@@alicedwonderland7733 I know and we'd seen him struggling with it the night before, and thanking God for it . Only for that creature to pull it apart and give us five better versions at the drop of a hat . I love the way Mozart bowed to the wrong people
Keep in mind "Amadeus" is an allegorical play about genius. It's nothing like the historical Mozart and Salieri. Salieri was highly successful and wouldn't have been threatened by Mozart. In fact he helped Mozart. Salieri introduced Mozart to Lorenzo Da Ponte, a poet from Venice who wrote the librettos to "Cosi Fan Tutte," "Marriage of Figaro" and "Don Giovanni." There may have been some rivalry, but from what we know the relationship between these two men was professional and cordial. And Mozart was not some kind of impoverished outcast as he's depicted in the movie -- he was famous, highly respected and lived in a luxury flat in one of Vienna's best neighborhoods. He made plenty of money -- he was just a profligate spender. Europe's most famous composer of the time (not mentioned in the movie) was Josef Haydn, employed by the Esterhazy princes not far from Vienna. Haydn, a towering genius, told Mozart's father his son was the greatest composer known to him. Mozart and Haydn traded musical ideas, inspired each other, even purportedly played string quartets together. If he'd lived, Mozart was in line for one of the best musical jobs in Vienna -- Kapellmeister (director of music) at St. Stephen's Cathedral. Meanwhile, Salieri was not a bad composer, he was a very good one. He invented some operatic devices and conventions that are still part of the tradition today. Most of Salieri's work just belongs to a style that was eclipsed by later opera composers and isn't played much today. Interestingly "Amadeus" actually sparked interest in Salieri's operas and several of them have had revival productions since the movie came out. Maybe Salieri's greatest achievement was to hire the brilliant Venetian poet da Ponte to write librettos for the royal opera in Vienna. Da Ponte wrote the libretto to "Cosi" for Salieri but Salieri was too busy to write the music and handed the project off to Mozart. The rest is history. I'm not being at all critical of "Amadeus,' which is a wonderful play and movie. But it's nothing like how it actually happened.
It's such a pity, so many films do this, retell the old rags-to-riches tale, which so frequently has nothing to do with the subject's actual life...Oh well, at least we have his music.
Philosophically said: Saliéri did put his talent and skill to work in the most prestigious of places. Mozart was a true lover of creating music and an artist at heart. Saliéri let his vanity get in the way, thats why he felt slighted instead of supported. An anger of his own making.
@@alex6677 he got laughed at so yeah.. some prodigies can’t understand feelings and they feel really bad about it not just prodigies mostly highly intelligent people
Hurray! Someone has noticed the 'elephant in the room' beside me. Actually, the image is horizontally squeed by a factor of two. It was intended to be displayed in the Cinemascope ratio of 21:9 (1:2.33)
Great cinematography and acting. We've all been there, where we felt like everything was closing in on us in a social setting. Feeling dread and embarrassment with no were to go.
For those who are criticising the emperor, not many amateurs can just practise a new melody and then play it quite well the second time. I thought he was quite good for an amateur. Edit: This comment was just an observation. There is no need to take it seriously.
Totally agree. I don't know for certain, but I think that he didn't even really start learning music until his 30s. Hard for anyone by that age, especially classical music.
The emperor was actually the best sight reader of the time. He was also a musical genius and in sight reading could read the most difficult full orchestral scores with amazing perfection. But then who wants to spoil the fun of a good movie with the facts.
He doesn´t have "bad" sight reading, he just isn´t up to the level of the guys momentarily surounding him... Which are almost exclusively musicians, and don´t additionally have to rule over Austria, Hungary, czechoslovakia, Yugoslavia, north Italy, Spain, Portugal, middle America, south America and the Philipines all at the same time...
Well, Mozart didn't intentionally pawn Salieri, but just wanted to help out a fellow musician with his simple, little ditty. The Scherzo at the end was just the camel, that broke the straw's back...
Indeed à great masterpiece , but... there are several mutilated copies in circulation. I have the movie several times and sometimes key scenes had been cut... carefull viewing made me understand that the often cut scenes of an impoverished Mozart teaching music were important to understand the story. Robert Prummel Groningen
I've never seen a man hate and adore at the very same time as well as Salieri did in this movie. You could see the contempt and jealousy he has for Mozart practically making his music sound like first grade level. But also look in complete awe, amazement and dare I say love as well. You could see that he liked the Mozart arrangement of his piece but couldn't admit it. He seemed to hate himself for loving Mozart's genius.
RossBayCult You just seamlessly nailed it my man, the various conflicting and competing emotions that swirled about and roiled within Salieri/F Murray Abraham. Love/Hate, Veneration/Vindictive Jealousy, Genuine Admiration/Gross Abhorrence, as such contradictions would basically define the deep, tempestuous ambivalence that throbbed and pulsed its way through Salieri in this movie (in how he was flawlessly and magnificently depicted by F Murray Abraham). Though in the end the jealousy and bitterness got the better of that cinematic Salieri, sadly enough, despite his undying love and admiration for all those timeless and transcendent masterpieces attributable to Mozart. Any ways, what a fascinating character study.
RossBayCult That rivalry is pure fiction. Salieri and Mozart were good friends. When Mozart died he helped Costanza with their younger son's education and to propagate and sell Mozart's music. At the end Costanza died wealthy at the ripe age of 80. Franz Xaver became a sort of successful composer, teacher and pianist on his own right, but could never scape the shadow of his father, whom he never met. He never married and died leaving no progeny.
A superbly expressed 'bullseye' interpretation of one of the deliciously awkward (and subtly intense) scenes in the movie. Very nicely said RossBayCult.
RossBayCult i was in the Movie he was not like this in reality the same for Mozarts father they were much more cultivated than that - Salieri never hated Mozart - and Hollywood needs to mock Jesus (very important) so you should not confuse it with historic truth
@@devolve42 Wow! I have noticed that as well! Although, Tom Hulce and F. Murray Abraham did act in other movies/series/parts since then. I watched this movie at a proper movie theater, discounted ($1, at that time) price for a whole week, and wept, every time, at the piano tune played during credits. 2 Academy Awards, for best costuming (I nearly got myself a tricorn hat custom made for me because of this movie!), and music editing (fine tying in scene to scene with music!), but this movie should have won many more awards.
@@devolve42 Well, in the director's commentary on "The Name of the Rose", the director goes out of his way to say that after winning the Oscar, F. Murray declared he was going to be hell on directors in retaliation of yrs of having to submit to them. He'd constantly argue, show up late to the set and was basically a diva which really pissed off Sean Connery. I'm sure that won Abraham no friends in Hollywood. Hulce did a few more things (ie Mary Shelley's Frankenstein and that movie about Stalin's projectionist) but turned to producing and has been pretty successful at it. Jeffrey Jones was doing just fine (Ferris Bueller, The Hunt for Red October and yes Howard the Duck) until his, ah, exotic sexual tastes became public and landed him in jail.
He also went into the role having no piano skills and learned to play all the music so that he could fake-play it for filming (sort of like lip-synch but with a keyboard). He performed it flawlessly.
The thing is, it's obvious that Mozart isn't trying to insult Salieri; he only cares about the music and making it the best it can be. He's even rather solicitous about it in his own way.
I love how clearly Salieri's body language expresses his disdain and jealously of Mozart but also how it clearly shows his awestruck and love for Mozart's music. He can't stand Mozart because he wishes he had equal talent.
"He can't stand Mozart because he wishes he had equal talent." Wrong. He can't stand that such a buffoon and infantile clown is blessed with such talent and that God must either have made a terrible mistake or is openly mocking him. I'm amazed how some of you completely miss the *real reason* for Salieri's hate - his relationship with God and his belief that God is wise and just to those who work hard and live virtuous lives. His whole image of the world and the God he believes in is turned upside down. *That* is the reason. As for Salieri admiring Mozart's music, that's because he is the only one who actually understands its brilliance. In fact it even appears as if Mozart himself doesn't understand it but how it's "just there" which annoys Salieri even more because this is further evidence God mocks him. Neither the emperor not anybody else understands Mozart's music and to them he is just "the latest talent" who is there to entertain the royal court. What Salieri can't make sense of is how somebody so clueless to their own talent and how somebody so utterly at odds with how God himself and all that he stands for can even exist. Reductionist thinking. It will be the end of us. Brings bad politicians into power and fosters the most menial and simplistic thinking. Bad for us all. And none of this happened in reality so what's you point?
