@@joeymusic Miami, Thank You Brother! I have been working on a very challenging mix of my acoustic 2 djembe, bass drum and high hat compositions . . . Cleaning up and balancing the bass tones from the two djembes and the bass drum, plus the high and mid tone melodies from the djembes, and then high hat . . . Needless to say , thins project has got me digging much deeper into the world of EQ . . . Adding the Infinity EQ and Eiosis Air EQ Premium has been a game changer . . . Yet knowing what to boost has to go alaong with knowing what to reduce . . . And here You come in . . . Right On Time . . . ! . . . 🙂 (-; . . . I look forward to seeing more of your very excellent work . . . Peace and Blessings, One Love :-) Be (-;
..I like the way you explain....nice balance between talking and actually showing.some dudes just want to give lectures and talk for 5 minutes before actually showing you. thank you. subscribed.
Right as the 700 hz example started, a trash truck outside started backing up, and I was like "🤯 this foo's not playing! 🤯" I'll keep an eye on that frequency now. Thanks!
Why would you ever use a Segway when your last names walker? 😂 but seriously, thanks for subbing. I’m gonna keep the transitions coming (it’s literally part of my shtick) -Miami
There are no bad frequencies, everything sounds bad when you boost it enough. Its all about context. Some frequencies tend to build up across tracks so it makes sense to tame them for balance..or not. It all depends on the mix. So yet the title is clickbaity and inaccurate but actually there is some good info here, keep an eye on these frequencies as some of them are prone to buildup, especially 350-500, idk if thats on this list or not. Trust your judgement, over cutting can remove character which is bad too
I'm surprised we still have videos showing the boost and sweep technique used on everything. EQs are resonators and will resonate any frequency and make it sound nasty if boosted enough. That is why Pro Q 3 is so great, you can sweep without the boost and listen to a region without the nasty resonance. But yes, the frequency ranges listed can be and often are troublemakers and it makes sense to check them out, but they shouldn't be mindlessly cut every time.
That's why i always cut around 2 or 3 db on those frequencies. That way u can take a little proportion of what annoys you and still keep the essence of the frequence
Though you guys are right, it’s still good to listen to the theories behind theses frequencies, so you understand what 5th sound like and what it means. Also why an engineer makes certain decisions.
if you actually watch the video he says multiple times not to just mindlessly cut the frequencies mentioned in the video, and he even specifically mentions the 300hz and 700hz areas (it's even in the description lol) and that the areas that he mentions in the video might be out by 100hz or so depending on your mix, so congrats on looking like a fuckwit
When it comes to all frequencies between 3k and 5k, especially on guitars, beware of how much you cut. If you remove too much, some other bell will become annoying. An exapmle is right here on this video. At 4:03, when the first resonance was cut that much, another one appears and it sounds even worse.
Humans have a secondary perception of sound through our skin and the air movement. That's why, it was shown that recording in 96 KHz makes difference from 44.1 KHz despite we may not be able to hear the entire spectrum. In fact, the sound waves interact between each other at different frequencies and it doesn't mean that if we can't hear the high bands, they don't affect the ones we can.
My favorite thing you said, sometimes you listen to old mixes you’ve done and now see that you could have improved them so much with better eq… I love that, that is sooo true. I have done this exact thing. We all are always looks for new and better tricks, but literally… a great EQ knowledge & ear goes beyond what most would expect.
In my experience, out of all these frequencies you have mentioned, the one that is the most problematic is 400 Hz especially on bass. Dipping that frequency (or around that area - depending on the track) by around 1 or 2 dB might help clean the mix and if the mix is relatively sparse then it also provides an excellent separation.
The 4K frequency, before I knew the name and source, I called "The Cicada/Insect Frequency." Megadeth's Endgame record SUFFERS from this awful frequency. It makes it hard to listen to sometimes.
There's actually some science behind the ghost frequencies, or infrasound, that can be expertly crafted and utilized for horror movies to make the audience feel tension.
You should try even lower, no joke. rolled off at 7k in a mix and, BOOM, clarity. Highly dependent on the mix of course, but if you have a full loud rock mix, the cymbals will take care of anything around 10k. The guitars just muddy up that range
As my piano instructor likes to say: "There's no such thing as perfect in music." However, learning how to improve at what you're weakest at is going to benefit you forever.
