Thank you for answering my question guys! Best youtube channel for learning music theory. You always manage to break down complicated concepts so easily!
Aw thank you kindly Alex, we're so happy you liked our video answer to your great question! And wow, that's the best compliment ever for music theory teachers. Yay!!! Kate & Ray :)
Thanks for this video and all the others! I've really learned a lot. I kept hearing Alexander Hamilton - My Shot with this progression. I'll have to go check it out to see if it's in the Dorian mode!
To be honest I still don't understand how all this info is free...wow...its like a freaking music school here!!would recommend to anyone even if they don't make music!!!😅😅🙌
Hey thanks big time Patrick, for your kinds words and support, we really appreciate it! And a very warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :)
Hey Aldo! Yes indeed, that's a great observation :) Glad you enjoyed this one, and thanks so much for being a part of the Hack Music Theory community! Kate :)
@2:00 do you think when you transpose keys it actually affects the feel/mood of a chord progression/song. I had this discussion with my music teacher about it once. I asked did different keys have different moods and he first said yes and gave examples in jazz of different keys that had different tunes, and then I said but mathematically the melodic tonal intervals and chords haven't changed and then he changed his answer to no, it makes no difference, but I think he didn't want to discuss it any longer. But mathematically the frequencies are changing under a transposition and potentially harmonic resonances etc (i don;t know). And some frequencies are said to be significant… and even what frequency root A should be have argued by composers for centuries. Bit OT but you seem to know you music theory inside out. :-)
Amazing question! And, there's actually a very simple answer to this. If someone has perfect pitch, then the specific key (i.e. the actual frequencies) could make a difference to the emotion they feel from a chord progression or melody, but if they don't have perfect pitch (and most people don't), then it's all contextual and about the specific melodic and harmonic intervals. In other words, if you transpose a chord progression from D Dorian to E Dorian, people with perfect pitch could perceive it slightly differently, but most people will hear and feel the identical thing from both versions. Thanks for watching and asking such a fascinating question. Ray :)
@@zyrrre Perfect pitch is the ability to know what note is being played without using a reference note with which to compare it. So if I were to play a random note on a piano, the person with perfect pitch would be able to instantly tell you what it was.
Many Many Thanks for such an Awesome Video! My question is: In a E Phrygian mode, which chord progression will solidify the progression as Phrygian: Emin, F, G or Emin, F, G, Dmin. Please Please guide me. Thanks again very much !!!
Thanks a bunch for watching and connecting, Amit, much appreciated! We actually have a Mode hack for this exact issue, which you can check out in our Songwriting & Producing PDF here: revolutionharmony.com/books Thanks again, we are truly grateful :)
The finished song sounds a ton like The Battle of Yorktown from Hamilton. I love writing music in modes... it's really fun, and gives you as the composer some much more harmonic vocabulary when putting together new ideas. Great video!
Happy to hear you enjoyed this one, Brian, and a warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :)
Thanks once more for the lesson. I feel like I am learning a language which I have always known but never understood as a language being that I learned how to play by ear and then improvised the rest. I like these tips. - Billy
I always wanted to know How can I create chord progression which has to rely on emphasize character of chosen scale? How it looks chords progression (in the key of C major-cdefgab) with ionian mood and how it looks chords progression with phrygian or dorian mood(in the key of C major-efgabcd/defgabc)? I found only this somewhere in internet "... traditional jazz method is to use two chords. The primary chord contains any note of the mode except the character note. The secondary contrasting chord contains that note. So, for D dorian, you could use Dm7, Dm9, Dm11, D9sus4, etc. as primary chord (none of which contain B). For the other chord, you could use G, G7, G9, Em7, Cmaj7 (all of which contain B). The most common choices are Dm7 and G7, or Dm7 and Em7 ". Cheers :)
PS. "...explanations and analysis of the creative and improvisational techniques musicians use for style, phrasing, solo development, and motivic improvisation in an easy to follow step-by-step format". "CONSTRUCTING MELODIC JAZZ IMPROVISATION C INSTRUMENTATION" - Brian Kane I think these are the most interesting and most neglected topics on youtube. We need more and accurately :) "Motives - also referred to as motifs, licks, or clichés - are the building blocks of a good jazz vocabulary. This book shows how motives may be developed using simple five-note major, minor, and diminished scales and how to apply chromatic embellishment to those scales. The “magic” appears when you discover that any motives created from these scales may be superimposed over a variety of chords with equally good results. Includes detailed explanation and pages of motives in a variety of harmonic situations, including standard chord changes". MAGIC MOTIVES - Dan Haerle My problem is: -How to build phrases which are question implying the answer? -How to build phrases which are suggestive of asking another question which suggests the next question etc etc before answer ?