@@theirondukew.8522 - First of all, none of what you blathered on about contradicted the original statement. He didn't miss anything. Secondly, he was admiring the way the actor's body language communicated the feelings. There was never a claim that it was real. So, to quote you - "what's your point" in shitting over a simple and not all that controversial statement?
The emperor is portrayed as a bit of a bumbling fool, but he's also shown to be able to impressively sight read music written by a seasoned court composer and play it reasonably well within a minute. Exactly how many heads of state living today can accomplish that?
At the time the nobility in Europe was often trained in music. Especially young noble women were expected to to play the piano proficiently. The king of Prussia, Frederick William, was a very fine cellist and Mozart wrote difficult quartet parts for him to play.
Due to shooting schedules he shot the last scenes in the sanitarium first. His performance is the most memorable of any actor who won an Academy Award for supporting role.
@@kjellfagerheim6789 To be fair, the movie was giving a small theme in basic chord progression done in the classical era style. Then they took that theme and made it Mozartian, to demonstrate the basic classical concepts into arpeggiated (rolling cords) as well as using typical Mozart and many other composers method of doubling an octave motif, and then adding some syncopation: temporary displacement of the regular metrical accent in music caused typically by stressing the weak beat.... used in dances... and this piece was actually modeled off the Marriage of Figaro song called Non più andrai. You shall go no more. It was to demonstrate the techniques Mozart used to liven up his music compared to dryer classical pieces could be. Almost everything that happened in the movie, never happened in real life other than the main points: Mozart was a composer... he was commissioned to write an Opera for the Austrian Vienna court theater which was the Abduction from the Seraglio. The sequences of the operas and his music was correct. His wife's name, father's name, friends name including Schikaneder (an opera house owner) with whom partnered with Mozart for the Sing Spiel called the Magic flute. Very bone basics were correct... everything else was fantasy fiction. And even more non-fiction was also left out: we never get to see Hayden to whom was Mozart's apprentice, we never see other musicians he worked with such as the famous Clarinetist Anton Stadler with whom he collaborated to write a clarinet concerto, we never see or hear of his sister Nannerl, the visit shortly after his first son is born he and his wife go to Salzburg to visit his dad or sister and they play the incomplete Mass in C minor. Mozart's other tours to Baden and to Prague and many other places during this adult period of his life. Lots of historical stuff is left out. And we can piece them together with all his and other family members' letters that have been published today. His younger years are also very interesting, and taken altogether would make for a very dramatic movie without all the fiction in this movie.
What is missed in this movie by those that see it is that the buffoonery, the slack jawed apelike qualities of the Mozart that are in the mind of Salieri. These portrayals are the product of Salieri's skewed perceptions of a rival. After all, he, Salieri, is narrating the movie and we are seeing the caricature of Mozart he is perceiving, not the actual man. The outlandish costumes, the inane giggle, the childish behavior are all products of Salieri's mind's eye.
Wow Stephen! That casts a whole angle on it all I never considered, a brilliant observation! It's not very often a movie of such depth and meaning comes along.
You said that well. We are all prisoners of our perceptions and Salieri's jealousies and desires were twisting his mind. Just like so many these days of political strife and absolutism.
actually salieri was very professional and did not harbor any great resentment towards mozart. the whole story of his jealousness no.1, isn’t really accurate because during this time he was one of the most successful music tutors and conductors at his time and no.2 only when mozart was dead did his music really get popular. the whole rivalry thing was caused when mozart on the death of his bed wrote to his dad blaming the italian musicians and then claiming in his delirium he had been poisoned. this was popularized by salieri and mozart an opera that was created long after his dead. sad how people see this movie and don’t really know the truth of their relationship which was quite cordial and in fact salieri was supportive and sent many letters to mozart in earnest respect
Tom Hulce, the actor who plays Mozart was later the speaking and singing voice of Quasimodo in Disney's incredibly good 'Hunchback of Notre Dame', for those who didn't know.
Concerning Mozart's laugh: One described it as a light, lilting laugh that drifted across the room, while another described it as "metal scraping glass".
Adam Gillespie now add that he was literally emperor of half Europe and still could play the piano despite the fact he began lessons when he was in his mid 30’s
I know, it is depicted as if the people around him are humouring "his majesty" because they have to but while I would not be super impressed to hear someone play like that upon seeing the sheet music (for a piece of this difficulty) for the first time, I would still acknowledge that they must be a decent pianist.
I’ve always enjoyed the looks on everyone’s faces when Mozart completely breathes life into Salieri’s March! “And the rest is just the same isn’t it?” How humiliating..,I love it!
(without comparing the two) Prince said something similar. He said "I am music. I feel music. When I walk around, I hear brand new things. You're almost cursed. You're not even its maker, you're just there to bring it forth. You know, 'Can't I go to sleep?' No. You can't."
except that had not been written just yet, but I bet wolfie could play it with the best of them. he could dplay anything and then he would probably take angel of death and improve it somehow lol
I love how the dichotomy between competence and genius is portrayed in this piece. It illustrates to the layman how complex and layered Mozart’s music really was.
toward the end his style was changing a bit..... not only was he starting to dabble into more chromaticism and dissonance but he was also writing more for instruments like the clarinet (basset horn). Even if he had gone another 5-10 years his output would have been enormous.
@Alexander Arsov, except for that one scene where...I can't exactly remember what it was about. Just kidding--agreed, that movie was awesome and earned every award it received.
Technically, he was Emperor, not King -- but, yes, I agree. I couldn't read notes and play a ditty if my life depended on it, so kudos to him indeed. (And I like how the actor (Jeffrey Jones) let the Emperor have the catchphrase "well, there it is".) 😂
What I like most of all is the depiction of the emperor. Joseph II as a monarch of the age of enlightenment really tried hard to do away with all the useless court rituallling and flattering, which was quite new in that age. Most of us won't recognize this because it looks very much like we are used to see monarchs today.
Played by Jeffrey Jones. Great character actor in the 80's 90's. A Tim Burton reliable who's downfall was alcohol and underage boys. Too bad as he always first rate regardless of his role.
He might be an enlightened monarch , but there´s always something slightly odd about him: a bit too mechanical, like a robot or an 18th century automaton. Great performance by Jeffrey Jones anyway - also loved his Crismwell in Ed Wood (1994).
Saw this at the theater when it opened. Loved it and have seen it many times since. This is my favorite scene in movie filled with memorable scenes. Thanks for posting!
Drosophila Melanogaster because it would flop today. People won’t pay money today to see anything that doesn’t have a Jedi, a comic book character, or tons of CGI.
I read he had done a fruit of the loom underwear commercial before he got this part...he was a struggling actor for a long time...he was perfect for the part.
For those who might be thinking that this is a movie about the actual Mozart and Salieri, the reality was completely different. We have plenty of letters sent by Mozart to his wife and others, showing that he admired Salieri very much. In one of such letters, Mozart says that he so much hoped that Salieri would come and see his new opera. In another, Mozart was raving about Salieri being in the audience for the premiere of the Magic Flute , and praising enthusiastically each section. The truth is, Mozart and Salieri came from a musical tradition for which it was expected not just for composers, but also for musicians in general, to be given a melody or a bass line and come up with a full composition on the spot. Nowadays we call that improvising. So, it would have been quite normal for Mozart to take a Salieri's piece and develop it in a different way, or for Salieri to do the same with one of Mozart's compositions. But surely not to take the piss out of each other, but to please each other and to talk music. At the beginning of Mozart's career, both him and his father occasionally complained that the success of established composers such as Salieri made it difficult for young Mozart, and presumably other young composers and musicians, to land big jobs. That first period inspired some writers, well after Mozart's time, to create operas, and more recently movies, which depicts Mozart and Salieri as enemies. But in reality, once Mozart became established, which did not take long, it seems the two of them respected each other quite a lot. They even wrote a cantata together and Salieri taught composition to Mozart's son. Actually, Salieri also taught Beethoven, Schubert, Liszt and many others. For free.. He only charged for lessons if the student was rich, because he was poor as a young musician, and someone helped him out, so he felt he needed to give back. Not quite the jealous, mediocre musician depicted in the movie?