Yea but for someone just starting off, it's good to have a clear starting point, especially if you have multiple sources that disagree with each other, because you can test which advice gets you closer to your goal. It's more useful to get clear instruction and advice than to listen to people in the comments who are desperate to be the most objectively correct guy with useless and vague advice
Thanks so much man, I'm making backing tracks and I'm trying to mix them myself but I find it hard to recognise the spots on the EQ that make it sound so shitty, this helps a lot!
Just remember to search around for the frequency areas and to remember the SOUND of what you’re trying to remove. This is what will help you become a pro! -Miami
If a frequency doesn’t jump out at you in the mix, don’t mess with it. Boosting any frequency is gonna make it sound horrible. If something jumps out at you, sweep around to find it then cut a bit. If that doesn’t fix it, then maybe re-record it. No reason to just automatically cut stuff without any purpose.
Hi! I am not friends with English at all, so I use a translator on the Internet! I immediately apologize for the possibly inaccurate or poor translation! In Russia, dark-skinned people cannot be seen practically. They simply don't exist! Well, yes, there are dark-skinned: Chechens, Azerbaijanis, Kyrgyz and so on. But every time you look at how a dark-skinned man speaks and explains, by the way, we usually say that he is African-American, then there are always notes of subtext in his voice, like - Hey, man, why are you sitting? Go and do it! It won't do itself! Let's! show what you are capable of! In general, thanks for the lesson... Greetings from the Southern Urals, Chelyabinsk, Russia.
This was a very comprehensive list of very useful pointers and will be applied to future mixes as needed! Thank You! The Shure pun at the end of the video was pure gold too! Cheers to Miami and JST!
That 700 was a new one for me. Hearing it soloed in pro q is eye opening. I guess I should think about investing in the fab filter eq as it does have some handy features. Do you find 200hz to be an area of build up? I find myself cutting that in a lot of tracks. You use 300 as an example, but if tuning down I guess that might be similar.
Just wanted to say thanks for these videos. This one in particular really changed my game. I couldn’t keep mixing this week without coming back and saying thank you. You fuckin rule dude!
Yeah 4k is definitely annoying, and it'll creep up on you if you've listened to your mix long enough. Aside from what was already mentioned, keep your ears out for this frequency in your overheads and cymbals too. It can get annoying there too. Also transition game INSANE
I once 'read somewhere' that with bass if you can't hear the note then boost 3-400hz. So after watching this video I tried CUTTING that hz. Far out that's the little bit of golden advice I needed for my bass. THX MAN, subbed and liked =]. From down under........
Thanks Brad! I thought they made huge differences as well! I’m hoping this will help some people identify these offending frequencies more easily! -Miami
@@joeymusic not really messing up my mix I was just looking for a little more clarity (it was a choir recording with only a stereo pair being used) so I took out some 4K and it was night and day
A 10 khz shelf on distortion guitars makes a lot of sense. 300 hz in the bass guitars makes sense… I’m always suspicious of just taking a hammer to everything though… and I actually generate frequencies down to 10hz on all my mixes since I have the capability to reproduce down to 10hz; but I get that most people don’t. I DID finally figure out how to phase-lock sub bass, bass, and kick drums though, which kinda makes me want to go back and redo all my mixes 😝
slaughter to prevail is the only band that can get away with that 4k 😂 great video! i hope i can use some of these and impress my audio engineering professor!
I mostly use dynamic equalisers in heavy sounds instead of regular ones because of the phase shift it causes while using the high pass filter. The sound topography just changes. 350 Hz sure is pure mud but I just love 4-8 kHz can't get enough. :-)
This was pretty helpful - I'm doing vocals mainly and the game changer for me was not cutting past 10,000Khz other wise it would get boxier and boxier until it muffles and cutting always cutting 80-100hz on the low end 🎉
Yo im def trying this. The 700hz i had no clue, I know 300-600hz for boxy sounds, but I'm trying the 700 instead for this one mix that kept giving me issues. Thanks for the tip! Also I know I'm late, but just got menace and skybox last night. And im very impressed. I also have been around for a while, I purchased a copy of desuckulator when it came out, so 4k is never an issue!!! (I wish yall would bring it back, I actually use it a lot)
You’ll notice that it sticks out a lot once you remove it from something and put it back. It’s a hard sound to forget. And menace and skybox are great tools for the arsenal! -Miami
I m happy i take care of these all every time ,but sometimes is cut a narrow 4kis and tend to boost alot of 5k😅,nearly same but gives a silk sound so !!