Well hello there, and thank you sincerely for taking the time to watch our videos and connect, we are truly grateful. Your question is AWESOME, thank you, and we actually already have a couple other videos where we explain this concept. We only use triads in the examples, though, as no more is needed to emphasise a mode. But, if you want a thicker and more colourful texture, you can just extend the chords in the way you've mentioned. Here's our super simple hack on how to write Dorian chord progressions: th-cam.com/video/RGE3g4xSVYg/w-d-xo.html and here's our more in-depth/longer video: th-cam.com/video/jmrG-CeJdfc/w-d-xo.html Also, if you're interested, I cover this concept for the other modes in my Hack Music Theory for Songwriting & Producing PDF, which you can download here: revolutionharmony.com/books Lastly, if you really wanna go deep into theory with us, we offer exclusive advanced theory & songwriting hacks (video lessons) to our patrons over on Patreon, here: www.patreon.com/revolutionharmony Once again, thanks big time for connecting :)
“This is the kind of book I wish I had when I first started out.” -IHSAHN, Emperor WOW :D Even Emperor needs someone more important than king (Diamond) XD
Haha thank you :) If you like Ihsahn, you should check out the song I did with him: th-cam.com/video/8ojg4vEDGjs/w-d-xo.html You can download the free mp3 here: revolutionharmony.com/all-stars
Very not bad :D I mean good. Since my wrist started to hurt because of which I left the band and I stopped playing,I'm writing music in Guitar Pro :) I have a lot of ideas in midi and some finished compositions Do you think we could do a song together on TH-cam?
This actually helped me a lot! As a begginer in making music i always find myself ending up on minor, then i cant ressist but to progress to phrygian xD
this is so good. informative , fun presentation without being too quirky or annoying (as some other channels can be), concise and easy to digest. thank you!
Hey thanks so much Barry, it always makes us happy to know that our hacks are helping musicians! We hope to see you around soon for more theory hacks, until then, take care and happy music making :)
Hey Will, good to see you back again! This is a great question. Any chord in Dorian containing the 6 will emphasize the mode's unique sound, but the IV chord is by far the most powerful of them. This is because our ears expect the IV chord to be minor, but instead it's major. If you'd like to learn more about this (and get all our other essential music making hacks too), then you can download Songwriting & Producing PDF here: hackmusictheory.com/bestsellers Hope that helps, Will, and thanks again for being here :)
Hi Ray and Kate, I came across your channel with this very video and now I’m a subscriber. Your lessons are very informative and have helped me a lot with my music. Using prior knowledge and your lessons Ive put together a few ideas. I was interested in sharing them with you for an assessment/feedback? Please advise.
Hi Jordan, that's a great question! Ray actually covers this topic in his free music theory book, '12 Music Theory Hacks to Learn Scales and Chords' which you can download from our website: revolutionharmony.com/books. Thanks so much for watching and connecting. Until next time, happy songwriting! Kate :)
thank you so very very much! this was immensely useful. I can't wait for more such videos on modes as I really don't yet (get) them on an intuitive... mode
Hey iXaarii! So glad you found this one useful. I would suggest watching this introduction to modes video: th-cam.com/video/uEElzai3tIo/w-d-xo.html. Also, I think you would find our "Hack Music Theory for Songwriting and Producing" PDF very helpful. It clearly explains the modes and how to use them to write songs with different 'vibes'. It also has a wealth of other hacks which include how to write chord progressions, bass lines, synth riffs, etc. You can download it from our website here: RevolutionHarmony.com/Books. Let me know if that helps. Kate :)
thanks so much. That video was much more clarifying than a 7 minute video has a right to be, amazing stuff, thanks for pointing me to it! As for the pdf, thanks for pointing me to it, but I'm at the stage where i'm barely getting things by hearing them, and no chance while reading :(
Hi soliloquyguy, thanks so much for stopping by! What kind of music do you make? You'll find our 3 mode hacks in the Songwriting & Producing PDF on our website: HackMusicTheory.com/Bestsellers. Hope that helps and we wish you a lovely week!