I'll go one Further. Much big deal is made of Mozart not having second copies of his work. Ask Bach. Composers who had to check their work. He used to call them Chevaliars de Kavalier. "Knights of the Piano." He used to knock his stuff out in one go.
Of course not. This is an american movie for an american public, if it were anywhere near the truth, it wouldn´t be relatable at all, and flop. The plot of this movie, as well of any Avengers movie, could be written by a 3-year-old, Hollywood makes just THE child-movies every child would love to see, but for which the budget never existed...
The movie shows a bitter rivalry in the beginning, but ends with Salieri furiously helping Mozart compose his Requiem as he lay dying in his bed, which was fairly accurate. Salieri even finished Mozart's Requiem (Mozart himself only completing the first movement, but leaving notes for the next 8) at the request of Mozarts widow.
@@A_Lion_In_The_Sun "but ends with Salieri furiously helping Mozart compose his Requiem as he lay dying in his bed, which was fairly accurate" That is a fairly inaccurate description of BOTH the movie and the actual relationship between Mozart and Salieri ;) In real life, the only collaboration between Mozart and Salieri was a set of Cantate. In the fictional movie, Salieri tries to have Mozart compose a requiem so to steal the result. You can read more here: www.requiemsurvey.org/composers.php?id=559
If there was an audience for better music there'd be better music. People get the music they deserve. If you want smarter music you're no longer with the main stream so you need to make an effort to find it yourself. It's out thee. Just not popular or "successful".
"I actually composed some variations on a melody of yours...a funny little tune, but it yielded some good things." Boys and girls, this is called 'foreshadowing.'
I love how the Emperor just tosses out "my sister Antoinette." It makes you feel bad for him; he had no idea what was coming―either for her or for himself.
@@slavemonkey5063 Marie lost her head , but by this time she had been estranged from the Austrian court. Joseph tried hard to reform Austria and Hungary but suffered from a very stubborn nobility and arrogance from the Hungarians and Prussians. He died a natural death (of TB) but it was disappointment and heartbreak that really killed him. This stubborn reactionary element of Austria would lead to its decline as a power, with Napoleon and then Prussia advancing their societies and stomping on the Austrians. By the time of WW1 the Austrians had finally tried reviving Joseph's reforms but it was too late and they are now a small shell of what they used to be while the Germans and French are literally leading Europe.
No wonder Austria went to war, it's not just the ideological reason as most mention but imagine having a sister you grew up with and they kill her, you'd feel pretty bad especially if you have power answerable to your rage. And besides the funny thing is that it was France that declared war on Europe including Austria first.
Anyone who’s ever struggled with composition, this movie is so perfect for you. ThereMs having natural talent and working your ass off, and feeling pretty great about yourself, but when you meet a true prodigy, it’s profoundly beautiful and shameful. You realize there’s levels to everything. One of my favorite movies ever, and I’m a DIY punk dude.
However, even with Mozart and Salieri's rivalry for certain jobs, there is very little evidence that the relationship between the two composers was at all acrimonious beyond this, especially after 1785 or so, when Mozart had become established in Vienna. Rather, they appeared to usually see each other as friends and colleagues, and supported each other's work. For example, when Salieri was appointed Kapellmeister in 1788, he revived Figaro instead of bringing out a new opera of his own, and when he went to the coronation festivities for Leopold II in 1790, Salieri had no fewer than three Mozart masses in his luggage. Salieri and Mozart even composed a cantata for voice and piano together, called Per la ricuperata salute di Ophelia, which celebrated the return to stage of the singer Nancy Storace" Läs mer
Dystop Misantrop nice Intel. Im happy people are doing research and not having some misguided hatred for Salieri simply because Hollywood put their spin on it.
6 ปีที่แล้ว +5
He had to be a prick to Mozart to establish his character in Last Action Hero.
The play upon which this film is based is in turn based on the story of Cain and Abel. It is only passively influenced by the lives of Mozart and Salieri.
I actually think the original had a bit of tension in it that was appropriate for commemorating the arrival at court of an artistic genius. It was perfectly unresolved.
This scene is very interesting but something that’s not often pointed out is the fact that although Salieri’s march is simpler than Mozart’s transformation of it in Non piu andrai, it’s actually much more appropriate to his audience. Salieri certainly intended for the Emperor to play it or at least study it, and with his skill level not being that great as is evident from the clip, giving him a modest but quite pleasant piece for him to be able to play to satisfaction is the best move rather than something vivid but likely to cause only frustration and embarrassment. It’s not simply Mozart humiliating Salieri here by being a “more skillful composer”. While being technically good, Mozart shows how little sense he has in society just through his playing, parallel the rest of the scene. Just thought I’d share this viewpoint to those of you who may not have interpreted this part of the scene this way, even though it only cements what we already know from the rest of the scene of course.
Very well your analysis...... Its not his fault he was far too prodigious for his own good... One becomes too advanced in technicality and forgoes simplicity... Less sometimes is more perhaps..
Love, love, love this movie! When it came out, it was shown at a movie house with two screens. One screen was for current movies and the second was for movies that were more arthouse types and as such, not appreciated by mainstream audiences. The admission was $1.00, and the popcorn had real butter. The movie played 7 nights a week for several months, and sold out each night, with the majority of the audience made up of the same people. They also did this with The Pirates of Penzance. It was wonderful to hear Linda Ronstadt's beautiful voice. I made some good friends because of this experience.
One of the best films of the 80's and another masterpiece by Milos Forman. He just had an incredible knack for perfect casting, tight stories, great lighting and master's sense of TEMPO in directing his actors for great editing. All his films ooze that special feeling, whether it's Cukoo's Nest, Man on the Moon or Amadeus... they just flow perfectly and hold your attention all the way through. It's a shame so many films today are caught up in CGI and impossible stunts with break neck editing. To me the slower the film the more savory. As I side note: In the 90's I was working a temp job in Tower Record's classical department and who came to the register but... Tom Hulce. He plopped down a ton of CD's and after entering the last one into the register, I told him the amount which was something like $370. He playfully said, "That's too much." I quickly swiped his American Express Card and shot back: "That's too bad." We both laughed. He was super nice.
I like how the Emperor gave a little startled "jump" when Mozart laughs at the very end. (You can see his hands holding the music in that final frame.) I wonder if that was scripted, or if the actor was genuinely startled.
That's one way of looking at it, but I'm sure Salieri saw it differently. I mean, it's like, I'm not defiling your comment, I'm just completing it (for you).
Since the variation by Mozart was not a march anymore, he can impossibly have completed a march. He completed a variation in completely different style based on the melody of a Salieri's march.
@@vincentmutel7313 not irony, it's Rule 1 on a job interview (ie, don't be smarter that the Boss....you'll get your turn when you're the Boss). Salieri was a working Musician. Mozart up staged him & made an enemy. What really happened? Lesson = even a genius can't get away with being a smart ass.
Now, this is...improvisation. Mozart knew and appreciated the power of improvisation! You don't have to follow the score, note-for-note, all the time, you can create new things, new patterns, explore new territories. To all musicians, don't be afraid to try new things on the piano. Don't just 'follow the notes' all the time. Through this, you also learn the power of composition.
I absolutely love this movie. This scene is one of the best movie scenes of all time. The look on Salieri's face is just priceless! And the quotes - "I think you bet-tah!" and "Did weee?" Awesome movie.
“The rest is just same isn’t it?”
Someone just died inside.
That was so funny . Murray is SOME actor
Imagine you just composed something you're proud of and freakin' Mozart comes it and turns it into dust, then blows it out the window.
