"sometimes your fingers just tangle up when you are trying to play" really made me smile, I love how you are so humble and down to earth Bea...keep it that way man, you are awesome. Content is really brilliant...
Very VERY excited for this series! Already watched EP 2. Exploring pedal combos and for some of us, discovering pedals/sounds we've never heard before. I hope this series keeps going :)
Great stuff mate, love this idea as a new content format. Feels a bit more accessible to the bedroom players who are messing around with our boards. Seeing/hearing different pedals stacked in all sorts of combinations is so interesting for me to watch, sometimes you get a bit over the tedium of constantly rearranging things yourself to see what happens and it’s nice for someone else to do the work for a change! Also really cool to see what a different type of pedal I may not have or be using can add to the sound. And love your playing as always man, you’ll always be one of my favourite guitarists to listen to!
It's way more interesting seeing you quickly and crudely mess with different pedals and combos because that's closer to how us peasants work. No point seeing the perfect tone with a single pedal when it's going to sit on a pedal board anyways! Nice one.
I love this concept for content. Because I keep all of my pedal board tight and locked, I find it an effort to move things around to try new ways of signal interaction.
Rabea your content is awesome man dont doubt your talent. I just bought a Torpedo Captor X and im experimenting with the stereo features it has plus blending....If you are a guitar player in 2022 you MUST HAVE this ability or you are missing out!
Great fuzz sounds, my favorite fuzz pedal is the Dunlop Hendrix Band of Gypsies mini fuzz. Your playing always makes me want to play more. Cheers - Liam from Minnesota
Hey Bea! You are a huge inspiration to me and your music fills me with so much joy, can't thank you enough! I myself am having issues with capturing inspiration. Lately I've been just playing guitar and really loving whatever comes to me on the spot, but recording and developing the ideas seems imposible. I feel I'm used to a certain way of writing and recording, jamming away until I get a great but rough riff and developing it and making sections around it. But that way of writing seem to fight agains me when the inspiring jam is more "ambient" or softer. Trying to catch that moment seems imposible, and if somehow after been recording for hours I manage to grab it, it's very difficult to add programed drums since it's not played to a click, and it's hard to add anything really. It's been very frustrating, trying to come up with a workflow that works. Do you have any suggestions that might help me? How do you go about writing a more ambient song? Thanks a lot even if you never read this.
Dig that Black Country customs. And that Bender’s pretty interesting - thiccccc with that weird crunchy fizzy fizz on top Tacked the vezzpa on and made me laugh out loud with joy man haha You really make me want an octave fuzz
@@LuxTheSlavAs far as I know, Rabea never says such a thing, even in a sponsored video, if he doesn't really mean it. He might like the thing anyway, but if he says that it is going on a pedalboard it usually means exactly that or at least that he is seriously considering it...so now I want to know what happened and why it is not a consideration anymore
I feel like any basic EQ pedal could get the same subtle difference as those 29 pedals for 1/500th of the price. Besides that great tones and playing and this is the content I love to see as this is what I suspect most of us like doing too
Hey Bea! Amazing video, really enjoy this type of video from you and hearing your playing just brightens up my day! I have a question though, I feel like recently I’ve been stuck in a rut with my lead playing and I was wondering if you had any advice for getting out of this rut?, like how did you learn lead? and what would you do if you got stuck in a rut and felt like you were playing the same thing a lot? cheers!!! great video :)
Love this series! For me the neural DSP side was a bit dominant, normally I can hear the stereo amps clash in the middle of my head but this was left heavy
You are getting som fat tones from that strat bridge pickup! Sound nice! Have you wired second tone control to the bridge pickup to take out some highs?
I’m checking this comment again to see if he’s replied bc I’m curious too, but I don’t think he does. What I do know is that he went down a long road (and it’s on YT) trying to find juuuust the right strat p/ups, so my guess is that bridge pu is plain 👌🏼
Loved it. Bea, a quick question only you can answer: how have you made the SL59 fit in the ML3 Bea Smoke? Did you make the luthier carve the pickup hole to make room for the wire or have you found a different solution?
Not kissing your butt or anything...but you have become one of my favorite players to listen to. And your in some pretty high company fwiw. Cheers man !!!
Ah chopping and changing pedals. I know that well, along with constantly re-hacking my DIY pedalboards to squeeze another one on there or to improve the ergonomics in some way. Also all of my pedals are much, much lower budget than yours!