Wow, I've been struggling on trying to make D Lydian sound D Lydian instead of just A Major. Then this shows up on my recommendation. Coincidence? I think not. Thank you for the awesome video!
Happy we could help, Kenjie, and a warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :)
hi! I never comment on youtube, but you guys are so awesome i have to writte something. THANKS A LOT! i love your filosofy of "world with better music, is a better world." keep the amazing work guys. Blessings!
Your method of delivering information is bar none the most effective and makes it easier to apply and build upon... You both have the most gentle approach and it is the number one reason I have decided to start your courses when Im able to. I genuinely would love to get to know you guys better and your work, cause' you guys helped me re envison my music and to me there is no greater gift. CheersGodBlessPlur to you guys in the highest regard.
Hey Rhonald! Firstly, thank you sincerely for buying our Songwriting & Producing PDF, we hope it's inspiring and empowering you! Secondly, welcome to our Hack Music Theory community, we're super stoked and grateful to have you here! Thirdly, regarding your question. The example in our PDF that you are referring to is in C Dorian, so in C Dorian the IV chord is Fmaj. However, the example in this video is in D Dorian, so in D Dorian the IV is Gmaj - the root note of the mode (i.e. D) is two semitones higher than C, therefore the IV (i.e. Gmaj) will also be two semitones higher than Fmaj. The important thing to remember is that the IV in Dorian is always a major chord, not a minor chord (which is what everyone will be expecting, as I explain in the PDF). Anyhoo, I really hope this helps, and thanks again for being here, Rhonald, we appreciate you, and we hope to see you back here next Saturday for more theory hacks (we publish a new video every Saturday at 12pm PST). Until then, have yourself a lovely week :)
I'm really loving these videos. As a non-musician just having fun with Mulab and other software, this is making so much more sense. Thanks for what you're doing!
Hey Greg! Just wanted to say thank you so much for becoming our patron on Patreon, we really appreciate it big time :D Hope you're well and having a great week! Kate & Ray
discovered this channel yesterday im binge watching all of your videos today, still can't believe how simple can you explain all of this stuff, i will get that book for sure!
Yay, that's awesome, Windovaca! A very warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :) Kate
@@HackMusicTheory Goa Trance, music that relies heavily on phrygian scale! th-cam.com/video/r5fmci6x--s/w-d-xo.html this one is my favorite example of what Goa trance is and it would be amazing if you could do a tutorial on how to get a similar melodies like in intro of this song. Cheers!
Missing-nin When you write all of your midi in A minor/ C major all the notes in those keys are white. So the trick is writing your music in one of those keys and then shifting the midi up or down. By doing this you will get the same music but in a different key. This is because all the intervals will remain the same.
I've never seen a better explanation about modes before! You really nail it because you did it in a simple and effective way. And even better, using the amazing Reaper... The whole thing is wonderful!! Thank you very much ;)
Aww thanks so much, dreªms*flux, and a warm welcome to our Hack Music Theory community! We publish new vids every Thursday, so we hope to see you again soon for more theory hacks! Until then, have a wonderful week and happy music making :)
Excellent tutorial.I felt like found a key upon the floor 'cause I search for a long long time " how to establish strong sense of tonality in other modes " but never found in where can make clear idea to my question in many jazz or guitar website. but i found you video just because at first i came here just for pick some idea to compose song for my ex-girl but i found really cool video
Amazing Uglykidney!! Thanks so much for watching and sharing your story. We're always glad to hear that our hacks are helping fellow musicians. On that note, what kind of music do you make? Kate :)
just simple ordinary pop song.I composing song just because I ever promised to my ex (she asking me to compose song for her birthday gift when she knew that I used to be musician,and now she gone away ) but i wanna deep into topic of mode and harmony because i play jazz for my hobby.
play guitar and piano (play guitar for part-time job when i was collage boy) long time ago i ever composed 4-5 song for my band (since cakewalk was a name of software)
Aww, you are very kind massawemba :) We are thrilled to hear you are finding our hacks easy to understand and we're pumped to welcome you into our Hack Music Theory revolution! By the way, what kind of music are you into?
