@@riverstun Actually, the 'Albinoni' adagio was written by Remo Giazotto who *claims* to have used some sketches by Albinoni, which no one except him has ever seen. It's thus become accepted in the musicological community that Giazotto has composed it all and put Albinoni's name on it to get more attention to it, both in a musicological and popular perspectives (which has worked, considering the popular success of the piece). Therefore, the adagio wasn't composed by Albinoni (if would definitely be in the public domain if it were), but rather by a man who's died a little over 20 years ago. In every country around the world, the work is therefore still copyrighted for at least the next 30 years (where deadline is 50 years after the last author's death), 50 years (where it's 70 years after the last author's death), or longer in countries like the USA where the copyright life keeps on being extended every few years.
There are some stand-out discords in this work - I'm wondering if these are copyists errors that crept in at some time, or if he really was that daring. For example, the Db in bar 14 which creates a diminished second. If this was played as Eb, the piece plays normally.
sorry but this piece does not suit a plenum (chorus) -- better Principals 8' only or flutes, even the Italian style undulating tuning (voce umana / celeste) -- probably all schools of teaching would agree with this.
It would have been nice to know the organ used here. Otherwise, a nice performance - I've always liked Pachelbel's organ compositions.
Thank you, you are very kind, unfortunately I can not record the Adagio by Albinoni because it is covered by copyright :-)
Interesting. Who can copyright the work of a man dead this long? Some crooks.
@@riverstun Actually, the 'Albinoni' adagio was written by Remo Giazotto who *claims* to have used some sketches by Albinoni, which no one except him has ever seen. It's thus become accepted in the musicological community that Giazotto has composed it all and put Albinoni's name on it to get more attention to it, both in a musicological and popular perspectives (which has worked, considering the popular success of the piece).
Therefore, the adagio wasn't composed by Albinoni (if would definitely be in the public domain if it were), but rather by a man who's died a little over 20 years ago. In every country around the world, the work is therefore still copyrighted for at least the next 30 years (where deadline is 50 years after the last author's death), 50 years (where it's 70 years after the last author's death), or longer in countries like the USA where the copyright life keeps on being extended every few years.
Great... awesome... excelente!
I would like to hear you playing "Adagio Gm" of Albinoni!
Buongiorno Luca! Qual è la tua console!? Vorrei comprarne uno anche per me. Grazie e Buon Natale.
Great, I like it, and I wait for Canon in D Major.
Thank you :-) The Canon in D Major in the next future ;-)
There are some stand-out discords in this work - I'm wondering if these are copyists errors that crept in at some time, or if he really was that daring. For example, the Db in bar 14 which creates a diminished second. If this was played as Eb, the piece plays normally.
molto bella Luca questa fantasia :) vorrei un opinione da parte tua :) non sembra anche a te che somigli allo Frescobaldi :):)
+Michaelscappinscappin Scappin Questo in particolare devo ammettere di si, è vero ^_^
sorry but this piece does not suit a plenum (chorus) -- better Principals 8' only or flutes, even the Italian style undulating tuning (voce umana / celeste) -- probably all schools of teaching would agree with this.
It is perfectly fine this way.