Bruh straight facts 💯 these frequencies are almost always problem areas when mixing haha I’ve been mixing for a long time and wanted to check this video. Dope content, really enjoyed it ✊🏾
![ว้าว!ลุงบีมแบกทองมารับขวัญหลานกันยกบ้าน [cc] แดนแพทตี้ SS2 | EP.49 |](http://i.ytimg.com/vi/Osihq1OAs-4/mqdefault.jpg)
no words could ever describe how much this helped me with my mix! damn son!!!!!! i am your number 1 fan now...
So glad that I could help! A lot of times it’s the little things that change the game for us and I’ll keep sharing as much knowledge as I can.
-Miami
Equalization in my opinion is the single most important skill to master in all of making music on a computer.
@@joeymusic
Miami,
Thank You Brother!
I have been working on a very challenging mix of my acoustic 2 djembe, bass drum and high hat compositions . . . Cleaning up and balancing the bass tones from the two djembes and the bass drum, plus the high and mid tone melodies from the djembes, and then high hat . . . Needless to say , thins project has got me digging much deeper into the world of EQ . . . Adding the Infinity EQ and Eiosis Air EQ Premium has been a game changer . . . Yet knowing what to boost has to go alaong with knowing what to reduce . . . And here You come in . . . Right On Time . . . ! . . . 🙂
(-;
. . . I look forward to seeing more of your very excellent work . . .
Peace and Blessings,
One Love :-) Be
(-;
omg I know right!! cut dat sonar out and that snare finally starts crackin!
man....would never have known 8 minutes would change my game forever lol
Great info! Will definitely be taking a look at 700. As my only client, I will be sure to thank me! 😀
Idk why the only client joke got me so good... probably cause it's so relatable 🤣
gotta give your self the vip treatment
The “I’ll be sure to thank me” is what got me lmaoo that was amazing
Knowing this stuff makes you a better musician
The simplicity of the flow of information.... ❤
Oh my god... That 4k frequency on guitars!!!
Something that truly can never be unheard.
It's so essential for high gain guitars, really allows you to crank the overdrive if you know where it (really seriously most likely) needs a cut.
..I like the way you explain....nice balance between talking and actually showing.some dudes just want to give lectures and talk for 5 minutes before actually showing you. thank you. subscribed.
I can’t watch those kind of content creators tbh 😩
-Miami
Right as the 700 hz example started, a trash truck outside started backing up, and I was like "🤯 this foo's not playing! 🤯" I'll keep an eye on that frequency now. Thanks!
It’s crazy, right?!it usually pokes out around 5-700 and it’s impossible not to hear it once you’ve heard it
-Miami
Like it was meant to happen lol
My favorite info vids on TH-cam. Short and sweet and just enough flair.
This is legit all that I strive for! Tyvm🥲
-Miami
@@joeymusic love ya!
Your segways are so smooth, I don't even want to walk again. I just discovered your channel. Unique approach to tutorials. You have a new sub.
Why would you ever use a Segway when your last names walker? 😂 but seriously, thanks for subbing. I’m gonna keep the transitions coming (it’s literally part of my shtick)
-Miami
“ You have a new sub.”. That means two things 😏😝
There are no bad frequencies, everything sounds bad when you boost it enough. Its all about context. Some frequencies tend to build up across tracks so it makes sense to tame them for balance..or not. It all depends on the mix. So yet the title is clickbaity and inaccurate but actually there is some good info here, keep an eye on these frequencies as some of them are prone to buildup, especially 350-500, idk if thats on this list or not. Trust your judgement, over cutting can remove character which is bad too
I'm surprised we still have videos showing the boost and sweep technique used on everything.
EQs are resonators and will resonate any frequency and make it sound nasty if boosted enough.
That is why Pro Q 3 is so great, you can sweep without the boost and listen to a region without the nasty resonance.
But yes, the frequency ranges listed can be and often are troublemakers and it makes sense to check them out, but they shouldn't be mindlessly cut every time.
That's why i always cut around 2 or 3 db on those frequencies. That way u can take a little proportion of what annoys you and still keep the essence of the frequence
Though you guys are right, it’s still good to listen to the theories behind theses frequencies, so you understand what 5th sound like and what it means. Also why an engineer makes certain decisions.
if you actually watch the video he says multiple times not to just mindlessly cut the frequencies mentioned in the video, and he even specifically mentions the 300hz and 700hz areas (it's even in the description lol) and that the areas that he mentions in the video might be out by 100hz or so depending on your mix, so congrats on looking like a fuckwit
@@xratjarx6714 and where in my comment I said that he said to just cut without thinking? I just said to not do it mindlessly, not that he said that.