Hey Daniel, so great to hear from you again! We're so happy that you found this video helpful :) I noticed you downloaded the books this weekend, yay! We hope you find them helpful and enjoyable :D By the way, what kind of music do you make? Take care and happy songwriting! Kate :)
Here you go: th-cam.com/video/YwojcTNd9sE/w-d-xo.html Hope this helps, and thanks again for stopping by, it's always good to see you in the comments :)
Hey A Royalz, I'm seeing your comment now, so apologies for the late response!! If you haven't already got our "Hack Music Theory for Songwriting and Producing", I would suggest having a look because it clearly explains the modes, their emotions and how to use them to write songs with different 'vibes'. It also has a wealth of other hacks which include how to write chord progressions, bass lines, synth riffs, etc. You can download it from our website here: RevolutionHarmony.com/Books. Thanks again for watching and connecting! Until next time, take care and happy songwriting! Kate :)
We're really pumped you're enjoying our channel, 47TUNE! Thanks for taking the time to watch and connect, we're deeply grateful to you. Until next time, take care and happy songwriting! Kate :)
Hi avick broes! Thanks so much for watching and connecting. Yes, Aaron is completely on the money with the answer to your question. We are real fans of Reaper for many many reasons! Take care and we hope to hear from you again. Happy Songwriting! Kate :)
Hi Aaron! Thanks so much for answering this question so thoroughly, we really appreciate it, as we're getting a ton of people asking about what software we're using. It sounds like you're a big fan of Reaper too?! We've had other people answer this same question and I'm going give this group some kind of clever name...Reaper Fairies....Reaper Team...not sure, what do you think? Thanks again Aaron. Until next time, take care. Kate :)
Hi Aaron, I totally agree with you on both the reaper review and the teaching of modes. Modes are really simple, however, they are sometimes explained in a way that makes them seem complicated, thus all the confusion. That's why it's so important to know HOW to teach as well as WHAT to teach and in what order to teach it! By the way what kind of music do you make? So glad to have you with us and welcome to the Hack Music Theory revolution! Kate :)
Nice! For some reason I was having a hard time putting a finger on this before...way to spell it out in a clear way!! My arrangements seem to generally fall into ionian, aeolian, or mixolydian but I'm going to try to write some dorian arrangements now :)
►FREE BOOK:
HackMusicTheory.com/Books
***At 8:44 and 8:54 I meant to say G, not B.
Thank you for answering my question guys! Best youtube channel for learning music theory. You always manage to break down complicated concepts so easily!
Aw thank you kindly Alex, we're so happy you liked our video answer to your great question! And wow, that's the best compliment ever for music theory teachers. Yay!!! Kate & Ray :)
This is really good stuff
anyone know what DAW that is? oh, i just realized it's "REAPER". is it good? how does it stack up against FL Studio? does it provide good sounds?
Dorian wins! ☺️
Thanks for this video and all the others! I've really learned a lot. I kept hearing Alexander Hamilton - My Shot with this progression. I'll have to go check it out to see if it's in the Dorian mode!
Wow! Very informative!
I subbed at if it's not in one sentence, that's just good youtube teaching etiquette
To be honest I still don't understand how all this info is free...wow...its like a freaking music school here!!would recommend to anyone even if they don't make music!!!😅😅🙌
Hey thanks big time Patrick, for your kinds words and support, we really appreciate it! And a very warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :)
thank you so much, sometimes the seemingly most simple things are the ones that end up overlooked by teachers
Hey Aldo! Yes indeed, that's a great observation :) Glad you enjoyed this one, and thanks so much for being a part of the Hack Music Theory community! Kate :)
Sounds so good
I absolutely love this channel. You guys are like a Bob Ross version of music theory. By that, I mean you remind me anyone can do this stuff.
Can you do this for the other four modes? Specially Locrian?!
@2:00 do you think when you transpose keys it actually affects the feel/mood of a chord progression/song. I had this discussion with my music teacher about it once. I asked did different keys have different moods and he first said yes and gave examples in jazz of different keys that had different tunes, and then I said but mathematically the melodic tonal intervals and chords haven't changed and then he changed his answer to no, it makes no difference, but I think he didn't want to discuss it any longer. But mathematically the frequencies are changing under a transposition and potentially harmonic resonances etc (i don;t know). And some frequencies are said to be significant… and even what frequency root A should be have argued by composers for centuries.
