I was lucky to be chosen by him to take part in his 3 days workshop and to get to know him in person a few months ago. He's a really great and extremely kind person who is absolutely in love with his job
I love the gearlust/drool look that crosses her face when they go to the main work position with Logic & ProTools :O) VEry interesting, but then this whole series is SO interesting!
Great words of wisdom and tips! A compliment to Homay for being a good listener and letting thoughts get completed in words without constant interjection, refreshing.
I can relate. I have very fond memory’s of a system that I knew intimately, a Roland Sound Canvas SC-88 with an Atari Mega STE running C-Lab Notator. (The predecessor to Emagic Logic.) Despite having much more gear now, I find it impossible to replicate the excitement of the early years of discovery and wonderment, learning the flexibility of MIDI, through CC’s like expression, portamento and resonant filters, exploring the science (?) of chords, what chords went with what chords, the different types of chords, 7ths, augmented etc, and with just the one sound module, the SC88, discovering what sounds fulfilled what role, whether it be an OB String sound, or a more realistic, less synth string sound, or a percussive bell, (I loved SC88’s Music Box). I had a very objective workflow, I knew how to get what I wanted and exactly where it was. It was so exciting and I had a fraction of the gear I have now. Sigh...
I chose Daylight over Sound Proof too. It’s a pain at times but I’ve no regrets.. yet lol. Great episode, thank you Spitfire & Homay for putting this together
I always find it funny to see these CS80's in studios - as far as I understand theres only a limited amount left and when i watch videos i keep seeing them - which says to me there are millions of CS80s around , cause I keep seeing them - which makes me think if I start going around the 2nd hand shops I will probably find a couple of them - its not true that they are rare - cause how come they are in lots of videos - it was never true they are rare - they are everywhere
What a cute little Studio. Hey, keep on doing your thing, and, maybe, sometimes this music thingy he is doing will work out. You never know...! (That was irony. I have learned the hard way that too many people do not know the concept of this^^. What a cool gentle guy and an amazing workspace!)
Heart expressed and heart felt ;). Amazing content. Thank you guys so much for these interviews. I know it comes from roots of passion its impossible it has not.
My humble opinion: I find it really, really boring and uninspiring. Everything in that rooms looks like a hospital or a tax office with its clean white walls and emotionless atmosphere. I don't care for decades old synthesizers or other things with colorful cables or knobs... Grandpa does. It doesn't feel like a studio, it's rather a really boring laboratory. Sorry. Don't wanna be or work there.
I dislike that she doesn't introduce herself and her info isn't listed in the description. I want to know her name and see her own projects and videos.
Is the beard there to stay? Then I'll have to change your profile picture on your composer page. Nice interview btw that we now linked to your page on www.soundtrackportal.com
I'd prefer her, everyday. She didn't say her name and it's not in the description. I haven't looked on the videos to see her information but I haven't seen her in recent ones.
So many studios out there, yet so little good music! Seems like ever since people started building studios with windows that let natural light in, the music has suffered. So many studio tours with guys rambling about how it’s so great to have natural light - seems like these people would be better suited working for a tech startup than recording music. Music made in natural light = garbage.
Interesting point. I grew up musically playing in basements, my parents basement, band practices in other basements. I'm programmed to create in a room with no windows, or at night. Though others may thrive in daylight. His music is garbage?
![PASULOL รามเกียรติ์ ตอนที่ 4 นนทกพบรัก [Ramakien Ep.4: Nonthok in love]](http://i.ytimg.com/vi/tMUQgmZzf_A/mqdefault.jpg)
I was lucky to be chosen by him to take part in his 3 days workshop and to get to know him in person a few months ago. He's a really great and extremely kind person who is absolutely in love with his job
Yeah you can totally see that he is!
Find somebody that looks at you the way she looks at the CS80
I had a love like that once, but she left me for a Prophet-5.
I love the gearlust/drool look that crosses her face when they go to the main work position with Logic & ProTools :O) VEry interesting, but then this whole series is SO interesting!
I'm binge watching these cribs episodes and I practically yelped with delight when Michael pronounced 'ondes Martenot' properly.
Great words of wisdom and tips! A compliment to Homay for being a good listener and letting thoughts get completed in words without constant interjection, refreshing.
great interview..she knows how to keep it flowing..
Like the way he miked the Wurli... 🎹☮️🔥
Awesome interview, thanks Spitfire!
I can relate. I have very fond memory’s of a system that I knew intimately, a Roland Sound Canvas SC-88 with an Atari Mega STE running C-Lab Notator. (The predecessor to Emagic Logic.) Despite having much more gear now, I find it impossible to replicate the excitement of the early years of discovery and wonderment, learning the flexibility of MIDI, through CC’s like expression, portamento and resonant filters, exploring the science (?) of chords, what chords went with what chords, the different types of chords, 7ths, augmented etc, and with just the one sound module, the SC88, discovering what sounds fulfilled what role, whether it be an OB String sound, or a more realistic, less synth string sound, or a percussive bell, (I loved SC88’s Music Box). I had a very objective workflow, I knew how to get what I wanted and exactly where it was. It was so exciting and I had a fraction of the gear I have now. Sigh...
