Benny Golson - Along Came Betty part I

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  • เผยแพร่เมื่อ 28 ธ.ค. 2024

ความคิดเห็น • 47

  • @georgefirk5531
    @georgefirk5531 3 หลายเดือนก่อน +1

    What……a fantastic line up…..swinging modern jazz….what a find,thank you for posting.

  • @effsixteenblock50
    @effsixteenblock50 8 ปีที่แล้ว +15

    Love this! Like was said earlier, even if BG had never touched a sax, he cemented his place in history just for writing this tune! I know a lot of people like to give this tune a Latin feel but man...I just can't imagine doing anything with this tune but swinging it! And the swinging that's happening in this vid is just so.....perfect!

    • @frejazz2
      @frejazz2 7 ปีที่แล้ว +3

      all the way with you man!

    • @SiyaCharles90
      @SiyaCharles90 6 ปีที่แล้ว +2

      So perfect! Right in the pocket.

    • @DramaneDeme
      @DramaneDeme ปีที่แล้ว +1

      Yes indeed !
      ❤️

  • @chuckciao1
    @chuckciao1 16 ปีที่แล้ว +4

    Bravo!!! If Benny Golson had never touched a Sax, he would still be in the Jazz Hall of Fame for his outstanding compositions. What a treat to see Curtis Fuller also.

  • @thelbronius
    @thelbronius 13 ปีที่แล้ว +3

    If I could play one song for the rest of my life...this one might be it.

  • @frejazz2
    @frejazz2 9 ปีที่แล้ว +7

    and speaking of Mike LeDonne...That solo was just Superb!!

    • @ironwhistle3
      @ironwhistle3 9 ปีที่แล้ว +3

      d .byn right. such a great piano solo.

  • @erdwest
    @erdwest 7 ปีที่แล้ว +1

    ALL the solos have such great melodic sense. Listen forever.

  • @saxoman1
    @saxoman1 14 ปีที่แล้ว +2

    Notice how this grooves from beat ONE! No BSing (taking a couple measures or until the B section to kinda start grooving, or never grooving at all). You feel it all through your body instantly and you almost wanna dance. THIS is what groove is. Take note...

  • @CamerOneiric
    @CamerOneiric 14 ปีที่แล้ว +1

    This is so smooooth. the take on Moanin' is excellent too. such a deep tune.

  • @jarusession3488
    @jarusession3488 หลายเดือนก่อน

    お疲れ様でした。
    RIP.From Japan.

  • @groupieoftheyear
    @groupieoftheyear 15 ปีที่แล้ว +2

    god damn!!!! the tune is already great.....but damn do carl and buster swing!!! DAMN!!!!

  • @steelcitysong
    @steelcitysong 16 ปีที่แล้ว

    .....wOw! what a performance of this masterwork of contemporary jazz! A landmark, no doubt! What an inspiration! I feel blessed to have it in my ears! Like I was there, woah! Solos like cascading water of sound, in the pocket and out, love it! Thanx for sharing! I'm there, way there!

  • @kenyar0
    @kenyar0 15 ปีที่แล้ว

    GREAT performance by great musicians. I love this kind of jazz.

  • @frejazz2
    @frejazz2 9 ปีที่แล้ว +3

    @ 4:57 !!.. then Mike LeDonne's look of astonishment, as the rest of the band realize Curtis Fuller's All PRO FLOW!!

  • @mariolongo7369
    @mariolongo7369 5 ปีที่แล้ว

    Meraviglioso Benny!!!

  • @sailorguyli
    @sailorguyli 16 ปีที่แล้ว

    Thanks a lot for posting, Years since Ive heard this. IT was a frequent selection on WKCR etc

  • @NyJazzGuit
    @NyJazzGuit 17 ปีที่แล้ว +1

    Golson is such an inspired soloist!

  • @jenisereedus
    @jenisereedus 5 ปีที่แล้ว

    Outstanding band❤️

  • @SIRONEDRAGON
    @SIRONEDRAGON 14 ปีที่แล้ว

    Beautiful tone... Benny !!