@@alicedwonderland7733 I know and we'd seen him struggling with it the night before, and thanking God for it . Only for that creature to pull it apart and give us five better versions at the drop of a hat . I love the way Mozart bowed to the wrong people
@@martmanana7269 he deserved the Oscar a hundred times over for this performance.
What a nasty comment... And then they go on portraying Salieri as the evil one.
Keep in mind "Amadeus" is an allegorical play about genius. It's nothing like the historical Mozart and Salieri.
Salieri was highly successful and wouldn't have been threatened by Mozart. In fact he helped Mozart. Salieri introduced Mozart to Lorenzo Da Ponte, a poet from Venice who wrote the librettos to "Cosi Fan Tutte," "Marriage of Figaro" and "Don Giovanni."
There may have been some rivalry, but from what we know the relationship between these two men was professional and cordial.
And Mozart was not some kind of impoverished outcast as he's depicted in the movie -- he was famous, highly respected and lived in a luxury flat in one of Vienna's best neighborhoods. He made plenty of money -- he was just a profligate spender.
Europe's most famous composer of the time (not mentioned in the movie) was Josef Haydn, employed by the Esterhazy princes not far from Vienna. Haydn, a towering genius, told Mozart's father his son was the greatest composer known to him. Mozart and Haydn traded musical ideas, inspired each other, even purportedly played string quartets together.
If he'd lived, Mozart was in line for one of the best musical jobs in Vienna -- Kapellmeister (director of music) at St. Stephen's Cathedral.
Meanwhile, Salieri was not a bad composer, he was a very good one. He invented some operatic devices and conventions that are still part of the tradition today.
Most of Salieri's work just belongs to a style that was eclipsed by later opera composers and isn't played much today. Interestingly "Amadeus" actually sparked interest in Salieri's operas and several of them have had revival productions since the movie came out.
Maybe Salieri's greatest achievement was to hire the brilliant Venetian poet da Ponte to write librettos for the royal opera in Vienna. Da Ponte wrote the libretto to "Cosi" for Salieri but Salieri was too busy to write the music and handed the project off to Mozart. The rest is history.
I'm not being at all critical of "Amadeus,' which is a wonderful play and movie. But it's nothing like how it actually happened.
Not to mention that Mozart and Salieri actually had a fond and long friendship. Salieri even taught Mozart's son.
Everybody knows it was Handel who poisoned Mozart before fleeing to Great Britain to live next door to Jimi Hendrix
Thanks for the wonderful information. I love getting little tidbits of enlightenment.
@@CorsetGrace I believe he also taught young Beethoven and Schubert and so he could not have been the hack they make him out to be in the movie.
It's such a pity, so many films do this, retell the old rags-to-riches tale, which so frequently has nothing to do with the subject's actual life...Oh well, at least we have his music.
When the remix turns out to be better than the original.
Wasn't it a student piece to begin with?
Good comment
Remix? What remix?
@@barrigudo00 Oy. 🤦♀️
R/woooooosh
actually mozart played og from marriage of Figaro.
To Salieri, he was being humiliated. To Mozart, he was just helping make a piece work.
both side's
Philosophically said: Saliéri did put his talent and skill to work in the most prestigious of places. Mozart was a true lover of creating music and an artist at heart. Saliéri let his vanity get in the way, thats why he felt slighted instead of supported. An anger of his own making.
They probably never met in the real world.
@@OphiuchiChannel They were friends in real life.
@@alex6677 he got laughed at so yeah.. some prodigies can’t understand feelings and they feel really bad about it not just prodigies mostly highly intelligent people
I love how the Emperor jumps at the end when Mozart laughs.
And it makes me wonder if it was acted or real. :)
Well spotted!
The Iron Historian Ohh well even you noticed it, Emperor Joseph 2 must have got a shock of his life with that laugh. I almost fell of my chair.
Was more of a twitch...but hysterical just the same!
I've seen this movie 100 times and I have never noticed that. Good catch.
The aspect ratio doesn't quite work, does it?
Hurray! Someone has noticed the 'elephant in the room' beside me. Actually, the image is horizontally squeed by a factor of two. It was intended to be displayed in the Cinemascope ratio of 21:9 (1:2.33)
Ferris Bueler was up to his shenanigans again.
Too many pixels, I think...
People were skinnier back then
Well, there it is.
"A funny little piece but it yielded some good things" hahaha musicians throwing shade
+Kassie Stepanova lol!
now they got bad blood
Mozart didn't realize what he was doing. He knew he was the best and only wanted to help.
nikki and remy of that age
Buuuuuuuuurn!!
The slow zoom on Salieri’s face, growing with emasculation, then a cut to Mozart’s cheery, prideful grin - what a perfect film.
The last frame of the video was the best.
Great cinematography and acting. We've all been there, where we felt like everything was closing in on us in a social setting. Feeling dread and embarrassment with no were to go.
Grrrrrazie Signore!!!
One of the most well deserved Oscar
For those who are criticising the emperor, not many amateurs can just practise a new melody and then play it quite well the second time. I thought he was quite good for an amateur.
Edit: This comment was just an observation. There is no need to take it seriously.
I agree with you :) 😃 but it's funny to see him playing not well
Totally agree. I don't know for certain, but I think that he didn't even really start learning music until his 30s. Hard for anyone by that age, especially classical music.
The emperor was actually the best sight reader of the time. He was also a musical genius and in sight reading could read the most difficult full orchestral scores with amazing perfection. But then who wants to spoil the fun of a good movie with the facts.
@@polenc7167 valid fact.
@@oilersridersbluejays Isn't it fun to make a great man into a buffoon. Serves him right for not being a dope like the rest of us.
The emperor's "bad" sight reading still sounds much better than when I try to sight read
He doesn´t have "bad" sight reading, he just isn´t up to the level of the guys momentarily surounding him... Which are almost exclusively musicians, and don´t additionally have to rule over Austria, Hungary, czechoslovakia, Yugoslavia, north Italy, Spain, Portugal, middle America, south America and the Philipines all at the same time...
"The rest is just the same, isn't it?" What a line and such an unintended insult.
So, you assume it was unintended....
@@JohnLloydScharf I assume that it was intended.
I've gone through two conservatory degrees. Those insults are always intended. And they happen all the time :)
Well, Mozart didn't intentionally pawn Salieri, but just wanted to help out a fellow musician with his simple, little ditty. The Scherzo at the end was just the camel, that broke the straw's back...
Oh, that passive-aggressive Wolfie!
Still one of the best movies out there and hands down, the best laugh in movie history.
Fabulous 🎉🎉🎉 xx
Indeed à great masterpiece , but... there are several mutilated copies in circulation. I have the movie several times and sometimes key scenes had been cut... carefull viewing made me understand that the often cut scenes of an impoverished Mozart teaching music were important to understand the story. Robert Prummel Groningen
I love the chubby guy. he's always on the verge of doing something to inadvertently embarass the director
I like his laugh. And he looks like Bach 😃
He looks like the dude from the “what the fuck am I reading” meme
I thought that the chubby guy was a useless tool who was too afraid of speaking his mind and offending the others
Rosenberg.
He wants to like Mozart but the director won't let him.
Upon reflection, Amadeus was one of the finest movies I've had the pleasure of viewing in my seventy years; and an avid movie watcher!
I've never seen a man hate and adore at the very same time as well as Salieri did in this movie. You could see the contempt and jealousy he has for Mozart practically making his music sound like first grade level. But also look in complete awe, amazement and dare I say love as well. You could see that he liked the Mozart arrangement of his piece but couldn't admit it. He seemed to hate himself for loving Mozart's genius.
RossBayCult You just seamlessly nailed it my man, the various conflicting and competing emotions that swirled about and roiled within Salieri/F Murray Abraham. Love/Hate, Veneration/Vindictive Jealousy, Genuine Admiration/Gross Abhorrence, as such contradictions would basically define the deep, tempestuous ambivalence that throbbed and pulsed its way through Salieri in this movie (in how he was flawlessly and magnificently depicted by F Murray Abraham). Though in the end the jealousy and bitterness got the better of that cinematic Salieri, sadly enough, despite his undying love and admiration for all those timeless and transcendent masterpieces attributable to Mozart. Any ways, what a fascinating character study.