No, after using it for a month or so back with Toska. As great as it is, I couldn’t get my heavy octave tone to sound the same. The OC-5 and the POG have their own ‘Tone’ with the octave and I’m just way more used to the POG sound. What’s funny is if I want to do the Nuno Bettencourt style funky octave stuff or generally anything funk vibed, the OC5 wins. But if I want a fat riff to be backed up by a bold octave below. For me, POG takes it
@@RabeaMassaad thank you for the reply. i have switched from POG to OC-5 because that range knob was super tempting. and it sounds good, dont get me wrong but what i have experienced is that compared to the POG, the oc-5 sounds a bit dull/dead. By many users the POG has a "metallic" sound. Well, however we call it, i think in a mid-high gain environment, the POG sounds more pronounced.
@@gabibartok4544 that’s it, it’s got a more pronounced sound I think, it’s bold and so when playing riffs it really sounds nice and thick. I’ve found a lot of other great applications for the OC5 tone wise, but yeah, for the big riffs the POG is going a great job
"sometimes your fingers just tangle up when you are trying to play" really made me smile, I love how you are so humble and down to earth Bea...keep it that way man, you are awesome. Content is really brilliant...
Yeah....I'd like my fingers to tangle up like Rabea's
@@MartinHervy You beat me to this comment!
Yes! A great idea for a series.
That riff at 14:11 is awesome🤩🤩🤩
All so often I'm just banging my head along as you jam. Rockstar!!
Very VERY excited for this series! Already watched EP 2. Exploring pedal combos and for some of us, discovering pedals/sounds we've never heard before. I hope this series keeps going :)
Great stuff mate, love this idea as a new content format. Feels a bit more accessible to the bedroom players who are messing around with our boards. Seeing/hearing different pedals stacked in all sorts of combinations is so interesting for me to watch, sometimes you get a bit over the tedium of constantly rearranging things yourself to see what happens and it’s nice for someone else to do the work for a change! Also really cool to see what a different type of pedal I may not have or be using can add to the sound. And love your playing as always man, you’ll always be one of my favourite guitarists to listen to!
Awesome to see how you approach putting pedals together. Can't wait to see more!
This is a good format. Great video
Love to hear you jam and talk, good vibes all around
It's way more interesting seeing you quickly and crudely mess with different pedals and combos because that's closer to how us peasants work. No point seeing the perfect tone with a single pedal when it's going to sit on a pedal board anyways! Nice one.
This
Remember the old EHX pedal combination series effectology?!
i just love your content and the fact that your tones always sound huge is just the best!
I like this new series of videos, keep the pedals coming 😃
Cool idea for a series! It would be great to see it continue. Thanks for all the content!
Besides the absolute smashing skills i really enjoy your nastymugs when you hit *that* vibe haha
I love this concept for content. Because I keep all of my pedal board tight and locked, I find it an effort to move things around to try new ways of signal interaction.
The strat was my favourite was wild mate so visceral and almost out of control would be something to behold live🤟
Great stuff!! Thanks for sharing
intended!! own that pun. this was fun to watch, to see different combinations of things
Just loving the sound of that Steel Park Overdrive pedal with the two 29 pedals too, just awesome 😎
Rabea your content is awesome man dont doubt your talent. I just bought a Torpedo Captor X and im experimenting with the stereo features it has plus blending....If you are a guitar player in 2022 you MUST HAVE this ability or you are missing out!
Nice board setup. But damn, the enua and the oamp just makes it even sicker. Realy enjoy it with good headphones.
This is a really dope series!
Great fuzz sounds, my favorite fuzz pedal is the Dunlop Hendrix Band of Gypsies mini fuzz. Your playing always makes me want to play more. Cheers - Liam from Minnesota
Reminds me that I ‘need’ to get one of those fuzzes...
Love the tone and riffage that starts around 6:30!
Love the riffs, that are coming, when you kick in the OC-5! 13:20
This is a really fun video format! Giving me quite a lot of ideas too. Now if only I could afford loads more pedals!
Wait, this will be a series?! Yes!!!!! Maybe make different vibe’d board like ambient next?!
Hey Bea! You are a huge inspiration to me and your music fills me with so much joy, can't thank you enough!
I myself am having issues with capturing inspiration. Lately I've been just playing guitar and really loving whatever comes to me on the spot, but recording and developing the ideas seems imposible.
I feel I'm used to a certain way of writing and recording, jamming away until I get a great but rough riff and developing it and making sections around it.
But that way of writing seem to fight agains me when the inspiring jam is more "ambient" or softer. Trying to catch that moment seems imposible, and if somehow after been recording for hours I manage to grab it, it's very difficult to add programed drums since it's not played to a click, and it's hard to add anything really. It's been very frustrating, trying to come up with a workflow that works.
Do you have any suggestions that might help me? How do you go about writing a more ambient song?
Thanks a lot even if you never read this.
Dig that Black Country customs.
And that Bender’s pretty interesting - thiccccc with that weird crunchy fizzy fizz on top
Tacked the vezzpa on and made me laugh out loud with joy man haha
You really make me want an octave fuzz
Those pedals created a tone that says, "I'm here, in your face, love me or fear me. You WILL love me though". Yes, yes I will. Sick combo dude!
