Outrageously joyous and wonderful to sit alongside as you open the architecture to us. Thank you for your generosity in sharing the music with us as you do.
I like the way Mr. Henrik describes the music: 'French-flavour' chord, 'deceptive cadence' (in Gymnopedie/Satie). And the comparison of certain cadences to similar cadences in other pieces by other composers. It makes for very interesting listening.
I very much enjoyed this I’m fascinated by the approach, because as a performer you’re taking liberties with the composition I think, adding octaves, choosing a shorter over a longer version, etc. But it was interesting to listen to you do this: several useful tips relevant to composing
Love your analysis of this beautiful pavane. I also like your shortened version of the piece--it suits the solo piano. I think Faure is often overlooked as a great composer. His Requiem is a favorite of mine.
A brilliant analysis of both the performance and the composition of this riveting piece of music. Adding octaves near the end tastefully heightens the melody. Explaining the 5ths and 3rds jumps in the melody is something I would never have considered. You’ve given structure and logic to this remarkably creative piece of music.
It would be great if you could write the chords in all your analysis so we could understand better the harmony of all songs. That would be so helpful. You some times do this but only in some parts of the pieces. Hope this is not to ask too much from you and the great job you do in making all these videos and sharing you knowledge to all of us around the world. No words to thank you enough.
First piano music I would like to play! I got it in my head for over a week. Amazingly beautiful. Surprisingly I can do it with both hands!?! As a beginner, this music has magic! I have watched your other video, your performance has magic too !!
I always found Faure (and Ravel) to have a kind of antique sound, their harmonies evoke some middle age landscape to my mind, although the writing conventions they use are from a more modern era, so i never understood how they pull that off. Maybe 2 good examples of that are this E minor on the 2nd variations of the first section, and the the E major in the middle section. Thanks for underlying that, this is really interesting. (By the way I'm french, and you made me laugh with that "french flavoured cadence" ^^ i totally see how it fits with this stereotype of romantism. I think you got a lot of them in Carmen's most popular theme !)
Very nice piano arrangement Henrik and I quite like your added notes to make it richer in the 2nd half. I suspect there is a typo on the score at measure 34, the first note in the bass should clearly be a C# not an E(#), just like in measure 9. I am enjoying your videos so much I have subscribed on patreon : thanks!
Thanks, great to have you as a patron! :) Yes of course it should be C# there, they have it as a correction printed about the arrangement imslp, I have noted it in my physical copy which I play from, but I forgot to mark it in the video!
Thank you for another beautiful analysis. Do you plan to make videos of the full performance on your grand piano? How about replaying some of the old songs you've already played on your new equipment? It sounds really good :3
Hello Mr Secrets, I was actively looking online for analysis of this exact piece (Fauré Pavane) and this was great. I have so many questions about it. The biggie is - and I've found other forums online asking the same - "Why is Fauré's Pavane so damnably hard to memorise"? The answers are few and aren't all that instructive. My memory's not brilliant, but I do have a Chopin Ballade and two Scherzos (Berceuse, couple of waltzes etc.) packed away in there, along with Ravel, Beethoven (etc., again) and a whole evening of jazz standards. Yet the Fauré Pavane has a uniquely slippery property to it that resists memorisation (for me). The version I'm using is a bit more complicated than yours - it picks out a voice in the upper tenor notes which makes an extremely beautiful counterpoint - but that's also common in, say, Chopin. For what sounds like such an innocent tune (it's like Greensleeves but in French), its harmonic complexity is very dense - shifts from major to minor, chromaticism. Is it that the superficial simplicity lulls me in to a kind of torpor of the concentration?
Wonderful! I love it! On a somewhat related note, have you done anything with the Ravel Piano Concerto in G, 2nd movement, as a piano solo arrangement? It would be great!
The major/minor interplay suggests reflective hope. It is in fact v Spanish. Your analysis is great. Thank you. The bare harmonies don't need padding though in order to appreciate the Moorish mood, which is probably fairly Spartan?
I actually play it in a separate video this time! th-cam.com/video/rim0duvrxJ4/w-d-xo.html (but I don't do it for all pieces, it depends if it's repertoire that I'm comfortable enough with to do a proper performance recording of it)
After 42 years of not playing piano, I am learning this piece, beautiful piece 😊
Outrageously joyous and wonderful to sit alongside as you open the architecture to us. Thank you for your generosity in sharing the music with us as you do.
Your expertise along with your true love for these beautiful pieces are greatly appreciated
I love this. To me it seems like there's a lot of tension but at the same time very peaceful. Beautiful. Thank you.
Love your lessons. Thank you from Brazil
I like the way Mr. Henrik describes the music: 'French-flavour' chord, 'deceptive cadence' (in Gymnopedie/Satie). And the comparison of certain cadences to similar cadences in other pieces by other composers. It makes for very interesting listening.
I very much enjoyed this
I’m fascinated by the approach, because as a performer you’re taking liberties with the composition I think, adding octaves, choosing a shorter over a longer version, etc.
But it was interesting to listen to you do this: several useful tips relevant to composing
You are the best
Excellent analisys, thanks a lot!
Love your analysis of this beautiful pavane. I also like your shortened version of the piece--it suits the solo piano. I think Faure is often overlooked as a great composer. His Requiem is a favorite of mine.
Thanks! I have one more Faure piece coming up soon :)
I love his requiem too ! To me Fauré is among the french impressionist trio that i respect above all (with debussy and ravel)
A brilliant analysis of both the performance and the composition of this riveting piece of music. Adding octaves near the end tastefully heightens the melody. Explaining the 5ths and 3rds jumps in the melody is something I would never have considered. You’ve given structure and logic to this remarkably creative piece of music.