  • @benflint
    @benflint 13 ปีที่แล้ว

    Wow, Mike LeDonne killing it. Never heard of him.

  • @Ikonoclasto
    @Ikonoclasto 13 ปีที่แล้ว

    What a composition, i am pretty sure there its some kind of hipnotic trance inducing poliphony in ther.

  • @pablogonzalez11
    @pablogonzalez11 15 ปีที่แล้ว +1

    Muy buenoooooooooo!!!!

  • @IberianInteractive
    @IberianInteractive 13 ปีที่แล้ว

    que crackk golsonnnn

  • @rtahouri1
    @rtahouri1 13 ปีที่แล้ว

    Totally diggin that piano solo at the end!

  • @Thouveninpascal
    @Thouveninpascal 15 ปีที่แล้ว +2

    Benny Golson is a giant. In Hawkins' tradition. A sort of fighting spirit with the instrument. "Knighttyaccha" is right, the reed may be softer.. But may we critisise a giant?

  • @TheGoldrock1
    @TheGoldrock1 15 ปีที่แล้ว

    I love the singing version with Blakey bang the drums

  • @jiyujizai
    @jiyujizai 4 ปีที่แล้ว

    🌱💛🌷😃

  • @danyoldful
    @danyoldful 14 ปีที่แล้ว

    Yeah!

  • @Sahinkavalci
    @Sahinkavalci 17 ปีที่แล้ว

    süper video

  • @shakabrahtastic
    @shakabrahtastic 13 ปีที่แล้ว

    mike ledonne cant believe that curtis fuller starts playin a 16th note run damn i nearly died laughin at the look on his face 4:55

  • @returnofthejazz
    @returnofthejazz 13 ปีที่แล้ว +1

    This is the shittt!!

  • @Devanlander
    @Devanlander 12 ปีที่แล้ว

    i'm not sure if he was using the custom made otto-link mouthpiece in this show (made specially by mr. otto for him) a mouth piece that made for a number 8 reed, nicked "the popsicle stick" . but whatever, he is known for his dark and rich tone. if you love him, then your comment is just unnecessary hahaha

  • @qizhong
    @qizhong 17 ปีที่แล้ว

    best!

  • @everythingnessawesomeness5886
    @everythingnessawesomeness5886 8 ปีที่แล้ว

    what year is this from?

  • @jazz4asahel
    @jazz4asahel 2 ปีที่แล้ว

    Lots being said. Hearing Archie Shepp.

  • @tristancapistrano5253
    @tristancapistrano5253 3 ปีที่แล้ว

    sheesh

  • @polwit
    @polwit 15 ปีที่แล้ว

    Softer REED? KNIGHTYACCHA Benny sounds great as it is.

  • @rebop73
    @rebop73 15 ปีที่แล้ว

    struttura 8 8 8 10

  • @polwit
    @polwit 15 ปีที่แล้ว

    What's wrong with you?

  • @giovannibulgari
    @giovannibulgari 10 ปีที่แล้ว +1

    To be honest, this sounds awful, awful solos and Golson is out of tune. Yet, people keep going "Nice Tone." If you want a good recording check Art Blakey's take with Golson and Lee Morgan on it, its quality it's got Jon Hendricks on it.

    • @willissalomon8130
      @willissalomon8130 9 ปีที่แล้ว +4

      boxing1000 I disagree. The "sound" is outdoor festival acoustics, for sure, and that's never Van Gelder quality. So why be so fussy about it when a band's swinging like this? Williams and Allen are great here -- and the first 8 bars of Golson's solo are beautifully economical and expressive. LeDonne's solo swings with block chords for emphasis -- what else can you do outside like this? In other words, this band is exemplifying all the right things, but they're stuck doing it outside, with a bad sound set-up and the expectation that they play long, "blowing" solos. Christ, give 'em a break.