Bit OT but you seem to know you music theory inside out. :-)
Amazing question! And, there's actually a very simple answer to this. If someone has perfect pitch, then the specific key (i.e. the actual frequencies) could make a difference to the emotion they feel from a chord progression or melody, but if they don't have perfect pitch (and most people don't), then it's all contextual and about the specific melodic and harmonic intervals. In other words, if you transpose a chord progression from D Dorian to E Dorian, people with perfect pitch could perceive it slightly differently, but most people will hear and feel the identical thing from both versions. Thanks for watching and asking such a fascinating question. Ray :)
bashful228 I have the same question! Well put
Revolution Harmony by perfect pitch do you mean perfect listening abilities?
@@zyrrre Perfect pitch is the ability to know what note is being played without using a reference note with which to compare it. So if I were to play a random note on a piano, the person with perfect pitch would be able to instantly tell you what it was.
Third of A is C? I must have missed something along the the way...
Very very very very good!
Thank you very much!
Many Many Thanks for such an Awesome Video! My question is:
In a E Phrygian mode, which chord progression will solidify the progression as Phrygian:
Emin, F, G or Emin, F, G, Dmin. Please Please guide me. Thanks again very much !!!
Thanks a bunch for watching and connecting, Amit, much appreciated! We actually have a Mode hack for this exact issue, which you can check out in our Songwriting & Producing PDF here: revolutionharmony.com/books Thanks again, we are truly grateful :)
So clearly explained and a topic that I don’t see covered in producer tutorials, or music tutorials in general for that matter.
Hey hey x i Ω h m, happy to hear you enjoyed this one! Hope this finds you well and we're wishing you a wonderful week :)
The finished song sounds a ton like The Battle of Yorktown from Hamilton. I love writing music in modes... it's really fun, and gives you as the composer some much more harmonic vocabulary when putting together new ideas. Great video!
Happy to hear you enjoyed this one, Brian, and a warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :)
Thanks once more for the lesson. I feel like I am learning a language which I have always known but never understood as a language being that I learned how to play by ear and then improvised the rest. I like these tips. - Billy
The finished song has seriously made me fall in love with modes.
Yay modes!!!
I always wanted to know
How can I create chord progression
which has to rely on emphasize character of chosen scale?
How it looks chords progression (in the key of C major-cdefgab)
with ionian mood and how it looks chords progression with
phrygian or dorian mood(in the key of C major-efgabcd/defgabc)?
I found only this somewhere in internet
"... traditional jazz method is to use two chords.
The primary chord contains any note of the mode except the character note.
The secondary contrasting chord contains that note.
So, for D dorian, you could use Dm7, Dm9, Dm11, D9sus4, etc. as primary chord (none of which contain B).
For the other chord, you could use G, G7, G9, Em7, Cmaj7 (all of which contain B).
The most common choices are Dm7 and G7, or Dm7 and Em7 ".
Cheers :)
PS.
"...explanations and analysis of the creative and improvisational techniques musicians use for style, phrasing, solo development, and motivic improvisation in an easy to follow step-by-step format".
"CONSTRUCTING MELODIC JAZZ IMPROVISATION C INSTRUMENTATION" - Brian Kane
I think these are the most interesting and most neglected topics on youtube.
We need more and accurately :)
"Motives - also referred to as motifs, licks, or clichés - are the building blocks of a good jazz vocabulary. This book shows how motives may be developed using simple five-note major, minor, and diminished scales and how to apply chromatic embellishment to those scales. The “magic” appears when you discover that any motives created from these scales may be superimposed over a variety of chords with equally good results. Includes detailed explanation and pages of motives in a variety of harmonic situations, including standard chord changes".
MAGIC MOTIVES - Dan Haerle
My problem is:
-How to build phrases which are question implying the answer?
-How to build phrases which are suggestive of asking another question
which suggests the next question etc etc before answer ?
Well hello there, and thank you sincerely for taking the time to watch our videos and connect, we are truly grateful. Your question is AWESOME, thank you, and we actually already have a couple other videos where we explain this concept. We only use triads in the examples, though, as no more is needed to emphasise a mode. But, if you want a thicker and more colourful texture, you can just extend the chords in the way you've mentioned. Here's our super simple hack on how to write Dorian chord progressions: th-cam.com/video/RGE3g4xSVYg/w-d-xo.html and here's our more in-depth/longer video: th-cam.com/video/jmrG-CeJdfc/w-d-xo.html Also, if you're interested, I cover this concept for the other modes in my Hack Music Theory for Songwriting & Producing PDF, which you can download here: revolutionharmony.com/books Lastly, if you really wanna go deep into theory with us, we offer exclusive advanced theory & songwriting hacks (video lessons) to our patrons over on Patreon, here: www.patreon.com/revolutionharmony Once again, thanks big time for connecting :)
“This is the kind of book I wish I had when I first started out.”
