Great video. Short, easy to understand, makes you feel inside a briefing for a stealth mission. The songs showcased sound good and you even have experience making uk hardcore. Subbing feels like an investment lmao
Those words like "jarring" and "disturbing" seem overdramatic 😅. Imagine, [puts on headphones] 😊... [plays song with those frequencies] 😱😰😣😢. Lol. Still, incredibly informative, and sick background song to go with it 😌👌
What are your opinions on the ozone Ai mastering? I typically gain stage with -6 db of headroom into Ozone on the master and that enhances my track in an interesting way. I’m normally satisfied with the result after a few tweaks and although I’m a very competent engineer I don’t quite feel like I have the most control within ozone… 😅maybe it’s my ignorance
Hey, I currently use Ozone 8 mainly for Ref-EQs, Multiband Dynamics, and sometimes Multiband Distortion. For the final limiter, I go with either FabFilter or Invisible, as I felt they were cleaner than Ozone 8’s, though I’m not sure if the newer versions are better. Honestly, I forgot the Master Assistant feature existed, haha. I remember using it in the past but wasn’t satisfied, mostly because of the limiter. I think it's always a good idea to try out AI tools if they can enhance the mixdown. I’ll probably give the AI another try. But if you like the sound, keep using the Master Assistant and maybe try different limiters. IZotope makes awesome products in my opinion!
@@AYJINPLATESI was wondering if you show in any of your content how to make a sound like the one in the track at :59 , I love that distinct sound Thankyou!
@@jordanlam1337 Hey, the background songs are mostly made with samples from Splice to save time, so I didn’t design the synth myself. It’s probably just an auto-panned trance saw with tremolo, lots of reverb, and compression. The tremolo/volume automation is what really defines the sound. It’s a typical "Afterlife" sound and something I've also heard in some Big Room Trance tracks. If you want to find it on Splice, it’s called "FL_FUT_Fx_One_Shot_LFO_Back_n_Forth_135_C#min".
The connection between the Fletcher-Munson curve and pink noise lies in the way we perceive frequencies. Pink noise has a frequency spectrum that corresponds better to human hearing than white noise (which has an equal amount of every frequency), as the higher frequencies are quieter compared to the lower frequencies. This means that pink noise offers a more pleasant sound profile for the human ear. Some audio engineers use pink noise as a reference to adjust their frequency spectrum to match that of pink noise, achieving a well-balanced mix. This helps ensure that their music sounds good at different volume levels. I just reference tracks from artists I like, though.
![เปิดบ้าน โคตรสวย ป๋องกพล รู้จักตั้งนาน เพิ่งรู้ว่ารวย!!! l [Nickynachat]](http://i.ytimg.com/vi/tmgCF_2HfYI/mqdefault.jpg)
Thank you for not making this video 38 minutes long 🙌✌️🖤
as a producer who’s been drawing from edm a lot this year you showed up at the right time
Great video. Short, easy to understand, makes you feel inside a briefing for a stealth mission. The songs showcased sound good and you even have experience making uk hardcore. Subbing feels like an investment lmao
New Sub I love the style!!!
Nice video... I felt like McGyver on a mission.
this is a great video, thank you
nice video man
Always when uploading a song i think "i hit the g spot in music" then i see the views/streams and understand the sad truth
Release with a big label and you'll get the views you want. Getting there is the hard part, though.😄
the quality of this video is very good and very attention grabbing. subscribed, im hoping to watch more.
Those words like "jarring" and "disturbing" seem overdramatic 😅. Imagine, [puts on headphones] 😊... [plays song with those frequencies] 😱😰😣😢. Lol. Still, incredibly informative, and sick background song to go with it 😌👌
What are your opinions on the ozone Ai mastering? I typically gain stage with -6 db of headroom into Ozone on the master and that enhances my track in an interesting way. I’m normally satisfied with the result after a few tweaks and although I’m a very competent engineer I don’t quite feel like I have the most control within ozone… 😅maybe it’s my ignorance
Hey, I currently use Ozone 8 mainly for Ref-EQs, Multiband Dynamics, and sometimes Multiband Distortion. For the final limiter, I go with either FabFilter or Invisible, as I felt they were cleaner than Ozone 8’s, though I’m not sure if the newer versions are better.
Honestly, I forgot the Master Assistant feature existed, haha. I remember using it in the past but wasn’t satisfied, mostly because of the limiter.
I think it's always a good idea to try out AI tools if they can enhance the mixdown. I’ll probably give the AI another try.
But if you like the sound, keep using the Master Assistant and maybe try different limiters. IZotope makes awesome products in my opinion!
Don't use AI, it sucks.
Noob 🧐❌
Pro 😎✅🔥🔥🔥 👈👈👈👈
What's the song?
These are all unreleased tracks I made for the video.
@@AYJINPLATESI was wondering if you show in any of your content how to make a sound like the one in the track at :59 , I love that distinct sound
Thankyou!
@@jordanlam1337 Hey, the background songs are mostly made with samples from Splice to save time, so I didn’t design the synth myself. It’s probably just an auto-panned trance saw with tremolo, lots of reverb, and compression. The tremolo/volume automation is what really defines the sound. It’s a typical "Afterlife" sound and something I've also heard in some Big Room Trance tracks. If you want to find it on Splice, it’s called "FL_FUT_Fx_One_Shot_LFO_Back_n_Forth_135_C#min".
Mixing engineers dont actually think of the equal louness curve they just use their ears
Next time, crank the background music up louder to accentuate your point.
Me no comprende
How does this relate to pink noise? Pink noise is frequency equal across spectrum.
Thats white noise, pink noise is like white but matching with the curve
The connection between the Fletcher-Munson curve and pink noise lies in the way we perceive frequencies. Pink noise has a frequency spectrum that corresponds better to human hearing than white noise (which has an equal amount of every frequency), as the higher frequencies are quieter compared to the lower frequencies.
This means that pink noise offers a more pleasant sound profile for the human ear. Some audio engineers use pink noise as a reference to adjust their frequency spectrum to match that of pink noise, achieving a well-balanced mix. This helps ensure that their music sounds good at different volume levels. I just reference tracks from artists I like, though.
@@AYJINPLATES Yeah, I used the pink noise technique time ago... super useful to balance gains.
I like to boost a little at 10k after matching to pink noise to me its makes a perfect smiley face eq mix
I think this is all cool, but just write a good song and throw it through a little analog bus comp at the end and you’re fine.