs of continuous talking. I'm not a professional translator myself :(
+Maki Terashima-Furuta I thought it was really great! Even if it did drop a bit in quality, it didn’t impact the fluency and was really high to begin with.
Thank you! As you may know, it's not just translating but also public speaking where you can get nervous, distracted, forgetful, etc. when you're up on stage.
@@makiterashima-furuta9580 you did an incredible job and yes it can be very exhausting. Oshii-san is very detailed when he responds to questions, which is a good thing to his audience but as you noted a long process for translation.
Thank you. That means a lot. @@bored1ca