RossBayCult That rivalry is pure fiction. Salieri and Mozart were good friends. When Mozart died he helped Costanza with their younger son's education and to propagate and sell Mozart's music. At the end Costanza died wealthy at the ripe age of 80. Franz Xaver became a sort of successful composer, teacher and pianist on his own right, but could never scape the shadow of his father, whom he never met. He never married and died leaving no progeny.
A superbly expressed 'bullseye' interpretation of one of the deliciously awkward (and subtly intense) scenes in the movie. Very nicely said RossBayCult.
I think you nailed that perfectly!
RossBayCult i was in the Movie he was not like this in reality the same for Mozarts father they were much more cultivated than that - Salieri never hated Mozart - and Hollywood needs to mock Jesus (very important) so you should not confuse it with historic truth
"May I play it when he comes in?"
Salieri's head: NO NO NO NO NO NO NO NO
Salieri: You do me too much honor!
"the rest are the same, isn't it ?"
Salieri head: explode on jealousy and anger
Salieri: fake smile left the room
Ok we need Amadeus Abridged now I guess
I feel like Mozart and Salieri had some inspiration for SpongeBob and Squidward from the episode 'The Paper'! 😂
When you thought your single was fire and some nigga just comes up and remixes the fuck out of it.
Kev Urbie And than blasts it in front of your own fans
u got me cryin kid lol
8 years later ts had me dying
Basically lil wayne when he hops on your beat
Mozart: Spongebob
Salieri: Squidward
LOLz
Hahaha yes!
*=
LOL, CAN'T BE UNHEARD NOW. XD
hahaha
Tom Hulce was miraculous in this role. He played the fool, the intense genius, and the arrogant prick with equal genius. He was sensational.
everyone in this movie saw their acting career die, and I have no idea why.
@@devolve42 Wow! I have noticed that as well! Although, Tom Hulce and F. Murray Abraham did act in other movies/series/parts since then. I watched this movie at a proper movie theater, discounted ($1, at that time) price for a whole week, and wept, every time, at the piano tune played during credits. 2 Academy Awards, for best costuming (I nearly got myself a tricorn hat custom made for me because of this movie!), and music editing (fine tying in scene to scene with music!), but this movie should have won many more awards.
@@devolve42 Well, in the director's commentary on "The Name of the Rose", the director goes out of his way to say that after winning the Oscar, F. Murray declared he was going to be hell on directors in retaliation of yrs of having to submit to them. He'd constantly argue, show up late to the set and was basically a diva which really pissed off Sean Connery. I'm sure that won Abraham no friends in Hollywood. Hulce did a few more things (ie Mary Shelley's Frankenstein and that movie about Stalin's projectionist) but turned to producing and has been pretty successful at it. Jeffrey Jones was doing just fine (Ferris Bueller, The Hunt for Red October and yes Howard the Duck) until his, ah, exotic sexual tastes became public and landed him in jail.
@@bahhumbug9824 Thanks for that! Very interesting tidbit about Abraham
He also went into the role having no piano skills and learned to play all the music so that he could fake-play it for filming (sort of like lip-synch but with a keyboard). He performed it flawlessly.
"Well, what do you have for me today?" - I love the portrayal of the Emperor of Austria as an affable Radio Shack manager.
The thing is, it's obvious that Mozart isn't trying to insult Salieri; he only cares about the music and making it the best it can be. He's even rather solicitous about it in his own way.
Actually Mozart was very fond of Salieri.
@O R Leck mich im Arsch
No, he was like this on purpose, naturally playful
embustero71 nine!
Yes but any great musician would know it would be embarassing for the court composer to do that.
I would know, I am a great musician. 😅
I love how clearly Salieri's body language expresses his disdain and jealously of Mozart but also how it clearly shows his awestruck and love for Mozart's music. He can't stand Mozart because he wishes he had equal talent.
Facts
"He can't stand Mozart because he wishes he had equal talent."
Wrong. He can't stand that such a buffoon and infantile clown is blessed with such talent and that God must either have made a terrible mistake or is openly mocking him. I'm amazed how some of you completely miss the *real reason* for Salieri's hate - his relationship with God and his belief that God is wise and just to those who work hard and live virtuous lives. His whole image of the world and the God he believes in is turned upside down. *That* is the reason.
As for Salieri admiring Mozart's music, that's because he is the only one who actually understands its brilliance. In fact it even appears as if Mozart himself doesn't understand it but how it's "just there" which annoys Salieri even more because this is further evidence God mocks him. Neither the emperor not anybody else understands Mozart's music and to them he is just "the latest talent" who is there to entertain the royal court.
What Salieri can't make sense of is how somebody so clueless to their own talent and how somebody so utterly at odds with how God himself and all that he stands for can even exist.
Reductionist thinking. It will be the end of us. Brings bad politicians into power and fosters the most menial and simplistic thinking. Bad for us all.
And none of this happened in reality so what's you point?
TheIronDuke W. Okay first of all i now have beef with salieri and second of all SHUT THE FUCK UP
@@theirondukew.8522 - First of all, none of what you blathered on about contradicted the original statement. He didn't miss anything.
Secondly, he was admiring the way the actor's body language communicated the feelings. There was never a claim that it was real. So, to quote you - "what's your point" in shitting over a simple and not all that controversial statement?
@@theirondukew.8522 well put, Salieri states that in his narrative.
Tom Hulce's performance is unbelievable and perfection
Simon Callow did better.
Not bad for a Faber graduate.
Personally I preferred his performance as Quasimodo.
I think Scatman Crothers could have been a better mozart.
@Thomas Roman Great story!
Pretty impressed with his majesty to be able to play the piece after a couple of solid tries.
This movie is so good that I forgot that they were acting
Thank you
@@valentenaupton2805 yeah it is the truth
Totally! The subtle dynamic between the characters makes you totally forget these are actors!
@@emmagrove6491 thanks!😁
Absolutely brilliant movie.. One of my all time favorites.
The emperor is portrayed as a bit of a bumbling fool, but he's also shown to be able to impressively sight read music written by a seasoned court composer and play it reasonably well within a minute. Exactly how many heads of state living today can accomplish that?
None that I know of offhand. I'm wondering if Nixon could have.
At the time the nobility in Europe was often trained in music. Especially young noble women were expected to to play the piano proficiently. The king of Prussia, Frederick William, was a very fine cellist and Mozart wrote difficult quartet parts for him to play.
@@Briguy1027 Not a piano, but Bill Clinton on sax.
@@ianwhitchurch864 Yeah I remember Clinton playing the sax, but I also remember Nixon on the piano.
Well, the Internet says that there is at least one with a fighting chance, Emmanuel Macron of France.
The laugh at the end was perfect.
I love how the last Mozart laugh scares jump the emperor
That laugh still cracks me up, even decades later.
Same here.
I came up with that laugh. I do it at parties and love the reaction. If you have the guts, try it!
Same here, doing it in RL to annoy people is even more fun haha.
Idk why but i laugh at almost everything idk why tho
Me too ..
He's very good actor .. anyway ...
Does the real mozart laugh like that ??????
And meanwhile, Milos Forman's aspect ratio is also defiled.
Oh good ... cause I thought I was having a flashback.
I had to angle my phone so I could nearly see the back
Aspect Ratio would be a great name for a goth band...
F. Murray Abraham, who did win the Academy Award for his role, is just amazing in this role, particularly as the senior Antonio Salieri.
F. Him? Who did you want to win?
Due to shooting schedules he shot the last scenes in the sanitarium first. His performance is the most memorable of any actor who won an Academy Award for supporting role.
I love F. Murray! He always seems to light up any character he plays. His take on Salieri was brilliant.
I got to see him live in the stage version. Very different, much more humorous. Great play.
He was filming both simultaneously, shuttling back and forth.