Menacing sounds indeed bea! Sounds huge for relatively bare bones for you haha
Those 2 pedals together make the sound so fucking huge. I would love to hear a les Paul through that same rig
I just came here to say: Beautiful thumbnail.
I love this idea for a video series!
(Confession though - not moving the Vezzpa)
9:40 wow , sick !
Love the content. Why Boss oc-5 never made it to your main pedalboard? You said that it was gonna replace your beloved POG and it did not.
Because Boss sponsored that video/ad and the POG is better.
@@LuxTheSlavAs far as I know, Rabea never says such a thing, even in a sponsored video, if he doesn't really mean it. He might like the thing anyway, but if he says that it is going on a pedalboard it usually means exactly that or at least that he is seriously considering it...so now I want to know what happened and why it is not a consideration anymore
Those 29 pedals have some secret sauce. I'm a believer.
Bea + Pedals?? I´M IN!!
12:48 don't ever be sorry for playing you are amazing guitarist
super sick vid man!! wonder wether a compressor would fit the board well for those bit heavier funky riffs:D
Bea, you gotta check out the MXR Poly Blue Octave. The thing is amazing!
I feel like any basic EQ pedal could get the same subtle difference as those 29 pedals for 1/500th of the price. Besides that great tones and playing and this is the content I love to see as this is what I suspect most of us like doing too
Hey Bea! Amazing video, really enjoy this type of video from you and hearing your playing just brightens up my day!
I have a question though, I feel like recently I’ve been stuck in a rut with my lead playing and I was wondering if you had any advice for getting out of this rut?, like how did you learn lead? and what would you do if you got stuck in a rut and felt like you were playing the same thing a lot? cheers!!! great video :)
Stance socks 👌🏻👌🏻👌🏻 😆
They are indeed the best 🙌🙌🙌
Love this series! For me the neural DSP side was a bit dominant, normally I can hear the stereo amps clash in the middle of my head but this was left heavy
Is there any way to load ir's from the archetype plugins into the RLIR for use in a live situation?
Hey, how do you set your Neural DSP Nolly as a pedal platform? Would you mind sharing your presets?
Wonder if he cohld get pretty much the exact same tone with only the cortex? Maybe some effects in Nolly
👍🍺
Ambient (mostly) with bite (maybe, for that extra definition)? Just thinking out loud, perhaps.
OAMP!
You are getting som fat tones from that strat bridge pickup! Sound nice! Have you wired second tone control to the bridge pickup to take out some highs?
I’m checking this comment again to see if he’s replied bc I’m curious too, but I don’t think he does. What I do know is that he went down a long road (and it’s on YT) trying to find juuuust the right strat p/ups, so my guess is that bridge pu is plain 👌🏼
Man, what bridge pup is that? Why do mine sound thin and horrid and yours is awesome? Help!!!!!!
Loved it. Bea, a quick question only you can answer: how have you made the SL59 fit in the ML3 Bea Smoke? Did you make the luthier carve the pickup hole to make room for the wire or have you found a different solution?
If I was your neighbour I would find any and all excuses to visit and hear you play.
499👍🏽 cheers BC
Not kissing your butt or anything...but you have become one of my favorite players to listen to. And your in some pretty high company fwiw. Cheers man !!!
Ah chopping and changing pedals. I know that well, along with constantly re-hacking my DIY pedalboards to squeeze another one on there or to improve the ergonomics in some way.
Also all of my pedals are much, much lower budget than yours!
"That Pedal Fro"
So actually the OC-5 hasn’t replaced the POG on the mainboard?
No, after using it for a month or so back with Toska. As great as it is, I couldn’t get my heavy octave tone to sound the same. The OC-5 and the POG have their own ‘Tone’ with the octave and I’m just way more used to the POG sound.
What’s funny is if I want to do the Nuno Bettencourt style funky octave stuff or generally anything funk vibed, the OC5 wins.
But if I want a fat riff to be backed up by a bold octave below. For me, POG takes it
@@RabeaMassaad thank you for the reply. i have switched from POG to OC-5 because that range knob was super tempting. and it sounds good, dont get me wrong but what i have experienced is that compared to the POG, the oc-5 sounds a bit dull/dead. By many users the POG has a "metallic" sound. Well, however we call it, i think in a mid-high gain environment, the POG sounds more pronounced.
@@gabibartok4544 that’s it, it’s got a more pronounced sound I think, it’s bold and so when playing riffs it really sounds nice and thick. I’ve found a lot of other great applications for the OC5 tone wise, but yeah, for the big riffs the POG is going a great job
First!
9:24 new totemist🤔 ? Sounds good man! 😀
13:20