When it comes to all frequencies between 3k and 5k, especially on guitars, beware of how much you cut.
If you remove too much, some other bell will become annoying.
An exapmle is right here on this video.
At 4:03, when the first resonance was cut that much, another one appears and it sounds even worse.
I love how direct and informative these videos are. I don't think I've been looking at the 300 range on my bass track so I will go do that now!
I’m so glad that they’re helpful to you! What would you like to see next?
-Miami
Nuff respect! Best eq vid on TH-cam
Thanks so much Samuel! I’ll keep trying to pump out quality material as long as everyone keeps watching!
-Miami
Humans have a secondary perception of sound through our skin and the air movement. That's why, it was shown that recording in 96 KHz makes difference from 44.1 KHz despite we may not be able to hear the entire spectrum. In fact, the sound waves interact between each other at different frequencies and it doesn't mean that if we can't hear the high bands, they don't affect the ones we can.
Miami been puting out the best videos ln JST. Entertaining yet still knowledgeful
Mr Miami sir....Great advice and nice presentation!! ty!!
My favorite thing you said, sometimes you listen to old mixes you’ve done and now see that you could have improved them so much with better eq… I love that, that is sooo true. I have done this exact thing. We all are always looks for new and better tricks, but literally… a great EQ knowledge & ear goes beyond what most would expect.
In my experience, out of all these frequencies you have mentioned, the one that is the most problematic is 400 Hz especially on bass. Dipping that frequency (or around that area - depending on the track) by around 1 or 2 dB might help clean the mix and if the mix is relatively sparse then it also provides an excellent separation.
Yeah, it’s always in that 3-400 area that gets nasty
-Miami
I have used so many hours on my eq. This is the first time someone made me understand. Direct do this info! Im so happy. Thank you so much man. ❤
The 4K frequency, before I knew the name and source, I called "The Cicada/Insect Frequency." Megadeth's Endgame record SUFFERS from this awful frequency. It makes it hard to listen to sometimes.
Interesting! I have to go back and check for that now lol
-Miami
Thank you so much , your transition game IS still crazy!
All my love for you bro!
There's actually some science behind the ghost frequencies, or infrasound, that can be expertly crafted and utilized for horror movies to make the audience feel tension.
Love videos like this. I need some tips on recording clean/screaming vocals next!
Woo! I’m ALWAYS up for some vocal recording videos
-Miami
@@joeymusic PLEASE DO BRO. Different effects and transitions with vocals structures would be awesomeeeee
So glad you showed the 10K rolloff....great tool. GREAT CONTENT!!!
You should try even lower, no joke. rolled off at 7k in a mix and, BOOM, clarity. Highly dependent on the mix of course, but if you have a full loud rock mix, the cymbals will take care of anything around 10k. The guitars just muddy up that range
As my piano instructor likes to say: "There's no such thing as perfect in music." However, learning how to improve at what you're weakest at is going to benefit you forever.
Yea but for someone just starting off, it's good to have a clear starting point, especially if you have multiple sources that disagree with each other, because you can test which advice gets you closer to your goal. It's more useful to get clear instruction and advice than to listen to people in the comments who are desperate to be the most objectively correct guy with useless and vague advice
Totally agree!
This is a precise mixing tips. Thank you for sharing!
Thanks Feraldy! Got some new vids dropping this week!
-Miami
Thanks so much man, I'm making backing tracks and I'm trying to mix them myself but I find it hard to recognise the spots on the EQ that make it sound so shitty, this helps a lot!
Great Explanation
Thanks for the info. I will be testing the numbers (frequencies) in the stuff I have done.
Just remember to search around for the frequency areas and to remember the SOUND of what you’re trying to remove. This is what will help you become a pro!
-Miami
This made my mix instantly better, thanks sir you got a new subscriber
If a frequency doesn’t jump out at you in the mix, don’t mess with it. Boosting any frequency is gonna make it sound horrible. If something jumps out at you, sweep around to find it then cut a bit. If that doesn’t fix it, then maybe re-record it. No reason to just automatically cut stuff without any purpose.
2:00 the transition game is strong in this one haha!
Lmao, appreciate you bro! I try to keep em fresh!
-Miami
Too strong i had to like and subscribe!
this is great , thank you v much , already used the 4k one after watching this on a problematic mix , really appreciated
Sick! Did it make a huge difference for the mix?!
-Miami
Love those type of content. Slowly getting better.