“Tempo!” “Lightly, then STRONGLY.” 😂
Salieri spends ages trying to get it right and Mozart nails it one go and makes it even better. I love this scene.
Ha! Exactly. "that doesn't really work does it?". Mozart was just playing around! 😄
Then again, Salieri was composing to accompany the Emperor's skill. Mozart wasn't and that's why it sounds better.
@@BasfarThijsje Actually no. Since he didn't know that the Emperor would ask him to be the one to play it. Sorry.
You are wrong...! This movie is false.....!
@@kjellfagerheim6789 To be fair, the movie was giving a small theme in basic chord progression done in the classical era style. Then they took that theme and made it Mozartian, to demonstrate the basic classical concepts into arpeggiated (rolling cords) as well as using typical Mozart and many other composers method of doubling an octave motif, and then adding some syncopation: temporary displacement of the regular metrical accent in music caused typically by stressing the weak beat.... used in dances... and this piece was actually modeled off the Marriage of Figaro song called Non più andrai. You shall go no more.
It was to demonstrate the techniques Mozart used to liven up his music compared to dryer classical pieces could be.
Almost everything that happened in the movie, never happened in real life other than the main points: Mozart was a composer... he was commissioned to write an Opera for the Austrian Vienna court theater which was the Abduction from the Seraglio.
The sequences of the operas and his music was correct.
His wife's name, father's name, friends name including Schikaneder (an opera house owner) with whom partnered with Mozart for the Sing Spiel called the Magic flute.
Very bone basics were correct... everything else was fantasy fiction.
And even more non-fiction was also left out: we never get to see Hayden to whom was Mozart's apprentice, we never see other musicians he worked with such as the famous Clarinetist Anton Stadler with whom he collaborated to write a clarinet concerto, we never see or hear of his sister Nannerl, the visit shortly after his first son is born he and his wife go to Salzburg to visit his dad or sister and they play the incomplete Mass in C minor. Mozart's other tours to Baden and to Prague and many other places during this adult period of his life. Lots of historical stuff is left out. And we can piece them together with all his and other family members' letters that have been published today.
His younger years are also very interesting, and taken altogether would make for a very dramatic movie without all the fiction in this movie.
Mozart unwittingly tried to save Marie-Antoinette's head at 6 years of age🤣🤣🤣
What is missed in this movie by those that see it is that the buffoonery, the slack jawed apelike qualities of the Mozart that are in the mind of Salieri. These portrayals are the product of Salieri's skewed perceptions of a rival. After all, he, Salieri, is narrating the movie and we are seeing the caricature of Mozart he is perceiving, not the actual man. The outlandish costumes, the inane giggle, the childish behavior are all products of Salieri's mind's eye.
I hadn't thought of it that way, despite having seen this movie for the first time some 30 years ago.
Wow Stephen! That casts a whole angle on it all I never considered, a brilliant observation! It's not very often a movie of such depth and meaning comes along.
Great observation. I'll watch it again with that in mind.Thank you!
You said that well. We are all prisoners of our perceptions and Salieri's jealousies and desires were twisting his mind. Just like so many these days of political strife and absolutism.
actually salieri was very professional and did not harbor any great resentment towards mozart. the whole story of his jealousness no.1, isn’t really accurate because during this time he was one of the most successful music tutors and conductors at his time and no.2 only when mozart was dead did his music really get popular. the whole rivalry thing was caused when mozart on the death of his bed wrote to his dad blaming the italian musicians and then claiming in his delirium he had been poisoned. this was popularized by salieri and mozart an opera that was created long after his dead. sad how people see this movie and don’t really know the truth of their relationship which was quite cordial and in fact salieri was supportive and sent many letters to mozart in earnest respect
Tom Hulce, the actor who plays Mozart was later the speaking and singing voice of Quasimodo in Disney's incredibly good 'Hunchback of Notre Dame', for those who didn't know.
"Funny little tune, but yielded some good things." - ouch.
That, combined with "The rest is just the same isn't it". Double ouch.
I thought he said "Funny little tune, but healed it some good things."
Concerning Mozart's laugh: One described it as a light, lilting laugh that drifted across the room, while another described it as "metal scraping glass".
If that dude was literally sight reading then he is really good for an amateur
Since his status guarantuees him some education, one can assume, that he had piano lessons - whether he's talented or not.
Adam Gillespie now add that he was literally emperor of half Europe and still could play the piano despite the fact he began lessons when he was in his mid 30’s
I know, it is depicted as if the people around him are humouring "his majesty" because they have to but while I would not be super impressed to hear someone play like that upon seeing the sheet music (for a piece of this difficulty) for the first time, I would still acknowledge that they must be a decent pianist.
Im so bad at sightreading
That dude was a movie actor.
I’ve always enjoyed the looks on everyone’s faces when Mozart completely breathes life into Salieri’s March! “And the rest is just the same isn’t it?” How humiliating..,I love it!
Mozart said he drank because he couldn't make the music in his head stop.
He was afflicted by constantly hearing melodies, waltzes and cadences.
(without comparing the two) Prince said something similar. He said "I am music. I feel music. When I walk around, I hear brand new things. You're almost cursed. You're not even its maker, you're just there to bring it forth. You know, 'Can't I go to sleep?' No. You can't."
Imagine all the melodies he did not let out
Micheal Jackson said the same. He could not sleep because of it, and become addict of sleep medication.
That sounds like obsession.
Disaster in disguise
I love how the king is played by the same actor that played the principal in Ferris Bueller's Day Off.
Secretly saying Bueller while playing the piano.
Hehe I was thinking exactly the same right now 😆
@@astralsapien8727 correct.
Emperor, not king.
I love that Amadeus is the guy who took out the grocery clerk in Animal House
This movie is a pure masterpiece
"Bring in Herr Bueller, but slowly, slowly. I need a minute to practice"
Well played, Sir.
😁😁😁😁👍👍👍👍
F Murray Abraham is one of the best screen actors I've ever seen.
He says a lot in this scene without saying much, which is masterful.
Indeed
A great actor who deserves more work.
Heck, yeah! 😎👍
When I saw Silence of the Lambs I thought Murray would have played a fantastic Hannibal Lecter. He should have gotten more chances to show his talent.
I love at toward the end when the guys outside the room hear the nex music and look in the room like "whoah"
except that had not been written just yet, but I bet wolfie could play it with the best of them. he could dplay anything
and then he would probably take angel of death and improve it somehow lol
Yeah, you know it's great music when people start huddling around just to hear it.
I have watched this movie fragment like 15 times already, and can't get enough of it!
14? 16?
I love how the dichotomy between competence and genius is portrayed in this piece.
It illustrates to the layman how complex and layered Mozart’s music really was.
Mozart died aged only 35! What did we miss, if only he had lived longer.
Perhaps working with Beethoven.
I thought he was 32 but... Whatever
Well, had he kept his pistol in his holster perhaps we would have seen what could have happened.
@@cloudstreets1396 he didn't die of typhoid fever?
toward the end his style was changing a bit..... not only was he starting to dabble into more chromaticism and dissonance but he was also writing more for instruments like the clarinet (basset horn). Even if he had gone another 5-10 years his output would have been enormous.
Unforgettable scene from a film that contains not a single forgettable scene. :-)
Agreed! One of my favorite scenes in the movie.
@Alexander Arsov, except for that one scene where...I can't exactly remember what it was about. Just kidding--agreed, that movie was awesome and earned every award it received.
From a musical note he did a concert! ^,^ This is for me the best movie ever made.
I love this movie so much. F. Murray Abraham's performance still gives me goosebumps.
Not a bad sight reading effort by the king, both hands and no wrong notes within 3 tries. Actually quite good.
Technically, he was Emperor, not King -- but, yes, I agree. I couldn't read notes and play a ditty if my life depended on it, so kudos to him indeed. (And I like how the actor (Jeffrey Jones) let the Emperor have the catchphrase "well, there it is".) 😂
@@danielvanr.8681 He was King of Bohemia and Hungary
he is an actor ffs,
he is probably not even playing what you hear in the background
It's a character in a movie. People can feel emotions for the characters in a movie, a book. You must be fun at parties
What I like most of all is the depiction of the emperor. Joseph II as a monarch of the age of enlightenment really tried hard to do away with all the useless court rituallling and flattering, which was quite new in that age. Most of us won't recognize this because it looks very much like we are used to see monarchs today.