-IHSAHN, Emperor
WOW :D Even Emperor needs someone
more important than king (Diamond) XD
Haha thank you :) If you like Ihsahn, you should check out the song I did with him: th-cam.com/video/8ojg4vEDGjs/w-d-xo.html You can download the free mp3 here: revolutionharmony.com/all-stars
Very not bad :D I mean good.
Since my wrist started to hurt because of which I left the band
and I stopped playing,I'm writing music in Guitar Pro :)
I have a lot of ideas in midi and some finished compositions
Do you think we could do a song together on TH-cam?
This actually helped me a lot! As a begginer in making music i always find myself ending up on minor, then i cant ressist but to progress to phrygian xD
We're thrilled this lesson helped you out, Mordet! What kind of music do you make? Hope this finds you happy and healthy :)
this is so good. informative , fun presentation without being too quirky or annoying (as some other channels can be), concise and easy to digest. thank you!
Hey thanks so much Barry, it always makes us happy to know that our hacks are helping musicians! We hope to see you around soon for more theory hacks, until then, take care and happy music making :)
Great one... would it be great to have the horizontal highlighting on-screen piano keys, much easier to grasp
Thanks so much for watching Argo! Happy songwriting :)
Is it strictly the IV in Dorian that should be emphasized or would any chord containing the 6th suffice?
Hey Will, good to see you back again! This is a great question. Any chord in Dorian containing the 6 will emphasize the mode's unique sound, but the IV chord is by far the most powerful of them. This is because our ears expect the IV chord to be minor, but instead it's major. If you'd like to learn more about this (and get all our other essential music making hacks too), then you can download Songwriting & Producing PDF here: hackmusictheory.com/bestsellers Hope that helps, Will, and thanks again for being here :)
@@HackMusicTheory thank you for the detailed response, that makes tons of sense!
Awesome
I got so happy when i saw the reaper midi window. Good to know i'm not the only reaper convert.
Yay Reaper! Thanks so much for watching and connecting, Heinrich! Take care and we hope to hear from you again. Happy music making! Kate :)
Hi Ray and Kate,
I came across your channel with this very video and now I’m a subscriber.
Your lessons are very informative and have helped me a lot with my music.
Using prior knowledge and your lessons Ive put together a few ideas. I was interested in sharing them with you for an assessment/feedback? Please advise.
How could it be flat six, flat seven, one, then flat seven? Isn't it in Amin? How could there be anything flat?
Hi Jordan, that's a great question! Ray actually covers this topic in his free music theory book, '12 Music Theory Hacks to Learn Scales and Chords' which you can download from our website: revolutionharmony.com/books.
Thanks so much for watching and connecting. Until next time, happy songwriting! Kate :)
Simply because you base your numeric notation on A major scale.
thank you so very very much! this was immensely useful. I can't wait for more such videos on modes as I really don't yet (get) them on an intuitive... mode
Hey iXaarii! So glad you found this one useful. I would suggest watching this introduction to modes video: th-cam.com/video/uEElzai3tIo/w-d-xo.html. Also, I think you would find our "Hack Music Theory for Songwriting and Producing" PDF very helpful. It clearly explains the modes and how to use them to write songs with different 'vibes'. It also has a wealth of other hacks which include how to write chord progressions, bass lines, synth riffs, etc. You can download it from our website here: RevolutionHarmony.com/Books. Let me know if that helps. Kate :)
thanks so much. That video was much more clarifying than a 7 minute video has a right to be, amazing stuff, thanks for pointing me to it! As for the pdf, thanks for pointing me to it, but I'm at the stage where i'm barely getting things by hearing them, and no chance while reading :(
I don't see anything on modes in the links. ?
Hi soliloquyguy, thanks so much for stopping by! What kind of music do you make?
You'll find our 3 mode hacks in the Songwriting & Producing PDF on our website: HackMusicTheory.com/Bestsellers. Hope that helps and we wish you a lovely week!
Very cool! Thank you.
Thanks for watching :)
This is awesome. I'd like to see more videos like this!
Wow, I've been struggling on trying to make D Lydian sound D Lydian instead of just A Major. Then this shows up on my recommendation. Coincidence? I think not. Thank you for the awesome video!
