Aaroh avaroh gives very little info about the raag. However, just for your info, this raag belongs to Kalyan thaat, does not have re-dha in the aaroh, and the avaroh has all seven swaras (S G M# P N S" - S" N D P M# G R S). It is close to Marubihag, but uses only teevra ma (M#), unlike Marubihag which uses shuddh ma in addition in some phrases. Also, the phrase PDPS" is found in Maru but not in Marubihag.
Just to add to that; Jaipur gharānā seems to have its own version of Maru Bihag. Mallikarjun Mansur, Kishori Amonkar and Ashwini Bhide's renditions would be instructive in this regard.
My fvrt dhrupad singer ❤
Many many thanks for the upload. Uday Bhawalkar's music is pure bliss.
Ppq
Dhrupad alap gives so much serenity.
Param Ananda ( Pure bliss) !!
.. what a performance ......
Magnificent!
it's soulful
can you please provide the aroh avaroh of this raag?
Aaroh avaroh gives very little info about the raag. However, just for your info, this raag belongs to Kalyan thaat, does not have re-dha in the aaroh, and the avaroh has all seven swaras (S G M# P N S" - S" N D P M# G R S). It is close to Marubihag, but uses only teevra ma (M#), unlike Marubihag which uses shuddh ma in addition in some phrases. Also, the phrase PDPS" is found in Maru but not in Marubihag.
@@forestswaras thank you very much😊
@@tridebbhattacharjee8697 Welcome :)
Just to add to that; Jaipur gharānā seems to have its own version of Maru Bihag. Mallikarjun Mansur, Kishori Amonkar and Ashwini Bhide's renditions would be instructive in this regard.
incredible
अति सुन्दर
Unbelievable
f a n t a s t i c