I think I also haven’t used the Neo II to their fullest potential. For pastels not earmarked for competition…I think the Neo II could be used at the end and left showing.
Is this just the cheap foam board, about 1/8 to 3/16 inch thick board you can get at the dollar store? Or is it a more robust type board? Excellent video by the way! Thanks.
It is 3/16 Elmers from Dick Blick. I usually use it as backer boards when framing but will paint on it too. The larger it gets the more it tends to curl or buckle and I have to either weigh it sown before framing or paint the backside with house paint to compensate
Abstraction is loosening, changing the subject Non objective is a painting about paint. (Media) Value and composition are important in both. Color is the frosting.
Agreed….but I think Im interested in the abstraction of the landscape until a point where i get involved with the media and where it decisions to go….the painting then starts to become nonobjective to a certain extent. I love the idea of color as the frosting. Great comment, thanks
Pastels are so vibrant. I like the outcome. Beautiful!
Thanks so much…I think so too! Thanks for watching.
By standing and working from the shoulder, you have achieved great energy. Im underutilizing my neocolor 2's. New subscriber
I think I also haven’t used the Neo II to their fullest potential. For pastels not earmarked for competition…I think the Neo II could be used at the end and left showing.
Is this just the cheap foam board, about 1/8 to 3/16 inch thick board you can get at the dollar store? Or is it a more robust type board? Excellent video by the way! Thanks.
It is 3/16 Elmers from Dick Blick. I usually use it as backer boards when framing but will paint on it too. The larger it gets the more it tends to curl or buckle and I have to either weigh it sown before framing or paint the backside with house paint to compensate
I liked the one with the cat.
LOL….thanks.
Abstraction is loosening, changing the subject
Non objective is a painting about paint. (Media) Value and composition are important in both. Color is the frosting.
Agreed….but I think Im interested in the abstraction of the landscape until a point where i get involved with the media and where it decisions to go….the painting then starts to become nonobjective to a certain extent. I love the idea of color as the frosting. Great comment, thanks