Happy we could help, Kenjie, and a warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :)
Why are all chord progressions from John Frusciante so heavenly? technically speaking lol
hi! I never comment on youtube, but you guys are so awesome i have to writte something. THANKS A LOT! i love your filosofy of "world with better music, is a better world." keep the amazing work guys. Blessings!
Your method of delivering information is bar none the most effective and makes it easier to apply and build upon... You both have the most gentle approach and it is the number one reason I have decided to start your courses when Im able to.
I genuinely would love to get to know you guys better and your work, cause' you guys helped me re envison my music and to me there is no greater gift. CheersGodBlessPlur to you guys in the highest regard.
Your so cool love ya and how you teach your class video 🙏🤗🤗🤗
According to your pdf...the 4th chord of Dorian is Fmaj. How come your saying it’s Gmaj?...Am I missing something? Please advise. Thx
Hey Rhonald! Firstly, thank you sincerely for buying our Songwriting & Producing PDF, we hope it's inspiring and empowering you! Secondly, welcome to our Hack Music Theory community, we're super stoked and grateful to have you here! Thirdly, regarding your question. The example in our PDF that you are referring to is in C Dorian, so in C Dorian the IV chord is Fmaj. However, the example in this video is in D Dorian, so in D Dorian the IV is Gmaj - the root note of the mode (i.e. D) is two semitones higher than C, therefore the IV (i.e. Gmaj) will also be two semitones higher than Fmaj. The important thing to remember is that the IV in Dorian is always a major chord, not a minor chord (which is what everyone will be expecting, as I explain in the PDF). Anyhoo, I really hope this helps, and thanks again for being here, Rhonald, we appreciate you, and we hope to see you back here next Saturday for more theory hacks (we publish a new video every Saturday at 12pm PST). Until then, have yourself a lovely week :)
Woah... woah... WOAH That's cool
Lol, happy to hear you think so, Dan! Thanks so much for watching and connecting, we hope you have a great weekend :)
Thank you Kate I love your classes🤗🙏
8:48 reminds me of Welcome to the Black Parade.
I'm really loving these videos. As a non-musician just having fun with Mulab and other software, this is making so much more sense. Thanks for what you're doing!
Hey Greg! Just wanted to say thank you so much for becoming our patron on Patreon, we really appreciate it big time :D Hope you're well and having a great week! Kate & Ray
Revolution Harmony What a nice thing for the end of the day :) I hope you get a lot more patrons.
Awe you're the best! Goodnight Greg :)
Dont thow ur phone away ...
May you breakdown Taemin move please?
Yup...I feel a lil smarter than I felt a few minutes ago
haha, happy to hear it Laxyamusic!
discovered this channel yesterday im binge watching all of your videos today, still can't believe how simple can you explain all of this stuff, i will get that book for sure!
Yay, that's awesome, Windovaca! A very warm welcome to the Hack Music Theory community! What kind of music do you make? Take care, and we hope to see you again soon for more theory hacks :) Kate
@@HackMusicTheory Goa Trance, music that relies heavily on phrygian scale!
th-cam.com/video/r5fmci6x--s/w-d-xo.html this one is my favorite example of what Goa trance is and it would be amazing if you could do a tutorial on how to get a similar melodies like in intro of this song. Cheers!
amazing vid guys, big thanks!!
GREAT VIDEOS.....Do you have a video explaining the whit key hack?
yes, my question too - sounds like it would be very useful
Missing-nin When you write all of your midi in A minor/ C major all the notes in those keys are white. So the trick is writing your music in one of those keys and then shifting the midi up or down. By doing this you will get the same music but in a different key. This is because all the intervals will remain the same.
all the music i make sounds very vanilla thank you for your help!
I've never seen a better explanation about modes before! You really nail it because you did it in a simple and effective way.
And even better, using the amazing Reaper... The whole thing is wonderful!! Thank you very much ;)
Aww thanks so much, dreªms*flux, and a warm welcome to our Hack Music Theory community! We publish new vids every Thursday, so we hope to see you again soon for more theory hacks! Until then, have a wonderful week and happy music making :)
it sounds like trent reznor is going to sing... at the end.
This blew my mind!
Thanks this was very informative.
Thank you
Thank you guys,you the best..