Arno Luyendijk brilliant comment
And I like how the actor actually looks like the real doppleganger of the real Emperor.
Arno Luyendijk My thoughts exactly. 👍
Played by Jeffrey Jones. Great character actor in the 80's 90's. A Tim Burton reliable who's downfall was alcohol and underage boys. Too bad as he always first rate regardless of his role.
He might be an enlightened monarch , but there´s always something slightly odd about him: a bit too mechanical, like a robot or an 18th century automaton. Great performance by Jeffrey Jones anyway - also loved his Crismwell in Ed Wood (1994).
I can't believe why Tom Hulce never won an Academy Award for his outstanding portrayal of Mozart
Abraham won it.
Hulce was nominated and Abraham said in his acceptance speech that Hulce should be standing there beside him as he stood at the podium.
he was nominated for this film
@@SheboyganLager Those are the words of someone who has nothing to prove. Bravo, bravo.
@@CurtHowland Indeed !
-Name a German virtue
-Love
-Of course we know nothing about love in Italy
-No I don't think you do, Sir.
Brilliant
I always liked mister Bono's giggle after he calls Italian opera rubbish.
At least the food is better than german, german food is grotesque.
@@felipewerner6670 What is grotesque about beer, steak, sausages, bread and potatoes?
@@Kalenz1234 I love me some good Bratwurst, but there's no comparison to pizza and pasta, sorry...
I would have said punctuality was the most German virtue.
Pianoforte: "duh duh duhn."
Mozart: "bahahahaha!"
Still cracks me up every time!
@dbltrplx makes me laugh too. Every single time.
Wait you Are me
Oh dear god there’s twos of you!!!!🙀
Egon Music it’s actually a harpsichord, not a pianoforte/fortepiano.
Especially because you can see Habsburg flinch haha
That laugh has got to be the most famous in ALL of music/movie history.
Saw this at the theater when it opened. Loved it and have seen it many times since. This is my favorite scene in movie filled with memorable scenes. Thanks for posting!
They both player their parts so well! One of the best scenes in the movie!
Why on Earth, don't we get one movie a year ... just one ... a year, like this one.
Hollywood, I'm I asking for too much?
Drosophila Melanogaster because it would flop today. People won’t pay money today to see anything that doesn’t have a Jedi, a comic book character, or tons of CGI.
If movies this good came out that often, then movies this good wouldn't be as special.
What, you don't like CATS?
Bwa HA HA HA HA HA!!!!
Amy Thomasson fudge star wars and marvel
Drosophila Melanogaster Watch more movies, they’re out there
Refers to one of Salieri's compositions: "A funny little tune..." OUCH! Total burn!
F. Murray Abraham was brilliant in this film.
So was Tom Hulce. Every bit as good IMO as Abraham.
In every film I've watched......
I read he had done a fruit of the loom underwear commercial before he got this part...he was a struggling actor for a long time...he was perfect for the part.
Cause he's a fucking pro there's a lot of character actors that don't get as much attention as the stars but are often far better
@@rontiemens2553 The vacuous emperor should have got an Oscar too.
For those who might be thinking that this is a movie about the actual Mozart and Salieri, the reality was completely different.
We have plenty of letters sent by Mozart to his wife and others, showing that he admired Salieri very much. In one of such letters, Mozart says that he so much hoped that Salieri would come and see his new opera. In another, Mozart was raving about Salieri being in the audience for the premiere of the Magic Flute , and praising enthusiastically each section.
The truth is, Mozart and Salieri came from a musical tradition for which it was expected not just for composers, but also for musicians in general, to be given a melody or a bass line and come up with a full composition on the spot. Nowadays we call that improvising.
So, it would have been quite normal for Mozart to take a Salieri's piece and develop it in a different way, or for Salieri to do the same with one of Mozart's compositions. But surely not to take the piss out of each other, but to please each other and to talk music.
At the beginning of Mozart's career, both him and his father occasionally complained that the success of established composers such as Salieri made it difficult for young Mozart, and presumably other young composers and musicians, to land big jobs.
That first period inspired some writers, well after Mozart's time, to create operas, and more recently movies, which depicts Mozart and Salieri as enemies.
But in reality, once Mozart became established, which did not take long, it seems the two of them respected each other quite a lot. They even wrote a cantata together and Salieri taught composition to Mozart's son.
Actually, Salieri also taught Beethoven, Schubert, Liszt and many others. For free.. He only charged for lessons if the student was rich, because he was poor as a young musician, and someone helped him out, so he felt he needed to give back.
Not quite the jealous, mediocre musician depicted in the movie?
I'll go one Further. Much big deal is made of Mozart not having second copies of his work. Ask Bach. Composers who had to check their work. He used to call them Chevaliars de Kavalier. "Knights of the Piano." He used to knock his stuff out in one go.
Of course not. This is an american movie for an american public, if it were anywhere near the truth, it wouldn´t be relatable at all, and flop. The plot of this movie, as well of any Avengers movie, could be written by a 3-year-old, Hollywood makes just THE child-movies every child would love to see, but for which the budget never existed...
The movie shows a bitter rivalry in the beginning, but ends with Salieri furiously helping Mozart compose his Requiem as he lay dying in his bed, which was fairly accurate. Salieri even finished Mozart's Requiem (Mozart himself only completing the first movement, but leaving notes for the next 8) at the request of Mozarts widow.
@@A_Lion_In_The_Sun "but ends with Salieri furiously helping Mozart compose his Requiem as he lay dying in his bed, which was fairly accurate" That is a fairly inaccurate description of BOTH the movie and the actual relationship between Mozart and Salieri ;) In real life, the only collaboration between Mozart and Salieri was a set of Cantate. In the fictional movie, Salieri tries to have Mozart compose a requiem so to steal the result. You can read more here: www.requiemsurvey.org/composers.php?id=559
"The familiarity of the superior embitters--because it cannot be returned." --Nietzsche
Haters gonna hate
I love this scene because it captures Mozart's character perfectly. He got himself into a lot of trouble on many occasions just by being himself.
4:57 did we....?
"Slowly gives him the stare"..
That part always cracked me up
Me too lol
The laugh makes the whole scene hilarious
"The rest is just the same, isn't it"? That saying perfectly describes most of today's music.
@Delon Duvenage What's stopping you?
@Delon Duvenage PEOPLE HAVE BEEN DENIGRATING "MUSIC OF THE DAY," FOR CENTURIES.
Neva' eh's Natas it describes most music, period, you bitter fossil.
@@lowellcalavera6045 WELL, WHAT AN UGLY REMARK....
If there was an audience for better music there'd be better music. People get the music they deserve. If you want smarter music you're no longer with the main stream so you need to make an effort to find it yourself. It's out thee. Just not popular or "successful".
"I actually composed some variations on a melody of yours...a funny little tune, but it yielded some good things." Boys and girls, this is called 'foreshadowing.'
"Will you marry me, yes or no?" It would have been better for Marie Antoinette if she had...
But now she has no head
Captain obvious PFFFFT
@@lukedavis5727 Fitting username lol
Agreed! Lol
And better for Mozart as well. Think of the music we all missed out on with his untimely death.
"The rest is just the same isn't it?"
"Proceed to turn it into Relic" xDD
Definitely one of the best movie scenes of all time.
This was a perfect blend of great music, acting and story line which is the making of a great movie and this is one of the greatest.
Each time F. Murray Abraham’s’ faux smile collapses to the floor in indignation is priceless.
So, this is the second time one of Salieri's "funny little" tunes yielded some good things.
Best scene from the movie. How a genius can transform a boring piece of court music into something truly magnificent.
I love how the Emperor just tosses out "my sister Antoinette." It makes you feel bad for him; he had no idea what was coming―either for her or for himself.
this isnt the real emperor this is an actor from a motion picture
Joseph didn't get the chop, as his sister did. He died of TB.