Thanks for sticking with us through the growth! 🙏🏿
-Miami
My frequency i always cut out is in between 2k and 3k , super thin q though , really makes the vocal sound smoother without causing an issue
Yup, just found my new favourite TH-camr.
Appreciate that a ton!
-Miami
I love you for this 🥹
Love the variety of proof.
+1 to Demolisher 🤘
Dude, this video is very helpful, great examples and very concise. Thanks.
I’m glad it was helpful! I try to use examples that get the point across perfectly, so thank you for that!
-Miami
It’s good to see these cuts in this genre. Thanks
Hi! I am not friends with English at all, so I use a translator on the Internet! I immediately apologize for the possibly inaccurate or poor translation! In Russia, dark-skinned people cannot be seen practically. They simply don't exist! Well, yes, there are dark-skinned: Chechens, Azerbaijanis, Kyrgyz and so on. But every time you look at how a dark-skinned man speaks and explains, by the way, we usually say that he is African-American, then there are always notes of subtext in his voice, like - Hey, man, why are you sitting? Go and do it! It won't do itself! Let's! show what you are capable of! In general, thanks for the lesson...
Greetings from the Southern Urals, Chelyabinsk, Russia.
God i Love this channel!
Even tho the sample stopped, can’t you still hear it 👂🏽😂😂 YES I can
this video makes me see from anothe eye what am i doing on my crap mix, THANK YOU! YOU'RE AMAZING!
So glad to be able to help!
-Miami
This was a very comprehensive list of very useful pointers and will be applied to future mixes as needed! Thank You! The Shure pun at the end of the video was pure gold too! Cheers to Miami and JST!
That 700 was a new one for me. Hearing it soloed in pro q is eye opening. I guess I should think about investing in the fab filter eq as it does have some handy features. Do you find 200hz to be an area of build up? I find myself cutting that in a lot of tracks. You use 300 as an example, but if tuning down I guess that might be similar.
Yes, some mastering engineers routinely cut at 220Hz for that exact reason
Damn. I thought I was getting pretty good, but I immediately recognized that 700 as the mystery mix destroyer I've been looking for
Ouch! Yep!
Valuable info! Appreciate this! Subscribed!!
Thank you so much!
-Miami
Thank you so much for the help! Always happy to find actual useful information on the internet, keep up the great work!
Great video!
One of my favorite Tutorials of all time on YT. Im dying to hear those songs from the 4k and 10 rolloff sections. Where can i hear them?
Just wanted to say thanks for these videos. This one in particular really changed my game. I couldn’t keep mixing this week without coming back and saying thank you. You fuckin rule dude!
Yeah 4k is definitely annoying, and it'll creep up on you if you've listened to your mix long enough. Aside from what was already mentioned, keep your ears out for this frequency in your overheads and cymbals too. It can get annoying there too.
Also transition game INSANE
Yessss! Cymbals for sure. And I’m trying to level up my transition game every time bro!
-Miami
@@joeymusic And the effort is showing!
Great voice sir
Thanks Vincent! I gotta flex my vocal chords soon on this ep I’m writing!
-Miami
no words man, AMAZING
Fantastic advice. This will definitely help me have some confidence in my eqing.
I learned this the hard way, wish I had a video like this years ago! Thanks!
U got 44k!! Congrats!
All thanks to you guys! Hopefully 50k by the end of the year!
-Miami
I once 'read somewhere' that with bass if you can't hear the note then boost 3-400hz. So after watching this video I tried CUTTING that hz. Far out that's the little bit of golden advice I needed for my bass. THX MAN, subbed and liked =]. From down under........
You got a new sub , great video .Thanks
Appreciate you, Ricky!
-Miami
that is an awesome vocal
Appreciate that! I’ve been slacking but I’m going to start singing a lot more often for vids!
-Miami
Great examples! Night and day improvement.
Thanks Brad! I thought they made huge differences as well! I’m hoping this will help some people identify these offending frequencies more easily!
-Miami
You may have just solved a mixing problem I was having. Thank you! Consider me subbed
That’s awesome Jonathan! Which frequency was messing up your mix?
-Miami
@@joeymusic not really messing up my mix I was just looking for a little more clarity (it was a choir recording with only a stereo pair being used) so I took out some 4K and it was night and day
Great video, thank you!
Glad you enjoyed it, John!