Excellent tutorial.I felt like found a key upon the floor 'cause I search for a long long time " how to establish strong sense of tonality in other modes " but never found in where can make clear idea to my question in many jazz or guitar website. but i found you video just because at first i came here just for pick some idea to compose song for my ex-girl
but i found really cool video
Amazing Uglykidney!! Thanks so much for watching and sharing your story. We're always glad to hear that our hacks are helping fellow musicians. On that note, what kind of music do you make? Kate :)
just simple ordinary pop song.I composing song just because I ever promised to my ex (she asking me to compose song for her birthday gift when she knew that I used to be musician,and now she gone away ) but i wanna deep into topic of mode and harmony because i play jazz for my hobby.
Well, now you can make great pop songs for yourself! What instrument do you play? Have a lovely weekend!
play guitar and piano (play guitar for part-time job when i was collage boy) long time ago i ever composed 4-5 song for my band (since cakewalk was a name of software)
You are a wonderful teacher. You make complex things so easy to understand, even I get it! Thank you for this channel, totally awesome work!
Aww, you are very kind massawemba :) We are thrilled to hear you are finding our hacks easy to understand and we're pumped to welcome you into our Hack Music Theory revolution! By the way, what kind of music are you into?
Handpan, Didgeridoo, N'goni & Liquid DnB and a combination of all of this...
Thanks for sharing massawemba! That's an awesomely diverse selection :D
Simply AMAZING answer! Thank you soo much family Harmony!
Hey Daniel, so great to hear from you again! We're so happy that you found this video helpful :)
I noticed you downloaded the books this weekend, yay! We hope you find them helpful and enjoyable :D
By the way, what kind of music do you make?
Take care and happy songwriting! Kate :)
I did not find a video about white note hack. Can you direct me?
Here you go: th-cam.com/video/YwojcTNd9sE/w-d-xo.html Hope this helps, and thanks again for stopping by, it's always good to see you in the comments :)
Thank you very much! I need to watch many of your videos once again :)
Our pleasure! Yup, the best way to learn, is repetition repetition repetition :D
can you explain about the colour or emotions of each scales e.g. aeolian locarian minor7th etc etc ..?
Hey A Royalz, I'm seeing your comment now, so apologies for the late response!! If you haven't already got our "Hack Music Theory for Songwriting and Producing", I would suggest having a look because it clearly explains the modes, their emotions and how to use them to write songs with different 'vibes'. It also has a wealth of other hacks which include how to write chord progressions, bass lines, synth riffs, etc. You can download it from our website here: RevolutionHarmony.com/Books. Thanks again for watching and connecting! Until next time, take care and happy songwriting! Kate :)
Excellent stuff
Damn I love Dorian
amazing! Thanks
KOOL
this channel is great!
We're really pumped you're enjoying our channel, 47TUNE! Thanks for taking the time to watch and connect, we're deeply grateful to you. Until next time, take care and happy songwriting! Kate :)
What is the software name
Hi avick broes! Thanks so much for watching and connecting. Yes, Aaron is completely on the money with the answer to your question. We are real fans of Reaper for many many reasons! Take care and we hope to hear from you again. Happy Songwriting! Kate :)
Hi Aaron! Thanks so much for answering this question so thoroughly, we really appreciate it, as we're getting a ton of people asking about what software we're using. It sounds like you're a big fan of Reaper too?! We've had other people answer this same question and I'm going give this group some kind of clever name...Reaper Fairies....Reaper Team...not sure, what do you think? Thanks again Aaron. Until next time, take care. Kate :)
Hi Aaron, I totally agree with you on both the reaper review and the teaching of modes. Modes are really simple, however, they are sometimes explained in a way that makes them seem complicated, thus all the confusion. That's why it's so important to know HOW to teach as well as WHAT to teach and in what order to teach it! By the way what kind of music do you make? So glad to have you with us and welcome to the Hack Music Theory revolution! Kate :)
Loved the use of a piano roll sequencer as a teaching tool. Well done! - from a North Texas graduate, 1982
Hey thanks, Chet, we're happy to hear you enjoyed our teachings :) Have a lovely week and happy music making!
Nice! For some reason I was having a hard time putting a finger on this before...way to spell it out in a clear way!! My arrangements seem to generally fall into ionian, aeolian, or mixolydian but I'm going to try to write some dorian arrangements now :)
Yay, do it and let us know how it goes! Thanks so much for watching and connecting David, and until next time, happy songwriting! Kate :)
Thank you.
"Dorian wins!" lol