@@slavemonkey5063 Marie lost her head , but by this time she had been estranged from the Austrian court. Joseph tried hard to reform Austria and Hungary but suffered from a very stubborn nobility and arrogance from the Hungarians and Prussians. He died a natural death (of TB) but it was disappointment and heartbreak that really killed him. This stubborn reactionary element of Austria would lead to its decline as a power, with Napoleon and then Prussia advancing their societies and stomping on the Austrians. By the time of WW1 the Austrians had finally tried reviving Joseph's reforms but it was too late and they are now a small shell of what they used to be while the Germans and French are literally leading Europe.
He didn't say he was.
No wonder Austria went to war, it's not just the ideological reason as most mention but imagine having a sister you grew up with and they kill her, you'd feel pretty bad especially if you have power answerable to your rage. And besides the funny thing is that it was France that declared war on Europe including Austria first.
Anyone who’s ever struggled with composition, this movie is so perfect for you. ThereMs having natural talent and working your ass off, and feeling pretty great about yourself, but when you meet a true prodigy, it’s profoundly beautiful and shameful. You realize there’s levels to everything. One of my favorite movies ever, and I’m a DIY punk dude.
I played this scene to a group of students. At the end, one kid was like, "So which one was Mozart?"
🤣🤣🤣
Hello from royal County Meath Ireland 🇮🇪 which one is Mozart 🤣
@@royalhilltararanger3947 The correct answer is neither. It is a film 😄
😂😂😂
Classic
However, even with Mozart and Salieri's rivalry for certain jobs, there is very little evidence that the relationship between the two composers was at all acrimonious beyond this, especially after 1785 or so, when Mozart had become established in Vienna. Rather, they appeared to usually see each other as friends and colleagues, and supported each other's work. For example, when Salieri was appointed Kapellmeister in 1788, he revived Figaro instead of bringing out a new opera of his own, and when he went to the coronation festivities for Leopold II in 1790, Salieri had no fewer than three Mozart masses in his luggage. Salieri and Mozart even composed a cantata for voice and piano together, called Per la ricuperata salute di Ophelia, which celebrated the return to stage of the singer Nancy Storace"
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Dystop Misantrop nice Intel. Im happy people are doing research and not having some misguided hatred for Salieri simply because Hollywood put their spin on it.
He had to be a prick to Mozart to establish his character in Last Action Hero.
That is extremely interesting. Thank you.
The play upon which this film is based is in turn based on the story of Cain and Abel. It is only passively influenced by the lives of Mozart and Salieri.
Hard to say really. It is possible that the two had a "falling out" and Sal decided to hatch his plot to "do in" Mozart.
I actually think the original had a bit of tension in it that was appropriate for commemorating the arrival at court of an artistic genius. It was perfectly unresolved.
This is probably my favorite scene in movie history.
Even Mozarts laugh on the last part of the vid, makes u think hes really a GENIUS! HAHAH 😁😆😄😆🤣👍👍👍
"It's full of proper German virtues!" I love the way Mozart tries to sell it!
Beer bratwurst boobs
This scene is very interesting but something that’s not often pointed out is the fact that although Salieri’s march is simpler than Mozart’s transformation of it in Non piu andrai, it’s actually much more appropriate to his audience. Salieri certainly intended for the Emperor to play it or at least study it, and with his skill level not being that great as is evident from the clip, giving him a modest but quite pleasant piece for him to be able to play to satisfaction is the best move rather than something vivid but likely to cause only frustration and embarrassment. It’s not simply Mozart humiliating Salieri here by being a “more skillful composer”. While being technically good, Mozart shows how little sense he has in society just through his playing, parallel the rest of the scene. Just thought I’d share this viewpoint to those of you who may not have interpreted this part of the scene this way, even though it only cements what we already know from the rest of the scene of course.
Very well your analysis......
Its not his fault he was far too prodigious for his own good...
One becomes too advanced in technicality and forgoes simplicity...
Less sometimes is more perhaps..
@@michaelwordlaw2605 Quite brainy but totally plausible. I buy it.
very good analysis, an example of his non-beginner friendly pieces would be the piano sonata k545, which he intended to be for “beginners”
But the emperor wasnt suppost to play it right? He just asked if he could. I think Salieri was suppost to perform the march.
Salieri couldn't openly insult the Emperor by pointing out to Mozart that it was intentionally simple so he to play it.
F. Murray Abraham's performance in this movie is so memorable and strong. He deserves even more accolades. Man was brilliant in this film.
The face of Mozart when he see's the emeperor playing the piano
Love, love, love this movie! When it came out, it was shown at a movie house with two screens. One screen was for current movies and the second was for movies that were more arthouse types and as such, not appreciated by mainstream audiences. The admission was $1.00, and the popcorn had real butter. The movie played 7 nights a week for several months, and sold out each night, with the majority of the audience made up of the same people. They also did this with The Pirates of Penzance. It was wonderful to hear Linda Ronstadt's beautiful voice. I made some good friends because of this experience.
Thank you!
F. Murray Abraham's controlled contempt is priceless..... he got the Oscar for this...
One of the best films of the 80's and another masterpiece by Milos Forman. He just had an incredible knack for perfect casting, tight stories, great lighting and master's sense of TEMPO in directing his actors for great editing. All his films ooze that special feeling, whether it's Cukoo's Nest, Man on the Moon or Amadeus... they just flow perfectly and hold your attention all the way through. It's a shame so many films today are caught up in CGI and impossible stunts with break neck editing. To me the slower the film the more savory.
As I side note: In the 90's I was working a temp job in Tower Record's classical department and who came to the register but... Tom Hulce. He plopped down a ton of CD's and after entering the last one into the register, I told him the amount which was something like $370. He playfully said, "That's too much." I quickly swiped his American Express Card and shot back: "That's too bad." We both laughed. He was super nice.
I love mozart's laughter so much❤
It's as innocent as a child's.
❤️❤️❤️
Love those rumbling riffs in the bass at the end of Mozart's improv....
That laugh at the end just kills me! It's so uncensored and free.
I like how the Emperor gave a little startled "jump" when Mozart laughs at the very end. (You can see his hands holding the music in that final frame.) I wonder if that was scripted, or if the actor was genuinely startled.
Genuinely, in my opinion......
I noticed that too. In the emperor's defence, that is a most unsettling laugh! :)
The king jumping with Mozart's laugh 😂
Amadeus didn't defile Salierei's march, he completed it.
That's one way of looking at it, but I'm sure Salieri saw it differently.
I mean, it's like, I'm not defiling your comment, I'm just completing it (for you).
Since the variation by Mozart was not a march anymore, he can impossibly have completed a march. He completed a variation in completely different style based on the melody of a Salieri's march.
@@u.v.s.5583 "too many notes"
@@MusicTennis There you have it! Too many notes. (Yawns) We think we will turn in and have a nap now.
@@mydogskips2 Yeah, it's still incredibly condescending. Just like those tumblristas who "fix" other artist's work.
"The rest is just the same, isn't it?" Aw, Wolfi... You're doomed.
Yes. How to win friends & influence people.
@@derycktrahair8108 😉 The irony is that Mozart will regard Salieri as his only friend until the very end, unaware of what really happened.
@@vincentmutel7313 not irony, it's Rule 1 on a job interview (ie, don't be smarter that the Boss....you'll get your turn when you're the Boss).
Salieri was a working Musician. Mozart up staged him & made an enemy. What really happened? Lesson = even a genius can't get away with being a smart ass.
I am not doomed let's face it the rest is just the motherfu****ing same!
Now, this is...improvisation. Mozart knew and appreciated the power of improvisation! You don't have to follow the score, note-for-note, all the time, you can create new things, new patterns, explore new territories. To all musicians, don't be afraid to try new things on the piano. Don't just 'follow the notes' all the time. Through this, you also learn the power of composition.
I absolutely love this movie. This scene is one of the best movie scenes of all time. The look on Salieri's face is just priceless! And the quotes - "I think you bet-tah!" and "Did weee?" Awesome movie.