-Miami
A 10 khz shelf on distortion guitars makes a lot of sense. 300 hz in the bass guitars makes sense… I’m always suspicious of just taking a hammer to everything though… and I actually generate frequencies down to 10hz on all my mixes since I have the capability to reproduce down to 10hz; but I get that most people don’t. I DID finally figure out how to phase-lock sub bass, bass, and kick drums though, which kinda makes me want to go back and redo all my mixes 😝
Nice, what’s your method for phase-locking?
Great stuff guys!
Thanks Mark! What’s the most annoying frequency you have to deal with?!
-Miami
Thank you!
thanks mate! this helps me a lot
You’re welcome, Geoff! Are there any in particular that stuck out to you?
-Miami
700Hz is like the resonant frequency of the microphone case / body ;D
Thanks for making this video. It helped me out alot!
such gold here, thanks!
slaughter to prevail is the only band that can get away with that 4k 😂 great video! i hope i can use some of these and impress my audio engineering professor!
Make sure to report back and let me know the results!
-Miami
very interesting. Thanks !
You’re welcome Kurt! Thanks for watching
-Miami
I mostly use dynamic equalisers in heavy sounds instead of regular ones because of the phase shift it causes while using the high pass filter. The sound topography just changes. 350 Hz sure is pure mud but I just love 4-8 kHz can't get enough. :-)
4-8Khz definitely adds the perceived air for mixes.
@@The247t True..! Not going overboard is the best bet.
This was pretty helpful - I'm doing vocals mainly and the game changer for me was not cutting past 10,000Khz other wise it would get boxier and boxier until it muffles and cutting always cutting 80-100hz on the low end 🎉
Thanks. This was really helpful.
Sonor Frequency!!! Exactly!!! Now I am SUBBED!!!!!
Woah, this dude produced like every metalcore/post-hardcore album I listened to in high school. Glad to learn from you man!
The person you’re watching in the video is Miami! Not Joey. But thank you for being here and watching!
Dooooooooope explanation B!!!!!
Thank you so much for this great video ❤️💯
I would say 500 too: Boxiness.
Great Video once again Miami! Love every video, learned something new once again 👍🏻
That makes my top 10 list fa sho! And thanks, Marvin. Trying to step it up every video
-Miami
Yo im def trying this. The 700hz i had no clue, I know 300-600hz for boxy sounds, but I'm trying the 700 instead for this one mix that kept giving me issues. Thanks for the tip! Also I know I'm late, but just got menace and skybox last night. And im very impressed. I also have been around for a while, I purchased a copy of desuckulator when it came out, so 4k is never an issue!!! (I wish yall would bring it back, I actually use it a lot)
You’ll notice that it sticks out a lot once you remove it from something and put it back. It’s a hard sound to forget. And menace and skybox are great tools for the arsenal!
-Miami
thanks -- i've been cutting 400 and 4k but I have not been paying enough attention to 700. cool tip
Great video and nice examples
Thanks Joe! I’m trying to incorporate more examples these days.
-Miami
@@joeymusic i love it!
Yeah, the SubPac helps me dealing with my Lowend Issues that I could neither hear with any sub nor with my ears.
In as much as cutting is important, boosting is necessary after cut
Good video
nice hook
outstanding job
This was very helpful!
I see Miami… I click
Thanx for da tips brooo
Anytime! I’ll make sure to keep them coming at least a couple times a week!
-Miami
I worked on a treble heavy guitar tone in Heavier 7 Strings and i found something interesting by boosting 3k
Makes me want to make a snare sound like sonar for a song.
I m happy i take care of these all every time ,but sometimes is cut a narrow 4kis and tend to boost alot of 5k😅,nearly same but gives a silk sound so !!
Yup, I gotta do a follow up with the best moves!
-Miami
@@joeymusic ohh thats cool!!
@@joeymusic Word. Maybe the opposite too. Top 5 EQ Freqs to boost or focus on to improve a mix.
Bruh straight facts 💯 these frequencies are almost always problem areas when mixing haha I’ve been mixing for a long time and wanted to check this video. Dope content, really enjoyed it ✊🏾
That nails on the chalk board sound, sounded like the Tie Fighter from Star Wars
7:36 What is this beat made from?? I feel like its from a song I heard before. Please help 😱👀
for me, it's always 650 and 2.3K (granted i'm a V30 enjoyer).
I can’t hate 2.3 cuz I love boosting it on vocals sometimes! 650 and 700 kinda do the same thing IMO so it’s always somewhere in there
-Miami
So fun so cool learning that way 👍 … Thank You
What are your tips for vocals?Which freq to cut or boost? Love your video's. Thank you.
Nice vocals!
Thanks so much!
-Miami