It would be great if you could write the chords in all your analysis so we could understand better the harmony of all songs. That would be so helpful. You some times do this but only in some parts of the pieces. Hope this is not to ask too much from you and the great job you do in making all these videos and sharing you knowledge to all of us around the world. No words to thank you enough.
First piano music I would like to play! I got it in my head for over a week. Amazingly beautiful. Surprisingly I can do it with both hands!?! As a beginner, this music has magic! I have watched your other video, your performance has magic too !!
Beautiful, you are so talented!
Fauré's greatest hits for me include his Élégie for Cello and orchestra...
Thanks for the video! Another analysis from you that inspires me to learn smth new on piano!
My pleasure! :)
Wonderful! Thanks for the insight. This is the 1st video that I have seen from you.
I always found Faure (and Ravel) to have a kind of antique sound, their harmonies evoke some middle age landscape to my mind, although the writing conventions they use are from a more modern era, so i never understood how they pull that off.
Maybe 2 good examples of that are this E minor on the 2nd variations of the first section, and the the E major in the middle section. Thanks for underlying that, this is really interesting.
(By the way I'm french, and you made me laugh with that "french flavoured cadence" ^^ i totally see how it fits with this stereotype of romantism. I think you got a lot of them in Carmen's most popular theme !)
Very nice piano arrangement Henrik and I quite like your added notes to make it richer in the 2nd half. I suspect there is a typo on the score at measure 34, the first note in the bass should clearly be a C# not an E(#), just like in measure 9.
I am enjoying your videos so much I have subscribed on patreon : thanks!
Thanks, great to have you as a patron! :)
Yes of course it should be C# there, they have it as a correction printed about the arrangement imslp, I have noted it in my physical copy which I play from, but I forgot to mark it in the video!
Thank you for another beautiful analysis.
Do you plan to make videos of the full performance on your grand piano?
How about replaying some of the old songs you've already played on your new equipment? It sounds really good :3
Yeah, there will hopefully be performance videos going forward! It's a good idea to revisit the "old" repertoire again...
Hello Mr Secrets, I was actively looking online for analysis of this exact piece (Fauré Pavane) and this was great. I have so many questions about it.
The biggie is - and I've found other forums online asking the same - "Why is Fauré's Pavane so damnably hard to memorise"? The answers are few and aren't all that instructive.
My memory's not brilliant, but I do have a Chopin Ballade and two Scherzos (Berceuse, couple of waltzes etc.) packed away in there, along with Ravel, Beethoven (etc., again) and a whole evening of jazz standards. Yet the Fauré Pavane has a uniquely slippery property to it that resists memorisation (for me).
The version I'm using is a bit more complicated than yours - it picks out a voice in the upper tenor notes which makes an extremely beautiful counterpoint - but that's also common in, say, Chopin.
For what sounds like such an innocent tune (it's like Greensleeves but in French), its harmonic complexity is very dense - shifts from major to minor, chromaticism. Is it that the superficial simplicity lulls me in to a kind of torpor of the concentration?
Just beautiful! Do you offer an easier version of Faure's Pavane or a tutorial/analysis for the second portion?
Thanks! Well, I plan on doing an easy arrangement of this in a new volume early next year, so stay tuned!
Wonderful! I love it! On a somewhat related note, have you done anything with the Ravel Piano Concerto in G, 2nd movement, as a piano solo arrangement? It would be great!
I haven't played the Ravel piano concerto but it's a great work! It's solo in the beginning all right, not sure about the other sections...
If you like this music you must listen: "Oriental" Enrique Granados (spanish clasical music)
Such similarities! The piece even sounds as if it's by Granados!
Have you tried edition peters version?
The major/minor interplay suggests reflective hope. It is in fact v Spanish. Your analysis is great. Thank you. The bare harmonies don't need padding though in order to appreciate the Moorish mood, which is probably fairly Spartan?
Wonderful, as always! May I ask what make and model is your piano?
Thanks! It's a Yamaha C3, ca 50 years old.
Thank you for such great content. Would love to see a video analyzing the beautiful Ciacona in F minor from Johann Pachelbel.
Sounds quite modern!
Piano rendition is ear-pleasing though I admire the orchestral & choral version most.
doesn't the ending of the initial phrase melody remind you the piece "Song from a Secret Garden"?
Can you analyze Alban Berg’s sonata?
I wish you would have played it altogether at the end like you usually do, i was really looking forward to it 😓
I actually play it in a separate video this time! th-cam.com/video/rim0duvrxJ4/w-d-xo.html
(but I don't do it for all pieces, it depends if it's repertoire that I'm comfortable enough with to do a proper performance recording of it)
@@SonataSecrets well so far all of your videos that i've watched, i love how you play the pieces 😀. Thank you for your analysis and beautiful playing.
there is some similarity to ravel's pavane!
I would like a Prokofiev analysis, What a Great Analysis
The first melody line is literally the beat from X-zibit - Paparazzi 😅
it is the other way around. hehe
@@CarlosAugustoScalassaraPrando Yeah, definitely. Just funny how I never noticed it before lol
Sounds like Davy Jones theme.
Is it just me or did the composer who wrote for The Godfather love Faure?
off topic but my 'bring back the downvote' addon is broken. unless this video has 137,135 upvotes lol
First?
The pianist is very good. But personally I have always found this piece very boring!
No one cares!
@@williamedwards1528 Er..o.k....if you say so.