Great space. If you are going to be spending a ton of time in the studio- Never underestimate the importance of windows.🙂
I chose Daylight over Sound Proof too. It’s a pain at times but I’ve no regrets.. yet lol. Great episode, thank you Spitfire & Homay for putting this together
“…I’ve not killed them” 🥸
He's a great person and composer and she's a great composer as well!!
I always find it funny to see these CS80's in studios - as far as I understand theres only a limited amount left and when i watch videos i keep seeing them - which says to me there are millions of CS80s around , cause I keep seeing them - which makes me think if I start going around the 2nd hand shops I will probably find a couple of them - its not true that they are rare - cause how come they are in lots of videos - it was never true they are rare - they are everywhere
What a cute little Studio. Hey, keep on doing your thing, and, maybe, sometimes this music thingy he is doing will work out. You never know...!
(That was irony. I have learned the hard way that too many people do not know the concept of this^^. What a cool gentle guy and an amazing workspace!)
Great guy and wonderful composer/artist. Love what he and his team are doing with Contemplative Classical
Heart expressed and heart felt ;). Amazing content. Thank you guys so much for these interviews. I know it comes from roots of passion its impossible it has not.
Top episode! What a lovely guy Micheal Price is with so many insightful comments.
brilliant insight!
Aw bless, thanks for the name check, Michael, you lovely man!
He hired you to program presets that aren't "presetty" lol. Love it!
Brilliant episode. Michael comes across as a really nice guy!
I love that the Orchestration book is now a make-shift projector stand.
Talking about his modular I now feel like the weirdo who knows the modules inside and out and read the manuals back to back hahaha
He seems like a nice bloke.
Seems like he's got it sussed. Good words of wisdom and nice job Homay
Fantastic video - thanks for sharing! Btw, the link in the description is currently broken
www.spitfireaudio.com/editorial/cribs/cribs-michael-price/ Here's the new link if you need it!
Lol @23:00 - "to get a character that isn't too 'presetty'" Now that is a word if I ever heard one!
He also reproduces white noise 27:48
Never heard it called a Juno Ten Six before but hey…why not?
Wasn't familiar with the composer, but could there be anyone with a better personality for Sherlock? Really cool interview.
is that a Roland SH-1000 on the front right? That was my first synth.
Who dislikes something like this? Come on...
Watchmaker Fs unbelievable that any human could thumbs down a genuinely talented and kind person.
Watchmaker Fs , algorithms
My humble opinion: I find it really, really boring and uninspiring. Everything in that rooms looks like a hospital or a tax office with its clean white walls and emotionless atmosphere. I don't care for decades old synthesizers or other things with colorful cables or knobs... Grandpa does. It doesn't feel like a studio, it's rather a really boring laboratory. Sorry. Don't wanna be or work there.
@@davidwestonline Great, because you weren't invited and never will be.
I dislike that she doesn't introduce herself and her info isn't listed in the description. I want to know her name and see her own projects and videos.
Nice one
Dude, you could have offered her a chair.
Seen a few of these now, all these guys seem to have a Wurly piano sitting around - don't get it, had meself, glad to see the back of it tbh
Great interview and crib and a lovely female host!!
Is the beard there to stay? Then I'll have to change your profile picture on your composer page. Nice interview btw that we now linked to your page on www.soundtrackportal.com
5:48 ..... CS80
At least I pinned on the right country :)
Who's the girl?
Homay. She works for Spitfire, very talented musician. She just happens to be extremely cute too.
Christian is less distracting.
mwarsell and not in a good way.
I'd prefer her, everyday. She didn't say her name and it's not in the description. I haven't looked on the videos to see her information but I haven't seen her in recent ones.
@@subs4794 her name is Homay Schmitz
This guy must be having a laugh.... Juno 10-6??? Touch osck? Surprised he didn’t call it a cs 8-0
When you think about it, most people mispronounce the name calling it a Juno one oh six.
Does it matter?
Homay please visit my cribs.. it would be inspiring so much to me.
So many studios out there, yet so little good music! Seems like ever since people started building studios with windows that let natural light in, the music has suffered. So many studio tours with guys rambling about how it’s so great to have natural light - seems like these people would be better suited working for a tech startup than recording music. Music made in natural light = garbage.
Interesting point. I grew up musically playing in basements, my parents basement, band practices in other basements. I'm programmed to create in a room with no windows, or at night.
Though others may thrive in daylight.
His music is garbage?
This guy seems like he can’t be trusted.